Charles Robert Cockerell
Charles Robert Cockerell | |
---|---|
Ingres, 1817) | |
Born | London, England | 27 April 1788
Died | 17 September 1863 13 Chester Terrace, Regent's Park , London, England | (aged 75)
Occupation | Architect |
Spouse |
Anna Maria Rennie (m. 1828) |
Children | 10, including Frederick |
Parent(s) | Samuel Pepys Cockerell Anne Whetham |
Awards | Royal Gold Medal (1848) |
Buildings | Ashmolean Museum |

Charles Robert Cockerell
Background and education
Charles Robert Cockerell was born in London on 27 April 1788,[1] the third of eleven children of Samuel Pepys Cockerell, educated at Westminster School from 1802, where he received an education in Latin and the Classics.[2] From the age of sixteen, he trained in the architectural practice of his father, who held the post of surveyor to East India House, and several London estates.[3] From 1809 to 1810 Cockerell became an assistant to Robert Smirke,[4] helping in the rebuilding of Covent Garden Theatre (the forerunner of today's Royal Opera House).
Grand Tour

On 14 April 1810 he set off on the
Thanks to the abdication of
Return to England
Cockerell returned to London on 17 June 1817, over seven years since his departure, originally the plan had been for a three-year Grand Tour.[25] Cockerell set about preparing his drawings of Greek antiquities for exhibition at the Royal Academy.[25] Cockerell was living and working at 8 Old Burlington Street, it was owned by his father, where his office remained until 1830, he lived elsewhere on marrying in 1828.[26] From 1832 to 1836 he rented as his office 34 Savile Row (which was at the bottom of the garden of 8 Old Burlington Street).[26] Cockerell was a member of three gentlemen's clubs: Athenaeum Club, Travellers Club (he was a founder member, 5 May 1819) and Grillion's to which he was elected in 1822.[27]
In 1819 he was appointed Surveyor of the Fabric of St Paul's Cathedral,[28] where his works included the replacement, in 1821, of the ball and cross on the dome.[3]
With Jacques Ignace Hittorff and Thomas Leverton Donaldson, Cockerell was also a member of the committee formed in 1836 to determine whether the Elgin Marbles and other Greek statuary in the British Museum had originally been coloured (see Transactions of the Royal Institute of British Architects for 1842).
He was elected an Associate of the Royal Academy on 2 November 1829,[29] and an academician on 10 February 1836,[29] his diploma work being his design for the Palace of Westminster competition.[29] In September 1839, he was appointed Professor of Architecture at the Academy, following the death of William Wilkins.[30] He won the first Royal Gold Medal for architecture in 1848[31] and became president of the Royal Institute of British Architects in 1860.[31]
In 1833, following the resignation of Sir
His exhibits at the Royal Academy included reconstructions of ancient Rome and Athens and a capriccio entitled "Tribute to the Memory of Sir Christopher Wren, being a Collection of his Principal Works"; these became well known through published engravings[3]
As an archaeologist, Cockerell is remembered for removing the
The Royal Academy of Arts composed a brief commemorative biography of Cockerell, including the following sentiment which speaks of his great work as a student of architecture:
At the heart of Cockerell's emotional experience of the power of the antique to fire the imagination lay an extraordinary visual sensitivity to the
mass and volumeof the components of architecture, which for him were never mere abstract, weightless forms or quotations borrowed from the past, but acted together as a constantly renewable expression of man's innate need to create beauty on earth.
Architectural career

Cockerell had grave doubts about the wisdom of using Greek Revival architecture in nineteenth-century England, in his diary of 1821 he had this to say:
Until the attention of the world was drawn to the study of Greece by the spirit of the last century by
Stuart & Revett architecture had for its guide this Country the Old Italian masters & their valuable commentaries & publications of the anc[ien]t arch[itectur]e of Rome and Italy. No great enormities could arise under such guidance, but since the rage for Greek has been amongst us all the rules which formerly protected us are now set aside & we are at sea without compas ...we stick a slice of an anc[ien]t Greek Temple to a Barn which is called breadth & simplicity, than which nothing can be more absurd, as the Greek Houses were certainly of wood & brick & plaister [Sic] painted & temporary things. I am sure that the grave & solemn arch[itectur]e of Temples were never adopted to Houses, but a much lighter style, as we may judge by the vases, the object being space & commodiousness.[32]
Cockerell's first building (1818–20) was in the style of
Personal life
On 23 March 1828 he proposed marriage to, and was accepted by, Anna Maria Rennie (daughter of John Rennie the Elder) while strolling in the grounds of Dalmeny House, Scotland, she was twenty-five, and he was nearly forty.[34] The engagement ring was bought for £27 10s 0d in Edinburgh on 29 March and the wedding took place on 4 June 1828 in St James's Church, Piccadilly, the Bishop of London William Howley officiating.[34] The honeymoon started at Liphook, moving on to Chichester, the Isle of Wight, crossing to Portsmouth where they toured the Dockyard, and finally on 14 June The Grange, Northington.[35] The couple set up home at 87 Eaton Square.[36] In 1838 the family moved to Ivy House, North End, Hampstead.[31]
The first of their ten children, a son, Robert Charles was born in 1829 but died five years later, followed in 1832 by the second son John Rennie, a daughter in 1832, then in 1833 a son
By 1851 Cockerell was in poor health and spent that summer recuperating at his sister Anne Pollen's house in Somerset,[37] from this time on his architectural practice virtually ceased. The family moved to 13 Chester Terrace, where he died on 17 September 1863, aged 75.[37] He was buried in the crypt of St Paul's Cathedral,[28] a perk of being the cathedral's surveyor,[38] his marble tomb consists of his profile portrait, suspended from an Ionic column, surrounded by rich embellishment.[39]
Freemasonry
Whilst in Edinburgh and working on the National Monument with fellow Freemason, William Henry Playfair, Cockerell was Initiated into Scottish Freemasonry in Lodge Holyrood House (St Luke's), No.44 on 18 May 1824.[40]
Published works
Cockerell's published works include:[41]
- Travels in Southern Europe and the Levant, 1810–17 : the Journal of C.R. Cockerell, R.A., S.P. Cockerell Ed 1903[42]
- Progetto di collocazione delle statue antiche esistenti nella Galleria di Frienza che rappresentano la Favola di Niobe, Firenza 1816
- 'Le Statue della Favola di Niobe dell' Imp.eR. Galleria di Firenza situate nella primitiva loro disposizione da C.R. Cockerell, Firenza 1818
- On the Aegina Marbles, Journal of Science and the Arts, VI 327-31
- On the Labyrinth of Crete, in Travels in Various Countries, Robert Walpole Ed 2 vols, 1817 and 1820 vol. II Pages 402–9
- An Account of Hanover Chapel, in Regent Street, in The Public Buildings of London, J. Britton & A.C. Pugin 2 vols, 1825–28 vol. II pages 276–82
- The Temple of Jupiter Olympius at Agrigentum, supplement to Stuart & Revetts Antiquities of Athens, 1829
- The Pediment Sculptures of the Parthenon, as part VI of A Description of the Collection of Ancient Marbles in the British Museum, 1830
- Plan and Section of the New Bank of England Dividend, Pay and Warrant Offices and Accountant's Drawing Office 1835
- The Architectural Works of William of Wykeham, Proceedings of the Archaeological Institute at Winchester, 1845
- Ancient Sculptures in Lincoln Cathedral, in Proceedings of the Archaeological Institute, 1850
- Iconography of the West Front of Wells Cathedral, with an appendix on the Sculptures of other Mediaeval Churches in England, 1851
- Illustrations, Architectural and Pictorial of the Genius of M.A. Buonarroti with descriptions of the plates by C.R. Cockerell, Canina 1857
- Statement by Mr Cockerell on the Wellington Monument Competition, The Builder XV p. 427, 1857
- Address, Royal Institute of British Architects, Session, 1859–60, 111–13, 1859
- On the Painting of the Ancients, in the Civil Engineer and Architect's Journal, XXII p42-44 & 88–91, 1859
- Presidential Address, Royal Institute of British Architects, Session, 1861–62, 1860
- The Temples of Jupiter Panhellenius at Aegina and of Apollo Epicurius at Bassae, 1860
- Architectural Accessories of Monumental Sculpture, in the Civil Engineer and Architect's Journal, XXIV p333-6, 1861
- A Descriptive Account of the Sculptures of the West Front of Wells Cathedral photographed for the Architectural Photographic Association, 1862
Architectural works
1820s
- 1818–20 – Old Schools, Harrow School, in Tudor Gothic, brick with stone dressings
- 1819-36 – Oakly Park, Shropshire, remodelling work[43]
- 1820–26 – Loughcrew House, County Meath, Ireland.[44]
- 1821 – Tower and facade of St. Mary's church Banbury, in classical style, the body of the church is by his father
- 1821 – Library and Chapel, Bowood House, Wiltshire
- 1821 – Hanover Chapel, Regent Street, London (demolished)
- 1822–27 – The Saint David's Building, University of Wales, Lampeter.
- 1824–28 – Langton House, Dorset, (demolished)
- 1824–29 – The National Monument, Edinburgh, with William Henry Playfair, unfinished.
- 1827-28 - Newbridge Lodge, Wynnstay, North Wales[45]
- 1829 – Church of Holy Trinity, Hotwells, Bristol.[46]
1830s
- 1831 – Westminster, Life and British Fire Office, London, (demolished)
- 1835 – The Bank of England, Courtney Street, Plymouth.
- 1836–37 – Cambridge University Library, only the north wing of the quadrangular design was built.[47]
- 1837 – London and Westminster Bank, City of London, (demolished)
- 1838 – The Chapel, Killerton, in a Neo-Norman style
- 1838 – London & Westminster Bank, Lothbury, London (with William Tite).
- 1839–45 – The Oxford University.
1840s
- 1840 – Seckford Hospital, Woodbridge, Suffolk.[48]
- 1841 – Sun Fire Office, London (demolished)
- 1844–47 – The Bank of England, Bristol.[49]
- 1845 – The Bank of England, King Street, Manchester.
- 1845–48 – The Bank of England, Castle Street, Liverpool.
- 1848 – Cambridge University, designed the interiors after the death of the architect George Basevi.
- 1848 – Bank Chambers, Cook Street, Liverpool (demolished)
1850s
- 1851–54 – St. George's Hall, Liverpool, designed the interiors after the death of the architect Harvey Lonsdale Elmes.
- 1855-57 – Liverpool, London and Globe Building, Liverpool [50]
Gallery of architectural works
-
Entrance to the Ashmolean Museum
-
Taylor Institute, with Ashmolean Museum behind
-
Main Hall, St. George's Hall, Liverpool
-
Main Hall, St. George's Hall, Liverpool showing Minton tile floor
-
Internal door, Main Hall, St. George's Hall, Liverpool
-
Organ platform, Main Hall, St. George's Hall, Liverpool
-
Detail of floor, Main Hall, St. George's Hall, Liverpool
-
Organ, Main Hall, St. George's Hall, Liverpool
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Court room, St. George's Hall, Liverpool
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Court room, St. George's Hall, Liverpool
-
Chandelier, Main Hall, St. George's Hall, Liverpool
-
Bank of England, Liverpool
-
Bank of England building, Manchester
-
Holy Trinity Hotwells, Bristol
-
Old Schools, Harrow School
-
The St David's Building at the University of Wales, Lampeter
-
St. Mary's Banbury
-
Scottish National Monument, Edinburgh, with William Henry Playfair, unfinished
-
Library, Bowood House
-
Former Cambridge University Library
-
The Chapel, Killerton
References
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ^ a b c d "The Late Mr Charles Robert Cockerell, R.A.,, Architect". The Builder. 21. 1863.
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ISBN 9783038602507
- ^ ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ^ ISBN 0-302-02571-5
- ^ ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ^ ISBN 0-302-02571-5
- ^ ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ^ ISBN 0-302-02571-5
- ^ ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ^ ISBN 0-7195-3328-7
- ^ ISBN 978-1-905711-83-3
- ISBN 0-302-02571-5
- ^ ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ^ ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ISBN 0-302-02571-5
- ^ ISBN 0-302-02571-5
- Sinclair, W.p. 469: London; Chapman & Hall, Ltd; 1909.
- ISBN 0-300-09276-8
- ^ A History of the Mason Lodge of Holyrood House (St.Luke's), No.44, holding of the Grand Lodge of Scotland with Roll of Members, 1734–1934, by Robert Strathern Lindsay, W.S., Edinburgh, 1935. Vol.II, p.628.
- ^ pages 255–256, The Life and Works of C.R. Cockerell, David Watkin, 1974, A. Zwemmer Ltd
- ^ "The Early Journal of C. R. Cockerell. Edited by his Son. (Longmans & Co.)". The Athenaeum (3963): 489. 10 October 1903.
- ISBN 978-0-300-12083-7.
- ^ "CCockerell, Charles Robert". Irish Architectural Archive.
- ^ Cadw. "Newbridge Lodge (Grade I) (16872)". National Historic Assets of Wales. Retrieved 2 October 2022.
- ISBN 0-901571-88-1.
- ^ pages 183 to 196, chapter XI 'The Path to Greatness: Cambridge University Library' in David Watkins: The Life and Work of C.R. Cockerell, 1974, Zwemmer
- ^ Historic England. "Woodbridge, Suffolk (1377059)". National Heritage List for England. Retrieved 8 July 2017.
- ISBN 0-901571-88-1.
- ^ Historic England. "Liverpool and London and Globe Building (1356318)". National Heritage List for England.
External links
- Works by Charles Robert Cockerell at Project Gutenberg
- http://www.racollection.org.uk/ixbin/hixclient.exe?submit-button=search&search-form=artist/artist_month_may2005.html&_IXSESSION_=F1tc7cZXMh7[permanent dead link ]
- http://myweb.tiscali.co.uk/speel/arch/cockerel.htm Archived 31 December 2005 at the Wayback Machine
- http://www.infoplease.com/ce6/people/A0812735.html
- Cockerell and the Grand Tour
- (in German) Antiquities of Athens and other places in Greece Sicily etc (London 1839). German edition Die Alterthümer von Athen from 1833, online at the University of Heidelberg
- "Archival material relating to Charles Robert Cockerell". UK National Archives.
- Profile on Royal Academy of Arts Collections