Carroll Thayer Berry

Carroll Thayer Berry (September 4, 1886 – January 20, 1978) was an American artist who grew up in Maine, and whose work is often said to be emblematic of New England, especially the seacoast. In addition, he was one of the first U.S. artists to be assigned to camouflage in World War I.

Early life

Berry was born and raised in New Gloucester, Maine, where his father was a dairy farmer. In 1905, reluctant to follow a farming career, he enrolled at the University of Michigan, with the intention of becoming a marine engineer. After completing his undergraduate work, he moved back to New England, where he worked as a mechanical draftsman for an engineering firm in Massachusetts.

Panama Canal

In 1910, Berry joined an architectural firm in

. Subsequently, when Berry was sent back to Panama as an inspector of construction, government officials were so impressed by his artistic abilities that they commissioned him instead to paint a series of large murals of the Canal's construction for the walls of the administrative building.

Camouflage

When Berry returned to the U.S. in 1915, he moved to

(Behrens 2009), where they spent the remainder of the war.

Between the wars

After World War I, Berry settled in

.

During the Depression, Berry and his wife left Chicago and moved back to New England, where they bought a house in

U.S. Navy

. These oil paintings depict the shipyard in full production, at a time when the phrase “the delivery of a destroyer every other Friday” was a common slogan (Hammond).

Artistic life

The Berrys sold their house in Wiscasset following World War II. They bought a home in Rockport, Maine, as well as an old three-story brick building on Main Street (just a short walk from their home), which served as Berry's studio for the rest of his life. It was there, equipped with a 19th-Century printing press, that Berry perfected his printmaking skills, in the process of which he made use of wood engraving, woodcut and linoleum block.

Woodcut is a relief printing process in which carved raised shapes of wood are inked and then printed on paper. Berry would sometimes carve multiple wood blocks for a single print, each block being inked with a different color, such as a beige, blue, orange and so on. Realizing the great demand for some of his prints, he sometimes produced large editions, or returned to reprint the editions. Other works, in less demand, were never reprinted after the first run.

Berry's work is sometimes said to fall within three distinct periods: His early linocuts and oil paintings are experimental, and reflect the changing artistic trends of the early 1900s. In the era of the

in artistic compositions.

In 1978, at age 90, Berry died in a Rockport hospital. He had led an active, fruitful life, and thereby left the people of Maine with a body of work “created with consummate skill and fidelity to their subjects” (Hammond).

References

• "Carroll Thayer Berry" in
  ISBN 978-0-9713244-6-6
  .
• Hammond, Lewis H., “The Romantic World of Carroll Thayer Berry” in Downeast Magazine.
• Rickard, Grenville, "Camouflage: Then and Now" in The Military Engineer, Vol 34 (April 1942), pp. 189–197.
• Elwyn Dearborn, The Downeast Print Maker, Carroll Thayer Berry, Downeast Books, Camden Maine 1983

See also

• Barry Faulkner
• Sherry Edmundson Fry
• Camouflage