Cinderella's Eyes

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Cinderella's Eyes
Dimitri Tikovoi
  • Diplo
  • Metronomy
  • Traxstarz
  • The Invisible Men
  • Singles from Cinderella's Eyes
    1. "Beat of My Drum"
      Released: 3 June 2011
    2. "Lucky Day"
      Released: 16 September 2011
    3. "Yo-Yo"
      Released: 8 January 2012

    Cinderella's Eyes is the debut studio album by English recording artist Nicola Roberts. It was released on 23 September 2011 by Polydor Records. As a member of the British girl group Girls Aloud, Roberts drew inspiration from her time with the group. Her experience with Girls Aloud's formation found her being labelled "ugly" by the media, and the constant negative attention and subsequent personal problems resulted in her struggling with her confidence. She started recording for the album in 2010 and co-wrote all of the original tracks on the album, working closely with producers Dimitri Tikovoï, Maya von Doll (from electro group Sohodolls) and Diplo on the album, as well as Canadian electropop band Dragonette. The concept of the album derived from fairy tales, focusing mostly upon "Cinderella" after titling the album Cinderella's Eyes. The album artwork features Roberts next to a collection of vintage artefacts wearing a modern interpretation of the Cinderella glass slipper, co-produced by shoe designer Atalanta Weller.

    The album was characterised by electropop themes and autobiographical lyrics. The album opens with "Beat of My Drum", an electropop dance track which features chants, something that is presented throughout the album. Her use of rap is included on tracks such as "I", "Take a Bite" and "Sticks and Stones". The latter track was written about her lack of confidence during her times with Girls Aloud, and discusses the times she was labelled "ugly" by the media. Roberts wrote the track to highlight the subject of bullying and to make others in the same position feel less alone. The album was inspired by Robyn and Kate Bush, both of whom have received comparisons to songs within the album.

    Cinderella's Eyes was received well by music critics, who praised the

    production on the album, Roberts's voice, and her lyrics. The album was also praised for being the most original solo album from any of the members of Girls Aloud. Although the album did not reach commercial success, many critics commented that the album was underrated and deserved more appreciation. "Beat of My Drum" was released as the album's first track. The track received positive reviews and performed well commercially, charting at number 27 in the United Kingdom. A music video directed by Wendy Morgan showed Roberts performing in 1970s-inspired outfits. The second single, "Lucky Day", was released a week before the album and featured production from the band Dragonette. It was also well-received, and the music video, directed by Stephen Agnes, featured Roberts in the East Village of New York City
    performing in a floral dress. A deluxe edition of the album featuring ten new songs, Behind Cinderella's Eyes, was announced on 26 October 2021.

    Background and inspiration

    Nicola Roberts is one fifth of the band Girls Aloud. During her time with the girl group, she struggled with loneliness, due to living away from home in London, busy schedule, and media criticism of her image, eventually describing her time in the band as a "blur".[2] She became exhausted and found herself with two personalities, one being a "normal" girl and another to deal with the celebrity lifestyle, with which she was uncomfortable.[2] Roberts claimed that the hardest aspect of being with the group was the media attention – which would constantly pick out flaws with her image. She said she "just had to harden myself to it, actually, inside, I was dying".[2] The album was inspired by her time performing with Girls Aloud – "It would have been stupid for me to make an album that meant nothing."[2] For Roberts, the album was about making a risky record, where there wasn't a guaranteed commercial success, explaining to The Guardian: "It's taken every last bit of confidence just to release this record, or maybe I've just brainwashed myself into feeling more confident. I don't know if it's good, or if I've just told myself it's good."[2] On 6 May 2011 via her official website, Roberts confirmed that she had been developing a studio album ready for release, she said;

    I'm writing this and I feel so excited and nervous all at the same time. Everytime I think about what I'm about to do I get the biggest butterflies [...] For over a year, I've been in the studio writing my own songs and working towards making my own record. The time has come where I have to come out of my safe bubble that is the studio and share my music with you... butterflies just got worse [...] I've had the incredible opportunity to work with some of my favourite artists, DJs and producers on my album. I have had the most amazing time and I have learnt so much. It was important that my record was personal to me. I wanted to be able to look back on the album and know that I have honestly put 100% of myself into it. I've written songs and stories that I have wanted to write for a long time. I really hope that you're able to relate to my music, because that really is what it's all about.. So here goes, I'm taking a big leap, but it's going to be the best fun ever.[3]

    Artwork

    The album concept and artwork was based upon the fairy-tale character Cinderella.

    The album artwork premiered on 22 August 2011, and features Roberts next to a collection of vintage artefacts wearing a modern interpretation of Cinderella's glass slippers. The album artwork was shot at Master Shipwright's House in London, which Roberts described as "run-down reality with a hint of fairytale".[4] The concept of the artwork was to relate to the different sounds of the album, which Roberts described as "red" and "blue" tracks, claiming she wanted "to be on parallel with the art and clothes".[5] The emerging detailing in electro music, as Roberts described it was something she wanted present in the artwork, whilst talking to Rolling Stone she said "I wanted that rhythm to be present in the imagery, the way I pictured it. There's a lot going on with the sounds on this record; it was important to me that the visual side was equally eclectic, so that it came full circle. This is a full package.[5] For the album photograph shoot, Roberts worked alongside shoe designer Atalanta Weller to produce the shoes for the album.[6] The "21st century" Cinderella style glass slippers were produced for the album campaign, Roberts explained about the shoes and fashion in relation to the record saying; "that will play a big part in the campaign for the record [...] the crystals represent a massive part in the theme of the album".[6] The shoe, a wedge, is in Weller's signature style and, whilst talking to Vogue, Weller called her intrigue at working with Roberts due to them being an unlikely pairing.[7] Weller called Roberts' style "incredible" and "extremely distinctive, luxurious and original":

    A collaboration is like a good conversation, Nicola came to my studio a couple of times and I went to hers; we initially chatted about her music, the forthcoming album and how this related to her vision for the shoes. I went away and started designing my response to this. After our first meeting I was excited by her ideas and collaborating with people who have a strong vision is really fantastic. Nicola considers everything she does really carefully and has a totally clear view of what she wants to achieve. While the shoes are just a small part of this, I knew it would be interesting and fun to work together.[7]

    Development

    "I want to get back into the studio, maybe work with an up-and-coming artist, too. I would to spend six months in the studio learning as much as I can about writing and producing, working with some really cool people and just learning solidly and having fun. I want to develop vocally and musically so that I know what kind of music I want to sing. I have so much music inside of me that I haven't been able to get out. To me, music and writing is like my diary."

    Roberts discussing what how she wanted to develop her debut album.[8]

    Roberts co-wrote every song on the album, with the exception of

    production of Cinderella's Eyes.[10] Vocally she also wanted to produce something that could come as a surprise to those who hadn't heard her "full range before".[10] The title of the album derives from a track of the same name from the album.[11] The song "Cinderella's Eyes" was written in the early stages of the album recording, with lyrics telling a story similar to several fairy tale characters. Roberts described "Cinderella's Eyes" as "a song on my album that I wrote about a year ago… It's about a girl called Sleeping Beauty who wakes up and wonders what life has instore [sic] for her… 'Will she meet any baddies or goodies and will she lay with any Princes or Hoodies'… She asks Cinderella 'Are you happy with your fella and your nice home', and tells girls 'They have to do it for themselves as cards are so randomly dealt.' I think it represents my views on happy endings."[11]

    Whilst discussing the record with Rolling Stone she discussed her selection of producers for the record, with a goal to create "a unique record" becoming the basis of her selection.

    downbeat dance record" noting it was what she was into at that point".[13] Roberts worked with producer Diplo, who co-produced the track "Beat of My Drum",[2] she explained whilst talking to The Guardian, "I had to ring him [Diplo] and… you know when you ring a boy for the first time? I knew I only had one chance, so I just fired at him. 'I want this, I want that, don't send it back like that. I'm going to send you the session again just so you've got it.' He reassured me a bit, and I put the phone down, thinking, it's not in my hands now".[2] When Roberts received the track back from Diplo, she was too nervous to listen to it, as it meant so much to her.[2] Whilst back in her hometown of Liverpool she put her younger brother and sister in the car with her, and after burning the track to a CD, drove to a deserted field and played it loudly.[2] After positive responses from the pair, Roberts declared "I'm so proud of it. I can't believe it's mine. The man is a genius".[2] Roberts worked with producer Joseph Mount on the album, recording two songs.[14] For years before the pair started work together, Mount had mentioned several times that he wished to work with Girls Aloud, and had sent "short beats" to her, including music which he thought the record label would approve of, as well as a wild-card style compilation.[14] When the two started work in the studio, both of the tracks produced by Mount were chosen from the wild-card category, with lyrics written by Roberts, and the melodies in the tracks produced jointly.[14]

    Composition

    The album opens with the track "Beat of My Drum" and the track has been compared to artists

    slomo disco" style where Roberts performs falsetto, suggesting a Kate Bush influence.[19] "Porcelain Heart" is the fifth track, featuring an "eerie twinkle of descending notes". The track has been described as "Italo-disco" with a "single-minded pulse", with Roberts shouting the word "heart" before the track breaks into a synth section.[19]

    The sixth track, "I", has been described as a "moody-electro" and a "dark pop" track.

    Eastern-style introduction which merges into a "romantic synth" part, with Roberts singing "I’m scared to wake up one day and find out that my bubble's burst" and hoping that "everyone loves" her new direction, as well as mentioning her dislike for "people that leave comments on the internet".[15] The next track is a cover of the Korgis' "Everybody's Got to Learn Sometime". Roberts explained the inclusion of the track on the album saying "The lyrics mean a lot to me. I identified with the song in general. It might not be powerful to everybody, but it's powerful to me. I wanted to do it, I love the song."[20] The cover precedes the song "Say It Out Loud", which has gathered comparisons to Katy Perry, and is a high-energy pop song featuring "Crystal Castles-ish 8-bit bleeps here and there" and a chorus with a "big old fuzzy hollering rush".[19] "Gladiator", the ninth track, has been described as a Berlin-style dance track.[21] The disco track hears Roberts perform "girly" vocals, with comparisons to Teena Marie and Heartbreak, whilst the following song "Fish Out of Water" garnerered comparisons to Metronomy.[19] Track eleven, "Take a Bite" has been compared to singer Robyn;[21] and features a rap from Roberts including "Called me a rude ginger bitch, they're gonna eat all their words" – referencing a 2003 feud with a member of pop group Busted.[2] The final track "Sticks and Stones" describes a time when she would beg her driver to buy her vodka despite being underage, in relation to the subject matter Roberts explained "How funny that I was too young for so many things, yet you thought I'd cope with being told I'm ugly, Over and over".[2] Roberts explained the concept of the track, noting "What it is with 'Sticks and Stones' is I wanted all the people out there who hurt like that to know that they're not the only ones in that position. Sometimes there's so many people in the world suffering from the same thing or hurting from the same thing, but they feel like they’re on their own. I wanted a song that could highlight the subject so it was like, actually I’m so not on my own here."[22]
    Lyricism on the album, was based around rap, and rhyme with Roberts stating they were based on personal events, she said:

    The lyrics are quite personal. I like rap music, and rappers use real-life language and don’t hold back in what they talk about. My lyrics aren’t generic pop lyrics just there because they rhyme. I’ve tried to write things as I’d say them, so it sounds more like me. There’s a song called "Sticks And Stones", which is about when I was 17 and I thought I’d won the jackpot when I got in the band [Girls Aloud], and then things not turning out as I might have expected. The middle eight on that song is very honest and truthful.[23]

    Critical reception

    Professional ratings
    Review scores
    SourceRating
    Express.co.uk
    [28]
    Financial Times[21]
    The Guardian[29]
    NME(7/10)[19]
    The Telegraph[30]
    Virgin Media[31]

    I've been looking at my album reviews today and, honestly, I could cry. It's a bit of a shocker. Someone tweeted me all of the mark-ups – the stars that the various papers had given it – and when you see them all collected like that, 4 out of 5 and 5 out of 5, it was just like: 'Oh my fucking god! That's incredible.' I could cry. It’s quite amazing. And now the album's out there and I just have to hope that people like it. That's all I can ask for.

    —Roberts discussing the acclaimed reviews for the album.[32]

    The album received praise from music critics upon its release. Ludovic Hunter-Tilney of the

    pop star of substance", he positively commented on her use of a "autobiographical lyrics" and compared the album to those of Robyn.[30] Hermione Hoby of The Guardian gave the album four stars out of five, calling "Beat of My Drum", "infectiously bratty" and positively responded to the track "Porcelain Heart" saying, "her Florence-bothering bellow of 'heaaaaaart' on the fearsome 'Porcelain Heart', Roberts sounds utterly self-assured."[29] Rick Pearson of the Evening Standard felt that her Cinderella-persona for the album concept was appropriate to her life story calling the record "a glittering pop song furnished with yelping Kate Bush-isms – while Metronomy's Joseph Mount drops by to produce the haunting highlight 'Fish out of Water'. Fun and fearless: Roberts can go to the ball".[27]

    Emily Mackay of

    PhD thesis on the Plight of Woman. But it's born out of the knowing air of experience, particularly of life's shittier moments, that all the best pop artists should have and too many lack."[26]

    Release and promotion

    The lead single was released with the "

    Play.com would receive a signed poster, and those who pre-ordered the song from digital store iTunes would have an exclusive highlight video montage of her webisode series Through Nicola's Eyes.[34] A deluxe edition of the album featuring ten new songs, Behind Cinderella's Eyes, was announced on 26 October 2021.[35][36]

    Singles

    "Beat of My Drum" was the first single released from the album, and was produced by French producer Dimitri Tikovoï with additional production by Diplo[37] and was released on 5 June 2011 in the United Kingdom.[38] The track has been compared to those of artists M.I.A. and Daphne and Celeste. Produced by Major Lazer, it features Roberts performing both singing and rap vocals.[15] The track received acclaim from critics,[23] but commercially it performed weakly, peaking at number 27 in the United Kingdom.[39] A music video, directed by Wendy Morgan, was recorded in Los Angeles.[40] The second single, "Lucky Day", was released on 16 September 2011[41] and was produced by Canadian electropop band Dragonette.[42] Inspired by the 1940s era, Roberts wanted to produce a "more downbeat dance record".[42] The dance-pop track lyrically talks of a relationship where the man is not succumbing to Roberts advances, but "winning" him over in the end of the song; however, she stated the lyrics could be interpreted into any lucky situation.[17] It garnered generally positive reviews from critics, who responded positively to the pop elements and the production by Dragonette.[43][44] A music video, directed by Stephen Agnes, was released and was recorded in the East Village of New York City, featuring Roberts performing in a floral dress. "Yo-Yo" was released as the third single from the album on 6 January 2012.[45] The song garnered generally positive reviews being labelled "radio friendly".[46]

    Track listing

    Cinderella's Eyes
    No.TitleWriter(s)Producer(s)Length
    1."
    The Arcade
    3:16
    12."Sticks and Stones"
    • Roberts
    • Tikovoi
    • von Doll
    Tikovoi3:55
    Bonus digital content[47]
    No.TitleLength
    13."Through Nicola's Eyes" (video) 
    14."Beat of My Drum" (music video) 
    15."Lucky Day" (music video) 
    Spotify bonus tracks[48]
    No.TitleWriter(s)Producer(s)Length
    13."Lucky Day" (Engine Room Sessions)
    • Roberts
    • Sorbara
    • Kurtz
    Traxstarz3:21
    14."Yo-Yo" (Engine Room Sessions)
    • Roberts
    • Tikovoi
    • von Doll
    Tikovoi3:32
    15."I" (Engine Room Sessions)
    • Roberts
    • Mount
    Metronomy3:43
    16."Sticks and Stones" (Engine Room Sessions)
    • Roberts
    • Tikovoi
    • von Doll
    Tikovoi4:15
    Behind Cinderella's Eyes
    Giselle Sommerville
  • Kimberley Walsh
  • 3:48
    6."Pipe Dreams"
    • Roberts
    • Richard Stannard
    • James Ford
    • Ford
    • Stannard
    4:00
    7."So Damn Right"
    • Roberts
    • Sorbara
    • Kurtz
    Kurtz3:11
    8."Tomorrow"
    • Roberts
    • Stannard
    Stannard3:58
    9."Disco, Blisters & a Comedown"
    • Roberts
    • Tikovoi
    • von Doll
    • Tikovoi
    • Allen
    3:04
    10."Fix Me"
    • Roberts
    • Tikovoi
    • von Doll
    Tikovoi3:07

    * additional production.

    Charts

    Chart (2011) Peak
    position
    Irish Albums (IRMA)[49] 48
    Scottish Albums (OCC)[50] 21
    UK Albums (OCC)[51] 17

    Release history

    Release dates and formats for Cinderella's Eyes
    Region Date Format Edition Label Ref.
    Ireland 23 September 2011
    • CD
    Standard Polydor Records [52]
    Brazil Digital download [53]
    United Kingdom
    • Digital download
    • CD
    [54]
    Worldwide 29 May 2020
    Various TBC LP | CD Behind Cinderella's Eyes Plastic Pop Records [36]
    Standard

    References

    1. ^ Girls Aloud 2009, p. 217
    2. ^ a b c d e f g h i j k l Nicholson, Rebecca (4 June 2011). "Nicola Roberts: Diplo and Metronomy dance to the bang of my drum". The Guardian. Retrieved 11 August 2011.
    3. ^ Roberts, Nicola (6 May 2011). "Are You In?". Polydor Records. Archived from the original on 12 August 2011. Retrieved 13 August 2011.
    4. Polydor. 26 August 2011. Archived from the original
      on 28 August 2011. Retrieved 26 August 2011.
    5. ^ a b Nika, Colleen (11 October 2011). "Nicola Roberts, One-Fifth of Britain's Biggest Girl Group, Talks Solo Record and Style Ambitions". Rolling Stone. Archived from the original on 12 October 2011. Retrieved 12 October 2011.
    6. ^ a b Corner, Lewis (20 May 2011). "Nicola Roberts designs shoe for 'Cinderella's Eyes'". Digital Spy. Retrieved 11 August 2011.
    7. ^ a b Milligan, Lauren (20 May 2011). "Going Solo". Vogue. Retrieved 11 August 2011.
    8. ^ Girls Aloud 2009, p. 336
    9. ^
      Viacom
      . 22 August 2011. Retrieved 11 August 2011.
    10. ^ a b c d Nika, Colleen (11 October 2011). "Nicola Roberts, One-Fifth of Britain's Biggest Girl Group, Talks Solo Record and Style Ambitions". Rolling Stone. Archived from the original on 12 October 2011. Retrieved 19 November 2011.
    11. ^ a b "Dragonette Makes Strong Coffee – Nicola Roberts reveals all to Love Machine". Love Machine. Archived from the original on 10 August 2011. Retrieved 29 August 2011.
    12. ^ a b c d e f Copsey, Robert (18 June 2011). "Nicola Roberts interview: "I begged for Kate Bush"". Digital Spy. Retrieved 11 August 2011.
    13. ^ a b c Copsey, Robert (1 August 2011). "Nicola Roberts confirms 'Lucky Day' single release". Digital Spy. Retrieved 11 August 2011.
    14. ^ a b c Moynihan, David (21 June 2011). "Nicola Roberts collaborator: 'New songs are wild cards'". Digital Spy. Retrieved 11 August 2011.
    15. ^ a b c d Chipping, Tim (20 May 2011). "Nicola Roberts 'Cinderella's Eyes' 3 track-sampler. UK Pop has a new Queen". Holy Moly. Retrieved 24 September 2011.
    16. ^ a b St Asaph, Katherine (10 August 2011). "The Singles Bar: Nicola Roberts, Lucky Day". Pop Dust. Retrieved 12 August 2011.
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    23. ^ a b Williams, Andrew (26 June 2011). "Nicola Roberts: I thought I'd won the jackpot when I got in Girls Aloud". Metro. Retrieved 11 August 2011.
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    25. ^ Cragg, Michael. "Nicola Roberts Cinderella's Eyes review". BBC. Retrieved 17 November 2011.
    26. ^ a b Nellis, Krystina. "Nicola Roberts – Cinderella's Eyes". Album review. Archived from the original on 25 September 2011. Retrieved 26 September 2011.
    27. ^ a b Pearson, Rick. "Nicola Roberts – Cinderella's Eyes". Album review. Archived from the original on 24 September 2011. Retrieved 25 September 2011.
    28. ^ Gage, Simon (23 September 2011). "CD Review – Nicola Roberts: Cinderella's Eyes (Polydor)". Daily Express. Retrieved 25 September 2011.
    29. ^ a b Hoby, Hermione (25 September 2011). "Nicola Roberts: Cinderella's Eyes – review". The Guardian. Retrieved 25 September 2011.
    30. ^ a b Lanchno, James (22 September 2011). "Nicola Roberts: Cinderella's Eyes, CD review". The Daily Telegraph. Retrieved 24 September 2011.
    31. ^ a b Horton, Matthew. "Cinderella's Eyes – Nicola Roberts". Album review. Retrieved 26 September 2011.
    32. ^ Roberts, Nicola (26 September 2011). "Guest Blog: Nicola Roberts – Lucky Day 5 – G-A-Y and Hair". Holy Moly. Archived from the original on 29 September 2011. Retrieved 26 September 2011.
    33. ^ a b Montgomery, Hugh (2 October 2011). "Album: Nicola Roberts, Cinderella's Eyes (Polydor)". The Independent. Retrieved 5 October 2011.
    34. ^ "Cinderella's Eyes – pre-order, artwork and tracklisting revealed". Polydor Records. 22 August 2011. Archived from the original on 23 August 2011. Retrieved 11 August 2011.
    35. ^ Roberts, Nicola [@NicolaRoberts] (26 October 2021). "Cinderella's Eye's 10th anniversary! To mark her birthday, I'm so happy to be releasing this on vinyl finally! It's hard to believe it's been 10 years! You can pre order the vinyl at the stroke of midnight on Thursday. But there's still more to the story..." (Tweet). Retrieved 4 November 2021 – via Twitter.
    36. ^ a b c "Behind Cinderella's Eyes (Deluxe)". Plastic Pop Records. Retrieved 28 October 2021.
    37. ^ Stern, Bradley (3 June 2011). "Nicola Roberts – Beat of My Drum (Single review)". MuuMuse. Retrieved 11 August 2011.
    38. ^ "Beat of my Drum Single". Apple Inc. Retrieved 11 August 2011.
    39. ^ "The Official Charts Company". Official Charts Company. Retrieved 11 August 2011.
    40. ^ Roberts, Nicola (25 May 2011). "Beat of LA". Polydor Records. Archived from the original on 14 August 2011. Retrieved 11 August 2011.
    41. ^ "EP by Nicola Roberts 'Lucky Day'". iTunes Store. Retrieved 14 September 2010.
    42. ^ a b Love, Charles-Spencer (2 August 2011). "Nicola Roberts confirms 'Lucky Day' single release". Digital Spy. Retrieved 11 August 2011.
    43. ^ "Song of the Day 'Lucky Day'". Popjustice. Retrieved 14 August 2011.
    44. ^ Lambden, Dan. "Track Review: Nicola Roberts 'Lucky Day'". SoSoGay. Archived from the original on 29 September 2011. Retrieved 14 September 2011.
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    46. ^ Copsey, Robert (8 November 2012). "Nicola Roberts: 'Yo-Yo' review". Digital Spy. Retrieved 16 January 2012.
    47. ^ "Cinderella's Eyes Nicola Roberts". Apple Inc. January 2011. Retrieved 26 September 2011.
    48. ^ "Cinderella's Eyes - Album by Nicola Roberts". Spotify. January 2011. Retrieved 27 November 2023.
    49. Chart-Track. IRMA
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    50. ^ "Official Scottish Albums Chart Top 100". Official Charts Company.
    51. ^ "{{{artist}}} | Artist | Official Charts". UK Albums Chart.
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