Gene Colan

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Gene Colan
Eisner Award
, 2010
Spouse(s)Sallee Greenberg (divorced)
Adrienne Colan (Brickman)

Eugene Jules Colan (

Blade
.

Colan was inducted into the Will Eisner Comic Book Hall of Fame in 2005.

Early life

Eugene Jules Colan

George Washington High School in the Washington Heights section of Manhattan, and went on to study at the Art Students League of New York.[4]

Career

Early career

Daredevil #48 (Jan. 1969). Gene Colan (penciler) and George Klein (inker) slip an in-joke into this Times Square scene. Whatever caused the apparent frustration, note the word at Daredevil's left hand.

Colan began working in comics in 1944, doing illustrations for publisher

P-51B Mustang" (issue #52, Dec. 1944).[11] His first comics story was a seven-page "Clipper Kirk" feature in the following month's issue.[12]

After attempting to enlist in the

Manila Times, and won an art contest.[7]

Upon his return to civilian life in 1946, Colan went to work for Marvel Comics' 1940s precursor, Timely Comics.[13] He recalled in 2000,

I was living with my parents. I worked very hard on a war story, about seven or eight pages long, and I did all the lettering myself, I inked it myself, I even had a wash effect over it. I did everything I could do, and I brought it over to Timely. What you had to do in those days was go to the candy store, pick up a comic book, and look in the back to see where it was published. Most of them were published in Manhattan, they would tell you the address, and you'd simply go down and make an appointment to go down and see the art director.[7] Al Sulman, listed in Timely mastheads then as an "editorial associate",[14] "gave me my break. I went up there, and he came out and met me in the waiting room, looked at my work, and said, 'Sit here for a minute'. And he brought the work in, and disappeared for about 10 minutes or so ... then came back out and said, 'Come with me'. That's how I met [editor-in-chief] Stan [Lee].[15] Just like that, and I had a job.[7]

Comics historian Michael J. Vassallo identifies that first story as "Adam and Eve — Crime Incorporated" in Lawbreakers Always Lose #1 (cover date Spring 1948), on which is written the internal job number 2401. He notes another story, "The Cop They Couldn't Stop" in All-True Crime #27 (April 1948), job number 2505, may have been published first, citing the differing cover-date nomenclature ("Spring" v. "April") for the uncertainty.[16]

Hired as "a staff penciler",[3] Colan "started out at about $60 a week. ... Syd Shores was the art director".[17] Due to Colan's work going uncredited, in the manner of the times, comprehensive credits for this era are difficult if not impossible to ascertain. In 2010, he recalled his first cover art being for an issue of Captain America Comics;[18] Colan drew the 12-page lead story in issue #72, the cover-artist of which is undetermined.[19] He definitively drew the cover of the final issue, the horror comic Captain America's Weird Tales #75 (Feb. 1950),[20] which did not include the titular superhero on either the cover or inside.[21]

After virtually all the Timely staff was let go in 1948 during an industry downturn, Colan began freelancing for National Comics, the future

penciling and inking the six-page crime fiction story "Dream Of Doom", by an uncredited writer, in Atlas' Lawbreakers Always Lose #6 (Feb. 1949).[22]

By the early 1950s, he was living in New Rochelle, New York.[23] Around this time he did his first work for DC Comics, then the industry leader, on the licensed series Hopalong Cassidy, based on the film and TV Western hero, drawing it from 1954 to 1957.[24][25] In the 1960s, he lived in New Jersey, where his and Adrienne's children, Erik and Nanci,[4] were raised.[7]

Dr. Strange #180 (May 1969). Cover art by Colan and inker Tom Palmer, utilizing photomontage.

Silver Age

While freelancing for DC romance comics in the 1960s, Colan did his first superhero work for Marvel under the pseudonym Adam Austin.[26] Taking to the form immediately, he introduced the "Sub-Mariner" feature in Tales to Astonish,[27] and succeeded Don Heck on "Iron Man" in Tales of Suspense.

Sometime after Colan began this pseudonymous stint, Marvel editor Stan Lee made overtures to lure him from DC. Colan recalled,

Stan asked me to come over and work with him. I don't remember how, but I do know that we made a connection, and he asked me, "How about coming over?" And so, my answer was — I think this was at his house; I had some work to deliver late one night; it was in the wintertime, and I went over and delivered it — and he asked me to come over to Marvel, and I said, "Well, what's the inducement? Why should I leave DC and come over to work with you, unless there's a little something in it for me to do that? I'm not just going to leave them [DC]." He said, "Well, if you're looking for more money, there's no point to it." I said, "What do you mean?" [laughs] He said, "Simply because, sooner or later, they're going to have to fire you, and you'll have to come over here." [laughs] I smiled, and I said, "Stan, I think I have to go." And I shook his hand, and I said, "That's okay, I'll just stay where I am." The next day, I got a phone call from Stan, because I had asked for more money, and he gave it to me. He tried to bluff me, and ... then I came over.[7]

Under his own name, Colan became one of the premier

Marvel Method" — in which editor-in-chief and primary writer Stan Lee "would just speak to me for a few minutes on the phone, tell me the beginning, the middle and the end [of a story] and not much else, maybe four or five paragraphs, and then he'd tell me to make [a 20-page] story out of it,"[10] providing artwork to which Lee would then script dialogue and captions — Colan forged his own style, different from that of artists Jack Kirby and Steve Ditko
, whom Lee would point to as examples of the Marvel style:

Whatever book he thought was selling, he would have the rest of the staff try to copy the same style of work, but I wouldn't do it. I'd tell him if you want Stevie Ditko then you'll have to get Stevie Ditko. I can't do it, I have to be myself. So he left me alone. ... He knew I meant it and that I couldn't do it and there was no point in trying to force me to do it. Stan recognized something in my work from the very start, whatever that was, that gave [me] my first big break. And I always got along very well with Stan; not everybody can say that but I did ... so he let me do pretty much what I wanted to do ... [T]here was always some little change here and there, but basically he left me alone. ... And I was intimidated by Stan. I didn't want to go into his office, it upset me a little bit, but he was very nice to me. He left me pretty much alone because I was able to deliver pretty much what he was looking for, so we never had any trouble.[10]

Lee and Colan introduced the

amphetamines in order to make deadlines for illustrating the series Doctor Strange,[30] for which he would personally visit the character's real-life Manhattan neighborhood, Greenwich Village, and shoot Polaroid photographs to use as location reference.[31] Captain Marvel, a character created to secure the trademark on the name,[32] debuted in Marvel Super-Heroes #12 (Dec. 1967) by Lee and Colan.[33] The original Guardians of the Galaxy first appeared in Marvel Super-Heroes #18 (Jan. 1969) by writer Arnold Drake and Colan.[34]

In Captain America #117 (Sept. 1969), Colan and writer-editor Stan Lee created the

African-American superhero in mainstream comic books.[2][3]
The character came about, Colan recalled in 2008,

... in the late 1960s [when news of the]

civil rights protests were regular occurrences, and Stan, always wanting to be at the forefront of things, started bringing these headlines into the comics. ... One of the biggest steps we took in this direction came in Captain America. I enjoyed drawing people of every kind. I drew as many different types of people as I could into the scenes I illustrated, and I loved drawing black people. I always found their features interesting and so much of their strength, spirit and wisdom written on their faces. I approached Stan, as I remember, with the idea of introducing an African-American hero and he took to it right away. ... I looked at several African-American magazines, and used them as the basis of inspiration for bringing The Falcon to life.[36]

Concurrent with his move to Marvel, Colan also contributed several stories to Warren Publishing's line of black-and-white horror comics magazines, beginning with the six-page tale "To Pay the Piper", by writer Larry Ivie, in Eerie #2 (March 1966). There and in subsequent stories for that magazine and its sister publication, Creepy, Colan would ink his own pencil work. His final original Warren story, "First Blood", appeared in Eerie #11 (Sept. 1967). The vast majority of these were written by Warren editor Archie Goodwin, with whom Colan would later collaborate on Marvel's Iron Man.[24][37]

Dracula and Batman

Colan in the 1970s illustrated the complete 70-issue run of the acclaimed[38][39] horror title The Tomb of Dracula[40] as well as most issues of writer Steve Gerber's cult hit Howard the Duck.[41]

Colan, already one of Marvel's most well-established and prominent artists, said he had lobbied for the Tomb of Dracula assignment:

When I heard Marvel was putting out a Dracula book, I confronted [editor] Stan [Lee] about it and asked him to let me do it. He didn't give me too much trouble but, as it turned out, he took that promise away, saying he had promised it to Bill Everett. Well, right then and there I auditioned for it. Stan didn't know what I was up to, but I spent a day at home and worked up a sample, using Jack Palance as my inspiration and sent it to Stan. I got a call that very day: 'It's yours.'[42]

Colan and

Presidential campaign of 1976,[48] and led to Howard the Duck receiving thousands of write-in votes in the actual election.[49] The Gerber-Colan team created Doctor Bong in Howard the Duck #15 (Aug. 1977).[50] Gerber later said to Colan: "There really was almost a telepathic connection there. I would see something in my mind, and that is what you would draw! I've never had that experience with another artist before or since."[51]

Colan returned to DC in 1981,[52] following a professional falling out with Marvel editor-in-chief Jim Shooter.[53] Colan recalled two decades later that Shooter

... hated me. I was miserable. It was the worst experience ... one of the worst I've ever experienced. I had to leave Marvel because of him. I wouldn't stay, and I ... left everything behind. I left a pension plan, everything. I would have stayed, but Shooter gave me such a rough time. In fact, the vice president [of Marvel] had been down in a meeting with me and Shooter, trying to pacify me and get me to stay. And I just wouldn't do it, cause I could see the writing on the wall, and I knew where Shooter was heading, and I didn't want any more of it.[54]

He brought his shadowy, moody textures to

Monk in Batman #350 (Aug. 1982)[57] and introduced Killer Croc in Detective Comics #523 (Feb. 1983).[58] Killer Croc appears in the 2016 live-action movie Suicide Squad, portrayed by Adewale Akinnuoye-Agbaje.[59] Another new character, Nightslayer, was created by Colan and Doug Moench in Detective Comics #529 (Aug. 1983).[60]

In the

Spectre.[24]

Colan page from The Tomb of Dracula #40 (Jan. 1976). Inked by Tom Palmer.

Colan's style, characterized by fluid figure drawing and extensive use of shadow, was unusual among Silver Age comic artists,

watercolor on such projects as the DC Comics miniseries Nathaniel Dusk (1984) and Nathaniel Dusk II (1985–86), and the feature "Ragamuffins" in the Eclipse Comics umbrella series Eclipse #3, 5, and 8 (1981–83), with frequent collaborator Don McGregor.[24]

Independent-comics work includes the Eclipse

TV movie about the Archie characters 20 years later, airing May 6, 1990; Stan Goldberg drew the parts featuring the characters in flashback as teens, while Colan drew adult characters, in a less cartoony style, and Mike Esposito inking both.[24]

Back at Marvel, he collaborated again with Marv Wolfman and veteran inker Al Williamson on a new The Tomb of Dracula series, and with Don McGregor on a

Black Panther serial in the Marvel Comics Presents anthology, as well as a six-issue adaptation of Clive Barker's "The Harrowers: Raiders of the Abyss."[24]

Later life and career

Colan did some insert artwork on Hellbilly Deluxe (released August 1998), the first solo album of Rob Zombie, credited as Gene "The Mean Machine" Colan.[70] Unrealized projects around this time included the Marvel Music comic Elvis: Mystery Train, which went on hold, he said in 1996, "when Marvel ran into problems, so everything came to a halt. Right now it's in limbo. Senator Daniel Patrick Moynihan's son is writing it ..."[71]

In 1998, Colan and his Tomb of Dracula writing collaborator,

Buffy the Vampire Slayer: Tales of the Slayers, an omnibus that included writer Doug Petrie's 16-page "Nikki Goes Down", starring a 1970s vampire slayer seen in one episode of the namesake TV series.[24]

Colan penciled the final pages of

Blade vol. 3, #12 (Oct. 2007), the final issue of that series, drawing a flashback scene in which the character dresses in his original outfit from the 1970s series The Tomb of Dracula. That same month, for the anniversary issue Daredevil vol. 2, #100 (Oct. 2007), Colan penciled pages 18–20 of the 36-page story "Without Fear, Part One"; the issue additionally reprinted the Colan-drawn Daredevil #90-91 (Aug.-Sept. 1972).[24]

In the late 1980s, Colan, in addition to his art, taught at Manhattan's

Manchester, Vermont.[73] He had relocated to nearby Manchester Center, Vermont, from New York City in 1990 or 1991, and was living there as of 2001.[72] By 2009 at the latest, they had returned to New York City, settling in Brooklyn.[74][75][76]

On May 11, 2008, his family announced that Colan, who had been hospitalized for liver failure, had suffered a sharp deterioration in his health.

Eisner Award.[79]

Personal life

Gene Colan was married twice: first to Sallee Greenberg, with whom he had children Valerie and Jill before the couple divorced, and Adrienne Brickman, with whom he had children Erik and Nanci.[4][80] Adrienne Colan died on June 21, 2010.[81]

Colan died in the Bronx on June 23, 2011, aged 84, following complications of cancer and liver disease.[4] He lived in Brooklyn at the time of his death.[1][82]

Awards and honors

Colan's collaboration with Steve Gerber on

Eagle Award for Favorite Comic Book (Humor) and was nominated for four Eagle Awards in 1978.[84] Colan received an Inkpot Award in 1978 as well.[85]

In 2005, Colan was inducted into the comics industry's

Eisner Award for Best Single Issue (together with writer Ed Brubaker) for his work on Captain America #601 (Sept. 2009).[79]

The Cartoon Art Museum in San Francisco presented the retrospective "Colan: Visions of a Man without Fear" from November 15, 2008, to March 15, 2009.[73][87]

Colan was the recipient of the 2008

Sparky Award, presented December 4, 2008[88] and won the Comic Art Professional Society's Sergio Award on October 24, 2009.[89]

Bibliography

Archie Comics

Bongo Comics

Comico

  • Bloodscent #1 (1988)

CrossGen Comics

  • Rob Zombie's Spookshow International #1–3 (2003–2004)

Dark Horse Comics

DC Comics

Disney Comics

Eclipse Comics

IDW Comics

  • Hero Comics oneshot (also writer) (2009)

Marvel Comics

  • 2-Gun Western #4 (1956)
  • 2099 Unlimited #9 (1995)
  • 3-D Tales of the West #1 (1954)
  • Adventure into Mystery #7 (1957)
  • Adventures into Terror #3, 5, 14, 21, 24–25, 28–29 (1951–1954)
  • All-True Crime #46 (1951)
  • All-True Crime Cases #27, 31, 33–34 (1948–1949)
  • Amazing Adventures #3–5 (Black Widow); #26 (Killraven) (1970–1974)
  • Amazing Detective Cases #9 (1951)
  • Amazing Mysteries #32–33 (1949)
  • Astonishing #12, 20, 29, 56 (1952–1956)
  • Astonishing Tales #7–8 (Doctor Doom) (1971)
  • The Avengers #63–65, 206–208, 210–211 (1969–1981)
  • Battle #11, 16-17, 19, 24, 33–35, 38, 41, 43, 47–56, 58-59 (1952–1958)
  • Battle Action #8, 15, 19, 21–22, 24–25, 28–30 (1953–1957)
  • Battle Ground #3, 11–13, 16-20 (1955–1957)
  • Battlefield #5, 11 (1952–1953)
  • Battlefront #21–22, 24–25, 27, 3–-35, 38–40, 42–43, 45–48 (1954–1957)
  • Best Love #36 (1950)
  • Bible Tales for Young People #4 (1954)
  • Black Rider
     #11 (1950)
  • Blade: Crescent City Blues
     #1 (1998)
  • Blade vol. 4 #12 (two pages) (2007)
  • Bob Marley: Tale of the Tuff Gong #1–2 (1994–1995)
  • Captain America #116–137, 256, 601, Annual #5 (1969–1971, 1981, 2009)
  • Captain America’s Weird Tales #75 (1950)
  • Captain Marvel #1–4 (1968)
  • Combat #5, 11 (1952–1953)
  • Combat Kelly #3 (1952)
  • Commando Adventures #1–2 (1957)
  • Complete Mystery #1 (1948)
  • Crime Can't Win #1 (1950)
  • Crimefighters #1–2 (1948)
  • Daredevil #20–49, 53–82, 84–100, 110, 112, 116, 124, 153–154, 156–157, 363, 366–368, 370, #-1, Annual #1 (1966–1979, 1997)
  • Daredevil vol. 2 #20 (2001)
  • Doctor Strange #172–178, 180–183 (1968–1969)
  • Doctor Strange, vol. 2, #6–18, 36–45, 47 (1975–1981)
  • Doctor Strange, Sorcerer Supreme #19 (1990)
  • Dracula Lives
     #6, 8 (1973–1974)
  • Frontier Western #1–2, 6 (1956)
  • G.I. Tales #5–6 (1957)
  • Giant-Size Chillers #1 (Dracula) (1974)
  • Girl Comics #4 (1950)
  • Gunhawk #16, 18 (1951)
  • Gunsmoke Western #35-39, 42, 72, 76 (1956–1963)
  • Harrowers #1–6 (1993–1994)
  • Haunt of Horror #2 (1974)
  • Howard the Duck #4–20, 24–27, 30–31 (1976–1979)
  • Howard the Duck magazine #1–5, 7–9 (1979–1981)
  • Hulk! #11, 19, 24–27 (1978–1981)
  • Ideal #4 (1948)
  • Iron Man #1, 253, Annual #10, 13, 15 (1968, 1989–1994)
  • Iron Man and Sub-Mariner #1 (1968)
  • Journey into Mystery #2, 23, 40, 81-82 (1952-1962)
  • Journey into Mystery vol. 2 #4 (1973)
  • Journey Into Unknown Worlds #2, 6, 17, 19-20, 23, 29, 39 (1950–55)
  • Justice #4–5, 7, 22, 32, 35–36, 46 (1948–54)
  • Kid Colt Outlaw
     #52, 79, 110, 112, 114 (1955–64)
  • Lawbreakers Always Lose #1–2, 6 (1948–49)
  • Love Adventures #2 (1950)
  • Love Romances #101 (1962)
  • Love Tales #62 (1955)
  • Loveland #1 (1949)
  • Lovers #26 (1949)
  • Man Comics #9, 13, 21, 23 (1951-1953)
  • Marines at War #5-7 (1957)
  • Marines in Action #5-6, 11-12 (1956-1957)
  • Marines in Battle #1, 9-10, 17, 19-25 (1954-1958)
  • Marvel Comics Presents #13–37, 101–108, 112 (1989-1992)
  • Marvel Fanfare #51-52 (1990)
  • Marvel Preview #8, 16, 23 (1976-1980)
  • Marvel Romance Redux: But I Thought He Loved Me #1 (2006)
  • Marvel Romance Redux: Guys & Dolls #1 (2006)
  • Marvel Romance Redux: I Should Have Been a Blonde #1 (2006)
  • Marvel Romance Redux: Love Is a Four-Letter Word #1 (2006)
  • Marvel Spotlight #18-19 (Son of Satan) (1974)
  • Marvel Super-Heroes #12–13 (Captain Marvel), 15 (Medusa), 18 (Guardians of the Galaxy
    ) (1967-1969)
  • Marvel Super Special #6 (Jaws 2 movie adaptation); 10 (Star-Lord); #14 (Meteor movie adaptation) (1978-1979)
  • Marvel Tales
     #93-94, 96, 101, 105, 107, 118, 120-121, 127, 131, 140 (1949-1955)
  • Marvel Team-Up #87 (1979)
  • Men's Adventures #13-14, 19, 26 (1952-1954)
  • Menace #6 (1953)
  • Midnight Sons Unlimited #6 (1994)
  • Monsters Unleashed #1 (1973)
  • My Love #3 (1950)
  • My Love vol. 2 #4-6, 8-9, 13, 15-16 (1970-1972)
  • My Own Romance #11, 18, 44 (1950–55)
  • Mystery Tales #1, 3, 18, 35, 43 (1952-1956)
  • Mystic #3, 7, 12, 21, 37, 60 (1951-1957)
  • Navy Action #8, 10-11, 16-18 (1955-1957)
  • Navy Combat #4, 6, 11, 13-18 (1955-1958)
  • Navy Tales #3-4 (1957)
  • Not Brand Echh #4-5, 8-9, 13 (1967-1969)
  • Our Love #1 (1949)
  • Our Love Story #3-6, 8, 10 (1970-1971)
  • Outlaw Fighters #4 (1955)
  • Police Action #1 (1954)
  • Quick-Trigger Western #13, 16 (1956-1957)
  • Rangeland Love #1 (1949)
  • Rawhide Kid #35, 37-38 (1963-1964)
  • Richie Rich #1 (movie adaptation
    ) (1995)
  • Riot #1 (1954)
  • Savage Sword of Conan #33 (1978)
  • Savage Tales #1 (1971)
  • Secret Story Romances #9 (1954)
  • Silver Surfer #1–3 (The Watcher backup stories) (1968)
  • Six-Gun Western #3 (1957)
  • Spellbound #17, 28 (1953-1956)
  • Sports Action #3 (1950)
  • Spy Cases #1 (1950)
  • Strange Stories of Suspense #13 (1957)
  • Brother Voodoo
    ) (1973-1974)
  • Sub-Mariner #10–11, 40, 43, 46-49 (1969-1972)
  • Suspense #2-4, 9, 17 (1950-1952)
  • Tales of Justice #62 (1956)
  • Tales of Suspense #39 (1963); #73–99 (Iron Man) (1966-1968)
  • Tales of the Zombie #2, 6 (1973–1974)
  • Tales to Astonish (Sub-Mariner) #70–77, 79–82, 84–85, 101 (1965-1968)
  • Teen-Age Romance #85-86 (1962)
  • Tex Morgan #4 (1949)
  • Thunderbolts Annual '97 (among others) (1997)
  • The Tomb of Dracula #1–70 (1972-1979)
  • The Tomb of Dracula magazine #3–6 (1979-1980)
  • The Tomb of Dracula vol. 3 #1-4 (1991-1992)
  • Tower of Shadows #3–4, 6 (1970)
  • True Life Tales #1 (1949)
  • True Secrets #38 (1956)
  • True Western #1 (1949)
  • Two-Gun Kid #49 (1959)
  • Two-Gun Western #4–5 (1956)
  • Uncanny Tales #11, 16-17, 45, 49, 52 (1953-1957)
  • Unknown Worlds of Science Fiction #1, 3, 5-6 (1975)
  • Venus #12 (1951)
  • War Action #14 (1953)
  • War Adventures #6-7 (1952)
  • War Combat #3 (1952)
  • War Comics #1, 4, 28, 31, 34-36, 39, 41, 44-49 (1950-1957)
  • Western Gunfighters #20, 25-27 (1956-1957)
  • Western Outlaws #5, 10-11, 17, 20 (1954-1957)
  • What If (Fantastic Four) #21 (1980)
  • Wild #4 (1954)
  • Wild West #2 (1948)
  • Wild Western #49 (1956)
  • Wolverine #9, 24 (1989–1990)
  • World of Fantasy #10 (1958)
  • World of Mystery #6 (1957)
  • Young Hearts #2 (1950)
  • Young Men on the Battefield #14–15, 20 (1952–1953)

Ziff-Davis Publishing

  • Lars of Mars #10–11 (1951)

References

  1. ^ a b Eugene Colan at the Social Security Death Index via FamilySearch.org. Retrieved on February 22, 2013.
  2. ^ a b Brothers, David (February 18, 2011). "A Marvel Black History Lesson Pt. 1". Marvel Senior Vice President of Publishing Tom Brevoort: "The Falcon was the very first African-American super hero, as opposed to The Black Panther, who preceded him, but wasn't American.". Marvel Comics. Archived from the original on February 23, 2011.
  3. ^
    ISBN 978-0756641238
    .
  4. ^ a b c d e f Fox, Margalit (June 25, 2011). "Gene Colan, Prolific Comic-Book Artist, Dies at 84". The New York Times. Archived from the original on March 7, 2014.
  5. ^ Khoury, Jorge (June 24, 2011). "Remembering Gene Colan". Comic Book Resources. Archived from the original on June 27, 2011.
  6. ^ "Renowned Comic Book Artist Gene Colan Dies 84". New York, New York: WNYC. June 24, 2011. Archived from the original on January 26, 2013.
  7. ^ a b c d e f g h i "'So You Want A Job, Eh?' - The Gene Colan Interview". Alter Ego. 3 (6). Raleigh, North Carolina: TwoMorrows Publishing. Autumn 2000. Archived from the original on December 1, 2010.
  8. ^ Gravett, Paul (June 29, 2011). "Gene Colan Obituary: Artist who worked on some of America's greatest comic book heroes and villains". The Guardian. London, United Kingdom. Archived from the original on January 9, 2012.
  9. ^
    Fantagraphics Books. March 2001. Archived
    from the original on January 10, 2012.
  10. ^ a b c "Gene Colan". (interview), Adelaide Comics and Books. 2003. Archived from the original on February 15, 2011.
  11. ^ Wings Comics #42, Dec. 1944. Grand Comics Database
  12. ^ Wings Comics #53 (Jan. 1945). Grand Comics Database.
  13. ^ Sanders, et al. (2008), p 33.
  14. ^ For example, see Patsy Walker #11 (June 1947) at the Grand Comics Database
  15. ^ Whose official title, per same issue of Patsy Walker as above, was "consulting associate"
  16. ISBN 978-0-7851-3489-3
  17. ^ Gene Colan interview, Alter Ego #52 (March 2006), p. 66
  18. ^ "Captain America #601 Cover Art for Sale". Gene Colan official site. September 6, 2010. Archived from the original on February 18, 2011.
  19. ^ Captain America Comics #72 at the Grand Comics Database
  20. ^ Brevoort, Tom "1950s" in Gilbert (2008), p. 46
  21. ^ Captain America Comics #75 at the Grand Comics Database
  22. ^ Lawbreakers Always Lose #6 (Feb. 1949) at the Grand Comics Database
  23. ^ Colan interview, The Comics Journal, p. 2. Archived October 29, 2012, at the Wayback Machine.
  24. ^ a b c d e f g h i Gene Colan at the Grand Comics Database
  25. ISBN 978-0-7566-6742-9
    . Following the decision to close the comics division of Fawcett Publications in 1953, Hopalong Cassidy came to DC with issue #86 ... by the writers Gardner Fox and Don Cameron and artist Gene Colan.
  26. ^ Evanier, Mark (April 14, 2008). "Why did some artists working for Marvel in the sixties use phony names?". P.O.V. Online (column). Archived from the original on November 26, 2009. Retrieved July 28, 2008.
  27. ^ DeFalco, Tom "1960s" in Gilbert (2008), p. 109: "Prince Namor replaced Giant-Man as the lead feature in Tales to Astonish #70. The Sub-Mariner series was written by Stan Lee and drawn by Gene Colan, who was using the pen name Adam Austin at the time."
  28. ^ DeFalco "1960s" in Gilbert (2008), p. 124
  29. ^ DeFalco "1960s" in Gilbert (2008), p. 130: "[Stan Lee] and artist Gene Colan introduced Jonathan Powers aka the Jester."
  30. ^ "The Colan Mystique". Comic Book Artist (13). Raleigh, North Carolina: TwoMorrows Publishing. May 2001. Archived from the original on December 27, 2010.
  31. ^ Colan interview, The Comics Journal, p. 3. Archived October 27, 2012, at the Wayback Machine.
  32. ^ Markstein, Don (2010). "Captain Marvel (1967)". Don Markstein's Toonopedia. Archived from the original on April 9, 2012. Retrieved August 30, 2010.
  33. ^ DeFalco "1960s" in Gilbert (2008), p. 125: Captain Mar-Vell was a Kree warrior sent to spy on Earth, by Stan Lee and artist Gene Colan.
  34. ^ DeFalco "1960s" in Gilbert (2008), p. 134: "The Guardians of the Galaxy were a science-fiction version of the group from the movie Dirty Dozen (1967) and were created by writer Arnold Drake and artist Gene Colan."
  35. ^ Captain America #117 at the Grand Comics Database
  36. ^ Colan, Gene. "Introduction," Marvel Masterworks: Captain American Volume 4 (Marvel Publishing : New York, 2008), p. 2 of introduction (unnumbered)
  37. ^ Arndt, Richard J. (July 3, 2005). "The Warren Magazines". (Includes annotated checklist) EnjolrasWorld.com. Archived from the original on July 10, 2011.
  38. ^ As discussed in Wolk, Douglas. Reading Comics: How Graphic Novels Work, and What they Mean[page needed]
  39. ^ Markstein, Don. "Gene Colan". Don Markstein's Toonopedia. Archived from the original on February 4, 2012. Retrieved February 3, 2012. In 1972, he helped launch the series that many Marvel fans consider the high point of his tenure there. Tomb of Dracula started with that year's April issue. Writer Marv Wolfman ... came on board a few months later, and helped make it one of the most critically-acclaimed horror-themed comic books ever.
  40. ^ Sanderson "1970s" in Gilbert (2008), p. 155: "Following the revision of the Comics Code, Stan Lee was eager to do a comics series about the archetypal vampire, novelist Bram Stoker's Dracula. Based on a few ideas from Lee, Roy Thomas plotted the first issue of The Tomb of Dracula, which Gerry Conway then scripted. The interior art was penciled by Gene Colan."
  41. ^ Ginocchio, Mark (September 6, 2017). "Great Moments From Great Comics #1: Steve Gerber's Howard the Duck". ComicBook.com. Retrieved September 6, 2017.
  42. ^ Greenberger, Robert. "Inside the Tome of Dracula", Marvel Spotlight: Marvel Zombies Return (2009), p. 27 (unnumbered)
  43. ^ Sanderson "1970s" in Gilbert (2008), p. 160: "Early in their collaboration on The Tomb of Dracula, writer Marv Wolfman and artist Gene Colan co-created Blade, a black man who stalked and killed vampires with the wooden blades after which he named himself."
  44. ^ Sanderson "1970s" in Gilbert (2008), p. 165: "Created by Marv Wolfman and Gene Colan, Lilith took possession of host bodies of women who, like her, despised their fathers."
  45. ^ Sanderson "1970s" in Gilbert (2008), p. 168
  46. ^ Sanderson "1970s" in Gilbert (2008), p. 175: "The great Marvel artist Gene Colan was doing superb work illustrating both Doctor Strange and The Tomb of Dracula. So it made sense for Strange writer Steve Englehart and Tomb author Marv Wolfman to devise a crossover story."
  47. ^ Sacks, Jason (September 6, 2010). "Top 10 1970s Marvels". Comics Bulletin. Archived from the original on August 1, 2013. Retrieved August 3, 2013.
  48. ^ Sanderson "1970s" in Gilbert (2008), p. 177: "Howard the Duck ended up being nominated as [a] presidential candidate!"
  49. ISBN 9780810938212
    . Stan Lee ... recalls that the duck received thousands of write-in votes when he ran for President of the United States against Gerald Ford and Jimmy Carter in 1976.
  50. ^ Sanderson "1970s" in Gilbert (2008), p. 180
  51. ISBN 978-1893905450
    .
  52. ^
    Fantagraphics Books
    : 26–27.
  53. ^ "Jim Shooter Interview, Part 1". Comic Book Resources. October 6, 2000. Archived from the original on March 6, 2010.
  54. ^ a b Colan interview, The Comics Journal, p. 4. Archived November 22, 2012, at the Wayback Machine.
  55. ISBN 978-1465424563
    . Writers Gerry Conway and Roy Thomas collaborated with artist Gene Colan for the dramatic return of the Mole, an old Batman villain given a serious upgrade.
  56. ^ Manning "1980s" in Dougall, p. 141
  57. ^ Manning "1980s" in Dougall, p. 142
  58. ^ Manning, Matthew K. "1980s" in Dolan, p. 200: "Killer Croc made his mysterious debut in the pages of Detective Comics #523, written by Gerry Conway, with art by Gene Colan ... Croc would soon become a major player in Gotham's underworld."
  59. ^ "Adewale Akinnuoye-Agbaje to Play Killer Croc in WB's Suicide Squad (Exclusive)". TheWrap. March 31, 2015. Archived from the original on June 25, 2016. Retrieved March 31, 2015.
  60. ^ Manning "1980s" in Dougall, p. 146: "Doug Moench and artist Gene Colan introduced readers to the Thief of the Night (later called Nightslayer), a shadowy burglar."
  61. ^ Sanderson, Peter (September–October 1981). "Thomas/Colan Premiere Wonder Woman's New Look". Comics Feature (12/13). New Media Publishing: 23. The hotly-debated new Wonder Woman uniform will be bestowed on the Amazon Princess in her first adventure written and drawn by her new creative team: Roy Thomas and Gene Colan ... This story will appear as an insert in DC Comics Presents #41.
  62. ^ Wonder Woman #288 (February 1982) at the Grand Comics Database
  63. ^ Manning "1980s" in Dolan, p. 200: "The Amazing Amazon was joined by a host of DC's greatest heroes to celebrate her 300th issue in a seventy-two-page blockbuster ... Written by Roy and Dann Thomas, and penciled by Gene Colan, Ross Andru, Jan Duursema, Dick Giordano, Keith Pollard, Keith Giffen, and Rich Buckler."
  64. ^ Mangels, Andy (December 2013). "Nightmares and Dreamscapes: The Highlights and Horrors of Wonder Woman #300". Back Issue! (69). Raleigh, North Carolina: TwoMorrows Publishing: 61–63.
  65. ^ Manning "1980s" in Dolan, p. 202: "The sorceress Circe stepped out of the pages of Homer's Odyssey and into the modern mythology of the DC Universe in Wonder Woman #305, courtesy of Dan Mishkin's script and Gene Colan's pencils."
  66. ^ Manning "1980s" in Dolan, p. 196: "DC once again shone the spotlight on Superman's alien past in this four-issue miniseries by writer Steve Gerber and artist Gene Colan."
  67. ^ Manning "1980s" in Dolan, p. 197 "The New Teen Titans #21 "This issue ... hid another dark secret: a sixteen-page preview comic featuring Marv Wolfman's newest team - Night Force. Chronicling the enterprise of the enigmatic Baron Winters and featuring the art of Gene Colan, Night Force spun out into an ongoing title of gothic mystery and horror the following month."
  68. ^ Greenberger, Robert (August 2017). "It Sounded Like a Good Idea at the Time: A Look at the DC Challenge!". Back Issue! (98). Raleigh, North Carolina: TwoMorrows Publishing: 36.
  69. ^ Daniels, p. 132
  70. ^ "Rob Zombie". Richard De La Font Agency, Inc. n.d. Archived from the original on November 22, 2001. I grew up worshipping the artists at Marvel Comics, and Gene was my favorite.
  71. ^ "Gene Colan". (Interview) Westfield Comics. July 1996. Archived from the original on November 21, 2008. Retrieved January 25, 2013.
  72. ^ a b Colan interview, The Comics Journal, p. 5. Archived October 5, 2012, at the Wayback Machine.
  73. ^ a b "Colan: Visions of a Man Without Fear". Cartoon Art Museum. September 20, 2008. Archived from the original on January 26, 2013. Retrieved January 25, 2013.
  74. ^ Clark, Noelene (June 24, 2011). "Gene Colan, comic-book artist, dead at 84". Los Angeles Times. Archived from the original on November 16, 2012. Retrieved January 25, 2013. Comic-book artist Gene Colan in his studio in his home in Brooklyn, New York, in 2009. (Photo caption) Archive requires highlighting of black text on black background to make visible.
  75. ^ "Gene Colan Enterprises LLC". LookupBook.com. Archived from the original on February 16, 2013. Retrieved January 25, 2013.
  76. ^ "Send Gene Colan Your Cards and Letters!". The Hero Initiative. August 11, 2009. Archived from the original on January 26, 2013. Retrieved January 25, 2013.
  77. ^ "Comic Book Legend Gene Colan Hospitalized for Liver Failure". Comic Book Resources. May 11, 2008. Archived from the original on May 12, 2008.
  78. ^ Evanier, Mark (December 2, 2008). "Gene Gene". POV Online. Archived from the original on October 14, 2012.
  79. ^
    San Diego Comic-Con International. December 2, 2012. Archived
    from the original on January 16, 2013. Retrieved January 25, 2013.
  80. ^ "[M]y first wife and I would go out on dates with" fellow Timely Comics artist Rudy Lapick and his girlfriend": Alter Ego, p. 70
  81. ^ Evanier, Mark (June 21, 2010). "Adrienne Colan, R.I.P." POV Online. Archived from the original on October 14, 2012.
  82. ^ "Gene Colan Dead at the Age of 84". Comic Book Resources. June 24, 2011. Archived from the original on December 10, 2011. Retrieved June 24, 2011. (Archived link requires scrolldown.)
  83. Eagle Awards. 2013. Archived from the original
    on October 23, 2013. Retrieved November 3, 2013.
  84. ^ a b "Eagle Awards Previous Winners 1978". Eagle Awards. 2013. Archived from the original on October 23, 2013. Retrieved November 3, 2013.
  85. ^ "Inkpot Award Winners". Comic Book Awards Almanac. Archived from the original on July 9, 2012. Retrieved March 7, 2014.
  86. ^ "Spirit of Will Eisner Lives on at 2005 Eisner Awards". Archived from the original on December 21, 2005.
  87. ^ "Colan: Visions of a Man without Fear Retrospective". ComicArtFans.com. November 15, 2008. Archived from the original on July 23, 2011.
  88. ^ "Gene Colan awarded Sparky Award". Comic Book Resources. December 11, 2008. Archived from the original on February 22, 2014.
  89. ^ Evanier, Mark (October 26, 2009). "Genealogy". POV Online. Archived from the original on October 14, 2012.

Further reading

External links
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