Counter-melody

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BWV 1079[1] Play

In

texture consisting of a melody plus accompaniment
.

In marches, the counter-melody is often given to the trombones or horns. American composer David Wallis Reeves is credited with this innovation in 1876.[2]

The more formal term

backup singer
in that whereas the harmony part typically lacks its own independent musical line, a countermelody is a distinct melodic line.

See also

References