Cinema of Greece

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Cinema of Greece
Collage with figures of the Greek cinema
No. of screens370 (2010)[1]
 • Per capita3.7 per 100,000 (2010)[1]
Produced feature films (2010)[2]
Fictional16
Animated-
Documentary2
Number of admissions (2011)[4]
Total11,900,000
 • Per capita0.9 (2012)[3]
Gross box office (2011)[4]
Total$130 million
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The cinema of Greece has a long and rich history. Though hampered at times by war or political instability, the Greek film industry dominates the domestic market and has experienced international success. Characteristics of Greek cinema include a dynamic plot, strong character development and erotic themes. Two Greek films,

Academy Award for Best Foreign Language Film
.

Though Greek cinema took root in the early 1900s, the first mature films weren't produced until the 1920s, after the end of the

Greco-Turkish War.[5] Films during this period, such as Astero (1929) by Dimitris Gaziadis and Maria Pentagiotissa (1929) by Ahilleas Madras, consisted of emotional melodramas with an abundance of folkloristic elements.[6] Orestis Laskos's Daphnis and Chloe (1931), one of the first Greek films to be shown abroad, contained the first voyeuristic nude scene in a European film.[7] During the Axis occupation
, the Greek film industry struggled as it was forced to relocate overseas.

Following the

Best Actress Award at Cannes. Cacoyannis's Zorba the Greek (1964) won three Academy Awards. Other films released in this era, such as The Counterfeit Coin and The Ogre of Athens
are nowadays considered some of the greatest works of Greek cinema.

Censorship policies of the

Greek Weird Wave".[8]

History of the Greek cinema

Origins

In the spring of 1897, the Greeks of

Olympic games
of Athens (the unofficial Olympic games of 1906).

The first cine-theater of Athens opened about a year later and other special 'projection rooms' begun their activity. In 1910-11 the first short comic movies were produced by director Spiros Dimitrakopoulos (Spyridion), who also starred in most of his movies. In 1911 Kostas Bachatoris presented Golfo (Γκόλφω), a well known traditional love story, considered the first Greek feature film. In 1912 was founded the first film company (Athina Film) and in 1916 the Asty Film.

During the

Great Fire of Smyrna
(1922).

Manakis brothers
, pioneers of the cinema in the Balkans
Snapshot from a Greek short clip during the Greco-Turkish war by Dag Films, 1922

The first commercially successful Greek film was Villar in the Women's Baths of Faliro (Ο Βιλλάρ στα γυναικεία λουτρά του Φαλήρου), written, directed by and starring comedian Villar (Nikolaos Sfakianakis) and Nitsa Philosofou. In 1924, Michael Michael (1895–1944), a Greek comedian, presented some short film comedies.

Olympion Theatre, seat of the Thessaloniki International Film Festival

In 1922, Gaziadis founded Dag Films and tried to produce the first speaking movies. This company presented its first movie, Love and Waves (Eros kai kymata), in 1927, and experienced moderate success in the late 1920s and early 1930s. The company mainly produced historical movies, usually adaptations of novels. In 1930, Dag made an attempt for a speaking movie, Apachides of Athens (Oi Apachides ton Athinon), which was based on a Greek operetta by Nikos Hatziapostolou.

Gaziadis also filmed the 1927 Delphic Festival, an idea of Angelos Sikelianos and Eva Palmer-Sikelianos, as part of his general effort towards the revival of the "Delphic Idea". The event consisted of Olympic contests, an exhibition of folk art, and a performance of Prometheus Bound.

The 1931 film Daphnis and Chloe (Δάφνις και Χλόη), directed by Orestis Laskos (1908–1992), contained the first voyeuristic nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1932 Olympia Films presented the speaking movie The Shepherdess's Lover (Ο αγαπητικός της βοσκοπούλας), which was based on a play by Dimitris Koromilas. Also influential during this period was director Achilleas Madras, whose work included Maria Pentagiotissa (1929) and Sorcerer of Athens (1931).[6]

During the late 1930s, a number of Greek filmmakers fled Greece due to the hostility of Metaxas Regime and the material lack of ability for producing speaking movies. The Greek film industry reemerged in Turkey, and later in Egypt.[5]

In spite of German occupation during World War II,

Finos Films (1942), which would later become one of the most commercially successful Greek studios. One of Finos's earliest productions, Voice of the Heart (Η φωνή της καρδιάς) (1943, directed by Dimitris Ioannopoulos), drew large audiences, to the consternation of the Germans. Another important film during this period, Applause (Χειροκροτήματα) (1944, directed by George Tzavellas), was produced by Finos's rival, Novak Films.[9]

In 1944 Katina Paxinou was honoured with the Academy Award for Best Supporting Actress for her role as "Pilar" in the Sam Wood film, For Whom the Bell Tolls.

The Golden Age (modern period)

Aliki Vougiouklaki in Israel, 1964
Ellie Lambeti

The 1950s and 1960s are considered by many to be the "Golden Age" of Greek cinema.

Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and Irene Papas. More than sixty films per year were made, with the majority having film noir elements. Notable films were The Counterfeit Coin (Η κάλπικη λίρα, 1955 directed by George Tzavellas), Bitter Bread (Πικρό Ψωμί, 1951, directed by Grigoris Grigoriou), and The Ogre of Athens (Δράκος, 1956, directed by Nikos Koundouros).[citation needed
]

Aunt from Chicago (Η Θεία από το Σικάγο, 1957) and Maiden's Cheek (Το ξύλο βγήκε από τον Παράδεισο, 1959).[citation needed
]

The 1955 film

Tony Award nomination. She went on to star in such films as Topkapi and Phaedra, both directed by Dassin, and the 1969 American comedy, Gaily, Gaily.[citation needed
]

Cacoyannis' 1964 film,

Battlefield Constantinople (1970), which starred the "Greek Brigitte Bardot," Aliki Vougiouklaki.[6]

The Thessaloniki International Film Festival was first held in 1960, and would subsequently evolve into the primary showcase for emerging filmmakers from Greece and the Balkans region. The festival showcases both international and Greek films, and awards the "Golden Alexander" for the best feature film.[citation needed]

In 1969, the Costa-Gavras film Z was nominated for the Academy Award for both Best Foreign Language Film and Best Picture.[citation needed]

Postmodern period

Theodoros Angelopoulos, winner of the Palme d'Or in 1998

The production of Greek films increased after the fall of the dictatorship in the mid-1970s, though the industry struggled with foreign competition and the rise of television.

Silver Bear at the Berlin International Film Festival
.

When the left-leaning

Minister for Culture. In this role, she obtained government support for the Greek film industry, and set up networks to promote Greek cinema abroad.[6] The increase in government funding led to a predominance of slow-moving, cerebral art-house films, which lacked mass appeal.[5]

Beginning in the 1990s, younger directors turned to more contemporary-paced films and social satires, which brought moderate commercial success.[10] In 1999, TV series writers Michalis Reppas and Thanasis Papathanasiou, collaborating with contemporary famous actors made the sex taboo comedy Safe Sex, which was the most successful movie of the decade.

In 2003, A Touch of Spice (Politiki kouzina), a big-budget film by director Tasos Boulmetis, was the most successful film of the year at the Greek box office, making over 12 million euros. 2004 was also a good year for Greek films, with Pantelis Voulgaris's Brides (Nyfes) gathering more than a million spectators and over 7 million at the box office. In 2007 the most successful film was El Greco, directed by Yannis Smaragdis.

Yorgos Lanthimos

In 2009,

Venice Days, and Casus Belli, a short film by director Yorgos Zois, screened at the Orizzonti section, prompting Nick Vivarelli of Variety to write about "the country's biggest showing in decades".[13] In 2011 Alps won the Osella Award for Best Screenplay (Yorgos Lanthimos and Efthimiοs Filippou) at the 68th Venice Film Festival.[14] Dogtooth, Attenberg and Alps are part of what some film critics, including Steve Rose of The Guardian, have termed the "Greek Weird Wave," which involves movies with haunting cinematography, alienated protagonists and absurdist dialogue.[15] Other films mentioned as part of this "wave" include Panos H. Koutras's Strella (2009) and Yannis Economides's Knifer (2010).[16] In 2011, the 46th Karlovy Vary International Film Festival presented a tribute to Young Greek Cinema with seven feature films: Attenberg, Dogtooth, Homeland, Strella, Tale 52 (directed by Alexis Alexiou) and Wasted Youth (directed by Argyris Papadimitropoulos and Jan Vogel).[17][18]

The "wave" of Greek cinema continued its course through the decade, producing several titles that were festival and critical sensations and were distributed in many countries. Many tributes to this generation of Greek filmmakers were held by festivals worldwide, most notably by the New Horizons Film Festival in Wrocław, Poland, and the Jeonju International Film Festival in Korea.[19] Recent studies called the Greek Weird Wave, a cinema "that reflects on how systems of power manage groups of people (from a family to a population) and the bodies of individuals", and "a cinema equally sensitive to forms of response, to noise, unease, and subversion".[20]

In 2011, just twenty feature-films were produced.[21] Wasted Youth, directed by Argyris Papadimitropoulos and Jan Vogel was the opening film of the 40th Rotterdam International Film Festival,[22] Alps, directed by Yorgos Lanthimos won the Best Screenplay Award at the Venice International Film Festival and Unfair World, directed by Filippos Tsitos won the Best Actor Award for Antonis Kafetzopoulos at the San Sebastian International Film Festival.[23]

In 2012, L by Babis Makridis premiered in competition at the Rotterdam International Film Festival,[24] and Boy Eating the Bird's Food, directed by Ektoras Lygizos, premiered in competition at the Karlovy Vary International Film Festival, winning a Special Mention for actor Yannis Papadopoulos.[25]

In 2013, Miss Violence, directed by Alexandros Avranas won Silver Lion for best director at the 70th Venice International Film Festival. Peter Bradshaw of The Guardian, compared the film to the previously mentioned, saying that "It (self-evidently) does not have the humour of those movies by Yorgos Lanthimos and Athina Rachel Tsangari and by that token, less of their richness and inventiveness. But its force can't be doubted."[26]

In 2014, Stratos, directed by Yannis Economidis premiered in competition at the Berlin International Film Festival,[27] Xenia, directed by Panos H. Koutras, premiered at the Un Certain Régard section of the Cannes Film Festival,[28] and A Blast, directed by Syllas Tzoumerkas, premiered in competition at the Locarno International Film Festival.[29]

In 2015, Wednesday 04:45 by Alexis Alexiou premiered in competition at the Tribeca Film Festival, Chevalier, directed by Athina Rachel Tsangari premiered in competition at the Locarno International Film Festival and won the Best Film Award at the BFI - London International Film Festival,[30] and Interruption by Yorgos Zois premiered at the Orizzonti competition section of the Venice International Film Festival.[31]

In 2016, Suntan by Argyris Papadimitropoulos premiered at the Rotterdam and SXSW International Film Festivals and won the Best Film Award at the Edinburgh International Film Festival.[32][33]

In 2017, Son of Sofia, directed by Elina Psykou won the Best International Narrative Feature Award at the Tribeca Film Festival.[34]

In 2018, Pity, directed by Babis Makridis, premiered in competition at the Sundance and the Rotterdam International Film Festivals.[35]

in 2021, Jacqueline Lentzou's Moon, 66 Questions premiered at the Encounters competition section of the 71st Berlin International Film Festival.

Notable films

Melina Mercouri in "Phaedra" (1962)
Irene Papas in The Trojan Women (1971)

Pre-WWII

After-WWII (Golden Age)

Modern

Notable musicals

Filming, distribution companies and studios

Past

  • Athina Film
  • Asty Films
  • Dag Films
  • Astra Film
  • Hero Films (Greek: Ἡρώ)
  • Olympia Films
  • Anzervos
  • Spentzos Films
  • Klak Film

Current

  • Philopemen Finos
  • Karagiannis Karatzopoulos
  • Novak Films (operates own studios)
  • Madbox Entertainment (operates its own studios)
  • Village Films Hellas (Greek branch of Village Roadshow)
  • Haos Film, founded by Athina Rachel Tsangari
  • Heretic (production company and sales agent)
  • Neda Films (production company)
  • Blonde (production company)
  • Homemade Films (production company)
  • Cinegram
  • Odeon Hellas
  • Make a Movie in Greece/Media Productions
  • Audiovisual (biggest distributor)
  • Karamanos Studios (biggest studios in Greece)
  • The new studios of
    Nu Image
    ) will open inside 2020 in the area of Thessaloniki

Producers

Renowned figures

Directors

Screenwriters

Actors

Directors of photography

Scenographers

Film score composers

Manos Hatzidakis
Mikis Theodorakis
Vangelis Papathanassiou

See also

References

  1. ^ a b "Table 8: Cinema Infrastructure - Capacity". UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 5 November 2013.
  2. ^ "Table 1: Feature Film Production - Genre/Method of Shooting". UNESCO Institute for Statistics. Archived from the original on 23 March 2014. Retrieved 5 November 2013.
  3. ^ "Country Profiles". Europa Cinemas. Archived from the original on 9 November 2013. Retrieved 9 November 2013.
  4. ^ a b "Table 11: Exhibition - Admissions & Gross Box Office (GBO)". UNESCO Institute for Statistics. Archived from the original on 3 November 2013. Retrieved 5 November 2013.
  5. ^ a b c d e f Vrasidas Karalis, History of Greek Cinema (Continuum International Publishing Group, 2012), pp. ix-xiii.
  6. ^ a b c d e f g h i Ephraim Katz, "Greece," The Film Encyclopedia (New York: HarperResource, 2001), pp. 554-555.
  7. ^ Babis Aktsoglou, "Daphnis and Chloe: Plasticity and Lyricism Archived 2014-07-20 at the Wayback Machine," CineMythology, 2003-2004. Retrieved: 15 June 2013.
  8. ^ Steve Rose, "Attenberg, Dogtooth and the Weird Wave of Greek Cinema," The Guardian, 26 August 2011. Retrieved: 15 June 2013.
  9. ^ Kalaris, History of Greek Cinema, p. 36.
  10. ^ Kate Armstrong, Michael Clark, Christopher Deliso, Greek Islands (Lonely Planet, 2008), p. 49.
  11. ^ "83rd Academy Awards Nominations Announced" (PDF). oscars.org. 25 January 2011. Archived from the original (PDF) on 4 March 2011. Retrieved 25 January 2011.
  12. ^ "Biennale Cinema 2021 | Homepage 2021". 23 November 2020.
  13. ^ Vivarelli, Nick (8 September 2010). "Greek films flourish at Venice". Variety. Retrieved 1 November 2021.
  14. ^ "La Biennale di Venezia - Official Awards of the 69th Venice Film Festival". Archived from the original on 12 September 2012. Retrieved 9 September 2012.
  15. ^ "Dark, Haunting and Wonderfully Weird," The Economist, 6 December 2011. Retrieved: 19 June 2013.
  16. ^ Steve Rose, "Attenberg, Dogtooth and the Weird Wave of Greek Cinema," The Guardian, 26 August 2011. Retrieved: 19 June 2013.
  17. ^ "KVIFF | Archive of films". www.kviff.com. Retrieved 1 November 2021.
  18. ^ Mousoulis, Bill. "Cosmic Delight: The 47th Karlovy Vary International Film Festival – Senses of Cinema". Retrieved 1 November 2021.
  19. ^ ""New Horizons" Polish Film Festival With 10 Greek Films This Year". GreekReporter.com. 13 July 2014. Retrieved 1 November 2021.
  20. S2CID 226486226
    .
  21. ISBN 978-1908215017
    .
  22. ^ Mitchell2011-01-04T11:00:00+00:00, Wendy. "Rotterdam to open with Greek drama Wasted Youth". Screen. Retrieved 1 November 2021.{{cite web}}: CS1 maint: numeric names: authors list (link)
  23. ^ "San Sebastian Film Festival". sansebastianfestival. Retrieved 1 November 2021.
  24. ^ "L, a Greek enigma, in Rotterdam". Cineuropa - the best of european cinema. Retrieved 1 November 2021.
  25. ^ "Karlovy Vary International Film Festival 2012". MUBI. Retrieved 1 November 2021.
  26. ^ Peter Bradshaw, "Miss Violence Review - Macabre Tale of Evil and Greek Anguish," The Guardian, 19 June 2014.
  27. ^ "To mikro psari | Stratos". www.berlinale.de. Retrieved 1 November 2021.
  28. ^ "XENIA". Festival de Cannes. Retrieved 1 November 2021.
  29. ^ "A Blast". Locarno Film Festival. Retrieved 1 November 2021.
  30. ^ "Chevalier". Locarno Film Festival. Retrieved 1 November 2021.
  31. ^ "Interruption: Playing with conventions and expectations". Cineuropa - the best of european cinema. Retrieved 1 November 2021.
  32. ^ "Suntan | IFFR". iffr.com. Retrieved 1 November 2021.
  33. ^ "'Suntan' by Argyris Papadimitropoulos Wins Top Prize at Edinburgh Film Festival". GreekReporter.com. 25 June 2016. Retrieved 1 November 2021.
  34. ^ Nordine, Michael (27 April 2017). "2017 Tribeca Film Festival Awards: 'Keep the Change,' 'Son of Sofia' and 'Bobbi Jene' Take Top Prizes". IndieWire. Retrieved 1 November 2021.
  35. ^ "Pity (film)", Wikipedia, 10 May 2021, retrieved 1 November 2021

Bibliography

  • Dimitris Koliodimos, The Greek filmography, 1914 through 1996 (vols. 1 and 2), Jefferson, NC: McFarland, 1999.
  • Journal of Modern Greek Studies 18.1, May 2000, Special Issue: "Greek Film."
  • Vrasidas Karalis, A History of Greek Cinema, Continuum, 2012.

External links

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