Dennis Hopper

Source: Wikipedia, the free encyclopedia.

Dennis Hopper
Republican
Spouses
(m. 1961; div. 1969)
(m. 1970; div. 1970)
(m. 1972; div. 1976)
(m. 1989; div. 1992)
Victoria Duffy
(m. 1996; sep. 2010)
Children4, including Ruthanna

Dennis Lee Hopper (May 17, 1936 – May 29, 2010) was an American actor and film director. He is known for his roles as mentally disturbed outsiders and rebels. He earned prizes from the

Primetime Emmy Award and two Golden Globe Awards. Hopper studied acting at the Old Globe Theatre in San Diego and the Actors Studio in New York. Hopper also began a prolific and acclaimed photography career in the 1960s.[1][2]

Hopper made his first television appearance in 1954, and soon after appeared in two of the films that made James Dean famous, Rebel Without a Cause (1955) and Giant (1956). He then acted in Gunfight at the O.K. Corral (1957), The Sons of Katie Elder (1965), Cool Hand Luke (1967), Hang 'Em High (1968) and True Grit (1969). Hopper made his directorial film debut with Easy Rider (1969), which he and co-star Peter Fonda wrote with Terry Southern. The film earned Hopper a Cannes Film Festival Award and a nomination for the Academy Award for Best Original Screenplay.

He became frequently

typecast as mentally disturbed outsiders in such films as Mad Dog Morgan (1976), The American Friend (1977), Apocalypse Now (1979), Rumble Fish (1983), and Blue Velvet (1986). He received an Academy Award for Best Supporting Actor nomination for his role in Hoosiers (1986). His later film roles included True Romance (1993), Speed (1994), Waterworld (1995) and Elegy (2009). He appeared posthumously in the long-delayed The Other Side of the Wind (2018), which had previously been filmed in the early 1970s.[3][4]

Other directorial credits for Hopper include

Crash
(2008–2009).

Early life and education

Hopper was born on May 17, 1936, in Dodge City, Kansas, to Marjorie Mae (née Davis; July 12, 1917 – January 12, 2007)[5] and Jay Millard Hopper[6] (June 23, 1916 – August 7, 1982). He had Scottish ancestors.[7] Hopper had two younger brothers, Marvin and David.[8]

After World War II, the family moved to Kansas City, Missouri, where the young Hopper attended Saturday art classes at the

China Burma India Theater.[9][10] Hopper was voted most likely to succeed at Helix High School, where he was active in the drama club, speech and choir.[11] It was there that he developed an interest in acting, studying at the Old Globe Theatre in San Diego, and the Actors Studio in New York City (he studied with Lee Strasberg for five years). Hopper struck up a friendship with actor Vincent Price, whose passion for art influenced Hopper's interest in art. He was especially fond of the plays of William Shakespeare
.

Career

1954–1966: Early roles

Hopper, aged 20, with actress Karen Sharpe in an April 1957 promotional photograph for an episode of the ABC television series Conflict

Hopper was reported to have an uncredited role in Johnny Guitar in 1954, but he has stated that he was not in Hollywood when this film was made.[12] Hopper made his debut on film in two roles with James Dean (whom he admired immensely) in Rebel Without a Cause (1955) and Giant (1956). Dean's death in a car accident in September 1955 affected the young Hopper deeply and it was shortly afterward that he got into a confrontation with veteran director Henry Hathaway on the film From Hell to Texas (1958). Hopper forced Hathaway to shoot more than 80 takes of a scene over several days before he acquiesced to Hathaway's direction. After filming was finally completed, Hathaway allegedly told Hopper that his career in Hollywood was finished.[13]

In his book Last Train to Memphis, American popular music historian

Charlie Rose Show, Hopper credited John Wayne with saving his career, as Hopper acknowledged that because of his insolent behavior, he could not find work in Hollywood for seven years. Hopper stated that because he was the son-in-law of actress Margaret Sullavan, a friend of John Wayne, Wayne hired Hopper for a role in The Sons of Katie Elder (1965), also directed by Hathaway, which enabled Hopper to restart his film career.[15]

Hopper debuted in an episode of the Richard Boone television series

.

1967–1986: Breakthrough and acclaim

Hopper with second wife Michelle Phillips in 1970, during editing of The Last Movie

Hopper had a supporting role as the bet-taker, "Babalugats", in Cool Hand Luke (1967). In 1968, Hopper teamed with Peter Fonda, Terry Southern and Jack Nicholson to make Easy Rider, which premiered in July 1969. With the release of True Grit a month earlier, Hopper had starring roles in two major box-office films that summer. Hopper won wide acclaim as the director for his improvisational methods and innovative editing for Easy Rider.[17] The production was plagued by creative differences and personal acrimony between Fonda and Hopper, the dissolution of Hopper's marriage to Brooke Hayward, his unwillingness to leave the editor's desk and his accelerating abuse of drugs and alcohol.[18] Hopper said of Easy Rider: "The cocaine problem in the United States is really because of me. There was no cocaine before Easy Rider on the street. After Easy Rider, it was everywhere".[19]

Besides showing drug use on film, it was one of the first films to portray the hippie lifestyle. Hopper became a role model for some male youths who rejected traditional jobs and traditional American culture, partly exemplified by Fonda's long sideburns and Hopper wearing shoulder-length hair and a long mustache. They were denied rooms in motels and proper service in restaurants as a result of their radical looks.[20] Their long hair became a point of contention in various scenes during the film.[20] Journalist Ann Hornaday wrote: "With its portrait of counterculture heroes raising their middle fingers to the uptight middle-class hypocrisies, Easy Rider became the cinematic symbol of the 1960s, a celluloid anthem to freedom, macho bravado and anti-establishment rebellion".[21] Film critic Matthew Hays wrote "no other persona better signifies the lost idealism of the 1960s than that of Dennis Hopper".[22]

Hopper in 1973

Hopper was unable to capitalize on his Easy Rider success for several years. In 1970 he filmed

The Mamas and the Papas on Halloween
of 1970. The marriage lasted eight days.

Hopper acted in another John Wayne film,

Cuba libres
.

After staging a "suicide attempt" (really more of a daredevil act) in a coffin using 17 sticks of dynamite during an "art happening" at the Rice University Media Center (filmed by professor and documentary filmmaker Brian Huberman),[28] and later disappearing into the Mexican desert during a particularly extravagant bender, Hopper entered a drug rehabilitation program in 1983.

Though Hopper gave critically acclaimed performances in Coppola's Rumble Fish (1983) and Sam Peckinpah's The Osterman Weekend (1983), it was not until he portrayed the gas-huffing, obscenity-screaming villain Frank Booth in David Lynch's Blue Velvet (1986) that his career truly revived. On reading the script Hopper said to Lynch: "You have to let me play Frank Booth. Because I am Frank Booth!"[29] He won critical acclaim and several awards for this role, and in the same year received an Oscar nomination for Best Supporting Actor for his role as an alcoholic assistant basketball coach in Hoosiers. Also in 1986, Hopper portrayed Lt. Enright in the comedy horror The Texas Chainsaw Massacre 2.

1987–2009: Later work and final roles

Dennis Hopper and Jack Nicholson wearing tuxedos and holding drinks
Hopper (left) with his friend and Easy Rider co-star Jack Nicholson in 1990

In 1987 he acted in the neo-noir thriller Black Widow alongside Debra Winger, the action comedy Straight to Hell, the adventure film Running Out of Luck starring Mick Jagger and the romantic comedy The Pick-up Artist starring Molly Ringwald and Robert Downey Jr. In 1988, he directed Colors, a critically acclaimed police procedural about gang violence in Los Angeles starring Sean Penn and Robert Duvall. Hopper plays an aging hippie prankster in the 1990 comedy Flashback, fleeing in a Furthur-like old bus to the tune of Steppenwolf's "Born to Be Wild". Hopper teamed with Nike in the early 1990s to make a series of television commercials. He appeared as a "crazed referee" in those ads.[30] Hopper appeared on the final two episodes of the cult 1991 television show Fishing with John with host John Lurie. He was nominated for the Primetime Emmy Award for Outstanding Lead Actor in a Limited or Anthology Series or Movie for the 1991 HBO film Paris Trout. [31] Shortly thereafter, he played drug smuggler and DEA informant Barry Seal in the HBO film Doublecrossed.

He starred as

H.P. Lovecraft in the TV movie Witch Hunt. In 1995, Hopper played a greedy TV self-help guru, Dr. Luther Waxling in Search and Destroy. The same year, he starred as Deacon, the one-eyed nemesis of Kevin Costner in Waterworld. And in 1996 he starred in the science fiction comedy Space Truckers directed by Stuart Gordon. Also in 1996 he appeared as art dealer Bruno Bischofberger in Basquiat. Hopper was originally cast as Christof in the 1998 Peter Weir film, The Truman Show, but left during the filming due to "creative differences"; he was replaced by Ed Harris.[32][33] In 1999, he starred in The Prophet's Game (a dark thriller), directed by David Worth and also starring Stephanie Zimbalist, Robert Yocum, Sondra Locke, Joe Penny and Tracey Birdsall. In 2003, Hopper was in the running for the dual lead in the indie horror drama Firecracker, but was ousted at the last minute in favor of Mike Patton
.

In 2005, Hopper played Paul Kaufman in George A. Romero's

Crash, which lasted two seasons (26 episodes). In 2008, Hopper starred in An American Carol. In 2008 he also played The Death in Wim Wenders' Palermo Shooting. His last major feature film appearance was in the 2008 film Elegy with Ben Kingsley, Penélope Cruz and Debbie Harry. For his last performance, he was the voice of Tony, the alpha-male of the Eastern wolf pack in the 2010 3D computer-animated film Alpha and Omega. He died before the movie was released. This brought the directors to dedicate the film to his memory at the beginning of the movie credits. Hopper filmed scenes for The Other Side of the Wind in 1971, appearing as himself; after decades of legal, financial and technical delays, the film was finally released on Netflix in 2018.[3]

Photography and art

Hopper in June 2008

Hopper had several artistic pursuits beyond film. He was a prolific photographer, painter, and sculptor.[34]

Hopper's fascination with art began with painting lessons at the

Nelson-Atkins Museum while still a child in Kansas City, Missouri.[35] Early in his career, he painted and wrote poetry, though many of his works were destroyed in the 1961 Bel Air Fire, which burned hundreds of homes, including his and his wife's, on Stone Canyon Road[36] in Bel Air.[37] His painting style ranges from abstract impressionism to photorealism and often includes references to his cinematic work and to other artists.[1][38]

Ostracized by the Hollywood film studios due to his reputation for being a "difficult" actor, Hopper turned to photography in 1961 with a camera bought for him by his first wife

the Grateful Dead, Michael McClure, and Timothy Leary, among others, became the subject of gallery and museum shows and were collected in several books, including 1712 North Crescent Heights. The book, whose title refers to the house where he lived with Hayward in the Hollywood Hills in the 1960s, was edited by his daughter Marin Hopper.[37] In 1960–67, before the making of Easy Rider, Hopper created 18,000 images that chronicled the remarkable artists, musicians, actors, places, happenings, demonstrations, and concerts of that period.[40] Dennis Hopper: Photographs 1961–1967 was published in February 2011, by Taschen.[41] German film director Wim Wenders said of Hopper that if "he'd only been a photographer, he'd be one of the great photographers of the twentieth century."[40] In The New Yorker, Hopper, as photographer, was described as "a compelling, important, and weirdly omnipresent chronicler of his times."[40]

Hopper began working as a painter and a poet as well as a collector of art in the 1960s as well, particularly

Ferus and Virginia Dwan galleries in the 1960s, and he was a longtime friend and supporter to New York dealer Tony Shafrazi.[35] One of the first art works Hopper owned was an early print of Andy Warhol's Campbell's Soup Cans bought for US$75. Hopper also once owned Warhol's Mao, which he shot one evening in a fit of paranoia, the two bullet holes possibly adding to the print's value. The print sold at Christie's, New York, for US$302,500 in January 2011.[43]

During his lifetime, Hopper's own work as well as his collection was shown in monographic and group exhibitions around the world including the Corcoran Gallery of Art, Washington D.C.; Walker Art Center, Minneapolis, Minnesota; the Stedelijk Museum, Amsterdam; the

Ed Ruscha
's second solo exhibition at Ferus Gallery in 1964.

In 2011, Barricade Books published film historian Peter L. Winkler's biography, Dennis Hopper: The Wild Ride of a Hollywood Rebel.[46] In 2013, Harper Collins published Hopper: A Journey into the American Dream, a biography by American writer Tom Folsom.[47]

On the Gorillaz album Demon Days, Hopper narrates the song "Fire Coming Out of the Monkey's Head".[48]

In the late 1980s, Hopper purchased a trio of nearly identical two-story, loft-style condominiums at 330 Indiana Avenue in Venice Beach, California – one made of concrete, one of plywood, and one of green roofing shingles – built by

Chuck Arnoldi and Laddie John Dill, in 1981.[49] In 1987, he commissioned an industrial-style main residence, with a corrugated metal exterior designed by Brian Murphy, as a place to display his artwork.[50]

Personal life

Hopper with Katherine LaNasa, his fourth wife, at the 62nd Academy Awards in 1990

According to Rolling Stone magazine, Hopper was "one of Hollywood's most notorious drug addicts" for 20 years. He spent much of the 1970s and early 1980s living as an "outcast" in Taos, New Mexico, after the success of Easy Rider. Hopper was also "notorious for his troubled relationships with women", including Michelle Phillips, who divorced him after eight days of marriage.[51] Hopper was married five times:[52]

  • Brooke Hayward, married 1961 – divorced 1969, 1 child, daughter Marin Hopper (b. 1962);
  • Michelle Phillips, married October 31, 1970 – divorced November 8, 1970;
  • Daria Halprin, married 1972 – divorced 1976, 1 child, daughter Ruthanna Hopper (b. 1972);
  • Katherine LaNasa, married June 17, 1989 – divorced April 1992, 1 child, son Henry Hopper (b. 1990);
  • Victoria Duffy, married April 13, 1996 – separated January 12, 2010, 1 child, daughter Galen Grier Hopper (b. 2003).

Hopper has been widely reported to be the godfather of actress Amber Tamblyn;[53] in a 2009 interview with Parade, Tamblyn explained that "godfather" was "just a loose term" for Hopper, Dean Stockwell and Neil Young, three famous friends of her father's, who were always around the house when she was growing up, and who were big influences on her life.[54]

In 1994, Rip Torn filed a defamation lawsuit against Hopper over a story Hopper told on The Tonight Show with Jay Leno. Hopper claimed that Torn pulled a knife on him during pre-production of the film Easy Rider. According to Hopper, Torn was originally cast in the film but was replaced with Jack Nicholson after the incident. According to Torn's suit, it was actually Hopper who pulled the knife on him. A judge ruled in Torn's favor and Hopper was ordered to pay US$475,000 in damages. Hopper then appealed but the judge again ruled in Torn's favor and Hopper was required to pay another US$475,000 in punitive damages.[55]

According to Newsmeat, Hopper donated US$2,000 to the Republican National Committee in 2004 and an equal amount in 2005.[56] Hopper donated $600 to Irish political party Sinn Féin.[57]

Hopper was honored with the rank of commander of France's National Order of Arts and Letters, at a ceremony in Paris.[58]

Despite being a Republican, Hopper supported

vice presidential candidate.[60]

Hopper was a longtime friend of actress Sally Kirkland, who admitted in a 2021 Reelz documentary that they had a one-night stand early on in their friendship.[61]

Divorce from Victoria Duffy

On January 14, 2010, Hopper filed for divorce from his fifth wife Victoria Duffy.[62] After citing her "outrageous conduct" and stating she was "insane", "inhuman" and "volatile", Hopper was granted a restraining order against her on February 11, 2010, and as a result, she was forbidden to come within 10 feet (3 m) of him or contact him.[63] On March 9, 2010, Duffy refused to move out of the Hopper home, despite the court's order that she do so by March 15.[64]

On April 5, 2010, a court ruled that Duffy could continue living on Hopper's property, and that he must pay US$12,000 per month spousal and child support for their daughter Galen. Hopper did not attend the hearing.[65] On May 12, 2010, a hearing was held before Judge Amy Pellman in downtown Los Angeles Superior Court. Though Hopper died two weeks later, Duffy insisted at the hearing that he was well enough to be deposed.[66] The hearing also dealt with who would be the beneficiary on Hopper's life insurance policy, which listed his wife as a beneficiary.[67] A very ill Hopper did not appear in court though his estranged wife did. Despite Duffy's bid to be named the sole beneficiary of Hopper's million-dollar policy, the judge ruled against her and limited her claim to one-quarter of the policy. The remaining US$750,000 was to go to his estate.[68]

Illness and death

Hopper at a ceremony to receive a star on the Hollywood Walk of Fame on March 26, 2010, two months before his death

On September 28, 2009, Hopper, then 73, was reportedly taken by ambulance to an unidentified Manhattan hospital wearing an oxygen mask and "with numerous tubes visible".[69] On October 2, he was discharged after receiving treatment for dehydration.[70]

On October 29, 2009, Hopper's manager Sam Maydew reported that he had been diagnosed with advanced prostate cancer.[71] In January 2010, it was reported that Hopper's cancer had metastasized to his bones.[72]

On March 18, 2010, he was honored with the 2,403rd star on the Hollywood Walk of Fame in front of Grauman's Egyptian Theatre on Hollywood Boulevard.[73] Surrounded by family, fans, and friends—including Jack Nicholson, Viggo Mortensen, David Lynch, and Michael Madsen—he attended its addition to the sidewalk six days later.[74]

By March 2010, Hopper reportedly weighed only 100 pounds (45 kg) and was unable to carry on long conversations.[75] According to papers filed in his divorce court case, Hopper was terminally ill and was unable to undergo chemotherapy to treat his prostate cancer.[76][77]

Hopper died at his home in the coastal

San Francisco de Asis Mission Church in Ranchos de Taos, New Mexico. His body was buried at the Jesus Nazareno Cemetery in Ranchos de Taos.[80]

Hopper's grave in Ranchos de Taos, New Mexico

The film Alpha and Omega, which was among his last film roles, was dedicated to him, as was the 2011 film Restless, which starred his son Henry Hopper.

Filmography

Other works

Books

  • Dennis Hopper: Out of the Sixties, Twelvetrees Press (1986)
  • 1712 North Crescent Heights, Greybull Press (2001)
  • Dennis Hopper: A System of Moments, Hartje Cantz (2001)
  • Dennis Hopper: Photographs, 1961–1967, Taschen (2009)
  • Dennis Hopper: The Lost Album, Prestel Verlag (2014)
  • Dennis Hopper: Drugstore Camera, Damiani (2015)
  • Dennis Hopper: Colors, the Polaroids, Damiani (2016)
  • Dennis Hopper: In Dreams: Scenes from the Archives, Damiani (2019)
  • Dennis Hopper: Flashback (1990)

Exhibitions

  • Solo exhibition of assemblages, Primus-Stuart Gallery, Los Angeles (1963)
  • Los Angeles Now group exhibition, Robert Fraser Gallery, London (1966)
  • Bomb Drop, Pasadena Art Museum, Pasadena (1968)
  • Dennis Hopper: Black and White Photographs, Fort Worth Museum of Art, Fort Worth (1970)
  • Dennis Hopper: Black and White Photographs, Corcoran Gallery of Art, Washington, DC (1971)
  • Dennis Hopper and Ed Ruscha, Tony Shafrazi Gallery, New York (1992)
  • Dennis Hopper: A System of Moments, Museum für angewandte Kunst, Vienna (2001)
  • Dennis Hopper: Double Standard, Museum of Contemporary Art (MOCA), Los Angeles (2010)
  • The Lost Album, Gagosian, New York (2013)
  • The Lost Album, Royal Academy of Arts, London (2014)

Archive

The moving image collection of Dennis Hopper is held at the Academy Film Archive. The Dennis Hopper Trust Collection represents Hopper's directorial efforts.[81]

Awards and nominations

Year Award Category Work Result Ref(s)
1969 Academy Awards Best Original Screenplay
(shared with Peter Fonda and Terry Southern)
Easy Rider Nominated [82]
Cannes Film Festival Best First Work Won [83]
Palme d'Or Nominated
Directors Guild of America Awards
Outstanding Directing – Feature Film
Nominated
National Society of Film Critics Awards
Special Award
(For his achievements as director, co-writer and co-star.)
Won
Writers Guild of America Awards Best Drama Written Directly for the Screen
(shared with Peter Fonda and Terry Southern)
Nominated
1971 Venice Film Festival CIDALC Award The Last Movie Won
1980 Cannes Film Festival Palme d'Or Out of the Blue Nominated [84]
1986 Boston Society of Film Critics Best Supporting Actor
(tied with Ray Liotta for Something Wild)
Blue Velvet Won [85]
Independent Spirit Awards Best Male Lead Nominated
Montreal World Film Festival Best Actor Won [86]
National Society of Film Critics Awards
Best Supporting Actor Won [87]
Golden Globe Awards
Best Supporting Actor
Nominated
Hoosiers Nominated
Academy Awards Best Supporting Actor Nominated [88]
Los Angeles Film Critics Association Best Supporting Actor Hoosiers + Blue Velvet Won [89]
1991 Emmy Awards
Outstanding Lead Actor – Miniseries or a Movie
Paris Trout Nominated [90]
CableACE Awards
Outstanding Lead Actor – Movie or Miniseries
Doublecrossed
1994
MTV Movie Awards
Best Villain Speed Won [91]
1995
Razzie Awards
Worst Supporting Actor
Waterworld Won [92]

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Bibliography

  • "Dennis Hopper, Riding High", Playboy (Chicago), Dec. 1969
  • Interview with G. O'Brien and M. Netter, in Inter/View (New York), Feb. 1972
  • Interview in Cahiers du Cinéma (Paris), July–August 1980
  • "How Far to the Last Movie?", Monthly Film Bulletin (London) Oct. 1982
  • "Citizen Hopper", interview with C. Hodenfield, in Film Comment (New York) Nov/Dec. 1986
  • Interview with B. Kelly, in American Film (Los Angeles) March 1988
  • Interview with David Denicolo, in Interview (New York), Feb. 1990
  • "Sean Penn", interview with Julian Schnabel and Dennis Hopper, Interview (New York) Sept. 1991
  • "Gary Oldman", in Interview (New York), Jan. 1992

Further reading

Books
  • Biskind, Peter. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood, Simon and Schuster (1999)
  • Hoberman, J. Dennis Hopper: From Method to Madness, Walker Art Center (1988)
  • Krull, Craig. "Photographing the LA Art Scene: 1955–1975", Craig Krull Gallery (1996)
  • Rodriguez, Elean. Dennis Hopper: A Madness to his Method, St. Martin's Press (1988)
  • Dennis Hopper: Photographs 1961–1967, Taschen (2011)
  • Winkler, Peter L. "Dennis Hopper: The Wild Ride of a Hollywood Rebel", Barricade Books (2011)
  • Folsom, Tom. "Hopper: A Journey into the American Dream", It Books/HarperCollins (2013)
  • Rozzo, Mark "Everybody Thought We Were Crazy" Harper Collins (2022)
Articles
  • Algar, N., "Hopper at Birmingham", in Sight and Sound (London), Summer 1982
  • Burke, Tom, "Dennis Hopper Saves the Movies", in Esquire (New York), Dec. 1970
  • Burns, Dan E., "Dennis Hopper's The Last Movie: Beginning of the End", in Literature/Film Quarterly, 1979
  • Herring, H. D., "Out of the Dream and into the Nightmare: Dennis Hopper's Apocalyptic Vision of America", in Journal of Popular Film (Washington, D.C.), Winter 1983
  • Hopper, Marin (September 9, 2014). "Dennis Hopper Day Descends on Taos, N.M." The New York Times Style Magazine.
  • Macklin, F. A., "Easy Rider: The Initiation of Dennis Hopper", in Film Heritage (Dayton, Ohio), Fall 1969
  • Martin, A., "Dennis Hopper: Out of the Blue and into the Black", in Cinema Papers (Melbourne), July 1987
  • Scharres, B., "From Out of the Blue: The Return of Dennis Hopper" in Journal of the University Film and Video Assoc. (Carbondale, IL), Spring 1983
  • Weber, Bruce, "A Wild Man is Mellowing, Albeit Not on Screen", in New York Times, September 8, 1994

External links