Cornelis van Haarlem

Source: Wikipedia, the free encyclopedia.

Cornelis van Haarlem
Self-portrait (c. 1588–1590)
Born
Cornelis Cornelisz. van Haarlem

1562
Died11 November 1638 (aged 75–76)
NationalityDutch
StyleNorthern Mannerism
The Fall of the Titans (1588–1590)

Cornelis Corneliszoon van Haarlem (1562 – 11 November 1638) was a

Northern Mannerist artists in the Netherlands, and an important forerunner of Frans Hals
as a portraitist.

Biography

Born in

Netherlandish
realist tradition.

When his parents fled Haarlem, as the Spanish army laid siege to the city in 1573 during the Eighty Years' War, Cornelis Cornelisz remained behind and was raised by the painter Pieter Pietersz the Elder, his first teacher. Later, in 1580-1581 Corneliszoon studied in Rouen, France, and Antwerp (with Coignet), before returning to Haarlem, where he stayed the rest of his life. He became a respected member of the community and in 1583 he received his first official commission from the city of Haarlem, a militia company portrait, the Banquet of the Haarlem Civic Guard. He later became city painter of Haarlem and received numerous official commissions. As a portrait painter, both of groups and individuals, he was an important influence on Frans Hals. He married Maritgen Arentsdr Deyman, the daughter of a mayor of Haarlem, sometime before 1603. In 1605, he inherited a third of his wealthy father-in-law's estate.

Works

Together with Carel van Mander,

Bijapur.[3]

Paintings by him are on display at the

Miami Beach
, and other museums.

Gallery

  • The first family (Noah and his family) (c.1582–1592)
    The first family (Noah and his family) (c.1582–1592)
  • The Fall of Ixion, (1588)
    The Fall of Ixion, (1588)
  • The Baptism of Christ (c.1588)
  • Massacre of the Innocents (1590)
    Massacre of the Innocents (1590)
  • Hercules and Achelous (1590)
    Hercules and Achelous (1590)
  • The Holy Family (1590)
    The Holy Family (1590)
  • Nun and Monk (1591)
    Nun and Monk (1591)
  • Christ the Redeemer, c. 1591.
    Christ the Redeemer, c. 1591.
  • Adam and Eve (1592)
    Adam and Eve (1592)
  • The Wedding of Peleus and Thetis, c. 1592-93
    The Wedding of Peleus and Thetis, c. 1592-93
  • Portrait of Pieter Jansz Kies (1596)
    Portrait of Pieter Jansz Kies (1596)
  • Banquet of the Officers of the Company of St. George (1599)
    Banquet of the Officers of the Company of St. George (1599)
  • Venus and Adonis (1614)
    Venus and Adonis (1614)
  • Allegory of Vanity and Repentance (1616) (oil on panel)
    Allegory of Vanity and Repentance (1616) (oil on panel)
  • The Good Samaritan (1627) (oil on panel)
    The Good Samaritan (1627) (oil on panel)

Notes

  1. ^
    RKD
  2. ^ a b Slive, 8
  3. ^ Gijs Kruijtzer,Xenophobia in Seventeenth-Century India (Leiden: Leiden University Press, 2009), 21

References

  • Seymour Slive, Dutch Painting, 1600–1800, Yale UP, 1995.

External links