Charles Bronson

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Charles Bronson
Bronson in 1965
Born
Charles Dennis Buchinsky[1]

(1921-11-03)November 3, 1921
DiedAugust 30, 2003(2003-08-30) (aged 81)
Los Angeles, California, U.S.
Burial placeBrownsville Cemetery
West Windsor, Vermont, U.S.
OccupationActor
Years active1951–1999
Spouses
Harriett Tendler
(m. 1949; div. 1965)
(m. 1968; died 1990)
Kim Weeks
(m. 1998)
Children4, including Katrina Holden Bronson
Military career
AllegianceUnited States
Service/branch
Years of service1943–1946
Rank Corporal
Unit
Battles/warsWorld War II

Charles Bronson (born Charles Dennis Buchinsky; November 3, 1921 – August 30, 2003) was an American actor. He was known for his roles in action films and his "granite features and brawny physique". Bronson was born into extreme poverty in

anthology drama TV series in which he would appear as the main character. Near the end of the decade, he had his first cinematic leading role in Machine-Gun Kelly
(1958).

Bronson had sizeable co-starring roles in

. During this time Bronson was the most popular American actor in Europe.

Eventually, he returned to the United States to make more films, working with director Michael Winner. Their first collaborations included Chato's Land (1972), The Mechanic (1972) and The Stone Killer (1973). At this point, he became the world's number-one box office star, commanding $1 million per film. In 1974, Bronson starred in the controversial film Death Wish (also directed by Winner), about an architect-turned-vigilante, a role that typified the rest of his career. Most critics initially panned the film as exploitative, but the movie was a major box-office success and spawned four sequels.

Until his retirement in the late 1990s and death in 2003, Bronson played almost exclusively lead roles in action-oriented films, in films such as Mr. Majestyk (1974), Hard Times (1975), St. Ives,(1976), The White Buffalo (1977), Telefon (1977), and Assassination (1989). During this time he would often collaborate with director J. Lee Thompson. He made a number of non-action television films in which he would act against type. His last significant appearance in cinema was a supporting role in The Indian Runner (1991), a dramatic film for which his performance received good reviews.

Early life and war service

Bronson was born November 3, 1921, in

Lithuanian heritage.[2][3] His father, Walter Buchinsky (born: Valteris P. Bučinskis),[2][4][5] was a Lipka Tatar from Druskininkai in southern Lithuania. Bronson's mother, Mary (née Valinsky), whose parents were from Lithuania, was born in Tamaqua, Pennsylvania, in Pennsylvania's Coal Region.[6][7][8][9]

Bronson did not speak any English at home during his childhood in Pennsylvania, like many children he grew up with. He once recounted that even as a soldier, his accent was strong enough to make his comrades think he was a foreigner.[10] Besides English, he could speak Lithuanian, Russian and Greek.[11][12]

In a 1973 interview, Bronson remarked that he did not know his father very well, and was not sure if he loved or hated him, adding that all he could remember about him was that whenever his mother announced that his father was coming home, the children would hide.[13] In 1933, Bronson's father died and he went to work in the coal mines, first in the mining office and then in the mine.[2] He later said he earned one dollar for each ton of coal that he mined.[10] In another interview, he said that he had to work double shifts to earn $1 (equivalent to $24 in 2023) a week.[13] Bronson later recounted that he and his brother engaged in dangerous work removing "stumps" between the mines, and that cave-ins were common.[13]

The family suffered extreme poverty during the Great Depression, and Bronson recalled going hungry many times. His mother could not afford milk for his younger sister, so she was fed warm tea instead.[13] His family was so poor that he once had to wear his sister's dress to school for lack of clothing.[14][15] Bronson was the first member of his family to graduate from high school.[citation needed]

Bronson worked in the mines until enlisting in the

Purple Heart for wounds received in battle.[18]

Career and education

1946 to 1951: acting training

After the end of World War II, Bronson did odd jobs until a theatrical group in Philadelphia hired him to paint scenery, which led to acting in minor roles.[19] He later shared an apartment in New York City with Jack Klugman, who was an aspiring actor at the time. Eventually, he moved to Hollywood, where he enrolled in acting classes at the Pasadena Playhouse.[20]

1951 to 1958: early films to leading roles

In his early career, Bronson was still credited as Charles Buchinsky.[20] His first film role – an uncredited one – was as a sailor in You're in the Navy Now in 1951, directed by Henry Hathaway.[21][20] Other screen appearances in 1951 were The Mob,[22] and The People Against O'Hara, directed by John Sturges[23]

In 1952, he acted in Bloodhounds of Broadway;[24] Battle Zone;[25] Pat and Mike,[26] Diplomatic Courier (1952),[27] Henry Hathaway's My Six Convicts,[28] The Marrying Kind,[29] and Red Skies of Montana.[30]

That year on television, he boxed in a ring with Roy Rogers in Rogers' show Knockout. He appeared on an episode of The Red Skelton Show as a boxer in a skit with Skelton playing "Cauliflower McPugg". He appeared with fellow guest star Lee Marvin in an episode of Biff Baker, U.S.A., an espionage series on CBS.[citation needed]

In 1953, he played Igor the sidekick of Vincent Price in the horror film House of Wax, directed by Andre de Toth.[31] To prepare his role as a mute he took a course in sign language.[32] Ben S. Parker of The Commercial Appeal said "Buchinsky adds mute menace as a deaf-and-dumb assistant to the madman".[33] In the US, the film reach the 4th place on the highest box office of that year and made 23 millions.[34] The Library of Congress selected House of Wax for preservation in the National Film Registry in 2014, deeming it "culturally, historically, or aesthetically significant".[35][36]

That same year, he had roles in The Clown,[37] and Off Limits.[38]

In 1954, he appeared in Riding Shotgun, starring Randolph Scott, directed by de Toth.[39] It was reported that he got the role due to the quality his performance in House of Wax.[40] That year on television, he acted in "The case of the desperate men" and episode of Treasury Men in Action.[41]

Also that year, he acted in the film Apache for director Robert Aldrich,[42] Tennessee Champ,[43] Miss Sadie Thompson,[44] Crime Wave directed by de Toth, Vera Cruz,[45] and Drum Beat', directed by Delmer Daves.[46]

Also in 1954, during height of the Red Scare and the House Un-American Activities Committee (HUAC) proceedings, he changed his surname from Buchinsky to Bronson at the suggestion of his agent, who feared that a Russian surname might damage his career.[47]

In 1955, Bronson acted in

anthology drama series DuPont Cavalcade Theater.[51]

In 1956 he acted in

Sam Fuller's Run of the Arrow.[52] That year on television, he played Alexis St. Martin in "Who search for truth" an episode of Medic.[53] Also that year he started acting in the television show Alfred Hitchcock Presents and would return over the year: These episodes are "And So Died Riabouchinska" (Season 1 Episode 20 which aired 2/10/1956), "There Was an Old Woman" (1956), and "The Woman Who Wanted to Live" (1962).[citation needed
]

In 1957, Bronson was cast in the Western series Colt .45 as an outlaw named Danny Arnold in the episode "Young Gun".[54] He had the lead role in the episode "The Apache Kid" of the syndicated crime drama The Sheriff of Cochise, starring John Bromfield.[citation needed] He appeared in five episodes of Richard Boone's Have Gun – Will Travel (1957–63). He guest-starred in the short-lived CBS situation comedy, Hey, Jeannie!.[citation needed]

In May 1958, Roger Corman's biopic of a real life gangster Machine-Gun Kelly premiered, in it Bronson plays the lead.[55] Geoffrey M. Warren of The Los Angeles Times said Bronson makes Kelly "a full, three dimensional human being".[56]

In June 1958, Showdown at Boot Hill premiered, where he played the lead.[57]

The following July Gang War, started its theatrical run.[58] Bronson plays the lead as a Los Angeles high-school teacher, who witnesses a gangland killing and agrees to testify. Not realizing this will cause retaliation.[59]

Bronson in Man with a Camera, 1959

On October 10, ABC's series Man with a Camera premiered. Bronson played the lead in which he portrayed Mike Kovac, a freelance crime fighting photographer in New York City.[60] The show lasted two season until 1960.[61]

In November, When Hell Broke Loose premiered, where he played the lead.[62]

In 1958 on television, Bronson appeared as Butch Cassidy on the TV western Tales of Wells Fargo in the episode titled "Butch Cassidy".[citation needed]

1959 to 1968: supporting roles in major projects to European breakthrough

In 1959, Bronson had a supporting role in an expensive war film, Never So Few, directed by John Sturges.[63]

In 1959, on television, he acted in the Yancy Derringer episode "Hell and High Water",[64] and in U.S. Marshal.[65]

In 1960, in

box-office disappointment, but it proved to be such a smash hit in Europe that it ultimately made a profit.[69][70] Harrison's Reports praised the film as "A superb Western, well acted and crammed full of action, human interest, pathos, suspense, plus some romance and humor."[71] In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[72][73]

In 1960, he acted in "Zigzag" an episode of Riverboat,[74] "The Generous Politician" an episode of The Islanders,[citation needed] and "Street of Hate" an episode of Laramie.[75] He played a recurring role in the second season of Hennesey. The first episode was episode 3 "Hennesey a la Gunn", the second one was episode 26 "The Nogoodnik" which aired in 1961.[76]

A publicity photo of Bronson and Patricia Owens for the film X-15, 1961

In 1961, Bronson played supporting roles in

On television in 1961, Bronson played a boxer in an episode of

Emmy Award for his supporting role in an episode entitled "Memory in White" of CBS's General Electric Theater.[81]

In 1962, acted in the Elvis Presley film Kid Galahad.[82]

In 1963, in John Sturges's The Great Escape, Bronson was part of an ensemble cast who played World War II prisoners of war.[83] The film received acclaim. On review aggregator Rotten Tomatoes, the critics consensus reads, "With its impeccably slow-building story and a cast for the ages, The Great Escape is an all-time action classic."[84] It grossed $11.7 million (equivalent to $116,440,435 in 2023) at the box office[85] on a budget of $4 million (equivalent to $39,808,696 in 2023).[86] It became one of the highest-grossing films of 1963.[87] It was nominated for Best Picture at the Golden Globe Awards,[88] and is 19th in AFI's 100 Years...100 Thrills.[89]

Also that year he played a villain in Robert Aldrich's 4 for Texas.[90]

On television that year, he co-starred in the series Empire,[91] which lasted one season.[92] Bronson acted in the 1963–64 television season of the ABC western series The Travels of Jaimie McPheeters.[93]

In 1964, Bronson guest-starred in an episode of the western TV series Bonanza named "The Underdog".[94]

Bronson in The Travels of Jaimie McPheeters, 1963

In 1965, Bronson acted in Guns of Diablo, a film derived from the television series The Travels of Jaimie McPheeters.[95] Also that year, he acted in Ken Annakin's in Battle of the Bulge.[96]

That year in television, in the 1965–1966 season, he guest-starred in an episode of The Legend of Jesse James. Bronson was cast as Velasquez, a demolitions expert, in the third-season episode "Heritage" on ABC's WW II drama Combat!.[citation needed]

In 1966, Bronson played a central character in Sydney Pollack's This Property Is Condemned, based on a Tennessee Williams's play.[97] Elston Brooks of the Fort Worth Star-Telegram said "Bronson has never been better as the embittered boarder".[98]

Also that year, Bronson acted in Vincente Minnelli's The Sandpiper.[99]

In 1967, in Robert Aldrich's

theatrical rentals of $7.5 million in its first five weeks from 1,152 bookings and 625 prints, one of the fastest-grossing films at the time.[102] On review aggregator Rotten Tomatoes, the critics consensus reads, "Amoral on the surface and exuding testosterone, The Dirty Dozen utilizes combat and its staggering cast of likeable scoundrels to deliver raucous entertainment."[103] It is 65th in AFI's 100 Years...100 Thrills.[89]

That year on television, he guest-starred as Ralph Schuyler, an undercover government agent in the episode "The One That Got Away" on ABC's The Fugitive.[104]

In 1968, Bronson made a serious name for himself in European films. He was making Villa Rides when approached by the producers of

Jean Herman's French film Adieu l'ami looking for an American co-star for Alain Delon, a fan of Bronson's acting. Bronson's agent Paul Kohner later recalled the producer pitched the actor "on the fact that in the American film industry all the money, all the publicity, goes to the pretty boy hero types. In Europe... the public is attracted by character, not face."[105] Bronson was signed in December 1967. The film was shot in Marseilles and Paris.[106] The film was a massive hit in France, earning around $6 million at the box office. Bronson went on to star in a series of European made movies that were hugely popular.[107] The TV Guide praised the chemistry between Delon and Bronson.[108]

Screenshot of Bronson in Once Upon a Time in the West, 1968

Another European success, was Sergio Leone's Spaghetti Western Once Upon a Time in the West where played one of the leads.[109] Bronson had turned down Leone prior to this film for the lead in 1964's A Fistful of Dollars.[110][111] In Italy, the film sold 8,870,732 tickets.[112] In the United States, it grossed $5,321,508,[113] from 3.7 million ticket sales.[114] It sold a further 14,873,804 admissions in France[115] and 13,018,414 admissions in Germany.[116] The film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[117][118] The film is regarded as one of the greatest westerns of all time and one of the greatest films of all time.[119][120][121][122] Leone called Bronson "the greatest actor I ever worked with".[123]: 123 

Also that year, Bronson acted in Henri Verneuil's Guns for San Sebastian,[124] and Buzz Kulik's Villa Rides.[125] He was also set to star in Duck, You Sucker! (1972), but did not work on the project.[126]

1969 to 1973: subsequent success to US breakthrough

In 1969, he was being considered to co-star in 99 and 44/100% Dead (1974), while early drafts of the script were being made.[127]

In 1970, Bronson played lead roles in Richard Donner's

.

Also in 1970, Bronson played a lead in

Daily News gave it four stars and said Bronson is "marvellous as the tough American colonel".[132] It won a Golden Globe Award for Best Foreign Language Film.[133]

In June 1970, it was announced that he was being considered to star in Papillon (1973), the role that went to Steve McQueen.[134]

In 1971, he acted in Nicolas Gessner's French thriller, Someone Behind the Door, alongside Anthony Perkins. Also that year, he acted in Terence Young's French-Spanish-Italian Western, Red Sun.[citation needed]

In 1972, The Valachi Papers was directed by Terence Young; Bronson played Joseph Valachi.[135]

That year, this overseas fame earned him a special Golden Globe

Henrietta Award for "World Film Favorite – Male" together with Sean Connery.[136][citation needed
]

In 1972, Bronson began a string of successful action films for United Artists, beginning with Michael Winner's Chato's Land. This would lead Winner and Bronson to work on multiple films together following up with The Mechanic (1972) and The Stone Killer (1973).[137]

By 1973, Bronson was considered to be the world's top box office attraction, and commanded $1 million per film.[138]

In 1973, Bronson worked with director John Sturges on Chino.[139] Also Warner Bros. were trying to convince director Robert Aldrich to have Bronson play the lead in The Yakuza. The role went to Robert Mitchum.[140]

In 1974, Bronson's most famous role came at age 52, in

vigilante after his wife is murdered and his daughter sexually assaulted. This movie spawned four sequels over the next two decades, all starring Bronson.[142] Many critics were displeased with the film, considering it an "immoral threat to society" and an encouragement of antisocial behavior.[143][144][145][146] The film was the 20th highest grossing film in the US that year making 22 millions at the box office.[147]

Also that year, he played the lead in Mr. Majestyk directed by Richard Fleischer based on a book by Elmore Leonard.[148]

1975 to 1989: action film star

Bronson as Israeli military officer Dan Shomron in Raid on Entebbe, 1977

In 1975, Bronson starred in two films directed by Tom Gries: Breakout, and Breakheart Pass, a Western adapted from a novel by Alistair MacLean, which was a box office disappointment.[149]

In 1975, he starred in the directorial debut of Walter Hill, Hard Times, playing a Depression-era street fighter making his living in illegal bare-knuckled matches in Louisiana. It earned good reviews.[150] The film was the 29th highest grossing film in the US that year making 5 millions at the box office.[151] Roger Ebert said it is "a powerful, brutal film containing a definitive Charles Bronson performance."[152]

In 1975, he was among the many actors who were offered the lead in The Shootist (1976), they all turned it down because the character had prostate cancer.[153]

Bronson reached his pinnacle in box-office drawing power in 1975, when he was ranked 4th, behind only Robert Redford, Barbra Streisand, and Al Pacino.[154]

In 1976, Bronson did a Western comedy for UA, Frank D. Gilroy's From Noon till Three.[155] Also that year, Bronson made St. Ives, his first film with director J. Lee Thompson.[156]

In 1977, Bronson acted in Irvin Kershner's Raid on Entebbe, where he played Dan Shomron.[157] The NBC television film was based on the true story of the Entebbe raid.[158] It received initially good reviews. Capitalizing on its strong all-star ensemble cast, a film version was released theatrically in the UK and Europe in early 1977.[159] At the Golden Globe Awards it won "Best Television Movie".[160] At the Emmy Awards it was nominated for "Outstanding Special – Drama or Comedy" as well as winning and receiving nominations in other categories.[161] Also that year, he was reunited with Thompson in The White Buffalo, produced by Dino de Laurentiis for UA.[162] UA also released Telefon, directed by Don Siegel.[163] Finally in 1977, Bronson was announced as the star of Raise the Titanic (1980), but didn't appear in the final product.[164]

In the 1970s, director Ingmar Bergman wanted to make a film with Bronson but he turned him down finding Bergman's works dull. "Everything is weakness and sickness with Bergman," he said.[165] Bronson auditioned for the role of Superman for the 1978 film adaptation, but producer Ilya Salkind turned him down for being too earthy and decided to cast Christopher Reeve.[166] Another 1978 film he was considered as a lead was Capricorn One.[167] For the 1981 film Escape from New York, the studio wanted him to play the role of Snake Plissken,[168] but director John Carpenter thought he was too tough-looking and too old for the part, and he decided to cast Kurt Russell instead.[citation needed]

Bronson went on to make two films for ITC, Love and Bullets (1979) and Borderline (1980). He was reunited with Thompson on Caboblanco (1980), and played Albert Johnson in Death Hunt (1981), opposite Lee Marvin.[citation needed]

Between 1976 and 1994, Bronson commanded high salaries to star in numerous films made by smaller production companies, most notably

Cannon Films, for whom some of his last films were made.[citation needed
]

Bronson was paid $1.5 million (equivalent to $4,735,862 in 2023) by Cannon to star in Death Wish II (1982), directed by Michael Winner.[169] In the story, architect Paul Kersey (Bronson) moves to Los Angeles with his daughter. After she is murdered at the hands of several gang members, Kersey once again becomes a vigilante. The film was a big success at the box office.[citation needed]

Cannon Films promptly hired Bronson for

]

ITC Entertainment hired Thompson and Bronson for The Evil That Men Do (1984), co-starring Theresa Saldana and Joseph Maher. The film was adapted by David Lee Henry and John Crowther from the novel of the same name by R. Lance Hill. Bronson plays a former assassin, who comes out of retirement to avenge the death of his journalist friend.[citation needed]

Cannon reunited Bronson and Winner for Death Wish 3 (1985). It is the last to be directed by Winner. Kersey returns to battle with New York street punk gangs while receiving tacit support from an NYPD lieutenant (Ed Lauter).[citation needed]

In Murphy's Law (1986), directed by Thompson, Bronson plays Jack Murphy, a hardened, antisocial LAPD detective who turns to alcohol to numb the pain of harsh reality. His ex-wife, played by Angel Tompkins, has become a stripper and his career is going nowhere. His world is turned upside down when an ex-convict, played by Carrie Snodgress, frames him for putting her in prison earlier in his career.[citation needed]

In 1986. Bronson acted in

Kingston Whig-Standard and Robert DiMatteo of The Advocate-Messenger both praised Bronson acting against type.[174][175]

Bronson at the 1987 Cannes Film Festival

More typical of this period were four Cannon action films: Assassination (1987) directed by Peter R. Hunt,[176] and three with Thompson: Death Wish 4: The Crackdown (1988),[177] Messenger of Death (1989),[178] and Kinjite: Forbidden Subjects (1989).[179]

1990 to 1999: final roles to retirement

In the early 1990s, Bronson declined the role of Curly Washburn in City Slickers (1991).[180]

In 1991, Bronson acted in The Indian Runner, directed by Sean Penn. Starring David Morse and Viggo Mortensen, it is generally positively received.[181] Roger Ebert of the Chicago Sun-Times said that Bronson performance "is a performance of quiet, sure power. After his recent string of brainless revenge thrillers, I wondered if Bronson had sort of given up on acting, and was just going through the motions. Here he is so good it is impossible to think of another actor one would have preferred in his place".[182]

In 1991, Bronson acted in ABC's TV movie Yes, Virginia, There Is a Santa Claus, directed by Charles Jarrott. It is a fictionalized account on how the widely republished editorial by the same name written in 1897 came to be. In the holiday drama, Bronson plays Francis Pharcellus Church, a reporter assigned to reply to letter by a young girl, whose family is in despair facing a bleak Christmas.[183] Linda Renaud of The Hollywood Reporter wrote that Bronson "cast totally against type, is thoroughly convincing as the distraught newspaperman".[184]

In 1993, Bronson was paired Dana Delany to lead in the CBS television film Donato and Daughter, directed by Rod Holcomb. In it, Bronson plays Delany's father, and are both cops assigned to investigate a serial killer. In Kay Gardella's review published in The Gazette she says "Delany and Bronson work well together. Bronson shows a warmer, more caring side than his usual tough-guy image allows. And Delany, as attractive as ever, is crisp and efficient as cop."[185]

Also that year, he acted against type playing the antagonist in

The Los Angeles Times wrote that "Bronson playing what's probably his first thinking's man heavy seems right at home."[187]

Bronson's last starring role in a theatrically released film was 1994's Death Wish V: The Face of Death.[188] The film received unfavorables reviews many feeling that film was dull, too gory, with Bronson bored of playing that role again.[189][190][191][192][193][194]

From 1995 to 1999, Bronson acted in a trilogy of TV movies as Commissioner Paul Fein,[195] the patriarch of a family of law enforcers.[196] They were Family of Cops (1995),[197] Breach of Faith: A Family of Cops 2 (1997),[198] and Family of Cops 3 (1999).[199]

Bronson's health deteriorated in his later years, and he retired from acting after undergoing hip-replacement surgery in August 1998.[citation needed]

Death

Bronson died at age 81 on August 30, 2003, at Cedars-Sinai Medical Center in Los Angeles.

Although

congestive cardiomyopathy" as the causes of death.[200] He was interred at Brownsville Cemetery in West Windsor, Vermont.[201]

Screen persona and technique

Bronson's star on the Hollywood Walk of Fame

At the time of his death, film critic Stephen Hunter said that Bronson "oozed male life-force, stoic toughness, capability, strength" and "always projected the charisma of ambiguity: Was he an ugly handsome man or a handsome ugly man? You were never sure, so further study was obligatory." Hunter said, "he never became a great actor, but he knew exactly how to dominate a scene quietly." Bronson "was the man with the name ending in a vowel ... who never left the position, never complained, never quit, never skulked. He simmered, he sulked, he bristled with class resentments, but he hung in there, got the job done and expected no thanks. His nobility was all the more palpable for never having to be expressed in words."[202]

Bronson told critic Roger Ebert in 1974 that "I'm only a product like a cake of soap, to be sold as well as possible." He said that in the action pictures he was producing at the time, there was not much time for acting. He said: "I supply a presence. There are never any long dialogue scenes to establish a character. He has to be completely established at the beginning of the movie, and ready to work."[10]

Director Michael Winner said that Bronson did not have to "go into any big thing about what he does or how he does it" because he had a "quality that the motion-picture camera seems to respond to. He has a great strength on the screen, even when he's standing still or in a completely passive role. There is a depth, a mystery – there is always the sense that something will happen."[10]

Partial accolades

Personal life

Character and personality

Bronson was scarred by his early deprivation and his early struggles as an actor. A 1973 newspaper profile said that he was so shy and introverted he could not watch his own films. Bronson was described as "still suspicious, still holds grudges, still despises interviews, still hates to give anything of himself, still can't believe it has really happened to him." He was embittered that it took so long for him to be recognized in the U.S., and after achieving fame he refused to work for a noted director who had snubbed him years before.[13]

Critic Roger Ebert wrote in 1974 that Bronson does not volunteer information, does not elaborate, and has no theories about his films. He wrote that Bronson threatened to "get" Time magazine critic Jay Cocks, who had written a negative review he viewed as a personal attack and, unlike other actors who projected violence on film, Bronson seemed violent in person.[10]

Marriages

His first marriage was to Harriet Tendler, whom he met when both were fledgling actors in Philadelphia. They had two children, Suzanne and Tony, before divorcing in 1965.[203] She was 18 years old when she met the 26-year-old Charlie Buchinsky at a Philadelphia acting school in 1947. Two years later, with the grudging consent of her father, a successful, Jewish dairy farmer, Tendler wed Buchinsky, a Catholic and a former coal miner. Tendler supported them both while she and Charlie pursued their acting dreams. On their first date, he had four cents in his pocket — and went on, now as Charles Bronson, to become one of the highest paid actors in the country.[204]

Bronson was married to English actress Jill Ireland from October 5, 1968,[205] until her death in 1990. He had met her in 1962, when she was married to Scottish actor David McCallum. At the time, Bronson (who shared the screen with McCallum in The Great Escape) reportedly told him, "I'm going to marry your wife". The Bronsons lived in a grand Bel Air mansion in Los Angeles with seven children: two by his previous marriage, three by hers (one of whom was adopted), and two of their own, Zuleika and Katrina, the latter of whom was also adopted.[206] After they married, she often played his leading lady, and they starred in fifteen films together.[207]

To maintain a close family, they would load up everyone and take them to wherever filming was taking place, so that they could all be together. They spent time in a colonial farmhouse on 260 acres (1.1 km2) in West Windsor, Vermont,[201] where Ireland raised horses and provided training for their daughter Zuleika so that she could perform at the higher levels of horse showing.[123]: 130  The family frequented Snowmass, Colorado, in the 1980s and early 1990s for the winter holidays.[123]: 248 

On May 18, 1990, aged 54, after a long battle with breast cancer, Jill Ireland died of the disease at their home in Malibu, California.[208] In the 1991 television film Reason for Living: The Jill Ireland Story, Bronson was portrayed by actor Lance Henriksen.[209] In December 1998, Bronson was married for a third time to Kim Weeks, an actress and former employee of Dove Audio who had helped record Ireland in the production of her audiobooks. The couple were married for five years until Bronson's death in 2003.[210]

Filmography

References

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Works cited

External links