Church of St. Mary the Virgin (Manhattan)

Coordinates: 40°45′30″N 73°59′1″W / 40.75833°N 73.98361°W / 40.75833; -73.98361
Source: Wikipedia, the free encyclopedia.

Church of St. Mary the Virgin Complex
Napoleon LeBrun & Sons, Pierre Le Brun, architect-in-charge[2]
Architectural styleFrench Gothic
NRHP reference No.90000606[1]
NYCL No.1562
Significant dates
Added to NRHPApril 16, 1990
Designated NYCLDecember 19, 1989

The Church of Saint Mary the Virgin is an

Sixth and Seventh Avenues. It is colloquially known as "Smoky Mary's" because of the amount of incense used in the services.[4]

Completed in 1895, the church has been called "one of the finest Gothic-inspired designs of New York's late 19th century".

New York City landmark in 1989[2] and added to the National Register of Historic Places in 1990.[1] In 2022, it reported 300 members, average attendance of 112, and $600,375 in plate and pledge income.[5]

History

Original church

The first Saint Mary's at 228 West 45th Street
The first Saint Mary's at 228 West 45th Street, the site of the Booth Theatre

The Society of the Free Church of Saint Mary the Virgin in the

Longacre Square – which was renamed Times Square in 1905 – on the west side of what is now Midtown. John Jacob Astor
gave three lots on West 45th Street between Seventh and Eighth Avenues, "stipulating that the Church should be free, and positively orthodox in management and working."

On April 6, 1868, the cornerstone was laid for the first church, located at 228 West 45th Street, which is today the site of the

Blessed Virgin Mary. The first church was designed by William T. Hallett, and was dedicated on December 8, 1870, the Feast of the Conception of the Blessed Virgin Mary. Potter was unable to officiate at the service, but his place was taken by Horatio Southgate, the Episcopal Church's former missionary bishop to the Ottoman Empire
.

After the Episcopalians left the church on West 45th Street, it became the Lutheran Church of the Redeemer and then Fifth Church of Christ, Scientist.[4]


New church

The Lady Chapel at the Church of Saint Mary the Virgin

By 1890, the congregation had outgrown the church on West 45th Street. In 1892, the late Miss Sara L. Cooke, a member of the parish, left the church a legacy which eventually amounted to $700,000, in addition to real estate. Brown and the other trustees decided to use this legacy to fund a new church on an eight-lot parcel running through from 46th to 47th Streets. The new complex was to include a rectory at the 47th Street end of the lot, a clergy house for curates and assistants and a mission house for the sisters. The style would be

French Gothic of the 13th and 14th centuries,[3]
with a church seating 800 people.

Erecting this building was a challenge to the architectural firm of

Napoleon LeBrun & Sons, with Pierre LeBrun as the lead designer, because of its size and the location. The LeBrun firm had experience working with steel framing, which is buried within the walls, making it the first church in the world built on a concealed steel skeleton,[6] "redefining the conventional methods of church construction."[3] The facade of the church is clad in limestone,[2] while the other buildings in the complex are brick-faced.[2]

The cornerstone for the new church was laid on December 8, 1894, and the church was dedicated in 1895. The completed church was 60 feet (18 m) wide and 180 feet (55 m) long, and the nave was 80 feet (24 m) from floor to ceiling and 46 feet (14 m) wide. The chancel, at the north end of the building, was 48 feet (15 m) deep, terminating with the marble high altar moved from the former church. Complementing LeBrun's design were many sculptural decorations by J. Massey Rhind.[2]

Today

Today, Saint Mary's is known for its solemn liturgies and choral and organ music.

Evensong and Benediction are celebrated on Sundays, and Mass is offered daily. Because of the copious use of incense, the church is sometimes referred to as "Smoky Mary's". In 1996-97, the interior of the church was restored by J. Lawrence Jones & Associates, resulting in vivid colors, including cobalt blue vaulting with gold stars.[4]

  • Nave
    Nave
  • Statue of Our Lady
    Statue of Our Lady
  • Corpus Christi processional in Times Square
    Corpus Christi processional in Times Square
  • Clergy and acolytes at the high altar
    Clergy and acolytes at the high altar
  • The Most Reverend Frank T. Griswold preaching at Saint Mary's
    The Most Reverend
    Frank T. Griswold
    preaching at Saint Mary's
  • Rear of the church on 47th Street
    Rear of the church on 47th Street
  • View towards the high altar
    View towards the high altar
  • Statue of the Blessed Virgin at the entrance
    Statue of the Blessed Virgin at the entrance
  • A clip of Panorama from the Times Building, New York 1905, Church of St. Mary the Virgin near Times Square

Music

David Hurd, the church's organist and music director

The choir of the Church of Saint Mary the Virgin is a professional

plainchant is sung in the original Latin. The choir's repertoire of Masses and motets stretches from the Middle Ages
to works by living composers.

A number of musicians have served as organist and music director at the parish, among them McNeil Robinson, Kyler Brown, Christopher Babcock, Robert McCormick, James Kennerley, and Simon Whalley. The current organist and music director is David Hurd.

Organ Loft
Organ console in the chancel with pipework from the 1896 Jardine Organ

See also

References

  1. ^ a b "National Register Information System". National Register of Historic Places. National Park Service. March 13, 2009.
  2. ^
    ISBN 978-0-470-28963-1
    .
  3. ^ a b c d Savage, Charles; Pierson, Marjorie (ed.) "Free Church of Saint-Mary-the-Virgin Designation Report" New York City Landmarks Preservation Commission (December 19, 1989)
  4. ^
    ISBN 0-231-12543-7
    .
  5. ^ "Explore Parochial Trends". Episcopal Church. Retrieved September 21, 2023.
  6. ISBN 978-0-19538-386-7
    .

External links

Wikimedia Commons has media related to Church of St. Mary the Virgin (Manhattan).
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