Cinema of Eritrea
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The history of cinema in
The Italian missionary film was first introduced in a 1922 work produced in the country by Capuchin monks collaborating with the colonial government.[3] Despite the country's independence, film screenings in Eritrea are mostly still confined to English and Italian language movies.[2]
Films like Eva Nera were produced in Eritrea and shown the culture and differences between the Eritrean people. Directed by Giuliano Tomei, it was told through a viewpoint of Domenico Meccoli.[4][5]
European influence continues to this day, such as "European Film Weeks", which have been held annually for the last 15 years.[6] Almost 100% of the films produced in Eritrea fall under the "Fiction" category.[7]
See also
- Arab cinema
- Cinema Impero, a movie theater in Asmara
- Ines Pellegrini, an Italian actress of Eritrean descent
- White Hotel, a documentary film shot in Eritrea
References
- ^ S2CID 163365452.
- ^ ISSN 0972-9348. Retrieved 24 November 2019 – via Researchgate.net.
- ISBN 978-0-230-30016-3.
- ISBN 978-3-03911-802-1. Retrieved 8 January 2021.
- ISBN 978-88-7605-548-5.
- ^ "15th European Film Week 2019 in Eritrea". EEAS – European Commission (in Indonesian). Retrieved 24 September 2020.
- ^ "Eritrea". uis.unesco.org. 27 November 2016. Retrieved 24 September 2020.
Further reading
- Abraham, Tedros (8 July 2009). "Eritrean Film Production: Its Challenges and Prospects Part I". Shaebia. People's Front for Democracy and Justice. Archived from the original on 12 January 2011. Retrieved 24 November 2019.
- Darley, Gillian (19 November 2019). "The modernist marvels of Eritrea". Apollo Magazine. Retrieved 23 November 2019.
- "Old German caves, Poland silver mines make UN heritage list". Fox News. Associated Press. 9 July 2017. Retrieved 23 November 2019.
- Plastow, Jane (15 January 2009). "Theatre of Conflict in the Eritrean Independence Struggle". New Theatre Quarterly. 13 (50). Cambridge University Press: 144–154. .
- Sherman, Richard (1980). "The Rise Of Eritrean Nationalism". Northeast African Studies. 2/3 (3/1): 121–129. JSTOR 43660060.