Sticks & Stones (2019 film)

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Sticks & Stones
A bald man wearing sunglasses and a long grey tshirt and black pants, stands holding a microphone. He is outside on the plain white ground of the Bonneville Salt Flats and mountains can be seen in the distance.
Promotional release poster
Directed byStan Lathan
Written byDave Chappelle
Produced by
  • Stan Lathan
  • Dave Chappelle
StarringDave Chappelle
CinematographyJay Lafayette
Edited byStan Lathan
Dave Chappelle
Production
company
Pilot Boy Productions
Distributed byNetflix
Release date
  • August 26, 2019 (2019-08-26)
Running time
66 minutes[1]
CountryUnited States

Sticks & Stones is a 2019 American stand-up comedy television special starring comedian Dave Chappelle and directed by Stan Lathan.[1] It was produced by Chappelle and Lathan and distributed by Netflix,[2][3] the special is detailed as "a provocative perspective on the tidal wave of celebrity scandals, the opioid crisis, and more".[4][5]

It is Chappelle's fifth Netflix special, following the 2017 specials The Age of Spin, Deep in the Heart of Texas, Equanimity and The Bird Revelation.[6] Principal photography began at the Tabernacle in Downtown Atlanta, Georgia, from June 13 to 16, 2019.[7][8]

The special received mixed reviews from critics, in part due to jokes about defending Chappelle's friend and comedian

Primetime Emmy Awards, including for Outstanding Pre-Recorded Variety Special
.

Synopsis

Following quoting the lyrics of Prince's "1999",[10] Chappelle mentions a series of high-profile news stories about celebrities.[10] He contrasts Anthony Bourdain with an old friend of his who, despite living under difficult circumstances, never conceived of committing suicide.[11]

Following this, Chappelle gives an impression of the Founding Fathers, specifically referencing their role in slavery, drafting the Constitution of the United States. After this he shifts into speaking of the segment of society which bans, blacklists and boycotts entertainers over politically incorrect jokes which deter those—including Chappelle himself—from doing comedy.[12]

He then discourages those who have yet to watch the HBO documentary Leaving Neverland (2019),[13] which details allegations of child sexual abuse against Michael Jackson, and doubts the accusers, pointing out that Macaulay Culkin denies witnessing or being molested by Jackson.[14] Chappelle jokes about the sexual abuse allegations against R. Kelly, whom he described as being "different" from Jackson because Chappelle is "pretty sure he did that" and jokes that many individuals are molested and it is preferable if the person that does it is famous.[13][15]

Chappelle speaks about

faggot".[19] In the discussion with S&P, he points out the word "faggot" is quite forbidden, but not his use of the word "nigger".[20][19]

The comedian jokes about

transracialism in which he uses a car ride analogy with LGBTQ persons interacting.[19][11]

Chappelle jokes about controversies surrounding comedian

#MeToo movement as being too draconian
to be effective at reducing real issues faced by women in the industry.

Chappelle jokes about pro and anti-abortion positions.[21]

Chappelle then jokes that black people should legally buy guns in protest to have white legislators alter the Second Amendment out of fear. In reference to gun control, he compares the post-2010 opioid crisis to the Crack epidemic in the United States advocating for decriminalization, while highlighting addiction as an illness.[22] Chappelle also lampoons the alleged assault against actor Jussie Smollett.[23][24]

Stories from his upbringing form the closing segment to the show, as he recalls his father's words of wisdom, financial difficulties, and economic discrimination which informed him as a child, whilst correlating this with school shootings.[22][25]

Epilogue

The Netflix release was followed by a secret 23-minute

Daphne Dorman, who attended several of his sets, was laughing the hardest at his transgender jokes and Chappelle joked that the reason she could take his jokes—and that the first woman couldn't—is that "Daphne used to be a man."[32] Afterwards, according to Chappelle, they chatted at the bar and Daphne thanked him for "[normalizing] transgenders by telling jokes about us."[31] He recalls a story of Charlie Murphy, covers the 2020 election, the #MeToo movement, anecdotes of Barack Obama and Gavin Newsom, and the most influential comedians in his life.[33][31]

Production

Atlanta, Georgia
hosted Sticks & Stones' setting.

On November 21, 2016, The Hollywood Reporter reported that Chappelle and director Stan Lathan will produce an original stand-up comedy special exclusively for Netflix, and two never-before-seen specials hailed directly from Chappelle's personal comedy vault;[34] with the releases being Chappelle's first concert specials in 12 years.[35] The two additional specials were directed by Lathan, with Deep in the Heart of Texas filmed at Austin City Limits in April 2015, and The Age of Spin at the Hollywood Palladium in March 2016.[36] Concurrently with the announcement, Lisa Nishimura, Netflix's Vice President of Original Documentary and Comedy, spoke most highly of the deal, in which she stated, "[Chappelle]'s three new specials promise to be some of the most anticipated events in comedy, and we are honored he will mark his global return on Netflix."[37][38]

On November 17, 2017, Variety reported that Chappelle's third Netflix stand-up special entitled Equanimity—the first special Chappelle has produced exclusively for Netflix—will be released on Netflix on December 31, 2017.[39] However, on December 22, it was announced by Variety that in addition to the previously announced special Equanimity, the comedian will also release the special The Bird Revelation; marking Chappelle's third and fourth Netflix specials to be released this year.[40] Equanimity was filmed in September at the Warner Theater in Washington, D.C., while The Bird Revelation was filmed November 20 at The Comedy Store in Los Angeles.[41]

audio engineers Brian Riordan and Connor Moore being tasked with re-recording mixing.[44][45]

According to leaked documents obtained by Bloomberg News Netflix paid $23.6 million for Sticks & Stones.[46]

Marketing and release

On August 15, 2019, Netflix announced Chappelle's fifth comedy special in an announcement teaser on YouTube narrated by Morgan Freeman.[47][48] Rick Porter of The Hollywood Reporter stated that while the teaser doesn't reveal any of Chappelle's material, the special's title—and the voiceover narration from Freeman—may suggest that the comedian may be addressing criticism he faced after making jokes about transgender people and the #MeToo movement in Equanimity and The Bird Revelation (2017).[49] Editors at Maxim spoke of not getting any snippets of the actual stand-up special itself, although describing it as "a must-watch [...]."[50] Israel Daramola of Spin wrote: "Without revealing anything, it's pretty clear that Dave isn't skirting away from any of the controversies he's seen from his latest stand-up specials."[51] The special was released through Netflix on August 26, 2019.[52] In conjunction with Netflix's policies, the viewing figures for the special have not been released to the public.[53]

Reception

Critical reception

Sticks & Stones received mixed reviews from critics.[54][55] The review aggregation website Rotten Tomatoes reported that 35% of critics gave the show a positive review based on 17 reviews, with an average rating of 5.7/10. The website's critical consensus reads, "Edgy, but empty, Sticks and Stones might not break any bones, but it won't elicit many laughs, either."[56] It has drawn criticism from both the left and right sides of the aisle, primarily for Chappelle making light of paedophilia and Michael Jackson's alleged victims;[57][58][59] however, others have appreciated the special for its wide-ranging social commentary and Chappelle's unwillingness to censor himself to appease others.[60]

The Washington Examiner spoke of the certain failings of Sticks & Stones, albeit praising Chappelle at picking upon subtle hypocrisies in our society, to which Fry explains: "[Chappelle] does a good job of pairing arguments from the pro-abortion side with some of their logical shortcomings."[57]

Comedian

Salon, in a positive review, felt that "dismissing Chappelle's work as simply or obstinately regressive is not unlike seeing the world through the same lens as" a Comedy Central network executive who, according to Chappelle, told him that he couldn't say a slur against gay people despite allowing him to routinely use a slur against black people.[67] The forthrightness of Chappelle was appreciated by reviewers such as Jeremy Jahns who commented specifically that "I couldn't help but appreciate the fact that, well, this guy will do it; he'll go there."[68] Jordan Ruimy of World of Reel opined that "It's an act of sheer chutzpah from Chappelle, but it works as the jokes aren’t only funny but come with a biting sting", while stating Chappelle's piece feels "immediate, a plea from one of our very best comedians to his own audience to stop the hysteria."[69]

Kahron Spearman of The Daily Dot gave the special a positive rating, stating: "Never before has a comic combatively discussed the nuances of race in such a challenging way [...] Watching Chappelle in the present is like observing an all-timer fighter in his prime."[22] Steve Krakauer NBCNews.com acclaimed Chappelle as "[...] a genius who leaves you just uncomfortable enough, laughing while you squirm. The problem now with Dave Chappelle is he's a birdshot sniper in a buckshot society."[70] Alexander Cameron of The Spectator lambasted Chappelle's critics by stating: "The idea that a comedian can only make jokes about certain groups is not a criticism, but a personal belief. It's a projection of relative morality, where those who are perceived as vulnerable must be protected at all costs from any ridicule, even the joking kind."[71] Joshua B. Porter of The Good Men Project, rated the film 4 out of 5 stars, stating that, "Sticks and Stones might be Chappelle's tightest set, tempo wise. He jumps right in and moves along at a brisk and controlled pace. There isn't much fat and he ties up material quickly and effectively when he's ready to move along to other material."[72] Sean L. McCarthy of The New York Times wrote: "[...] Chappelle also has seen the opioid crisis, and he brings both guns and drugs back to race relations in America, where he not only offers funny solutions, but also finally finds one joke target for whom nobody would feel sorry."[73] McCarthy concludes by stating that "[Chappelle] only makes jokes about people and things with which he identifies. It's a sincere moment, leading to a sincere story from his childhood."[73]

Some reviewers characterised Sticks & Stones as showing the divide between critics and audiences.[74][75][76] Newsweek compared the early zero percent score on Rotten Tomatoes to a more positive 8.5 out of 10 from IMDb users.[77] CNBC contrasted the negative critical reviews to the Rotten Tomatoes audience score of 99%.[78] Writing for Film Threat, Dante James contrasted the 99% Rotten Tomatoes audience score, with the initial Rotten Tomatoes 0% approval rating, saying: "[...] all of the negative reviews were from six (ultra-progressive) critics who had it in for Chappelle for his last couple of Netflix specials."[79]

Controversy

Sticks & Stones garnered controversy, receiving backlash for Chappelle's jokes about abuse allegations against

Michael Jackson Estate, responded to Robson's statement, saying "Wade's accusations emerged only after his book failed and we turned him down for a job with our Las Vegas show 9 years ago. He couldn't get a job until HBO and Dan Reed hired him. He'll say anything to avoid answering the question of why people like Dave Chappelle don't believe him or to address the factual holes and inconsistencies in this one sided documentary that did not interview a single person other than the two guys and their families, who are in it for the money."[86] Leaving Neverland director Dan Reed commented on Chappelle's comments, stating that they weren't "very funny or clever". He also disputed the implication that his documentary was associated with cancel culture: "There's nothing in the film that says, 'Don't listen to Michael Jackson'. There's nothing in this film that says, 'Cancel MJ'. We're not part of cancel culture".[87]

Surviving R. Kelly producer Dream Hampton disputed Chappelle's claim that she approached him at a performance in Detroit to ask him to appear in the documentary: "I didn't personally (or casually) invite Chappelle [...] The producer responsible for celeb outreach officially asked him, more than once. I haven't seen or talked to [Chappelle] in about 8 years [...] I wanted him to talk about the two pieces of cultural criticism he produced about R. Kelly for the Chappelle show", Hampton tweeted. Chappelle declined to appear in the documentary as he didn't know Kelly personally. Hampton also accused Chappelle of misquoting her: "I [...] have never in my life said the words 'too hot for TV'".[88]

In response to Chappelle's material about the LGBT community, lesbian comedian Elsa Eli Waithe stated: "Sure, everything is fair game. But he uses his platform to make jokes about rape victims, trans folks, and the LGBTQ community. With all that's going on in the world, that's what he chooses to do?"[89] Gay comedian Guy Branum posted on Twitter that "Comedians should support each other and one way Dave Chapelle [sic] could support me more is by calling me a faggot less."[89] Conversely, transgender comedian Daphne Dorman, whom Chappelle mentioned during The Punchline, spoke highly of him in stating: "[Chappelle] doesn't consider himself better than me in any way. He isn't punching up or punching down. He's punching lines. That's his job and he's a master of his craft."[90] Gay comedian Alex English stated that Chappelle is "providing visibility to a group of people whom are ignored constantly, especially in the LGBTQ community."[89] Transgender comedian Alison Grillo noted that "I guess the most offensive joke I would say, personally, was the joke about the LGBT people in the car [...] But otherwise, I didn't think it was a terribly mean-spirited performance."[89]

Chappelle's impression of a Chinese person has been called "racist",

Asian.[91][92] In response to the special, Korean American comedian Joel Kim Booster stated that "[...] I think Chappelle used to have really interesting and prescient things to say about power structures [...] I just don't think he's interested in dismantling that anymore. At least not from an interesting place, or at least not from beyond his own point of view."[93]

Comedian Norm Macdonald said "If any of you wish to be a comedian, study Sticks and Stones, a comedy special from The Peerless One. If you don't consider Chappelle funny, you are wrong. If you are a comedian who does not see that he is the best we have, quit."[75]

Analysis

Comedian Keith Bergman argued that the material within Sticks & Stones was designed to keep viewers engaged and that "Most of the special felt calculated to generate clickbait."[78] Todd M. Schoenberger of the institutional research firm Wellington & Co. told CNBC that Netflix was in "hypergrowth mode" and would not lose viewers overall because "Streaming services are willing to go through some viewers being offended to bring others to the table."[78]

Chart history

Chart (2019) Peak
position
US
Top Comedy Albums (Billboard)[94]
 4

Accolades

Year Award Category Nominee(s) Result Ref.
2020 Directors Guild of America Awards Outstanding Directing – Variety Specials Stan Lathan Nominated [95]
Grammy Awards Best Comedy Album Dave Chappelle Won [96]
Primetime Emmy Awards Outstanding Variety Special (Pre-Recorded) Dave Chappelle, Stan Lathan, Rikki Hughes and Sina Sadighi Won [97]
Outstanding Writing for a Variety Special Dave Chappelle Won
Outstanding Directing for a Variety Special Stan Lathan Won
Outstanding Picture Editing for Variety Programming Jeff U'Ren Nominated
Outstanding Sound Mixing for a Variety Series or Special Michael Abbott, Brian Riordan and Connor Moore Nominated
Outstanding Technical Direction, Camerawork, Video Control for a Special
 Jon Pretnar, Ruben Avendano, Daniel Balton, Mano Bonilla, Eli Clarke, Helene Haviland, Ed Horton, Lyn Noland, JR Reid and Ronald N. Travisano Nominated
Producers Guild of America Awards Outstanding Producer of Live Entertainment & Talk Television Dave Chappelle, Stan Lathan, Rikki Hughes and Sina Sadighi Nominated [98]

Notes

  1. ^ Allowing Sticks & Stones to run uninterrupted, a secret, unsearchable Dave Chappelle special called Epilogue: The Punchline will play automatically, with Netflix confirming the secret in a sly tweet.[26][27]

References

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