Charles-Marie Widor
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Charles-Marie Widor | |
---|---|
Born | Charles-Marie-Jean-Albert Widor 21 February 1844 Lyon, France |
Died | 12 March 1937 Paris, France | (aged 93)
Nationality | French |
Occupation(s) | composer, organist |
Charles-Marie-Jean-Albert Widor (21 February 1844 – 12 March 1937) was a French organist, composer and teacher of the late Romantic era.[1] As a composer he is known for his ten organ symphonies,[2][3] especially the toccata of his fifth organ symphony, which is frequently played as recessional music at weddings and other celebrations.[4]
As of 2022, he is the longest-serving organist of
Widor was a prolific composer, writing music for organ, piano, voice and ensembles. Apart from his ten organ symphonies, he also wrote three symphonies for orchestra and organ, several songs for piano and voice, four operas and a ballet. He was one of the first composers to use the term "symphony" for some of his organ compositions, helped in this by the organs built by Aristide Cavaillé-Coll.
Life
Widor was born in
In January 1870, with the combined lobbying of Cavaillé-Coll, Saint-Saëns, and Charles Gounod, the 25-year-old Widor was appointed as "provisional" organist of Saint-Sulpice in Paris, the most prominent position for a French organist. The organ at St-Sulpice was Cavaillé-Coll's masterwork; the instrument's spectacular capabilities proved an inspiration to Widor. Despite his job's ostensibly "provisional" nature, Widor remained as organist at St-Sulpice for nearly 64 years until the end of 1933. He was succeeded in 1934 by his former student and assistant, Marcel Dupré.
In 1890, upon the death of
Among the leading organ recitalists of his time, Widor visited many different nations in this capacity, including Russia, England, Germany, the Netherlands, Portugal, Italy, Poland, and Switzerland. In addition, he participated in the inaugural concerts of many of Cavaillé-Coll's greatest instruments, notably the organs at
Well-known as a man of great culture and learning, Widor was made a Chevalier de la
In 1921, Widor founded the
At the age of 76, Widor married
On 31 December 1933, at age 89, Widor retired from his position at Saint-Sulpice. Three years later, he suffered a stroke which paralysed the right side of his body, although he remained mentally alert to the last. He died at his home in Paris on 12 March 1937 at the age of 93, and his remains were interred in the crypt of Saint-Sulpice four days later. His tomb bears an incorrect birth year (1845).
Organ symphonies
Widor wrote music for a wide variety of instruments and ensembles (some of his songs for voice and piano are especially notable) and composed four
It is unusual for a work written for one instrument to be assigned the term "symphony". However, Widor was at the forefront of a revival in French organ music, which utilized a new organ design pioneered by Aristide Cavaillé-Coll that was "symphonic" in style. The organ of the Baroque and Classical periods was designed to project a clear and crisp sound capable of handling contrapuntal writing. Cavaillé-Coll's organs, on the other hand, had a much warmer sound and a vast array of stops that extended the timbre of the instrument. This new style of organ, with a truly orchestral range of voicing and unprecedented abilities for smooth crescendos and diminuendos, encouraged composers to write music that was fully symphonic in scope. This trend was not limited to France, and was reflected in Germany by the organs built by Eberhard Friedrich Walcker and the works of Franz Liszt, Julius Reubke, and Max Reger.
Widor's symphonies can be divided into three groups. The first four symphonies comprise Op. 13 (1872) and are more properly termed "suites". (Widor himself called them "collections".) They represent Widor's early style. Widor made later revisions to the earlier symphonies. Some of these revisions were quite extensive.
With the Opus 42 symphonies, Widor shows his mastery and refinement of contrapuntal technique, while exploring to the fullest the capabilities of the Cavaillé-Coll organs for which these works were written. The Fifth Symphony has five movements, the last of which is the famous Toccata.[4] The Sixth Symphony is also famous for its opening movement Allegro. The Seventh and Eighth Symphonies are the longest and least performed of Widor's Symphonies. The Seventh Symphony contains six movements, and the first version of the Eighth Symphony had seven. (Widor subsequently removed the Prélude for the 1901 edition.)
The ninth and tenth symphonies, respectively termed "Gothique" (Op. 70, of 1895) and "Romane" (Op. 73, of 1900), are much more introspective. They both derive thematic material from
Widor's best-known piece for the organ is the final movement of his
Over his long career, Widor returned again and again to edit his earlier music, even after publication. His biographer, John Near, reports: "Ultimately, it was discovered that over a period of about sixty years, as many as eight different editions were issued for some of the symphonies."[3]
Compositions
Rough dates of composition/publication are in brackets, along with the original publisher, if known.
Orchestral works
Composition | Year | Publisher | Instruments |
---|---|---|---|
Ouverture portugaise | 1865 | Crescendo Music Publications | organ, wind ensemble and orchestra |
Symphony No. 1, Op. 16 | 1870 | Auguste Durand | orchestra |
Piano Concerto No. 1, Op. 39 | 1876 | Julien Hamelle | piano and orchestra |
Violin Concerto | 1877 | ??? | violin and orchestra |
Cello Concerto, Op. 41 | 1882 | Julien Hamelle | cello and orchestra[5] |
Symphonie pour orgue et orchestre, Op. 42 | 1882 | repr. A-R Editions | organ and orchestra (arr. by Widor of movements from Op. 42) |
Chant séculaire, Op. 49 | 1881 | Julien Hamelle | soprano solo, chorus and orchestra |
Symphony No. 2, Op. 54 | 1882 | Heugel | orchestra |
La Nuit de Walpurgis, Op. 60 | 1887 | Julien Hamelle | chorus and orchestra |
Fantaisie, Op. 62 | 1889 | Auguste Durand | piano and orchestra |
Suite, from Conte d'avril, Op. 64 | 1892 | Heugel | orchestra |
Symphony No. 3, Op. 69 | 1894 | Schott | organ and orchestra |
Choral et variations, Op. 74 | 1900 | Éditions Alphonse Leduc | harp and orchestra |
Piano Concerto No. 2, Op. 77 | 1906 | Heugel | piano and orchestra |
Sinfonia sacra, Op. 81 | 1908 | Otto Junne | organ and orchestra |
Symphonie antique, Op. 83 | 1911 | Heugel | soloists, chorus, organ and orchestra |
Ouverture espagnole | 1897 | Heugel | orchestra |
Organ solo
Composition | Year | Publisher |
---|---|---|
Symphonie pour orgue No. 1, Op. 13 No. 1
|
1872 (revised 1887, 1901 and 1918) | Julien Hamelle |
Symphonie pour orgue No. 2, Op. 13 No. 2
|
1872 (revised 1901) | Julien Hamelle |
Symphonie pour orgue No. 3, Op. 13 No. 3
|
1872 (revised 1887, 1901 and 1918) | Julien Hamelle |
Symphonie pour orgue No. 4, Op. 13 No. 4
|
1872 (revised 1887, 1901 and 1920) | Julien Hamelle |
Marche américaine (transc. by Marcel Dupré: No. 11 from 12 Feuillets d'album, Op. 31 | ??? | Julien Hamelle |
Symphonie pour orgue No. 5 , Op. 42 No. 1
|
1879 (revised 1901 and 1918) | Julien Hamelle |
Symphonie pour orgue No. 6 , Op. 42 No. 2
|
1879 | Julien Hamelle |
Symphonie pour orgue No. 7, Op. 42 No. 3
|
1887 (revised 1900-1 and 1918) | Julien Hamelle |
Symphonie pour orgue No. 8, Op. 42 No. 4
|
1887 | Julien Hamelle |
Marche nuptiale, Op. 64 (1892) (transc., from Conte d'avril, Schott) | 1892 | ??? |
Symphonie gothique pour orgue [No. 9], Op. 70
|
1895 | Schott |
Symphonie romane pour orgue [No. 10], Op. 73
|
1900 | Julien Hamelle |
Bach's memento | 1925 | Julien Hamelle |
Suite latine, Op. 86 | 1927 | Auguste Durand |
Trois Nouvelles pièces, Op. 87 | 1934 | Auguste Durand |
Chamber work
Composition | Year | Publisher | Instruments |
---|---|---|---|
6 duos, Op. 3 | 1867 | Regnier-Canaux/Renaud/Pérégally & Parvy/Schott | piano and harmonium |
Piano Quintet No. 1, Op. 7 | 1868 | Julien Hamelle | piano |
Sérénade, Op. 10 | 1870 | Julien Hamelle | flute, violin, cello, piano and harmonium |
Piano Trio, Op. 19 | 1875 | Julien Hamelle | piano |
3 Pièces, Op. 21 | 1875 | Julien Hamelle | cello and piano |
Suite, Op. 34 | 1877; 1898 | Julien Hamelle (1870) Heugel (1898) | flute and piano |
Romance, Op. 46 | ??? | ??? | violin and piano |
Sonate No. 1, Op. 50 | 1881 | Julien Hamelle | violin and piano |
Soirs d'Alsace (4 Duos), Op. 52 | 1881 | Julien Hamelle | violin, cello and piano |
Cavatine, Op. 57 | 1887 | Julien Hamelle | violin and piano |
Piano Quartet, Op. 66 | 1891 | Auguste Durand | piano |
Piano Quintet No. 2, Op. 68 | 1894 | Auguste Durand | piano |
Introduction et rondo, Op. 72 | 1898 | Éditions Alphonse Leduc | clarinet and piano |
Suite, Op. 76 | 1903 | Julien Hamelle | violin and piano |
Sonate, Op. 79 | 1906 | Heugel | violin and piano |
Sonate, Op. 80 | 1907 | Heugel | cello and piano |
Salvum fac populum tuum, Op. 84 | 1916 | Heugel | 3 trumpets, 3 trombones, drum and organ |
4 Pièces | 1890 | ??? | violin, cello and piano |
3 Pièces | 1891 | ??? | oboe and piano |
Suite | 1912 | ??? | cello and piano |
Suite florentine | 1920 | ??? | violin and piano |
(Salvum fac populum tuum Op. 84 is also known in english as "Lord, Save Thy People")
Piano solo
Composition | Year | Publisher |
---|---|---|
Variations de concert sur un thème original, Op. 1 | 1867 | Heugel |
Sérénade, Op. 3 No. 4 (arr. Leistner) | ??? | Julien Hamelle |
Airs de ballet, Op. 4 | 1868 | Julien Hamelle |
Scherzo-valse, Op. 5 | 1868 | Julien Hamelle |
La Barque (Fantaisie italienne), Op. 6 | 1877 | Auguste Durand |
Le Corricolo (Fantaisie italienne), Op. 6 | 1877 | Auguste Durand |
Caprice, Op. 9 | 1868 | Julien Hamelle |
3 Valses, Op. 11 | 1871 | Julien Hamelle |
Impromptu, Op. 12 | 1871 | Julien Hamelle |
6 Morceaux de salon, Op. 15 | 1872 | Julien Hamelle |
Prélude, andante et final, Op. 17 | 1874 | Julien Hamelle |
Scènes de bal, Op. 20 | 1875 | Julien Hamelle |
6 Valses caractéristiques, Op. 26 | 1877 | Julien Hamelle |
Variations sur un thème original, Op. 29 (revision of op. 1) | 1877 | Julien Hamelle |
12 Feuillets d'album, Op. 31 | 1877 | Julien Hamelle |
5 Valses, Op. 33 | ??? | Julien Hamelle |
Dans les bois, Op. 44 | 1880 | Julien Hamelle |
Pages intimes, Op. 48 | 1879 | Julien Hamelle |
Suite polonaise, Op. 51 | 1881 | Julien Hamelle |
Suite, Op. 58 | 1887 | Julien Hamelle |
Carnaval, 12 pièces, Op. 61 | 1889 | Julien Hamelle |
Nocturne, from Contes d'avril, Op. 64 | ??? | ??? |
5 Valses, Op. 71 | 1894 | Julien Hamelle |
Suite écossaise, Op. 78 | 1905 | Joseph Williams |
Introduction | ??? | Julien Hamelle |
Intermezzo | ??? | Julien Hamelle |
Songs and choral works
Composition | Year | Publisher | Instruments |
---|---|---|---|
O Salutaris, Op. 8 | 1868 | Julien Hamelle | contralto or baritone, violin, cello and organ |
6 Mélodies, Op. 14 | 1872 | Julien Hamelle | voice and piano |
Tantum ergo, Op. 18 No. 1 | 1874 | Julien Hamelle | baritone, chorus and organ |
Regina coeli, Op. 18 No. 2 | 1874 | Julien Hamelle | baritone, chorus and organ |
6 Mélodies, Op. 22 | 1875 | Julien Hamelle | voice and piano |
Quam dilecta tabernacula tua, Op. 23 No. 1 | 1876 | Julien Hamelle | baritone, chorus and organ |
Tu es Petrus, Op. 23 No. 2 | 1876 | Julien Hamelle | baritone, chorus and organ |
Surrexit a mortuis (Sacerdos et pontifex), Op. 23 No. 3 | 1876 | Julien Hamelle | chorus and organ |
Ave Maria, Op. 24 | 1877 | Julien Hamelle | mezzo, harp and organ |
3 Choruses, Op. 25 | 1876 | Julien Hamelle | SATB choir |
3 Mélodies, Op. 28 | 1876 | Julien Hamelle | voice and piano |
2 Duos, Op. 30 | 1876 | Julien Hamelle | soprano, contralto and piano |
3 Mélodies italiennes, Op. 32 | 1877 | Julien Hamelle | voice and piano |
3 Mélodies italiennes, Op. 35 | 1878 | Julien Hamelle | voice and piano |
Messe, Op. 36 | 1878 | Julien Hamelle | baritone chorus, SATB chorus and two organs |
6 Mélodies, Op. 37 | 1877 | Julien Hamelle | voice and piano |
2 Duos, Op. 40 | 1876 | Julien Hamelle | soprano, contralto and piano |
6 Mélodies, Op. 43 | 1878 | Julien Hamelle | voice and piano |
6 Mélodies, Op. 47 | 1879 | Julien Hamelle | voice and piano |
6 Mélodies, Op. 53 | 1881 | Julien Hamelle | voice and piano |
Ave Maria, Op. 59 | 1884 | Julien Hamelle | voice, harp and organ |
O salutaris, Op. 63[bis] | 1889 | Julien Hamelle | voice, violin, cello and organ |
Soirs d'été, Op. 63 | 1889 | Auguste Durand | voice and piano |
Ecce Joanna, Alleluia! | ??? | Schola Cantorum | SATB choir and organ |
Psalm 112 | 1879 | Julien Hamelle | baritone, chorus, organ and orchestra |
Chansons de mer, Op. 75 | 1902 | ??? | ??? |
Da pacem | 1930 | Auguste Durand | SATB choir and organ or piano |
Non credo | 1930 | Auguste Durand | voice and piano |
Stage music
Composition | Year | Publisher | Stage Music Type |
---|---|---|---|
Le Capitaine Loys | c. 1878 | unpublished | comic opera |
La Korrigane | 1880 | Julien Hamelle | ballet |
Maître Ambros, Op. 56 | 1886 | piano reduction published by Heugel | opera |
Conte d'avril, Op. 64 | 1885; 1891 | Heugel | incidental music |
Les Pêcheurs de Saint-Jean | 1895; 1904 | Heugel | opera |
Nerto | 1924 | Heugel | opera |
Writings
- Technique de l'orchestre moderne faisant suite au Traité d'instrumentation de H. Berlioz (1904, Paris: Lemoine)
- L'Orgue moderne, la décadence dans la facture contemporaine (1928, Paris: Durand)
- Vieilles Chansons pour les Petits Enfants: avec Accompagnements de Ch. M. Widor From the Collections at the Library of Congress
Recordings
- Complete organ works by Ben van Oosten
- The 10 symphonies for organ, by Pierre Pincemaille, on 10 Cavaillé-Coll organs - Solstice SOCD 181-185.
- 3rd, 6th et 10th symphonies for organ, performed by Marc Dubugnon at the Swiss Reformed Church of Saint Martin, in Vevey, the three symphonies on YouTube
Notes
- ^ Born 28 May 1811 in Rouffach; died 7 April 1899 in 2nd arrondissement of Lyon.
- ^ Born 20 December 1817 in Annonay.
References
- ^ "Charles-Marie Widor". organ.byu.edu. Retrieved 14 June 2023.
- ISBN 978-88-6540-006-7.
- ^ a b Near, John Richard (1985). The Life and Work of Charles-Marie Widor. Boston University. OCLC:15132821.
- ^ a b Classic FM – Charles-Marie Widor: Organ Symphony No.5 in F minor. Accessed 26 December 2013
- ^ The concerto was edited by conductor Martin Yates, and its premiere recording was made by Sergey Levitin and the Royal Scottish National Orchestra in 2015. Charles-Marie Widor, Volume 3: Violin Concerto and Symphony No. 1 Archived 26 April 2015 at the Wayback Machine
- Hall, Charles J. (2002). Chronology of Western Classical Music. New York: Routledge/Taylor&Francis. p. 1154. ISBN 0-415-94217-9.
- ——— (2011). Widor: A Life Beyond the Toccata. Series: Eastman Studies in Music, v. 83. Rochester, NY: University of Rochester Press (ISBN 978-1-580-46369-0)
- Oosten, Ben van (1997). Charles-Marie Widor : Vater der Orgelsymphonie (in German). Paderborn : Verlag Peter Ewers. ISBN 3-928243-04-7.
- Thomson, Andrew; Aprahamian, Felix (1989). The life and times of Charles-Marie Widor: 1844-1937. Oxford: Oxford University Press. ISBN 0-19-816186-7.
- "Library of Congress Catalog". Retrieved 3 January 2007.
- "Dreilaenderkatalog im Gateway Bayern" (in German). Archived from the original on 1 January 2016. Retrieved 3 January 2007.
- "Opera Composers site at Stanford". Retrieved 3 January 2007.
- Hobbs, Alain (1988). Charles-Marie Widor (1844–1937). L’Orgue, Cahiers et mémoires, No. 40. L’Association des Amis de l’Orgue.
External links
- (Embellishments), John R. Near, The Complete Organ Symphonies of Charles-Marie Widor
- Toccata in F from Symphony No. 5 interactive hypermedia (Shockwave Player required) at the BinAural Collaborative Hypertext
- Performances of organ works by Charles-Marie Widor in MIDI format at Logos Virtual Library
- Free scores by Charles-Marie Widor at the International Music Score Library Project (IMSLP)
- The Mutopia Project has compositions by Charles-Marie Widor
- Works by Charles-Marie Widor at Project Gutenberg
- Works by or about Charles-Marie Widor at Internet Archive