Contortion

Source: Wikipedia, the free encyclopedia.
Contortionist performing
Purple contortionist
Contortionist Maria Efremkina performing in 2010.

Contortion (sometimes contortionism) is a performance art in which performers called contortionists showcase their skills of extreme physical flexibility. Contortion acts often accompany

circus acts, street performers and other live performing arts. Contortion acts are typically performed in front of a live audience. An act will showcase one or more artists performing a choreographed set of moves or poses, often to music, which require extreme flexibility
. The physical flexibility required to perform such acts greatly exceeds that of the general population. It is the dramatic feats of seemingly inhuman flexibility that captivate audiences.

Skills

Many factors affect the flexibility of performers including age, genetics, stature, and adherence to rigorous physical training routines. Most contortionists are generally categorized as "frontbenders" or "backbenders", depending on the direction in which their

spine
is most flexible. Relatively few performers are equally adept at both.

Skills performed by contortionists include:

Hussein Yoga performing a combination of a cheststand and dislocation


Risks

A medical publication from 2008 suggests that long-term damage to the spine, called scoliosis, is common in long-term contortion practitioners. A study of five practitioners using magnetic resonance imaging (MRI) by Peoples et al. documented limbus vertebrae, intervertebral disc bulges, and disc degeneration. Three of the five practitioners also reported back pain.[2]

Performances

This man in a trunk is an example of enterology.

Contortion acts are highly variable; many incorporate elements of humor, drama, shock, sensuality, or a blend of styles. Contortion may be incorporated into other types of performance, such as dance and theater.

  • An
    adagio
    act is an acrobatic dance in which one partner lifts and carries the other partner as she/he performs splits and other flexible poses.
  • In a rag doll or
    golliwogg
    act, one or two assistants bend, shake and carry the contortionist in such a way as to create the illusion that the disguised performer is actually a limp, life-sized doll. The act often ends by stuffing the doll into a small box.
  • Contortion positions can be performed on a Spanish web, an aerial act consisting of a rope with a hand/foot loop that is spun by someone underneath.
  • Contortionists might manipulate props during their performance, for instance spinning hula hoops or juggling rings, balancing towers of wine glasses, or playing a musical instrument - such as Max Smith, AKA "The Musical Contortionist," a sideshow performer who played the banjo whilst in a series of contorted positions.[3]

A contortionist may perform alone or may have one or two assistants, or up to four contortionists may perform together as a group.

In the past, contortionists were associated almost exclusively with circuses and fairs. More recently they have also been found performing in nightclubs, amusement parks, in magazine advertisements, at trade shows, on television variety shows, in music videos, and as warmup acts or in the background at music concerts.

The Ross Sisters were American contortionists most famous for their musical rendition of 'Solid Potato Salad' in the 1944 movie Broadway Rhythm.[4] In addition, contortion photos and digital movie clips are traded by fans on the Internet, and several web sites provide original photos of contortion acts for a monthly fee, or sell videotapes of performances through the mail.

Some loose-jointed people are able to pop a joint out of its socket without pain, thereby making it difficult to determine if a joint is dislocated without medical examination such as an X-ray. However, as long as the joint socket is the right shape, most extreme bends can be achieved without dislocating the joint.[5] Actual dislocations[6] are rarely used during athletic contortion acts since they make the joint more unstable and prone to injury, and a dislocated limb cannot lift itself or support any weight.

History

Female contortionist shooting a bow and arrow with her feet, 4th century BC, Ancient Greece Ceramic

The primary origins of contortion take place in Asian traditions. In China and Mongolia, traditional Buddhist Cham dances would incorporate contortion into their movement. The success of these dances then encouraged the act to expand into other forms of performance. Contortion also found similarities and expressions in the Hindu doctrine of yoga. Throughout daily meditation, yoga practitioners work to assume many similar poses to those in the performance-based contortion. The recognition of these similarities in various practices and thoughts brought contortion into more clear and explicit light. For those in the Chinese tradition, contortion is typically performed as a feat of acrobatics, used to dazzle the audience with the unusual shapes built before them. According to Chinese historical records, early contortionism originated in China during Western Zhou Dynasty (1045-771 BC), which matured in Sui Dynasty (581–618).

List of notable contortionists

Line engraving of Joseph Clark of Pall Mall, London, "the most extraordinary Posture Master"

Glossary

Example of a chest stand
  • Backbend (backfold) - Any pose with an unusual degree of backward bending at the waist and/or any portion of spine while standing, kneeling, resting on the floor, or while suspended.
  • Box act (also called: body packing; enterology; packanatomicalization) - Circus act in which a contortionist squeezes his/her body into a small box or transparent container.
  • Chest stand - Any backbending pose in which the performer's chest is resting on the floor for support.
  • Dislocate - 1. [verb] To injure a joint by temporarily forcing the bone out of its normal socket. 2. [noun] In men's gymnastics, a rotating of the shoulders when performing a backwards turn on the still rings. Many skills in acrobatics appear to involve dislocating a joint, when they actually do not.
  • Durvasa's pose or crane pose - Named for the mythological Indian sage, Durvasa, who supposedly assumed this pose during his years of penance: to stand on one foot with the other leg lifted in front and placed behind the neck or shoulders.
An elbow stand performed by an acro dancer
  • Elbow stand
    - Any inverted pose in which the performer uses only the forearms on the floor for support.
  • Frontbend - Any pose that features an unusual degree of frontward bending of the waist and/or spine, either with the legs together or parted.
  • Front split (also called: stride split) - A split
    in which one leg is extended frontward and the other leg is extended backward, both at right angles to the trunk. Ideally, the hips are square facing to the front, while both legs are turned out from the hips.
  • Hairpin - A pose in which one kneels down, sits on top of the feet, and bends backwards until the top of the head comes into contact with the tailbone; it may also done with a starting position on hands and knees.
  • Headsit - An extreme backbend in which the top of the performer's head touches the buttocks; usually in a handstand or chest stand. Sometimes, a more extreme variation is done where the buttocks are positioned past the performer's head, while the lower back is on top of the head; this requires much more neck flexibility.
  • Leg shouldering - A standing split in which the leg touches the shoulder. Can be done to the front, side, or rear.
  • Marinelli bend - [from contortionist and international theatrical agent H. B. Marinelli (1864-1924)] A headsit with the legs extended, performed while supported only by a leather mouth grip at the top of a short post.
  • Needle scale - A front split while standing on the forward foot, with the torso bent downward with the hands touching the floor, while the rear leg is extended vertically toward the ceiling.
  • Oversplit
    (also called: hypersplit) - Any split in which the angle formed by the legs measures greater than 180 degrees. It can be done to the front with either or both legs elevated, or in a straddle split with one or both legs elevated.
  • Passive stretching
    (also called: static-passive stretching; assisted relaxed stretching) - 1. A static stretch (See: "static stretching") in which an external force (such as the floor or another person) holds the performer in the static position. 2. The practice of having a relaxed limb moved beyond its normal range of motion with the assistance of a partner. In "active stretching", in contrast, the limb is extended to its maximum range using only the muscles of that limb.
  • Pike - To be bend forward at the waist with the legs and trunk kept straight.
  • pointe shoes
    or toe shoes) to dance en pointe (on their toes). The arch of the top of the foot is at its maximum when the dancer "pushes over", causing the heel of the foot to be almost directly over the toes. Difficult and often painful to learn, both men and women may benefit from studying pointe technique; however, most performance opportunities are for women only. Children do not begin to study pointe until they have years of experience and sufficient ankle strength, as well as being old enough to ensure that their bones are strong enough.
  • Rag doll act (also called:
    golliwogg
    act) - Circus act in which a contortionist, dressed in a loose-fitting clown costume, gives the appearance of being a limp, life-sized doll, as one or two assistants bend, roll, carry and pose the "doll" and then stuff him/her into a small box.
  • Rhythmic gymnastics (also called: rhythmic sportive gymnastics (RSG); rhythmics) - Olympic sport for one woman (or 5 women in group competition) consisting of a balletic floor exercise which demonstrates leaps, turns, balance and flexibility while moving and tossing hand-held apparatus: a ball, a rope, a hoop, two clubs, or a ribbon. Men's rhythmic gymnastics currently exists in Japan, and is gaining worldwide acceptance.
  • Rope act (also called: Spanish web) - Circus act in which an acrobat (usually female) performs exercises high above the floor while holding on to a long, vertically suspended rope, or hanging from a loop in the rope.
  • Scale - In acrobatics, when the leg is raised toward the back and may be held with one hand while standing.
  • Split (also called: the splits) - Any pose in which the legs are extended in opposite directions such that the angle of the legs is 180 degrees.
  • Straddle split
    (also called: side split; box split; Chinese split; cut split) - A split in which the legs are extended to the left and right, until a 180 degree angle between the legs is reached.
  • Tortoise position (also called: pancake) - A seated forward bend with the chest against the floor between the legs; the outstretched arms are also against the floor and underneath the knees.
  • Triple fold - A chest stand (see: "chest stand") in which the knees come all the way over to touch the floor, and the shins lie flat on the floor creating three 'layers'.
  • Twisting split - An exercise in which the performer changes from a split with the left leg forward, to a straddle split, and then to a split with the right leg forward, by rotating the legs, and without using the hands for support.

See also

References

  1. ^ Patterson, Alice (2020-01-22). "Everything You Need To Know Before Booking A Contortionist". Oddle Entertainment Agency. Retrieved 2020-01-24.
  2. PMID 18518669
    .
  3. ^ "10 Incredible And Shocking Sideshow Performers From The Past". LOLWOT. 2015-10-27. Retrieved 2020-01-24.
  4. ^ Pellot, Emerald. "The Ross Sisters Prove No One Does It Like The 1940s In This Epic Contortion Performance". LittleThings.com. Retrieved 2017-10-03.
  5. S2CID 23025533
    .
  6. .

External links