Culture of Indonesia
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Culture of Indonesia |
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The culture of Indonesia (
Examples of the fusion of Islam with Hinduism include Javanese
The Western world has influenced Indonesia in science, technology and modern entertainment such as television shows, film and music, as well as political system and issues. India has notably influenced Indonesian songs and movies. A popular type of song is the Indian-rhythmical dangdut, which is often mixed with Arabic and Malay folk music.
Despite the influences of foreign culture, some remote Indonesian regions still preserve uniquely indigenous culture. Indigenous
Traditional performing arts
Music
Indonesia is home to with those from the islands of
On 29 June 1965, Koes Plus, a leading Indonesian pop group in the 1960s, 1970s and 1980s, was imprisoned in Glodok, West Jakarta, for playing Western-style music. After the resignation of President Sukarno, the law was rescinded, and in the 1970s the Glodok prison was dismantled and replaced with a large shopping mall.
Angklung musical orchestra, native of West Java, received international recognition as UNESCO has listed the traditional West Java musical instrument made from bamboo in the list of intangible cultural heritage.[2][3]
The soft
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WoodenMinahasa people from North Sulawesi
Dance
Indonesian dance reflects the diversity of culture from ethnic groups that composed the nation of Indonesia. Austronesian roots and Melanesian tribal dance forms are visible, and influences ranging from neighbouring Asian countries; such as India, China, and Middle East to European western styles through colonization. Each ethnic group has its own distinct dances; makes total dances in Indonesia are more than 3000 Indonesian original dances. However, the dances of Indonesia can be divided into three eras; the Prehistoric Era, the Hindu/Buddhist Era, and the Era of Islam, and into two genres; court dance and folk dance.
There is a continuum in the traditional dances depicting episodes from the Ramayana and Mahabharata from India, ranging through Thailand, all the way to Bali. There is a marked difference, though, between the highly stylized dances of the courts of Yogyakarta and Surakarta and their popular variations. While the court dances are promoted and even performed internationally, the popular forms of dance art and drama must largely be discovered locally.
Reog Ponorogo is also a dance that originated from the district
A popular line dance called Poco-poco was originated in Indonesia and also popular in Malaysia, but at early April 2011 Malaysian Islamic clerics banned the poco-poco dance for Muslims due to them believing it is traditionally a Christian dance and that its steps make the sign of the cross.[4]
During the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage convention in 29 November to 4 December 2015 in Windhoek, Namibia, UNESCO recognizes three genres of traditional dance in Bali, Indonesia, as Intangible cultural heritage.[5] The three genres includes Wali (sacred dances), Bebali (semi-sacred dances) and Balih-balihan (dances for entertainment purposes). Balinese dance has been proposed since 2011,[6] and officially recognized in 2015.
Previously, on 24 November, 2011,
Drama and theatre
The
The
UNESCO designated Wayang the flat leather shadow puppet (wayang kulit) and the three-dimensional wooden puppet (wayang golek or wayang klitik) theatre, as a Masterpiece of the Oral and Intangible Heritage of Humanity on 7 November 2003. In return for the acknowledgement, UNESCO required Indonesians to preserve the tradition.[12]
Randai is a folk theatre tradition of the Minangkabau people of West Sumatra, usually performed for traditional ceremonies and festivals. It incorporates music, singing, dance, drama and the silat martial art, with performances often based on semi-historical Minangkabau legends and love story.
Modern performing art also developed in Indonesia with its distinct style of drama. Notable theatre, dance, and drama troupe such as Teater Koma are gaining popularity in Indonesia as their drama often portray social and political
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Wayang Golek (3D wooden puppet) performance from West Java
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Randai Performance from West Sumatra
Martial arts
The art of
It is an art for survival and practised throughout the Indonesian archipelago. Centuries of tribal wars in Indonesian history had shaped silat as it was used by the ancient warriors of Indonesia. Silat was used to determine the rank and position of warriors in old Indonesian kingdoms.Contacts with Indians and Chinese has further enriched silat. Silat reached areas beyond Indonesia mainly through the diaspora of Indonesian people. People from various regions like Aceh, Minangkabau, Riau, Bugis, Makassar, Java, Banjar, etc. moved into and settled in Malay Peninsula and other islands. They brought silat and passed it down to their descendants. The Indonesian of half-Dutch descent are also credited as the first to have brought the art into Europe.
Silat was used by Indonesian independence fighters during their struggle against the Dutch colonial rule. Unfortunately, after Indonesia achieving their independence, silat became less popular among Indonesian youth compare to foreign martial arts like Karate and Taekwondo. This probably because silat was not taught openly and only passed down among blood relatives, the other reason is the lack of media portrayal of the art.
Efforts have been made to introduce and reintroduce the beauty of silat to Indonesian youth and the world. Exhibitions and promotions by individuals as well as state-sponsored groups helped the growing of silat's popularity, particularly in
Another martial art from Indonesia is Tarung Derajat. It is a modern combat system created by Haji Ahmad Drajat based on his experience as a street fighter. Tarung Drajat has been acknowledged as a national sport by KONI in 1998 and is now used by Indonesian Army as part of their basic training.[16]
In Eastern Indonesia, there is a type of martial art hitting with a whip or stick. Caci is a form of fighting with a whip or stick. It appears to be indigenous to Flores in East Nusa Tenggara, but it is also practised in Bali and Lombok.
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Minahasa from North Sulawesi
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Caci (fighting) is one of the traditional martial arts of the Manggarai community from Flores Island, East Nusa Tenggara
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Sitobo lalang lipa or tarung sarong, a duel in a sarong using a badik, is found in Bugis and Makassar cultures
Traditional visual arts
Painting
One of the oldest
In 2018, scientists reported the discovery of the then-oldest known figurative art painting, over 40,000 (perhaps as old as 52,000) years old, of an unknown animal, in the cave of Lubang Jeriji Saléh on the Indonesian island of Borneo. In December 2019, however, figurative cave paintings depicting pig hunting in the Maros-Pangkep karst in Sulawesi were estimated to be even older, at at least 43,900 years old. The finding was noted to be "the oldest pictorial record of storytelling and the earliest figurative artwork in the world".[18][19]
Indonesian painting before the 19th century is mostly restricted to the decorative arts, considered to be a religious and spiritual activity, comparable to the pre-1400 European art. Artists' names are anonymous since the individual human creator was seen as far less important than their creation to honour the deities or spirits. Some examples are the
Under the influence of the Dutch colonial power, a trend toward Western-style painting emerged in the 19th century. In the Netherlands, the term "Indonesian Painting" is applied to the paintings produced by Dutch or other foreign artists who lived and worked in the former Netherlands-Indies. The most famous indigenous 19th-century Indonesian painter is Raden Saleh (1807–1877), the first indigenous artist to study in Europe. His art is heavily influenced by Romanticism.[20] In the 1920s Walter Spies settled in Bali, he is often credited with attracting the attention of Western cultural figures to Balinese culture and art. His works have somehow influenced Balinese artists and painters. Today Bali has one of the most vivid and richest painting traditions in Indonesia.
The 1920s to 1940s were a time of growing nationalism in Indonesia. The previous period of the romanticism movement was not seen as a purely Indonesian movement and did not develop. Painters began to see the natural world for inspiration. Some examples of Indonesian painter during this period are the Balinese
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Kenyah mural painting from Kalimantan
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Traditional Balinese painting depictingcockfighting
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Modern painting of Prince Panji meeting three women in the jungle
Wood carvings
The art of
In
In North Sumatra, the people of Nias placed great value on wooden figures or adu. The sole purpose of the Nias figures was to fulfil ritual needs, whether it is to ensure wealth or to perform specific beneficial rite. Niassan figures vary in size, from as small as 20 centimetres (7.9 in) in height to more than 2 metres (6.6 ft) tall. When an elderly person died, the family would make a wooden statue known as adu zatua. The statue was unveiled on the fourth day after the death of the person. The shape of the wooden statue reflects the status of the person who used them: the more powerful the owner, the more impressive the statue will be made. Nias people believed that the deceased person's spirits reside in the statue, so all events that occurred in the family were shared with the ancestor statues through prayers. Ancestor statues were placed in the main room of the house, sometimes more than a hundred. A missionary work in 1930 had recorded the removal of 'over 2000 "idols" from a house of new northern convert.' Some missionaries even recorded houses collapsing under the weight of these ancestor figures. Small adu zatua were bound together horizontally using a rattan and pegs.
Many ancestor figures were destroyed in 1916 by Christian missionary movements which saw them as an old blasphemous religious symbol. Some were sold to collectors and can be found in museum or private collections around the world.
In
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Bisj pole, wooden funerary poles from Papua
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Toraja stone-carved burial site. Tau tau (wooden statue of the deceased) were put in the cave, looking out over the land, from South Sulawesi
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Sigale Gale of Batak people from North Sumatra
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Hudoq wooden mask from East Kalimantan
Sculpture
Indonesia has a long history of stone, bronze and Iron Ages arts.
The examples of notable Indonesian Hindu-Buddhist sculptures are; the statues of Hindu deities; Shiva, Vishnu, Brahma, Durga, Ganesha and Agastya enthroned in rooms of Prambanan temples, the Vishnu mounting Garuda statue of king Airlangga, the exquisite statue of Eastern Javanese Prajnaparamita and 3.7 meters tall Dvarapala dated from Singhasari period, and also the grand statue of Bhairava Adityawarman discovered in Sumatra. Today, the Hindu-Buddhist style stone sculptures are reproduced in villages in Muntilan near Borobudur also in Trowulan the former capital site of Majapahit in East Java, and Bali, and sold as a garden or pool ornament statues for homes, offices and hotels.
The walls of candi also often displayed
The bas-reliefs in Borobudur depicted many scenes of daily life in 8th-century ancient Java, from the courtly palace life, hermit in the forest, to those of commoners in the village. It also depicted a temple, marketplace, various flora and fauna, and also
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Statue offangsabove the door of a temple
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Bodhisattva statues and reliefs
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Brahma statues and reliefs
Architecture
For centuries, Indonesian vernacular architecture has shaped settlements in Indonesia which commonly took the form of timber structures built on stilts dominated by a large roof. The most dominant foreign influences on
As in much of
Candi is an Indonesian term to refer to ancient temples. Before the rise of Islam, between the 5th to 15th-century Dharmic faiths (Hinduism and Buddhism) were the majority in the Indonesian archipelago, especially in Java and Sumatra. As a result of numerous Hindu temples, locally known as candi, constructed and dominated the landscape of Java. According to local beliefs, Java valley had thousands of Hindu temples that co-existed with Buddhist temples, most of which were buried in the massive eruption of Mount Merapi in 1006 AD.
Between 1100 and 1500 additional Hindu temples were built, but abandoned by Hindus and Buddhists as Islam spread in Java circa the 15th to 16th century. The 8th-century
The nearby 9th-century temple complex at Prambanan contains some of the best-preserved examples of Hindu temple architecture in Java. The temple complex comprises eight main shrines, surrounded by 224 smaller shrines. The majority of Hindu temples in Java were dedicated to Shiva, who Javanese Hindus considered as the God who commands the energy to destroy, recombine and recreate the cycle of life. Small temples were often dedicated to Shiva and his family (wife Durga, son Ganesha). Larger temple complexes include temples for Vishnu and Brahma, but the most majestic, sophisticated and central temple was dedicated to Shiva.
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Austronesianarchitectural style
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Toraja people in South Sulawesi, Indonesia
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Besakih Temple with Balinese (Pura) architectural style
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mosquewith traditional Indonesian architectural style
Crafts
Indonesia is considered as home of world
There are many varieties of handicraft from other regions.[26] West Sumatra and South Sumatra are particularly noted for their songket cloths.[28] Villages in the Lesser Sunda Islands produce ikat while provinces in Kalimantan are long known for their basketry and weaving using rattan and other natural fabrics.[29] Wood art produced by the Asmat people of Papua is highly valued.[30] Cities along Java's northern coast, Cirebon, Pekalongan, and Rembang are known as centres of batik.[31] Cirebon and Jepara are important cities in furniture, producing rattan and carved wood respectively,[32] while Tasikmalaya is known for embroidery.[33] Pasuruan also produces furniture and other products and support stores and galleries in Bali.[26] Bandung and Surabaya, both modern, cosmopolitan, and industrialised cities—much like Jakarta but on a lesser scale—are creative cities with a variety of innovative startups.[26]
Several Indonesian islands are famous for their batik, ikat and songket cloth. Once on the brink of disappearing, batik and later ikat, found a new lease on life when former President Suharto promoted wearing batik shirts on official occasions. In addition to the traditional patterns with their special meanings, used for particular occasions, batik designs have become creative and diverse over the last few years.
Other noted Indonesian crafts are
In 2012, Noken was listed in the UNESCO Intangible Cultural Heritage Lists as a cultural heritage of Indonesia.[36] Women carrying noken are still a common sight in Wamena.[37]
Being the best-known Indonesian sailing-vessel,
Clothing
Indonesia's best-known national costumes are
National costumes
Batik
Kebaya
The
Peci
The
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Minangkabau traditional clothes
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Dayak traditional clothes
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Osing traditional clothes
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Papuan traditional clothes
Foods
The
Most native Indonesians eat rice as the main dish, with a wide range of vegetables and meat as side dishes. However, in some parts of the country, such as Papua and Ambon, the majority of the people eat sago (a type of tapioca) and sweet potato.
Indonesian dishes are usually spicy, using a wide range of
Chinese and Indian cultures have influenced the serving of food and the types of spices used. It is very common to find
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Nasi Goreng
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Sate
Mythology and folklores
The mythology of Indonesia is very diverse, the
These native mythologies are relatively free from foreign influences, such as
Hindu-Buddhist mythical beings have a role in Javanese and Balinese mythology, including Hindu gods and heroes,
), and in native traditions usually referred to as Batara (male god) and Batari (female goddess).After the coming of
Literature
Early Indonesian literature originates in
In the book Max Havelaar, Dutch author Multatuli criticised the Dutch treatment of the Indonesians, which gained him international attention.
Modern Indonesian authors include Seno Gumira Adjidarma, Andrea Hirata, Habiburrahman El Shirazy, Ayu Utami, Gus tf Sakai, Eka Kurniawan, Ratih Kumala, Dee, Oka Rusmini. Some of their works have translated to other languages.
Poetry has a long tradition in Indonesia, particularly among ethnically
On 15 December 2020 the Pantun is recognized as a
Recreation and sports
Many traditional games are still preserved and popular in Indonesia, although western culture has influenced some parts of them. Among three hundred officially recognised Indonesian cultures, there are many kinds of traditional games:
Popular modern sports in Indonesia played at the international level include
Sporting events in Indonesia are organised by the
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Makepung buffalo race in Jembrana Regency, Bali
Popular media
Cinema
The largest chain of cinemas in Indonesia is 21 Cineplex, which has cinemas spread throughout twenty-four cities on the major islands of Indonesia. Many smaller independent cinemas also exist.
In the 1980s, the
]Television
Radio
The public radio network
Religion and philosophy
Islam is
The
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Labuhan procession in Yogyakarta[54] is believed to help preserve the balance of nature
Celebrations
Date (Gregorian Calendar) | Date (Religious Calendar) | English Name | Local Name | Remarks |
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1 January | New Year's Day | Tahun Baru Masehi | ||
Rabi' al-awwal 12 |
Birth of the Prophet | Maulid Nabi Muhammad | Birthday of the Islamic Prophet Muhammad | |
January–February | Chinese New Year | Tahun Baru Imlek | 1st day of 1st month of Chinese Calendar
| |
March | Kasa 1 Pawukon 40 | Day of Silence | Hari Raya Nyepi (Tahun Baru Saka) | New Year of Balinese calendar |
March–April | Good Friday | Wafat Yesus Kristus/Isa Almasih (Jumat Agung) | Date varies; this is the Friday before Easter Sunday, which is the first Sunday after the first Paschal Full Moon following the official vernal equinox | |
1 May | Labour Day | Hari Buruh | ||
May–June | Ascension of Jesus Christ |
Kenaikan Yesus Kristus/Isa Almasih | ||
May | Every May of Vaisakha | Buddha's Birthday | Waisak | In Indonesia it is celebrated as Trisuci Waisak, to commemorate three important events in Buddhism; Buddha's birthday, enlightenment and his death. The date varies according to the Buddhist calendar |
Rajab 27 | Ascension of the Prophet |
Isra Mi'raj Nabi Muhammad | ||
1 June | Pancasila Day | Hari Lahir Pancasila | Public holiday since 2016, marks the date of Sukarno's 1945 address on the national ideology | |
17 August | Independence Day | Hari Proklamasi Kemerdekaan R.I. | Sukarno and Mohammad Hatta as the proclaimers | |
Shawwal 1–2 | Eid al-Fitr | Idul Fitri (Lebaran Mudik) |
Date varies according to the Islamic calendar | |
Dhu al-Hijjah 10 |
Feast of the Sacrifice | Idul Adha (Lebaran Haji) |
Date varies according to the Islamic calendar | |
Muharram 1 | Islamic New Year | Tahun Baru Hijriyah | 1st day of the Muharram, the beginning of the new Islamic year | |
25 December | Christmas | Natal |
See also
- Demographics of Indonesia
- List of museums and cultural institutions in Indonesia
- National Intangible Cultural Heritage of Indonesia
References
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Further reading
- Kuncaraningrat. (1985) Javanese culture Singapore: Oxford University Press,
- Kathleen M. Adams (2006). Art as Politics: Re-crafting Identities, Tourism and Power in Tana Toraja, Indonesia. Honolulu: University of Hawaii Press. ISBN 978-0-8248-3072-4.