Curt Stoermer

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Curt Stoermer (born Kurt Karl August Störmer, 26 April 1891 – 29 January 1976) was a German painter, a representative of the Worpswede branch of expressionist art.

Biography

Born in Hagen in 1891, Stoermer was influenced in his youth by the opening of the Museum Folkwang Karl Ernst Osthaus (which he attended), and learned from Christian Rohlfs. He started studying at the Kunstakademie Düsseldorf in 1908, later moving to Paris to study there, attending the Académie Colarossi. In Paris he visited the artist Amedeo Modigliani, whose work he later described as impressive. He met fellow radical Heinrich Vogeler at school, and went with him to Worpswede in 1912. He catalogued the estate of the late Paula Modersohn-Becker, and published his first woodcuts, including in the magazine Der Sturm, as well as painted. In October that year he held his first exhibition at the Museum Folkwang.

During the

German Revolution of 1918-1919, joining the workers' and soldiers' council of the Bremen Soviet Republic. He became People's Commissar of press and propaganda, together with the editor Alfred Faust. When the Army and Freikorps Caspari
descended on the city to put down the revolt, Stoermer went into hiding.

After 1921 he lived and worked in

, and destroyed in 1942 by a land mine blast), the Ratskeller zu Lübeck, Heiligen-Geist-Hospital, and St. Andreas Church in Lübeck.

In 1931 he gained a scholarship from the

National Socialist artist Asmus Jessen he received no public contracts after the rise of the Third Reich, and four of his woodcuts at the Folkwang Museum were confiscated as "degenerate art
".

After the destruction of his Lübeck studio by an

Second World War Stoermer received several contracts for the decoration of public buildings, mainly to restore wartime damages, such as the Thomas-Mann-Schule and the Landesversicherungsanstalt and the Mengstraße police station. His sgraffito was found on many apartment blocks in Lübeck-Eichholz during the 1950s. Stoermer created a wealth of watercolors and drawings, particularly depicting his many travels in the Mediterranean Sea. He also worked as a critic for the Lübecker Freie Presse, a Social Democratic
newspaper.

Bibliography