Celts (modern)

Source: Wikipedia, the free encyclopedia.

The modern Celts (/kɛlts/ KELTS, see pronunciation of Celt) are a related group of ethnicities who share similar Celtic languages, cultures and artistic histories, and who live in or descend from one of the regions on the western extremities of Europe populated by the Celts.[1][2]

A modern Celtic identity emerged in

Greco-Roman writers with the pre-Roman peoples of France, Great Britain, and Ireland. They categorised the ancient Irish and British languages as Celtic languages. The descendants of these ancient languages are the Brittonic (Breton, Cornish, and Welsh variants) and Goidelic (Irish, Manx, and Gaelic
variants) languages, and the people who speak them are considered modern Celts.

The concept of modern Celtic identity evolved during the course of the 19th century into the

protectionism, e.g. with the foundation of the Celtic League in 1961, dedicated to preserving the surviving Celtic languages.[3]

The Celtic revival also led to the emergence of musical and artistic styles identified as Celtic. Music typically drew on folk traditions within the Celtic nations. Art drew on the decorative styles of Celtic art produced by the ancient Celts and early medieval Christianity, along with folk styles. Cultural events to promote "inter-Celtic" cultural exchange also emerged.

In the late 20th century, some authors criticised the idea of modern Celtic identity, usually by downplaying the value of the linguistic component in defining culture and cultural connection, sometimes also arguing that there never was a common Celtic culture, even in ancient times. Malcolm Chapman's 1992 book The Celts: The Construction of a Myth led to what archaeologist Barry Cunliffe has called a "politically correct disdain for the use of 'Celt.'"[4]

Definitions

Traditionally, the essential defining criterion of Celticity is seen as peoples and countries that do, or once did, use Celtic languages and it is asserted that an index of connectedness to the Celtic languages has to be borne in mind before branching out into other cultural domains.[5]

An alternative approach to defining the Celts is the contemporary inclusive and associative definition proposed by Vincent and Ruth Megaw (1996) and Raimund Karl (2010). It holds that a Celt is someone who uses a Celtic language or produces or uses a distinctive Celtic cultural expression (such as art or music) or has been referred to as a Celt in historical materials or has identified themselves or been identified by others as a Celt or has a demonstrated descent from the Celts (such as family history or DNA ancestry).[6][7]

Since the

Early Modern period
, and can similarly be described as participating in a Franco-Celtic macro-culture.

Less common is the assumption of Celticity for European cultures deriving from

Averni
.

Celtic revival and romanticism

Further information: Celtic Revival
Gwyneth Vaughan. Front row: Pedwr James, Émile Hamonic, Léna Botrel, Théodore Botrel
, Professor Paul Barbier

'Celt' has been adopted as a label of self-identification by a variety of peoples at different times. 'Celticity' can refer to the inferred links between them.

During the 19th century, French nationalists gave a privileged significance to their descent from the

Napoleon III of France). Basic French history textbooks emphasised the ways in which Gauls ("Nos ancêtres les Gaulois...", 'our ancestors the Gauls') could be seen as an example of cultural assimilation.[12] In the late Middle Ages, some French writers believed (incorrectly) that their language was primarily Celtic, rather than Latin.[13] A similar use of Celticity for 19th-century nationalism was made in Switzerland, when the Swiss were seen to originate in the Celtic tribe of the Helvetii
, a link still found in the official Latin name of Switzerland, Confœderatio Helvetica, the source of the nation code CH and the name used on postage stamps (Helvetia).

Before the advance of

Brythonic languages, as well as a relationship between these languages and the extinct Celtic languages such as Gaulish, spoken in classical times. The terms Goidelic and Brythonic were first used to describe the two Celtic language families by Edward Lhuyd in his 1707 study and, according to the National Museum Wales, during that century "people who spoke Celtic languages were seen as Celts."[8]

At the same time, there was also a tendency to stress other heritages in the

Viking heritage was emphasised, and in Scotland, both Norse and Anglo-Saxon
heritage was emphasised.

A

Gorseddau, the revival of the Cornish language,[14][15] and the revival of the Gaelic games
.

Contemporary Celtic identity

Cloths tied to a tree near Madron Well in Cornwall

The modern Celtic groups' distinctiveness as national, as opposed to regional, minorities has been periodically recognised by major British newspapers. For example, a Guardian editorial in 1990 pointed to these differences, and said that they should be constitutionally recognised:

Smaller minorities also have equally proud visions of themselves as irreducibly Welsh, Irish, Manx or Cornish. These identities are distinctly national in ways which proud people from Yorkshire, much less proud people from Berkshire will never know. Any new constitutional settlement which ignores these factors will be built on uneven ground.[16]

The Republic of Ireland, on surpassing

Objective One funding from the European Union. Scotland and Wales obtained agencies like the Welsh Development Agency, and in the first two decades of the 21st century Scottish and Welsh Nationalists have supported the institutions of the Scottish Parliament and the Senedd (Welsh Parliament). More broadly, distinct identities in opposition to that of the metropolitan capitals have been forged and taken strong root.[clarification needed
]

These latter evolutions have proceeded hand in hand with the growth of a pan-Celtic or inter-Celtic dimension, seen in many organisations and festivals operating across various Celtic countries. Celtic studies departments at many universities in Europe and beyond, have studied the various ancient and modern Celtic languages and associated history and folklore under one roof.

Some of the most vibrant aspects of modern Celtic culture are music, song and festivals. Under the Music, Festivals and Dance sections below, the richness of these aspects that have captured the world's attention are outlined.[17]

Sports such as hurling, Gaelic football and shinty are seen as being Celtic.

The USA has also taken part in discussions of modern Celticity. For example,

Great Hunger was a British atrocity.[18]

Criticism of modern Celticism

In 1996, Ruth Megaw[19] and Emeritus Professor Vincent Megaw[20] of Flinders University in the Antiquity article "Ancient Celts and modern ethnicity" examined ethnic identity particularly in relation to Celtic identity in arguing against critics seemingly motivated by an English nationalist agenda opposed to further integration with Europe who saw modern Celtic identity as a threat.[21][22]

In 1998, Simon James of the University of Leicester [23] in the Antiquity article "Celts, politics and motivation in archaeology" replied to Ruth and Vincent Megaw's article questioning the suitability of the term Celtic in the historic sense.[24] The core of his argument was that the Iron Age peoples of Britain should be considered not as generic Celts, but as a mosaic of different societies, each with their own traditions and histories.[24] Later in 1998, this line of reasoning came under criticism, being labelled an intellectual extension of modern British cultural colonialism, as well as for simplifying the anthropological correlation between material culture and ethnicity. Ruth and Vincent Megaw in the Antiquity article "The Mechanism of (Celtic) Dreams?': A Partial Response to Our Critics."[25] attacked 'Celt-sceptics' for being motivated by English nationalism or anxieties about the decline of British imperial power.

Simon James, in 1998, wrote a response arguing that the rejection of a Celtic past was not 'nationalist' but partly due to archaeological evidence, and usually by a post-colonial and multi-cultural agenda with recognition that Britain has always been home to multiple identities.[26]

Recently, the Insular Celts have increasingly been seen as part of an Atlantic trading-networked culture speaking Celtic languages of the Atlantic Bronze Age and probably earlier.[27]

In 2003, Professor John Collis[28] of the University of Sheffield wrote a book titled The Celts: Origins, Myths and Invention, itself criticised in 2004 by Ruth and Vincent Megaw in Antiquity.[29]

Celtic nations

A map showing the six Celtic Nations of Ireland, Isle of Man, Scotland, Wales, Cornwall, and Brittany
The six Celtic nations within their modern borders are shown in yellow (Ireland, Isle of Man, Scotland, Wales, Cornwall, and Brittany)
Main article: Celtic nations

Six nations tend to be most associated with a modern

Celtic identity
, and are considered the "Celtic nations".

These six nations alone are considered Celtic by the

acrolect of Scottish Gaelic.[33][34]

A number of activists on behalf of other regions/nations have also sought recognition as modern Celts, reflecting the wide diffusion of ancient Celts across Europe. Notable regions include

Northern Portugal, Asturias and Cantabria
.

A Celtic language did not survive in Galicia / Northern Portugal (together Gallaecia), Asturias nor Cantabria, and as such they fall outside of the

Tras-os-Montes) and Asturias "can claim a Celtic cultural or historic heritage". These claims to Celticity are rooted in the long[35] historical existence of Celts in these regions and ethnic connections to other Atlantic Celtic peoples[36][37] (see Celtiberians, Celtici and Castro culture). In 2009, the Gallaic Revival Movement, sponsored by the Liga Celtiga Galaica (the Galician Celtic League), claimed to be reconstructing the Q-Celtic Gallaic language based on the Atebivota Dictionary and Old Celtic Dictionary compiled by Vincent F. Pintado.[38][39][40]

Elements of Celtic music, dance, and folklore can be found within England (e.g.

north of England use Modern Welsh to enable use of Welsh's existing rich cultural basis rather than having to "reinvent the wheel"[43] in much the same way as has been done successfully in Derbyshire,[45] another area where elements of Celtic culture survive.[42]

Similarly, in France outside of Brittany, in

Auvergne chants are sung around bonfires remembering a Celtic god.[46] There are also modern attempts to revive the polytheistic religion of the Gauls.[47][48]

Ancestry

Further information:
Irish names, and Welsh surnames

A profound interest in

family history is noted as a feature of the culture of the Celtic nations and regions and people with a Celtic heritage.[49][50] Historically, some people in Celtic areas could recite their genealogy back though the generations as history, moving rhythmically from one name to another using only Christian names[49] as illustrated by lyrics of the Runrig song Sìol Ghoraidh "The Genealogy of Goraidh".[51]

The genetic disorder hereditary haemochromatosis has by far its highest prevalence rate among people of Celtic ancestry.[52] Other traits far more prevalent among people of Celtic ancestry include lactase persistence and red hair, with 46% of Irish and at least 36% of Highland Scots being carriers of red-head variants of the MC1R gene, possibly an adaptation to the cloudy weather of the areas where they live.[53][54][55]

Although they are not usually considered a Celtic nation, the

Shetland Islands in Scotland have populations of mostly Scandinvanian descent.[58]

Migration from Celtic countries

Main article: Celtic diaspora (disambiguation)
An example of a proposed Pan-Celtic flag created by Robert Berthelier[59]

A significant portion of the populations of the

Welsh diaspora and the Cornish diaspora
.

There are three areas outside Europe with communities of Celtic language speakers:

The most common mother-tongue amongst the Fathers of Confederation which saw the formation of Canada was Gaelic.[60] There is a movement in Cape Breton for a separate province in Canada, as espoused by the Cape Breton Labour Party and others.

In some former British colonies, or particular regions within them, the term

Anglo-Celtic Australian is a term comprising about 80% of the population.[61]

Music

Main article: Celtic music
Further information: List of Celtic choirs
Traditional Galician gaiteiros

The claim that distinctly Celtic styles of music exist was made during the nineteenth century, and was associated with the revival of folk traditions and pan-Celtic ideology. The Welsh anthem "Hen Wlad Fy Nhadau" was adopted as a pan-Celtic anthem.[62] Though there are links between Scots Gaelic and Irish Gaelic folk musics, very different musical traditions existed in Wales and Brittany. Nevertheless, Gaelic styles were adopted as typically Celtic even by Breton revivalists such as Paul Ladmirault.[63]

Breton harpist and Celtic music exponent Alan Stivell at Nuremberg, Germany, 2007

Celticism came to be associated with the

Scottish Highland pipes
to Brittany.

Unaccompanied or

Puirt a beul from Scotland, Ireland, and Cape Breton Island, Nova Scotia, Sean-nós singing from Ireland and Kan ha diskan from Brittany. Other traditional unaccompanied styles sung currently are waulking songs
and psalm singing or lining out, both from Scotland.[71]

The emergence of

folk-rock led to the creation of a popular music genre labelled Celtic music which "frequently involves the blending of traditional and modern forms, e.g. the Celtic-punk of The Pogues, the ambient music of Enya ... the Celtic-rock of Runrig, Rawlins Cross and Horslips."[72] Pan-Celtic music festivals were established, notably the Festival Interceltique de Lorient
founded in 1971, which has occurred annually since.

Festivals

Group of young men and women, wearing white shirts (some with black waistcoats) and black trousers, marching in a parade, in the sunshine. Each is playing a bagpipe. The bag is a claret colour. The entire picture is full of people. Those not taking part in the parade are watching the procession.
Pipers at the Festival Interceltique de Lorient in France
Main article: List of Celtic festivals
See also:
Fest Noz, and Troyl
Further information:
Celtic Reconstructionist Paganism

The Scottish

Fest Noz, Cornish Troyl[73] and Welsh Eisteddfod.[74][75][76]

The Celtic Media Festival is an annual 3-day event that promotes the languages and cultures of the Celtic Nations and Regions in media. This festival takes place in a different Celtic nation every year and has been running since 1980.

The birthdays of the most important Celtic Saints of

Saint Piran's Day,[80] Isle of Man – St Maughold's Feast Day[81] and Brittany – Fête de la St-Yves and Grand Pardon of Sainte-Anne-d'Auray Pilgrimage.[82][83][84]

Attitudes and customs associated with the routine of the year's work, religious beliefs and practices survived the coming of Christianity in the conservative rural areas of much of the Celtic countries.[85] All over these lands there were sacred places which had earned their status in pre-Christian times and which had only been gingerly adopted by the Christian church and given a garnish of Christian names or dedications, hills, stones, and especially wells which can still be seen festooned with rags in observance of an old ritual.[85]

Certain days in the year were marked as festivals, and time was counted forward and backwards from them without reference to the ordinary calendar.

Hallowe'en (evening of the saints), an important day and night and feast among the Celts (in Welsh it is called Calan Gaeaf).[86][88] In Gaelic folklore, it was considered a particularly dangerous time, when magical spirits wandered through the land, particularly at nightfall.[86] The other important feast days that also continued to be celebrated under Christian guise, but often with a pagan spirit were Imbolc (Gŵyl Fair y Canhwyllau in Welsh),[89] the start of lambing, now the feast day of St Brigit and Beltane,[90] the spring feast, now May Day (Calan Mai in Welsh).[86][91][92]

In their pilgrimages the people combined the celebration of a holy place and a holy day.[93] Pilgrimages are still an important feature of country life, particularly in Ireland, Brittany and Galicia.[93] The most impressive pilgrimages include Croagh Patrick on the west coast of Ireland on the last Sunday in July (the beginning of harvest) and Santiago de Compostela in Galicia.[93] The inspiration for famous Celtic singer and harpist Loreena McKennitt's million-selling CD The Mask and the Mirror came in part from a visit to Galicia and in particular Santiago de Compostela.[94] Some of her songs are about Celtic feast days such as All Souls Night about Samhain on The Visit CD which featured in the erotic thriller film Jade starring David Caruso and "Huron Beltane Fire Dance" on the Parallel Dreams CD.[95][96]

Dance

Children dancing around a maypole as part of a May Day celebration in Welwyn, England
St. Patrick's Day parade in Fort Collins, Colorado

To signal the coming of summer and the return of real warmth, on

Hal an Tow.[97][99] Fertility festivals like this used to be celebrated all over Britain.[100]

In the early 1980s seven-time world champion

Celtomania of the last half of the 1990s.[101]

Arts and crafts

Modern Celtic-inspired design involving a circle surrounding a triangle; between them are undulating and crossing patterns. The background is crimson.
Inspired by Bain's monograph on Celtic knots, Steve Ball's knotwork appears on the cover of the Discipline album of King Crimson.

Revival of Celtic art has been seen in the Celtic jewellery that revived ancient traditions based on the museum pieces that archaeologists had recovered.[103] An example is the Claddagh ring produced in Galway since at least 1700, but popularised in the 1840s.[104]

Textile craft industries based on Celtic fisher designs such as Aran jumpers were developed in the early 1900s by enterprising island women to earn income.[105]

Following the authoritative publications on Celtic Art of the

La Tene periods by Joseph Déchelette (1908-1914) and Paul Jacobsthal (1944),[106][107] Scottish artist George Bain popularized the revival of Celtic Art with his bestselling book Celtic Art: The Methods of Construction first published in 1951.[108][109] Irish artist and writer Jim Fitzpatrick started to hold popular attention from the mid-1970s adopting Irish mythology in comic strip form in his series of books and posters Nuada of the Silver Arm.[109][110][111] From the 1980s, public fascination with Celtic Art spawned a small industry in Celtic art books and reinterpretations of ancient Celtic art works, such as the works of Welsh artist Courtney Davies.[109][112]

Literature and mythology

Main articles: Celtic literature and Celtic mythology

Similarly, there has been a rebirth of interest in fantasy fiction based on Celtic themes inspired by history and the vast body of Celtic myths and legends.[109]

See also

Citations

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General and cited references

External links

Music
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