Cycle (music)
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Cycle has several meanings in the field of music. Acoustically, it refers to one complete vibration, the base unit of Hertz being one cycle per second.[1] Theoretically, an interval cycle is a collection of pitch classes created by a sequence of identical intervals. Individual pieces that aggregate into larger works are considered cycles, for example, the movements of a suite, symphony, sonata, or string quartet.[2] This definition can apply to everything from settings of the Mass or a song cycle to an opera cycle. Cycle also applies to the complete performance of an individual composer's work in one genre.[3]
Harmonic cycles—repeated sequences of a harmonic progression—are at the root of many musical genres, such as the
Composition using a tone row is another example of a cycle of pitch material, although it may be more difficult to hear because the variations are more diverse.
Rhythmic cycles
Indian classical music
In Indian classical music, a specific rhythmic structure known as a tala is repeated through the length of the raga, and used as a basis for improvisation of the drum parts.
Music of Indonesia
In the
Sub-Saharan African music traditions
Mixed cycles
Different types of musical cycles can overlap. One example is
A similar process is used in
Opera cycles
- Ring Cycle consists of four individual operas.
- Giacomo Puccini's Il tabarro, Suor Angelica, and Gianni Schicchi form a set of three one-act operas, intended to be performed together and collectively titled Il trittico.
- Germaine Tailleferre's Du style galant au style méchant is made up of four chamber operas which parody a different operatic form or style[8]
- Robert Ashley's Perfect Lives, Atalanta, and Now Eleanor's Idea form a trilogy.
- R. Murray Schafer's Patria is composed of twelve separate works, which he classifies as "music theater".
- Karlheinz Stockhausen's Licht consists of seven individual operas named after the days of the week.
See also
References
- ^ Randel, Don, "Cycle", The Harvard Dictionary of Music, Cambridge, MA: Belknap Press, 1986, p. 218.
- ^ G. M. Tucker and Roger Parker, "Cyclic Form", The Oxford Companion to Music, edited by Alison Latham (Oxford and New York: Oxford University Press, 2001).
- ^ "cycle." In The Oxford Companion to Music, edited by Alison Latham. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/opr/t114/e7623 (accessed December 25, 2011).
- ^ Ladzekpo, C.K. (1996). Web. "Main Beat Schemes," Foundation Course in African Music. Web. http://home.comcast.net/~dzinyaladzekpo/PrinciplesFr.html
- ISBN 1-886502-80-3.
- ISBN 978-0-226-45694-2
- ^ Kubik 2010, p. 41.
- ISBN 9782870098523.