Cell (music)

Source: Wikipedia, the free encyclopedia.

The 1957 Encyclopédie Larousse

thematic context". The cell may be distinguished from the figure or motif
: the 1958 Encyclopédie Fasquelle
developed, independent of its context, as a melodic fragment, it can be used as a developmental motif. It can be the source for the whole structure of the work; in that case it is called a generative cell."[2]

A rhythmic cell is a cell without melodic connotations. It may be entirely percussive or applied to different melodic segments.

History

The term "cell" (German: Keim) derives from organic music theorists of the nineteenth century. Arnold Schering adopted the term, along with "melodic kernels" (Melodiekerne) in his analysis of 14th-century madrigal, one of the first uses of Gestalt psychology in music theory.[5]

See also

References