Dance-pop

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Dance-pop is a subgenre of pop music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco,[2] post-disco[3] and synth-pop,[1] it is generally characterised by strong beats with easy, uncomplicated song structures[2] which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes.[2] The genre, on the whole, tends to be producer-driven, despite some notable exceptions.[2]

Dance-pop is highly eclectic, having borrowed influences from other genres, which varied by producers, artists and periods. Such include contemporary R&B, house, trance, techno, electropop, new jack swing, funk and pop rock.

Dance-pop is a popular mainstream style of music and there have been numerous artists and groups who perform in the genre. Notable artists include Cher, Madonna, Britney Spears, Rick Astley, Kylie Minogue, Christina Aguilera, Spice Girls, Paula Abdul, Backstreet Boys, Michael Jackson, NSYNC, Jennifer Lopez, Janet Jackson, Rihanna, Katy Perry, Lady Gaga, Dua Lipa, Years & Years, Justin Bieber, Taylor Swift, Carly Rae Jepsen, and Ava Max, among others.

History

1980s

Madonna has been credited for popularizing dance-pop music, since her debut in the early-1980s.[4]

As the term "disco" started to go out of fashion by the late 1970s to early 1980s, other terms were commonly used to describe disco-based music, such as "post-disco", "club", "dance" or "dance-pop" music.

DJ-driven, often using sequencers and synthesizers
.

Dance-pop music emerged around the early 1980s as a combination of dance and pop, or post-disco, which was uptempo and simple, club-natured, producer-driven and catchy. Dance-pop was more uptempo and dancey than regular pop, yet more structured and less free-form than dance music, usually combining pop's easy structure and catchy tunes with dance's strong beat and uptempo nature. Dance-pop music was usually created, composed and produced by record producers who would then hire singers to perform the songs.

At the beginning of the 1980s, disco was an anathema to mainstream pop. According to prominent AllMusic critic Stephen Thomas Erlewine, Madonna had a huge role in popularizing dance music as mainstream music, utilizing her charisma, chutzpah and sex appeal. Erlewine claimed that Madonna "launched dance-pop" and set the standard for the genre for the next two decades.[5] As the primary songwriter on her self-titled debut album and a co-producer by her third record, Madonna's insistence on being involved in all creative aspects of her work was highly unusual for a female dance-pop vocalist at the time. The staff of Vice magazine stated that her debut album "drew the blueprint for future dance-pop."[6]

In the 1980s, dance-pop was closely aligned to other uptempo electronic genres, such as

Stock, Aitken and Waterman, who created Hi-NRG/dance-pop for artists such as Kylie Minogue, Dead or Alive and Bananarama. During the decade, dance-pop borrowed influences from funk (e.g. Michael Jackson and Whitney Houston), new jack swing (e.g. Janet Jackson and Paula Abdul), and contemporary R&B
.

Other prominent dance-pop artists and groups of the 1980s included the Pet Shop Boys, Mel and Kim, Samantha Fox, Debbie Gibson, and Tiffany.

1990s

By the 1990s, dance-pop had become a major genre in popular music. Several dance-pop groups and artists emerged during the 1990s, such as the

'NSYNC. During the early 1990s, dance-pop borrowed influences from house music (e.g. Right Said Fred's "I'm Too Sexy", Taylor Dayne's Soul Dancing, and Madonna's "Vogue", "Rescue Me" and "Deeper and Deeper"), as well as contemporary R&B and new jack swing (e.g. Shanice's "I Love Your Smile
").

By the late 1990s,

audio processor
and a form of pitch modification software, Auto-Tune is commonly used as a way to correct pitch and to create special effects. Since the late 1990s, the use of Auto-Tune processing has become a common feature of dance-pop music.

Sophie Ellis Bextor
who went on to a successful solo career primarily in artist-driven dance-pop.

2000s

Kylie Minogue, a popular and successful dance-pop musician from the late-1980s until present

At the beginning of the 2000s, dance-pop music was still prominent, and highly electronic in style, influenced by genres such as trance, house, techno and

Euro disco, especially the successful eponymous lead single.[7]

Nevertheless, it was not until the mid-to-latter part of the decade when dance-pop music returned greatly to its disco roots; this can be seen with Madonna's album Confessions on a Dance Floor (2005), which borrowed strong influences from the genre, especially from 1970s artists and bands such as ABBA, Giorgio Moroder, the Bee Gees and Donna Summer. Britney Spears' album Blackout (2007) contained influences of Euro disco.

Britney Spears is among the main faces of the 2000s and 2010s dance-pop music.

The mid-to-late 2000s saw the arrival of several new dance-pop artists, including

California Gurls" (2010), and "Firework
" (2010), which were major commercial hits, also showcased influences of electropop and house music.

2010s

The 2010s, similarly to the late 2000s, saw strong electronic influences present within dance-pop and also strong emphasis on bass-heavy drum beats. Artists such as

Usher and Rihanna remained very popular, while newer recording artists such as Ariana Grande, Justin Bieber, Rita Ora, and Dua Lipa joined the dance-pop charts within the decade.[10]

Some music journalists noted the popularity of dance tracks, particularly those with narratives about clubbing and feeling positive during hard times, in pop music in the early 2010s. This was considered a response to the 2007–2008 financial crisis or 2012 phenomenon, with the colloquial term "recession pop" used to define some of the popular songs of this decade.[11][12][13]

American singer-songwriter

Reputation (2017) contain more of a pop-influenced sound, which features production by dance-pop record producers Max Martin and Shellback. Ariana Grande's single "Problem" featuring Iggy Azalea was a big hit in 2014 and reached combined sales and track-equivalent streams of 9 million units worldwide the following year.[14]

2020s

Disco achieved a resurgence in popularity amidst the COVID-19 pandemic,[15] resulting in disco influenced dance-pop songs becoming chart hits, such as #1 singles "Say So" by Doja Cat and "Rain on Me" by Lady Gaga and Ariana Grande. Dua Lipa charted several successful singles from her disco inspired dance-pop album Future Nostalgia (2020) throughout 2020 and 2021.

Dance-pop songs with strong 90s house influences were also popular, such as #1 singles "Break My Soul" by Beyoncé, and "Yes, And?" by Ariana Grande. Other dance-pop hits spanned a variety of genre influences such as the hyperpop-influenced "Unholy" by Sam Smith and Kim Petras, or the gospel and R&B-influced "Oh My God" by Adele.

The Recording Academy introduced the Grammy Award for Best Pop Dance Recording in 2024 to honor "tracks and singles that feature up-tempo, danceable music that follows a pop arrangement." At the 66th Annual Grammy Awards, Kylie Minogue claimed the inaugural award with her 2023 single "Padam Padam". In an interview with Rolling Stone regarding her win, Minogue expressed that she would describe her music style as "pop/dance".[16]

Characteristics

Dance-pop generally contains several notable characteristics:

  • Up-tempo and upbeat music that dance-oriented or dance-centered, characterized by a fast-paced and accelerated musical tempo with a nightclub-oriented appeal.
  • Catchy hooks accompanied with a readily comprehensible melody and memorable rhythm, while maintaining a fast-paced and energetic tempo and conforming to a commercially viable pop-oriented song structure catered and suitable for radio airplay and appeals to a mainstream audience.
  • A strong emphasis on
    rhythms
    that are musically arranged within a rudimentary framework.
  • Prominent hooks.
  • Simple lyrics.
  • Polished productions.

See also

References

  1. ^ . Retrieved 12 May 2012. The 1980s brought the dawning age of the synthesizer in rock. Synth pop, a spare, synthesizer-based dance-pop sound, was its first embodiment.
  2. ^ a b c d e f "Dance-pop". AllMusic. 30 October 2011.
  3. .
  4. ^ Kaplan 2012, pp. 31–32
  5. ^ Erlewine, Stephen Thomas. Madonna (Madonna album) at AllMusic. Retrieved September 4, 2009.
  6. ^ "The 99 Greatest Dance Albums of All Time". Vice. July 14, 2015. Retrieved May 19, 2016.
  7. ^ "100 Best Songs of the 2000s: Madonna, 'Music'". Rolling Stone. 17 June 2011. Retrieved 2014-02-05.
  8. ^ Bogart, Jonathan (2012-07-10). "Buy the Hype: Why Electronic Dance Music Really Could Be the New Rock". The Atlantic. Retrieved 2019-04-29.
  9. ^ Lamb, Bill. "Rihanna - Don't Stop the Music". Top 40 / Pop. Archived from the original on 2012-03-03. Retrieved 2014-02-05.
  10. ^ "Year-End Charts: Dance Club Songs". Billboard. Archived from the original on 14 November 2020. Retrieved 5 August 2021.
  11. ^ Kiefer, Amanda. "Recession Pop: Dancing Through The Pain". The Current. Retrieved 10 February 2024.
  12. ^ Vaidya, Akhil. "Towards a Theory of Recession Pop". Hot Knife. Retrieved 10 February 2024.
  13. ^ Slater, Bailey. "Dance Music Saves Us From The Exhausting Business Of 21st-Century Living". Refinery29. Retrieved 10 February 2024.
  14. ^ "IFPI publishes Digital Music Report 2015". www.ifpi.org. Archived from the original on 2015-04-14. Retrieved 2019-04-29.
  15. ^ Mann, Court. "COVID! At The Disco: Is dance music during quarantine a paradox, or a necessity?". Deseret News. Retrieved 7 February 2024.
  16. ^ "Kylie Minogue on Taking Home GRAMMY for Best Pop Dance Recording 2 Decades After First GRAMMY Win". Rolling Stone. Retrieved 7 February 2024.

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