Dancing on My Own

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"Dancing on My Own"
Single by Robyn
from the album Body Talk Pt. 1
Released20 April 2010 (2010-04-20)
Genre
Length4:39
LabelKonichiwa
Songwriter(s)
  • Robyn
  • Patrik Berger
Producer(s)Patrik Berger
Robyn singles chronology
"The Girl and the Robot"
(2009)
"Dancing on My Own"
(2010)
"Hang with Me"
(2010)
Music video
"Dancing on My Own" on
YouTube

"Dancing on My Own" is a song by Swedish singer-songwriter

last call who is dancing on her own while watching her ex-boyfriend who she sought out dancing with and embracing another woman, pondering confronting him for the last time before her time runs out. The song was inspired by situations Robyn observed while on her previous tour then clubbing throughout Stockholm, her favorite "inherently sad gay disco anthems",[4]
and the dissolution of her engagement.

Critics praised "Dancing on My Own" as another bittersweet anthem for her song canon, with some ranking it as the greatest song of the year and eventually, the decade. Several reassessed its influence as Robyn's

Best Dance Recording at the 53rd Annual Grammy Awards and was awarded Best Song at the Grammisgalan
in Sweden. All three of her song's versions were promoted well into the following decade through multiple televised and streamed live performances and inclusion on many films, television series, and commercials.

"Dancing on My Own" was covered by numerous artists and bands, with several releases, especially of Robyn's downtempo version. Inspired by the downtempo

ballad cover of it performed (but not released) by band Kings of Leon, a downtempo AC ballad by Britain's Got Talent contestant Calum Scott was most prominently released on 15 April 2016. Calum's cover was a moderate sleeper hit throughout Europe following substantial success in the UK, where it went viral on streaming services despite little initial radio play. Critical reception to it was polarized, with Robyn praising the cover but prominent music journalists comparing it negatively to her original. The first major test release by controversial London-based AI algorithm-based A&R start-up Instrumental, its formula in finding Calum and releasing his cover would go on to revolutionize major label signing based on early Internet engagement. An accompanying music video was released on 15 April 2016 that received over 400 million YouTube
views in four years.

Background and creation

Deep into sessions one "dark" week of November 2009 in

Sheila E's "A Love Bizarre" (1985),[22] the song's storyline eventually came to her, picturing "the god-awful feeling of a woman who is watching her ex get with someone new at a club".[23]

"With an idea of a chorus in her mind," Robyn wanted to work further with Åhlund but couldn't stop "toying" with the song on her own, eventually reaching out to prior collaborator Patrik Berger for a "different perspective". Patrik had prepared for weeks before their first session at his Stockholm studio with a "slew of electronic beats and tracks for Robyn to write over". All of this was for naught as the first thing she said was, "Can we sit down and write a song on an acoustic guitar today? I'm so tired of writing over electronic beats and tracks." Their first result was an "acoustic 'campfire'" demo with three chords in the manner of a country song. The chorus came first quickly, followed by the chords and parts of the melody. After days of "fatten[ing]...up" that demo, the two of them realized "...they preferred the original and stripped it all back down" again.[23][5] Patrik, facing pressure from Swedish music industry insiders "telling him what he should do" with the song, decided for the first time that "rather than following the pack", he'd write and produce the song "how he wanted to", following a new group of "sonic scholars" in the country breaking away from Max Martin's "school of pop".[24] Swapping "the acoustic guitar for synthesizers with frayed edges and a beat that aimed for a TKO,"[23] Patrik went "raw and gritty", "aiming for a 'window' of song" that would capture its "commercial appeal without destroying" its "myster[y]".[24]

With this third demo, entitled "Right Over Here", compared by Robyn and critics to Glasvegas' "Geraldine" (2008)[25][26] and later heard in part in 2018 at the Red Bull Music Academy in New York,[22] Robyn and Patrik had finally settled on a blueprint for the final track. A "lot of time" was spent subsequently on "the individual components of the song: the drums, the bass and the pounding staccato it starts with". Lyrically, Robyn and Patrik were "super picky" and took even longer. Obsessively trying to come up with the right words to not "sugar-coat the experience" of all of the "messy moments of rejection," they both wanted "uncomfortably honest" lyrics designed to have each phrase read like a "little poem". "Weeks" were spent "texting each other...on lines" with "a couple of days [spent] on each" that filled a "handful of notebooks" by the end, with one entirely "scrapped", as "every single word needed to feel right."[27][23][5] Soon after completion of the song, Robyn became "conflicted" about having her collaborators and friends hear it. Recalling her excitement upon initially "sending the demo to the record label and telling them I thought we had a good single", its themes of "nostalgia and sentimentality" in retrospect came across like a "teenage version" of herself she was "happy to let go of". Robyn ended up deciding to include the song on Body Talk Pt. 1, working through "difficult" early promotion as the themes didn't "always feel true" to her.[5]

Many years later Robyn and Patrik realized their leaps of faith with the song were worth it. After "taking a step back from what she'd created", working through "a lot of therapy" where she "worked on [...] and healed" herself, then felt the "song was talking back to her" when "thousands of fans" sang it back to her on her 2019 tour when she "cut the song just before the chorus", she realized the song had "moved on from its beginnings" and was no longer "conflicted" about "playing it live", feeling it had become "something that took on meaning for a lot of people in different ways".[5][27] Meanwhile, Patrik was reaffirmed of his decision to break from Max Martin's formula despite "ang[er]" from many of his peers in Sweden, as it became "one of those songs where people came up to [him], talking about how much it mattered."[24]

Composition and release

"Dancing on My Own" was composed by Robyn and Patrik Berger. Featuring "elements of 'many different worlds'" she loves that make her "proud" of the track, including "

humans". All three versions are in the key of G major, following an "immediately familiar one-five-four"[27] chord progression of G5–D5–C5 and traditional ABABCB structure except for one pre-chorus line following its first verse and one outro line of a portion of its chorus following its choral refrain that concludes the song, with Robyn's vocals spanning from D4 to E5.[33][34]

last call that rings at the climax of the song in both electronic versions' middle 8, interpreting its inclusion as an indication the protagonist's time had run out in her last effort to gain notice from the ex-lover.[40]

Robyn's "love letter" to Stockholm as indicated in her "favorite lyric" describing its weather in winter, a "big black sky over [her] town",

female empowerment through angst"[41] in "lesser hands [...] might be confusing" but "[w]hen Robyn does it, it's human."[27] Outside its story of the "total outsider" in "love sickness" "in the middle of the club" who's still "going to take care of herself and have a good time even though she's pretty dramatic and crazy", she left the rest of its narrative up for interpretation, explaining to Z100's JJ Kincaid that revealing every detail wouldn't have been "as interesting", preferring writing that brings out "emotion[s]....in a way that enables the listener to [...] connect to [the song] in their own way".[11]

Music video

Robyn in Sandra Backlund knitted armour, located in rehearsal setting cut scene behind empty microphone stand

The music video for "Dancing on My Own" premiered via Robyn's official Vimeo account on 21 May 2010[42] and was released to YouTube on 28 May 2010, accompanied by its radio version. Directed by Max Vitali (who previously worked with Robyn on the second music video for her 2005 single "Be Mine!"), and choreographed by longtime collaborator Maria "Decida" Wahlberg, the music video was produced by Nils Ljunggren and HSI Productions, with filming by Erik Sohlstrom and editing by Johan Söderberg and Johan Wik. Wardrobe, hair, and makeup were done by Naomi Itkes, Ali Pirzadeh and Linda Öhrström, respectively.[43]

According to Robyn, Max, and 'Decida' from a behind-the-scenes black-and-white preview posted to Robyn's website the day before its release, it's meant to be a visually "simple" yet "still...atmospher[ic]" "performance video" aesthetically connected to her then "upcoming gigs and tour" that depicts "being sad on a dancefloor" in a "rave" or club" where other "people are dancing" and Robyn's choreography is meant to "[bring] out" a "pissed off [...] energy".[44][45] Robyn portrays the protagonist depicted in the song's lyrics while lip-syncing its lines in three scenes in the center of the club's dance floor, in a dark hallway of that club and in a separate "harshly lit rehearsal" setting.[23] The microphone stand with no microphone in the latter setting BBC's Fraser McAlpine argued was a deliberate direction as a metaphor for the song's narrative.[46] Robyn is occasionally watching her ex with another woman and trying to get his attention in both club settings prior to leaving – though not overtly, nor is there an obvious reference in the video as to who the ex and his girlfriend are among the club goers.[47]

'Decida' later explained to Billboard that "angry" choreography was inspired by "her own experiences as a teenager" channeling "Rosie Perez’s dance sequence in the opening credits to Do the Right Thing (1989),"[44] while another choreographed moment of Robyn's "making out with yourself dance" where she turns "her back to the camera" and feigns intimacy with another person by "wrapping her arms around herself" was meant as a "moment of levity" from her "serious-faced" attempts to get her ex's attention, and she would continue to use both moves in subsequent live performances of the song.[23] Reassessing her styling in the video with i-D years later, Robyn said she "loved" her wardrobes consisting of Philip Van De Roq jewellery chains attached to her ear and lapel, an altered Alexander Wang dress, and Sandra Backlund knitted armour, and only disliked her "hair", which she found "ridiculous", thinking she "[wasn't] sure what we were thinking there!"[48]

Ryan Dombal of

Dazed saw the video's "stand-out moment" as accompanying the song's "hammering drums transition into the final chorus", when Robyn is shown "ruthlessly throwing punches as strobe lights frame her wounded aggression."[51]

Reception

Critical

"Dancing on My Own" received acclaim from music critics.

Be Mine!' [...] If your bottom lip's not quivering like the bassline by the time the second chorus hits, you've taken waaay too many mood stabilisers [...] "[53]
Pitchfork's Ryan Dombal appreciated it showed "the scuffs on her scepter" in comparison to her promotional singles from
Madonna's 'Into the Groove', nor is it cold enough not to melt at the touch of Robyn's warm, yearning vocals or the song's shimmering keyboard chime."[57]

Commercial

"Dancing on My Own" debuted at number two on the Sverigetopplistan chart on the issue dated 11 June 2010. The following weeks, the song ascended and descended between number two and number three, before reaching the top position on the issue dated 30 July 2010.[63] The song became Robyn's first number one on the chart, as well as her seventh top-ten hit.[63] In Denmark, "Dancing on My Own" debuted at number thirty-three on the issue dated 18 June 2010. After steadily ascending on the chart for several weeks, the song reached its peak of number two on the issue dated 6 August 2010. It has since then been certified platinum by the International Federation of the Phonographic Industry in Denmark for selling over 30,000 units.[64] In Norway, the song debuted at number six, which became its peak.[65]

The song peaked at number twenty-two on the

Hot Dance Club Songs chart. On the issue dated 17 July 2010, it reached its peak of number three and stayed on that position for two weeks.[68]

Live performances

Robyn performing "Dancing on My Own" at the 2010 Nobel Peace Prize Concert

On 5 June 2010, Robyn gave her live premiere of the track's midtempo version for

Oslo, Norway.[78]

On 17 January 2011, Robyn attended the

Studio Hamburg, Germany as part of a promotional mini-concert for Deutsche Telekom's Telekom Street Gigs, later broadcast on ProSieben's We Love In Concert series.[80]

Impact and legacy

Anticipation among several music journalists surrounding Robyn's social media announcement on 27 July 2018 of her first release of solo material in eight years, "

Imagine", on their reissued list of "The 500 Greatest Songs of All Time", the decade's highest entry on their list.[6]

Released at what

poptimism". Ahlgrim said that, without Robyn's influence, there would be "no Carly Rae Jepsen, no Charli XCX, no Lorde."[109] Max Martin's manager said that Martin thought "Dancing on My Own" was "one of the best pop songs ever made," and years later at a dinner he told her that he continued to have a "lot" of female artists come into his studio, "...put your album on the table," and say, "I wanna make this!" Robyn described his response as "Well, fuck you, go work with her then!" which she found "very sweet."[5]

In October 2020

Christine & the Queens, who presented Robyn with the award for Songwriter of the Decade, said that "as a songwriter I can only marvel at a song like 'Dancing On My Own' ...it's a gem of pop."[5] Pop stars Charli XCX and Zara Larsson acknowledged Robyn's influence, with Charli XCX expressing that "Robyn has definitely been part of paving the way for pop stars who fall a little to the left of the Top 40 norm," and Larsson saying, "She's what I strive to be in a sense of making my own choices and staying true to myself."[114]

Becoming what NME's Eli Hunt described as the "queen of the misfits,"[115] Robyn has been described as a gay icon because of the popularity of "Dancing on My Own", itself described as a gay anthem.[116][117] Robyn said she "felt connected to the gay audience because there's an element to the culture that you have had to think about or make up your mind about what it is to be an outsider..."[118] By the late 2010s out singer/songwriter Sam Smith expressed that they thought the track made Robyn "a huge part of the LGBTQ community because we get to dance our pain away."[111] Rolling Stone ranked "Dancing on My Own" at number 20 on their list of "25 Essential LGBTQ Pride Songs", describing the song as "deeply resonant to queer, marginalized people."[119]

Formats and track listings

Credits and personnel

The liner notes of the album Body Talk Pt. 1 provide the following credits:[128]

Charts

Certifications

Region Certification Certified units/sales
Denmark (IFPI Danmark)[144] Platinum 30,000^
United Kingdom (BPI)[145] Platinum 600,000
United States (RIAA)[146] Platinum 1,000,000

^ Shipments figures based on certification alone.
Sales+streaming figures based on certification alone.

Calum Scott version

"Dancing on My Own"
Single by Calum Scott
from the album Only Human
Released15 April 2016 (2016-04-15)
Recorded2016
Genre
Length4:20
LabelWMG, Capitol
Songwriter(s)
  • Robyn
  • Patrik Berger
Producer(s)John McIntyre
Calum Scott singles chronology
"Dancing on My Own"
(2016)
"Rhythm Inside"
(2016)
Music video
"Dancing on My Own" on
YouTube

Before he became famous, Calum Scott posted a cover version to his personal YouTube channel on 1 March 2014, and later performed the song for his audition on Britain's Got Talent in April 2015, the original clip of which has garnered over 415 million YouTube views. "Naive about the [music] industry" and worried his "career was over" after he wasn't signed to Simon Cowell's Syco Entertainment when "the show was over and it went quiet", Calum thought his "opportunity was gone".[149] Tracking the data behind the sudden rise in engagement and speed of new subscribers to Calum's channel over several months, A&R executive Conrad Withey encouraged him to release the song officially. With Conrad's endorsement, Calum signed independently with Warner Music Group, and the song was released as his debut solo single on 15 April 2016, with a 3 June 2016 release in other territories under Capitol Records.

With this early exposure, Conrad's Instrumental, a London-based AI algorithm-based A&R start-up looking to streamline "notoriously inefficient methods of talent discovery" using internet engagement to cut costs with a "data-driven" platform that would controversially prioritize "popular[ity]" over "artistry" in support of "online engagement", "internet stars" and "brand and content partnerships" rather than "musicians", reversing preconceived notions of building fanbases from scratch by capitalizing on those that already existed, went on to contract their services with the 'Big 3' and revolutionize A&R signing of artists.[150][151]

Scott's cover was noted for its "soft focus",[152] with critical reception being polarized, and streaming performance being very strong in the UK and Australia, followed by sleeper hit longevity throughout Europe. Two EDM remixes of the cover were commissioned and released by Calum's label from Tiësto on 15 July 2016[153] and Hull-based Ben Dooks on 29 October 2018.[154] Different music videos were commissioned and released later in 2016 for Calum's cover as well as the Tiësto remix.

Critical reception

Reception to Calum's cover was polarized.

BBC Newsbeat's Steve Holden wrote that Calum's "second lease of life" he gave the song reached "a far wider audience in the mid-2010s", and Robyn shared with Steve she was "super happy" for Calum's success that got people to "know the song a little bit more", praising his "voice" and "interpretation [...] in a way that 'made the song come alive again.'"[5]

On the other hand, both

John Lewis Christmas advert", a "nasal whine the likes of which have gone unheard since James Blunt", and "breathy" syllables "chomp[ed]", "overenunciat[ed]" and "split" to sound more "regional and everyman", like the "shy guy" at "open mic",[158] while the latter damned it with faint praise, arguing that despite his "undeniabl[y] pure, talented, amazing voice", the cover "stripp[ed] the song of its initial context," deeming it a "formulaic piano ballad" that "lost the duality which made the original so incredible."[51] The Guardian's Alexis Petridis likewise felt his cover "gormlessly sandblasted away the original's emotional complexity – a very realistic mix of despair, steely determination and euphoria – in favour of mournful bloke-at-a-piano emoting"[159] and Pitchfork's Jayson Greene also found it "dubious" and "weepy" in comparison to Robyn's.[152]

Tiësto's remix of Calum's cover also had a polarized reception. USA Today's Bryan Kalbrosky dismissed it outright as "inferior", arguing there was simply "no reason to listen" to it "so long as Robyn’s [original] exists"[160] while We Rave You's Petar Lazarevic appreciated Tiësto "slowly envelope[d]" yet still left "plenty of room" for Calum's vocals, building "the presence of the glossy guitar riffs in the drop" which evoked "the lazy and comfortable feelings that accompany the early hours of the morning after a fantastic night".[161]

In March 2018, Scott revisited the mixed reactions to his version. He said that those complaining he had ruined Robyn's song were counterbalanced by positive responses, for instance one person that had "just written to me and said that they've come out to their family because of my interpretation". He said he "didn't change the pronouns of the song" because he wanted the interpretation to always come from a "gay man's perspective".[162][163] He said the gay community have thanked him repeatedly for the song, saying "how much it means to them that they have a voice in music."[164]

Chart performance

The cover went viral on streaming services, with

UK Singles Chart on 5 August. The track remained in the top three four months after its release and later that year it was revealed it was the most bought song of the summer in the country. Scott told the Official Charts Company on its reception there that he was "absolutely over the moon" at the news. The track went on to become the best-selling UK single by a British solo artist in 2016.[165][166]

In the subsequent months and years, the track became a moderate sleeper hit in Europe, including by mid-2018 reaching 550M streams and becoming certified platinum in at least four countries.[167] Scott said in a press statement upon signing with Capitol Records in the U.S. that "when I recorded the song in my bedroom, I never thought for a second that it would reach as far as it has and bring this level of support from literally all over the globe...I'm completely overwhelmed by it all."[168]

Music videos

Calum Scott in the crowd

Self-produced by Calum Scott and directed by Ryan Pallotta, the video for the original version was released on 15 June 2016. A crowd of silent people dressed in white are looking towards a light source. Among them, Scott mouths the song lyrics. A man and a woman move through the crowd to find each other. By April 2020 the video had received over 400 million YouTube views.[169]

Haley Fitzgerald and Josh Killacky dance in the Tiësto remix

The official video for the Tiësto remix was commissioned by Capitol Records and released on 4 October 2016.[170] Co-directed by Josh Killacky and David Moore, and edited by Alex Ditommaso, the video depicts a man pursuing a woman who is no longer his lover. With Moore shooting video while riding a hoverboard in a stark studio space, Josh Killacky and Haley Fitzgerald perform a modern dance routine, choreographed by Killacky.[171]

Media

The cover aired on the 20th episode, "Kill 'em All" of

The Vampire Diaries, broadcast 29 April 2016, while Caroline makes soup for Bonnie while ranting to Alaric about Stefan, commitment and closure. It also aired on the 24th episode, "Ring of Fire" of the ABC series Grey's Anatomy, broadcast 17 May 2017, while Nathan asks Meredith details about Megan, then hugs her in celebration and drives off. Scott promoted the track throughout 2016 and 2017 most notably on Late Night with Seth Meyers, Good Morning America, Elvis Duran and the Morning Show, Good Morning Britain, The Ellen DeGeneres Show, and Dancing with the Stars. Following the 10th episode "Brainwave Jr." of the DC Universe series Stargirl in July 2020, the cover "racked up 10.5 million U.S. on-demand streams, along with 3,000 digital downloads, according to Nielsen Music/MRC Data", topping The Hollywood Reporter's Top TV Songs Chart.[172] During the 2021 MLB postseason, the Boston Red Sox adopted the Tiësto remix of the song as their postseason anthem, playing the song in their celebrations after their Wild Card Game win over their rivals, the New York Yankees, and their series win over the Tampa Bay Rays.[173] During the 2022 MLB postseason, the Philadelphia Phillies also adopted the Tiësto remix of the song as their own postseason anthem,[174]
with the team carrying it over into the 2023 season as well.

Awards and nominations

Year Award Category Result
2017
Brit Awards
British Single of the Year Nominated

Weekly charts

Chart (2016–2017) Peak
position
Australia (ARIA)[175] 2
Austria (Ö3 Austria Top 40)[176] 32
Belgium (Ultratop 50 Flanders)[177] 19
Belgium (Ultratop 50 Wallonia)[178] 30
Canada (Canadian Hot 100)[179] 41
Canada 35
Canada 37
Denmark (
Tracklisten)[182]
8
France (
SNEP)[183]
58
Germany (Official German Charts)[184] 61
Ireland (IRMA)[185] 4
Netherlands (Dutch Top 40)[186] 7
Netherlands (Single Top 100)[187] 14
Mexico Airplay (Billboard)[188]
28
Mexico Ingles Airplay (Billboard)[189] 1
New Zealand (Recorded Music NZ)[190] 5
Portugal (AFP)[191] 5
Scotland (OCC)[192]
1
Sweden (Sverigetopplistan)[193] 4
Switzerland (Schweizer Hitparade)[194] 81
UK Singles (OCC)[195]
2
UK Indie (OCC)[196] 2
US Billboard Hot 100[197] 93
US Adult Contemporary (Billboard)[198] 15
US Adult Top 40 (Billboard)[199] 25
US Dance Club Songs (Billboard)[200] 14
US
Mainstream Top 40 (Billboard)[201]
35

Year-end charts

Chart (2016) Position
Australia (ARIA)[202] 21
Denmark (Tracklisten)[203] 87
Netherlands (Dutch Top 40)[204] 84
Sweden (Sverigetopplistan)[205] 59
UK Singles (Official Charts Company)[206] 12
Chart (2017) Position
Denmark (Tracklisten)[207] 88
Netherlands (Dutch Top 40)[208] 67
Netherlands (Single Top 100)[209] 92
Portugal Full Track Download (AFP)[210] 40
US Adult Contemporary (Billboard)[211] 42
Chart (2018) Position
Portugal Full Track Download (AFP)[212] 182
Chart (2021) Position
Australia (ARIA)[213] 100

Decade-end charts

Chart (2010–2019) Position
Australia (ARIA)[214] 66
UK Singles (Official Charts Company)[215] 54

Certifications

‹See Tfd›
Region Certification Certified units/sales
Australia (ARIA)[216] 9× Platinum 630,000
Belgium (BEA)[217] Gold 10,000
Brazil (Pro-Música Brasil)[218] 3× Platinum 180,000
Denmark (IFPI Danmark)[219] 4× Platinum 360,000
France (
SNEP)[220]
Gold 100,000
Germany (BVMI)[221] 3× Gold 600,000
Italy (FIMI)[222] Platinum 50,000
Mexico (AMPROFON)[223] Gold 30,000
Netherlands (NVPI)[224] Gold 20,000
New Zealand (RMNZ)[225] Platinum 30,000
Norway (IFPI Norway)[226] 2× Platinum 120,000
Poland (ZPAV)[227] Gold 25,000
Portugal (AFP)[228] 3× Platinum 30,000
Spain (PROMUSICAE)[229] Platinum 60,000
United Kingdom (BPI)[230] 5× Platinum 3,000,000
United States (RIAA)[231] 3× Platinum 3,000,000
Streaming
Sweden (GLF)[232] 4× Platinum 32,000,000

Sales+streaming figures based on certification alone.
Streaming-only figures based on certification alone.

Other versions

Belgian singer

Spin's Marc Hogan praised it as "disarmingly effective" and having brought out Robyn's "smart songwriting", noting their connection to her "deeply conflicted relationship with mainstream success".[2]

American

Radio 1 Live Lounge. So that's funny."[5]

Alternative rock band Grouplove released an indie pop cover of the midtempo version in March 2020, described as "electric" and "passionate" by Flood Magazine,[240] promoting it on Cover Nation,[241] Sirius XM[242] and ALT 98.7.[243] American folk singer Willie Watson, former founding member of Americana and bluegrass band Old Crow Medicine Show, released a folk version of the song in May 2020, dedicating it in a live stream performance of the song from his own studio to everyone "dancing on their own" amidst the COVID-19 pandemic.[244][245] In December 2020 English singer/songwriter and model Karen Elson released a downtempo alternative country version on her EP, Radio Redhead, Vol.1.[246][247] Los Angeles-based garage punk band the Regrettes released a cover of the midtempo version in March 2023.[248] Tove Lo covered the song in October 2022 for Like a Version on Australian radio station Triple J with the cover subsequently being released on the station's YouTube channel as well as music streaming services.[249]

References

  1. ^ a b "'Dancing On My Own' by Robyn". Songfacts. Retrieved 21 June 2021.
  2. ^ a b c Hogan, Marc (10 September 2013). "Kings of Leon Strip Out the Synths, Keep the Passion in Robyn's 'Dancing on My Own'". Spin. Retrieved 20 June 2021.
  3. ^ a b c d e f Fawbert, Dave (8 June 2018). "Betrayal, sadness, and defiance: Why it's time to reclaim Robyn's 'Dancing on My Own'". ShortList. Retrieved 28 February 2021.
  4. ^ a b c Dickinson, Alistair (28 May 2010). "Robyn Premieres Her New Video for "Dancing on My Own"". PopMatters. Retrieved 5 March 2011.
  5. ^
    BBC Newsbeat
    . Retrieved 4 June 2020.
  6. ^ a b "The 500 Greatest Songs of All Time". Rolling Stone. 15 September 2021. Retrieved 16 September 2021.
  7. ^ BEIGE (26 August 2010). Robyn - Dancing On My Own. Vimeo. iHeartRadio. Retrieved 13 April 2021.
  8. ^ McLean, Craig (11 June 2010). "Swedish Pop Sensation Robyn Brings 'Body Talk' To United States". Billboard. Retrieved 10 July 2010.
  9. ^ Nylén, Susanne (29 November 2008). "Feeling lonely sometimes". Aftonbladet. Retrieved 23 August 2020.
  10. ^ Lillemägi, David; Brännström, Linus (4 January 2011). "Robyn and her fiancé move apart". Expressen. Retrieved 12 April 2021.
  11. ^ a b c robynbodytalkin (8 April 2011). Robyn chatting to Z100 New York. YouTube. Z100 New York. Archived from the original on 15 December 2021. Retrieved 13 April 2021.
  12. ^ Höller, Carsten. "Robin Miriam Carlsson is here again". Bon. Retrieved 12 April 2021.
  13. ^ Amiri, Parisa (12 January 2010). "ROBYN ON THE BEACH". Nöjesguiden. Retrieved 12 April 2021.
  14. ^ Sylvester, Hermione (16 October 2018). "Robyn selects her favourite Scandinavian club nights". Dazed. Retrieved 10 September 2020.
  15. ^ Dombal, Ryan (17 March 2010). "Robyn Talks Ambitious 2010 Plans". Pitchfork. Retrieved 3 December 2020.
  16. ^ a b Hunt, El (4 December 2019). "Best Songs of the Decade: The 2010s". NME. Retrieved 8 December 2019.
  17. ^ a b Hunt, El (24 November 2020). ""She breaks the mould": how Robyn's pop classic 'Body Talk' changed the game". NME. Retrieved 7 December 2020.
  18. ^ Symonds, Alexandria (6 July 2010). "How the Club Inspired Robyn's Pop Epic 'Body Talk'". Paper. Retrieved 25 April 2021.
  19. ^ Roney, Mirimba (24 October 2018). "Nightclubs that shaped Robyn". Red Bull. Retrieved 12 April 2021.
  20. ^ "Robyn talks 'Body Talk': "I'm always going to feel like an outsider"". Popjustice. 12 April 2010. Retrieved 27 October 2020.
  21. Conde Nast
    . Retrieved 29 July 2020.
  22. ^ a b c d Robyn on Her Career in Pop, Psychoanalysis and Starting a label. YouTube. Red Bull Music Academy. 29 May 2018. Retrieved 22 October 2021.
  23. ^ a b c d e f Werthman, Christine (21 November 2019). "Songs That Defined the Decade: Robyn's 'Dancing on My Own'". Billboard. Retrieved 13 July 2020.
  24. ^ a b c d O'Kane, Josh (12 January 2018). "The other Stockholm syndrome". The Globe and Mail. Retrieved 14 December 2020.
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External links