Copley Fielding
 | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (May 2022) |
Anthony Vandyke Copley Fielding (22 November 1787 – 3 March 1855), commonly called Copley Fielding, was an
Paris Salon alongside Richard Parkes Bonington and John Constable. He also engaged largely in teaching the art and made ample profits. He later moved to Park Crescent in Worthing
and died in the town in March 1855.
Copley Fielding was a painter of much elegance, taste and accomplishment and has always been highly popular with purchasers. He painted a vast number of all sorts of views (occasionally in oil-colour) including marine subjects. Examples of his work is held by the Victoria and Albert Museum and other major museums in Britain. Among the engraved specimens of his art is the Annual of British Landscape Scenery, published in 1839.[1]
Gallery
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Lake Scene by Copley Fielding
References
- ^ a b One or more of the preceding sentences incorporates text from a publication now in the public domain: Rossetti, William Michael (1911). "Fielding, Anthony Vandyke Copley". Encyclopædia Britannica. Vol. 10 (11th ed.). p. 324.
- S.C. Kaines Smith, 'A.V.C. Fielding', OWS Club, III, 1925-6, pp 8–30
- John Ramm, 'In Search of Nature: the Life & Works of Anthony Vandyke Copley Fielding PRWS', 'Antique Dealer & Collectors Guide', May 1999, Vol 52, No.10
External links
Wikimedia Commons has media related to Copley Fielding.
- Works by Copley-Fielding at the Tate Gallery
- Works by Copley-Fielding at the Louvre
- Works by Copley-Fielding at The Queen's Art Collection
- Works by Copley-Fielding at Victoria & Albert Museum
The Water Palace, Mandoo., an engraving by W Floyd for Fisher's Drawing Room Scrap Book, 1832, with a poetical illustration by Letitia Elizabeth Landon.- The Chinese Pagoda, between Canton and Whampoa., an engraving by Thomas Jeavons for Fisher's Drawing Room Scrap Book, 1833 (with a humorous poem by Letitia Elizabeth Landon on the difficulties of writing to order on unknown subjects).
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