Darius Vase

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The Darius vase in the Archaeological Museum of Naples (340-320 BCE).

The Darius Vase is a famous vase painted by an anonymous

South Italian red-figure vase painting. The vase was produced between 340 and 320 BCE, probably in a large factory-like workshop in the Greek city of Taranto (ancient Taras), Magna Graecia, well before the fall of Taranto to the Romans in 272 BCE. It is an important work of Apulian vase painting
.

The "Darius Vase" was discovered in 1851 near Canosa di Puglia and is now on display at the Museo Archaeologico Nazionale, Naples (H3253). It is a large volute krater, 1.3 meters in height and 1.93 meters in circumference.[1]

The vase contains several inscriptions, some naming individual figures, but there are also collective names (such as persai – Persians). These inscriptions can be seen as "

tituli
". All available space on the vase is used for figural depictions, arranged in two or three registers. Some individual zones are structured by opulent ornamental friezes. The Darius Painter is considered the first painter to have fully exploited the possibilities of large-format vase painting. His drawing style is regarded as especially good, particularly in faces, which he often depicts in a three-quarter profile.

Content of the vase

Neck of the vase: Combat scenes

Combat scene between Greeks and Persians, on the neck of the vase.

The neck of the vase shows combat scenes between the Greeks and the Persians. It is generally thought that these scenes represents the combats between Alexander the Great and Darius III, rather than the earlier combats of the troops of Darius III during his First Persian invasion of Greece.[1]

Top tier: Greek gods

The three tiers on the body of the vase: Greeks gods, War Council of Darius, and tax collection.

Above Darius stands a line of Greek Gods: Artemis riding a stag, Apollo seated holding a swan, Aphrodite together with Eros, Zeus holding a winged thunderbolt, Hellas standing, Athena holding a shield, Apate holding two torches, Asia seated on an altar, next to a pillar holding a head (possibly of xoanon).[1]

Middle tier: Darius and his court

Darius III is shown seated, wearing a long, ornate, sleeved robe and a high Persian hat. A bodyguard stands behind him, as Darius is listening to an allegory of the Persian people, enjoining him not to attack the Greeks.[2][3] Darius could also be simply listening to a messenger.[4] Xerxes I, still a Prince, is said to be represented, second from right. The scene of the audience given by an Achaemenid ruler seems to have been quite conventional, and also appears in a similar fashion in the frieze on the tomb of Lycian ruler Arbinas.[4]

Bottom tier: tax collection

Calculations of the Tax Collector on his abacus.

A tax collector, the Royal Treasurer, is seen receiving payments by various conquered nations, whose representatives crouch before him.

Boeotian symbol for the obol, or small unit.[5] The use of pebbles on a board to make calculations is illustrated down to modern times by the fact that calx is "pebble" in Latin, which is the etymological root for the word "calculation".[2]

The board contains the letters M (= 10.000), Ψ (Boeotian for 1.000), H (= 100), Δ (= 10) and (=5, or possibly the unit symbol for the Drachma).[2][7] White pebbles are added next to each letter in order to give the number of each quantity unit.[2][7] Next to them appear the former symbols used to represent the Greek coins: Obol (Boeotian symbol O, 1/6 of a Drachma), half an Obol (С) and a quarter of an Obol (T).[7][8] These symbols resemble those found in the Salamis abacus.[7] The number here shown is probably 1741 and 4/6 Drachms.[2] The tax collector also holds an open diptych (two-leaved wax tablet) in which can be read the letters TAΛNTA:H, presumably meaning tal'anta hekaton' ("one hundred talents").[7][9]

Influences

The Darius vase may have represented a scene from a Greek drama.[3] The depiction of Darius on his name-vase is possibly derived in its details from the Persae of Phrynikos, C. Anti concluded in 1952, and Schmidt 1960 follows him. However Oliver Taplin notes in Pots and Plays, 2007, p. 235-7, the only strong indications of tragic reference are Darius himself and the old man in paidagogos outfit on the plinth inscribed ΠΕΡΣΑΙ, who might be performing the messenger role. Taplin speculates that the iconography of tragedy "could be assimilated into other contexts without danger of confusion", op. cit. p. 237.

Gallery

  • Depiction of Darius III of Persia and its inscription (ΔΑΡΕΙΟΣ, top right) on the "Darius Vase"
    Depiction of Darius III of Persia and its inscription (ΔΑΡΕΙΟΣ, top right) on the "Darius Vase"
  • Drawing of Darius on the vase.
    Drawing of Darius on the vase.
  • Darius receiving advice from the Persians.
    Darius receiving advice from the Persians.
  • Abax depicted on the Darius vase[10]
    Abax depicted on the Darius vase[10]
  • The Tax collecter scene.
    The Tax collecter scene.
  • Battle between Greeks and Persians, on the reverse of the Darius Vase.
    Battle between Greeks and Persians, on the reverse of the Darius Vase.

See also

References

  1. ^
    ISBN 9004077162
    .
  2. ^
    ISBN 9780486319773
    .
  3. ^
    ISBN 9780892369874
    .
  4. ^
    ISBN 9780748654666
    .
  5. ^
    ISBN 9780199880898
    .
  6. ISBN 9781108009034
    .
  7. ^
    ISBN 9780486204307
    .
  8. ISBN 0472112384
    .
  9. ISBN 9782880744533
    .
  10. ISBN 978-0-8186-7739-7
    .

Sources
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