Diane Keaton
Diane Keaton | |
---|---|
Los Angeles, California, U.S. | |
Occupation | Actress |
Years active | 1966–present |
Children | 2 |
Awards | Full list |
Diane Keaton (born Diane Hall on January 5, 1946) is an American actress. She has received
Keaton's career began on stage when she appeared in the original 1968
To avoid being typecast as her Annie Hall persona, Keaton appeared in several dramatic films, starring in Looking for Mr. Goodbar (1977) and Interiors (1978). She received three more Academy Award nominations for her roles as activist Louise Bryant in Reds (1981), a leukemia patient in Marvin's Room (1996), and a dramatist in Something's Gotta Give (2003). Keaton is also known for her starring roles in Manhattan (1979), Baby Boom (1987), Father of the Bride (1991), Father of the Bride Part II (1995), The First Wives Club (1996), The Family Stone (2005), Finding Dory (2016) and Book Club (2018).
Early life and education
Keaton was born Diane Hall in
Keaton is a 1964 graduate of Santa Ana High School in Santa Ana, California.[13] During her time there, she participated in singing and acting clubs at school, and starred as Blanche DuBois in a school production of A Streetcar Named Desire. After graduation, she attended Santa Ana College, and later Orange Coast College as an acting student, but dropped out after a year to pursue an entertainment career in Manhattan.[14] Upon joining the Actors' Equity Association, she changed her surname to Keaton, which was her mother's maiden name, as there was already an actress registered under the name of Diane Hall.[15] For a brief time she also moonlighted at nightclubs with a singing act.[16] She revisited her nightclub act in Annie Hall (1977), And So It Goes (2014), and a cameo in Radio Days (1987).
Keaton began studying acting at the
Career
1970s
In 1968, Keaton became an understudy for part of Sheila in the original Broadway production of
The next year, Keaton made her film debut in
Keaton's breakthrough role came two years later when she was cast as
Two years later, she reprised her role as Kay Adams in The Godfather Part II. She was initially reluctant, saying, "At first, I was skeptical about playing Kay again in the Godfather sequel. But when I read the script, the character seemed much more substantial than in the first film."[14] In Part II, her character changed dramatically, becoming more embittered about her husband's criminal empire. Even though Keaton received widespread exposure from the films, some critics felt that her character's importance was minimal. Time wrote that she was "invisible in The Godfather and pallid in The Godfather Part II, but according to Empire magazine, Keaton "proves the quiet lynchpin which is no mean feat in [the] necessarily male dominated films."[21][22]
Keaton's other notable films of the 1970s included many collaborations with Woody Allen. She played many eccentric characters in several of his comic and dramatic films, including Sleeper, Love and Death, Interiors, Manhattan, Manhattan Murder Mystery and the film version of Play It Again, Sam, directed by Herbert Ross. Allen has credited Keaton as his muse during his early film career.[23]
In 1977, Keaton won the
It's hard to play ditzy. ... The genius of Annie is that despite her loopy backhand, awful driving, and nervous tics, she's also a complicated, intelligent woman. Keaton brilliantly displays this dichotomy of her character, especially when she yammers away on a first date with Alvy (Woody Allen), while the subtitle reads, 'He probably thinks I'm a yoyo.' Yo-yo? Hardly.[29]
Keaton's eccentric wardrobe in Annie Hall, which consisted mainly of vintage men's clothing, including neckties, vests, baggy pants, and fedora hats, made her an unlikely fashion icon of the late 1970s. A small amount of the clothing seen in the film came from Keaton herself, who was already known for her tomboyish clothing style years before Annie Hall, and Ruth Morley designed the film's costumes.[30] Soon after the film's release, men's clothing and pantsuits became popular attire for women.[31] She is known to favor men's vintage clothing, and usually appears in public wearing gloves and conservative attire. (A 2005 profile in the San Francisco Chronicle described her as "easy to find. Look for the only woman in sight dressed in a turtleneck. On a 90-degree afternoon in Pasadena.")[32]
Her photo by
A male actor can fly a plane, fight a war, shoot a badman, pull off a sting, impersonate a big cheese in business or politics. Men are presumed to be interesting. A female can play a wife, play a whore, get pregnant, lose her baby, and, um, let's see ... Women are presumed to be dull. ... Now a determined trend spotter can point to a handful of new films whose makers think that women can bear the dramatic weight of a production alone, or virtually so. Then there is Diane Keaton in Looking for Mr. Goodbar. As Theresa Dunn, Keaton dominates this raunchy, risky, violent dramatization of Judith Rossner's 1975 novel about a schoolteacher who cruises singles bars.[21]
In addition to acting, Keaton has said she "had a lifelong ambition to be a singer."[34] She had a brief, unrealized career as a recording artist in the 1970s. Her first record was an original cast recording of Hair, in 1971. In 1977 she began recording tracks for a solo album, but the finished record never materialized.[4]
Keaton met with more success in the medium of still photography. Like her character in Annie Hall, Keaton had long relished photography as a favorite hobby, an interest she picked up as a teenager from her mother. While traveling in the late 1970s, she began exploring her avocation more seriously." Rolling Stone had asked me to take photographs for them, and I thought, 'Wait a minute, what I'm really interested in is these lobbies, and these strange ballrooms in these old hotels.' So I began shooting them", she recalled in 2003. "These places were deserted, and I could just sneak in anytime and nobody cared. It was so easy and I could do it myself. It was an adventure for me." Reservations, her collection of photos of hotel interiors, was published in book form in 1980.[35]
1980s
With Manhattan (1979), Keaton and Woody Allen ended their long working relationship; it was their last major collaboration until 1993. In 1978, she became romantically involved with Warren Beatty, and two years later he cast her opposite him in the epic historical drama Reds. In the film, she played Louise Bryant, a journalist and feminist, who flees her husband to work with radical journalist John Reed (Beatty) and later enters Russia to find him as he chronicles the Russian Civil War. Beatty cast Keaton after seeing her in Annie Hall, as he wanted to bring her natural nervousness and insecure attitude to the role. The production of Reds was delayed several times following its conception in 1977, and Keaton almost left the project when she believed it would never be produced. Filming finally began two years later.
In a 2006 Vanity Fair story, Keaton described her role as "the everyman of that piece, as someone who wanted to be extraordinary but was probably more ordinary ... I knew what it felt like to be extremely insecure." Assistant director Simon Relph later stated that Louise Bryant was one of Keaton's most difficult roles, and that "[she] almost got broken."[36] Reds opened to widespread critical acclaim, and Keaton's performance was highly praised in particular. The New York Times wrote that Keaton was "nothing less than splendid as Louise Bryant – beautiful, selfish, funny and driven. It's the best work she has done to date."[37] Roger Ebert called Keaton "a particular surprise. I had somehow gotten into the habit of expecting her to be a touchy New Yorker, sweet, scared, and intellectual. Here, she is just what she needs to be: plucky, healthy, exasperated, loyal, and funny."[38] Keaton received her second Academy Award for Best Actress nomination for her performance.
The following year, Keaton starred in the domestic drama
1984 brought The Little Drummer Girl, Keaton's first excursion into the thriller and action genre. The Little Drummer Girl was both a financial and critical failure, with critics claiming that Keaton was miscast for the genre, such as one review from The New Republic claiming that "the title role, the pivotal role, is played by Diane Keaton, and around her the picture collapses in tatters. She is so feeble, so inappropriate."[41] But the same year, she received positive reviews for her performance in Mrs. Soffel, a film based on the true story of a repressed prison warden's wife who falls in love with a convicted murderer and arranges for his escape. Two years later, she starred with Jessica Lange and Sissy Spacek in Crimes of the Heart, adapted from Beth Henley's Pulitzer Prize-winning play into a moderately successful screen comedy. Keaton's performance was well received by critics, and Rita Kempley of The Washington Post wrote, "As the frumpy Lenny, Keaton eases smoothly from New York neurotic to southern eccentric, a reluctant wallflower stymied by, of all things, her shriveled ovary."[42]
In 1987, Keaton starred in
In 1987, Keaton directed and edited her first feature film, Heaven, a documentary about the possibility of an afterlife. It met with mixed critical reaction, with The New York Times likening it to "a conceit imposed on its subjects."[46] Over the next four years, Keaton directed music videos for artists such as Belinda Carlisle, including the video for Carlisle's chart-topping hit "Heaven Is a Place on Earth," two television films starring Patricia Arquette, and episodes of the series China Beach and Twin Peaks.
1990s
By the 1990s, Keaton had established herself as one of the most popular and versatile actors in Hollywood. She shifted to more mature roles, frequently playing matriarchs of middle-class families. Of her role choices and avoidance of becoming
Keaton began the decade with The Lemon Sisters, a poorly-received comedy-drama that she starred in and produced, which was shelved for a year after its completion. In 1991 she starred with Steve Martin in the family comedy Father of the Bride. She was almost not cast in the film, as The Good Mother's commercial failure had strained her relationship with Walt Disney Pictures, the studio of both films.[44] Father of the Bride was Keaton's first major hit after four years of commercial disappointments. She reprised her role four years later in the sequel, as a woman who becomes pregnant in middle age at the same time as her daughter. A San Francisco Examiner review of the film was one of many in which Keaton was once again compared to Katharine Hepburn: "No longer relying on that stuttering uncertainty that seeped into all her characterizations of the 1970s, she has somehow become Katharine Hepburn with a deep maternal instinct, that is, she is a fine and intelligent actress who doesn't need to be tough and edgy in order to prove her feminism."[48]
Keaton reprised her role of Kay Adams in 1990's The Godfather Part III, set 20 years after the end of The Godfather, Part II. In 1993 Keaton starred in black comedy mystery Manhattan Murder Mystery, her first major film role in a Woody Allen film since 1979. Her part was originally intended for Mia Farrow, but Farrow dropped out of the project after breaking up with Allen.[49] Todd McCarthy of Variety commended her performance, writing that she "nicely handles her sometimes buffoonish central comedic role".[50] David Ansen of Newsweek wrote, "On screen, Keaton and Allen have always been made for each other: they still strike wonderfully ditsy sparks".[51] For her performance, Keaton was nominated for the Golden Globe Award for Best Actress – Motion Picture Comedy or Musical.
In 1995, Keaton directed Unstrung Heroes, her first theatrically released narrative film. The film, adapted from Franz Lidz's memoir, starred Nathan Watt as a boy in the 1960s whose mother (Andie MacDowell) is diagnosed with cancer. As her sickness advances and his inventor father (John Turturro) grows increasingly distant, the boy is sent to live with his two eccentric uncles (Maury Chaykin and Michael Richards). Keaton switched the story's setting from the New York of Lidz's book to the Southern California of her own childhood, and the four mad uncles were reduced to a whimsical odd couple.[52] In an essay for The New York Times, Lidz said that the cinematic Selma had died not of cancer, but of "Old Movie Disease". "Someday somebody may find a cure for cancer, but the terminal sappiness of cancer movies is probably beyond remedy."[53] Unstrung Heroes played in a relatively limited release and made little impression at the box office, but the film and its direction were generally well-received critically.[54]
Keaton's most successful film of the decade was the 1996 comedy
Also in 1996, Keaton starred as Bessie, a woman with leukemia, in Marvin's Room, an adaptation of the play by Scott McPherson. Meryl Streep played her estranged sister, Lee, and had also initially been considered for the role of Bessie. The film also starred Leonardo DiCaprio as Lee's rebellious son. Roger Ebert wrote, "Streep and Keaton, in their different styles, find ways to make Lee and Bessie into much more than the expression of their problems."[60] Keaton earned a third Academy Award nomination for the film, which was critically acclaimed. She said the role's biggest challenge was understanding the mentality of a person with a terminal illness.[11] Keaton next starred in The Only Thrill (1997) opposite her Baby Boom co-star Sam Shephard, and had a supporting role in The Other Sister (1999).
In 1999, Keaton narrated the one-hour public radio documentary "If I Get Out Alive", the first to focus on the conditions and brutality young people face in the adult correctional system. The program, produced by Lichtenstein Creative Media, aired on public radio stations across the country and was honored with a First Place National Headliner Award and a Casey Medal for Meritorious Journalism.[61]
2000s
Keaton's first film of 2000 was Hanging Up, with Meg Ryan and Lisa Kudrow. She directed the film, despite claiming in a 1996 interview that she would never direct herself in a film, saying "as a director, you automatically have different goals. I can't think about directing when I'm acting."[44] A drama about three sisters coping with the senility and eventual death of their elderly father (Walter Matthau), Hanging Up rated poorly with critics and grossed a modest US$36 million at the North American box office.[62]
In 2001, Keaton co-starred with Beatty in Town & Country, a critical and financial fiasco. Budgeted at an estimated US$90 million, the film opened to little notice and grossed only US$7 million in its North American theatrical run.[63] Peter Travers of Rolling Stone wrote that Town & Country was "less deserving of a review than it is an obituary....The corpse took with it the reputations of its starry cast, including Beatty and Keaton."[64] In 2001 and 2002, Keaton starred in four low-budget television films. She played a fanatical nun in the religious drama Sister Mary Explains It All, an impoverished mother in the drama On Thin Ice, and a bookkeeper in the mob comedy Plan B. In Crossed Over, she played Beverly Lowry, a woman who forms an unusual friendship with the only woman executed while on death row in Texas, Karla Faye Tucker.
Keaton's first major hit since 1996 came in 2003's romantic comedy
Keaton's only film between 2004 and 2006 was the comedy The Family Stone (2005), starring an ensemble cast. In the film, scripted and directed by Thomas Bezucha, Keaton played a breast cancer survivor and matriarch of a big New England family that reunites at the parents' home for its annual Christmas holidays.[68] The film released to moderate critical and commercial success,[69] and earned US$92.2 million worldwide.[70] Keaton received her second Satellite Award nomination for her performance,[71] of which Peter Travers of Rolling Stone wrote, "Keaton, a sorceress at blending humor and heartbreak, honors the film with a grace that makes it stick in the memory."[72]
In 2007, Keaton starred in both Because I Said So and Mama's Boy. In the romantic comedy Because I Said So, directed by Michael Lehmann, Keaton played a long-divorced mother of three daughters, determined to pair off her only single daughter, Milly (Mandy Moore).[73] Also starring Stephen Collins and Gabriel Macht, the project opened to overwhelmingly negative reviews, with Wesley Morris of The Boston Globe calling it "a sloppily made bowl of reheated chick-flick cliches", and was ranked among the worst-reviewed films of the year.[74][75][76] The following year Keaton received her first and only Golden Raspberry Award nomination to date for the film.[71][unreliable source?] In Mama's Boy, director Tim Hamilton's feature film debut, Keaton starred as the mother of a self-absorbed 29-year-old (Jon Heder) whose world turns upside down when she starts dating and considers kicking him out of the house. Distributed for a limited release to certain parts of the United States only, the independent comedy garnered largely negative reviews.[77]
In 2008, Keaton starred alongside
2010s
In 2010, Keaton starred alongside
In fall 2010, Keaton joined the production of the comedy-drama
Also in 2011, Keaton began production on Justin Zackham's 2013 ensemble family comedy The Big Wedding, a remake of the 2006 French film Mon frère se marie in which she, along with Robert De Niro, played a long-divorced couple who, for the sake of their adopted son's wedding and his very religious biological mother, pretend they are still married.[90] The film received largely negative reviews.[91]
In 2014, Keaton starred in
Keaton's only film of 2015 was Love the Coopers, an ensemble comedy about a troubled family getting together for Christmas, for which she reunited with Because I Said So writer Jessie Nelson.[99] Also starring John Goodman, Ed Helms, and Marisa Tomei, Keaton was attached for several years before the film went into production.[99] Her casting was instrumental in financing and recruiting most other actors, which led her to an executive producer credit in the film.[99] Love the Coopers received largely negative reviews from critics, who called it a "bittersweet blend of holiday cheer",[100] and became a moderate commercial success at a worldwide total of US$41.1 million against a budget of US$17 million.[101] Also in 2015 Netflix announced the comedy Divanation, for which Keaton was expected to reunite with her First Wives Club co-stars Midler and Hawn to portray a former singing group, but the project failed to materialize.[102]
Keaton voiced
In 2017, Keaton appeared opposite Brendan Gleeson in the British dramedy film Hampstead.[107] Based on the life of Harry Hallowes, it depicts an American widow (Keaton) who helps a local man defending his ramshackle hut and the life he has been leading on Hampstead Heath for 17 years.[108] The specialty release had a mixed reception from critics, who were unimpressed by the film's "deeply mediocre story",[109] but became a minor commercial success.[110] Keaton's only project of 2018 was Book Club, in which she, Jane Fonda, Candice Bergen, and Mary Steenburgen play four friends who read Fifty Shades of Grey as part of their monthly book club and subsequently begin to change how they view their personal relationships. The romantic comedy received mixed reviews from critics, who felt that Book Club only "intermittently rises to the level of its impressive veteran cast,"[111][112] but with a worldwide gross of over $100 million, became Keaton's biggest commercial success in a non-voice role since 2003's Something's Gotta Give.[113] In 2019, Keaton starred in the comedy Poms as a woman dying of cancer who starts a cheerleading squad with other female residents of a retirement home. The film was a box office disappointment and was negatively received by critics.[114]
Personal life
Relationships and family
Keaton has had romantic associations with several entertainment industry personalities, starting with director Woody Allen during her role in the 1969 Broadway production of Play It Again, Sam. Their relationship turned romantic following a dinner after a late-night rehearsal. It was her sense of humor that attracted Allen.[115] They briefly lived together during the production, but by the time of the film release of the same name in 1972, their living arrangement became informal.[116] They worked together on eight films between 1971 and 1993, and Keaton has said that Allen remains one of her closest friends.[25]
Keaton also had a relationship with her Godfather Trilogy costar Al Pacino. Their on-again, off-again relationship ended after the filming of The Godfather Part III. Keaton said of Pacino, "Al was simply the most entertaining man... To me, that's, that is the most beautiful face. I think Warren [Beatty] was gorgeous, very pretty, but Al's face is like whoa. Killer, killer face."[117]
Keaton was already dating Warren Beatty in 1979 when they co-starred in the film Reds (1981).[118] Beatty was a regular subject in tabloid magazines and media coverage, and Keaton became included, much to her bewilderment. In 1985, Vanity Fair called her "the most reclusive star since Garbo."[15] This relationship ended shortly after Reds wrapped. Troubles with the production are thought to have strained the relationship, including numerous financial and scheduling problems.[36] Keaton remains friends with Beatty.[25]
In July 2001, Keaton said of being older and unmarried, "I don't think that because I'm not married it's made my life any less. That old maid myth is garbage."
Religious beliefs
Keaton said she produced her 1987 documentary Heaven because "I was always pretty religious as a kid ... I was primarily interested in religion because I wanted to go to heaven." When she grew up, she became
Other activities
Keaton has been a
Keaton has served as a producer on films and television series. She produced the
Since 2005, Keaton has been a contributing blogger at
Keaton is active in campaigns with the Los Angeles Conservancy to save and restore historic buildings, particularly in the Los Angeles area.[16] Among the buildings she has been active in restoring is the Ennis House in the Hollywood Hills, designed by Frank Lloyd Wright.[32] Keaton was also active in the failed campaign to save the Ambassador Hotel in Los Angeles (a hotel featured in Reservations), where Robert F. Kennedy was assassinated. She is an enthusiast of Spanish Colonial Revival architecture.[126]
Keaton has also been a real estate developer. She has resold several mansions in Southern California after renovating and redesigning them. One of her clients was Madonna, who purchased a $6.5 million Beverly Hills mansion from Keaton in 2003.[127]
Keaton wrote her first memoir, Then Again, for
Acting style and legacy
Keaton has been called "one of the great American actresses from the heyday of the 1970s", a style icon and a "treasure" with a personal and professional style that is "difficult to explicate and impossible to duplicate."[131][132][133] Many critics have pointed to her versatility in starring in both light comedies and acclaimed dramas. The New York Times described Keaton as "remarkably skilled" at portraying Woody Allen's "darling flustered muse" in his comedies, as well as "shy, self-conscious women overcome by the power of their own awakened eroticism" in dramatic films like Looking for Mr. Goodbar, Reds, Shoot the Moon and Mrs. Soffel.[134] It also noted Keaton's ability to consistently reinvent and challenge herself on screen, having transitioned from "Allen's ditzy foil" to a "gifted and erotically nuanced character actress" and later "an appealing maternal figure... a woman's woman with a sexy edge."[134][135]
Literary critic Daphne Merkin argued that Keaton remained more popular with audiences than her contemporaries because of her "friendly accessibility" and "charmingly self-effacing" persona, calling Keaton's most "steadfastly glamorous" asset her "megawatt personality, bursting out of her like an uncontrollable force of nature, a geyser of quirkily entertaining traits that fall on the air and lend everything around her a momentary sparkle."[134] In New York magazine, Peter Rainer wrote, "In her Annie Hall days, [Keaton] was famed for her thrown-together fashion sense, and her approach to acting is, in the best way, thrown-together, too. Audiences love her because they identify with the women she plays, who are never all of a piece. Nobody can be grave and goofy all at once like Diane Keaton. In these fractious times, it's the perfect combo for a modern heroine."[136] Famously self-deprecating, Keaton has been noted for her "wry sense of humor" and "eccentric gender-bending style."[137]
Analyzing her on-screen persona, Deborah C. Mitchell wrote that Keaton often played "a complex, modern American woman, a paradox of self-doubt and assurance", which became her trademark. Mitchell suggests that Keaton made Annie Hall a "critical juncture for women in American culture. In this ism-infected age, Keaton became not just a star but an icon. Annie Hall, and with her Diane Keaton, presented all of the uncertainty and ambivalence of the new breed of women."[138] Likewise, Bruce Weber felt Keaton's eccentricity—"an amalgam of caginess and insecurity" and a "note of comic desperation... her round-cheeked Annie Hall dewiness"—was her gift as a screen comedian.[133] Keaton's Annie Hall is often cited among the greatest Oscar-winning performances in history: Entertainment Weekly ranked it 7th on its "25 greatest Best Actress Winners" list, praising her "loopy mannerisms, jazz-club serenades, and endlessly imitated fashion sense."[139] After seeing her performance in Looking for Mr. Goodbar, Andrew Sarris remarked, "Keaton is clearly the most dynamic woman star in pictures. And any actress who can bring wit and humor to sex in an American movie has to be blessed with the most winning magic."[140]
When asked what made Keaton funny, Allen said: "My opinion is that with the exception of
Filmography
Film
Year | Title | Role | Notes |
---|---|---|---|
1970 | Lovers and Other Strangers | Joan Vecchio | |
1971 | Men of Crisis: The Harvey Wallinger Story | Renata Wallinger | Short film |
1972 | The Godfather | Kay Adams Corleone
|
|
Play It Again, Sam | Linda Christie | ||
1973 | Sleeper | Luna Schlosser | |
1974 | The Godfather Part II | Kay Adams-Corleone | |
1975 | Love and Death | Sonja | |
1976 | I Will, I Will... for Now | Katie Bingham | |
Harry and Walter Go to New York | Lissa Chestnut | ||
1977 | Annie Hall | Annie Hall | |
Looking for Mr. Goodbar | Theresa Dunn | ||
1978 | Interiors | Renata Wallinger | |
1979 | Manhattan | Mary Wilkie | |
1981 | The Wizard of Malta | Narrator | |
Reds | Louise Bryant | ||
1982 | Shoot the Moon | Faith Dunlap | |
1984 | The Little Drummer Girl | Charlie | |
Mrs. Soffel | Kate Soffel | ||
1986 | Crimes of the Heart | Lenny Magrath | |
1987 | Radio Days | New Years Singer | |
Baby Boom | J.C. Wiatt | ||
Heaven (1987 film) | Interviewer | Director | |
1988 | The Good Mother | Anna Dunlop | |
1989 | The Lemon Sisters | Eloise Hamer | |
1990 | The Godfather Part III | Kay Adams-Michelson | |
1991 | Father of the Bride | Nina Banks | |
1993 | Manhattan Murder Mystery | Carol Lipton | |
Look Who's Talking Now
|
Daphne | Voice | |
1995 | Father of the Bride Part II | Nina Banks | |
1996 | The First Wives Club | Annie Paradis | |
Marvin's Room | Bessie Wakefield | ||
1997 | The Only Thrill | Carol Fitzsimmons | |
1999 | The Other Sister | Elizabeth Tate | |
2000 | Hanging Up | Georgia Mozell | Director |
2001 | Town & Country | Ellie Stoddard | |
Plan B | Fran Varecchio | ||
2003 | Something's Gotta Give | Erica Barry | |
2005 | Terminal Impact | Narrator | |
The Family Stone | Sybil Stone | ||
2007 | Because I Said So | Daphne Wilder | |
Mama's Boy | Jan Mannus | ||
2008 | Mad Money | Bridget Cardigan | |
Smother | Marilyn Cooper | ||
2010 | Morning Glory | Colleen Peck | |
2012 | Darling Companion | Beth Winter | |
2013 | The Big Wedding | Ellie Griffin | |
2014 | And So it Goes | Leah | |
5 Flights Up | Ruth Carver | ||
2015 | Love the Coopers | Charlotte Cooper | |
2016 | Finding Dory | Jenny | Voice |
2017 | Hampstead | Emily Walters | |
2018 | Book Club | Diane | |
2019 | Poms | Martha | |
2020 | Father of the Bride, Part 3(ish) | Nina Banks | Short film |
Love, Weddings & Other Disasters | Sara | ||
2022 | Mack & Rita | Rita | |
2023 | Maybe I Do | Grace | |
Book Club: The Next Chapter | Diane | ||
2024 | Arthur's Whisky | Linda | [143] |
Summer Camp | Nora | Post-production |
Television
Year | Title | Role | Notes |
---|---|---|---|
1970 | Love, American Style | Louise | Segment: "Love and Pen Pals" |
Rod Serling's Night Gallery
|
Nurse Frances Nevins | Segment: "Room with a View" | |
1971 | The F.B.I. | Diane Britt | Episode: "Death Watch" |
Mannix | Cindy Conrad | Episode: "The Color of Murder" | |
1977 | The Godfather Saga | Kay Adams Corleone | 4 episodes |
1992 | Running Mates | Aggie Snow | Television film |
1994 | Amelia Earhart: The Final Flight | Amelia Earhart | |
1997 | Northern Lights | Roberta Blumstein | |
2001 | Sister Mary Explains It All | Sister Mary Ignatius | |
2002 | Crossed Over | Beverly Lowry | |
2003 | On Thin Ice | Patsy McCartle | |
2006 | Surrender, Dorothy | Natalie Swerdlow | |
2011 | Tilda | Tilda Watski | Pilot |
2016 | The Young Pope | Sister Mary Ignatius | 10 episodes |
2019–2022 | Green Eggs and Ham | Michellee Weebie-Am-I | Voice; 20 episodes |
Music videos
Year | Title | Role | Artist |
---|---|---|---|
2021 | "Ghost" | Self | Justin Bieber |
Awards and honors
Keaton has received various awards, including an
Over the years Keaton has been received various honors for her work as an actress and fashion icon. In 1991, she received the
Keaton won the 2004 AFI Star Award during the
Bibliography
As writer
- Then Again, New York: ISBN 9781400068784
- Let's Just Say It Wasn't Pretty, New York: Random House, 2014, ISBN 9780812994261
- Brother & Sister, New York: Random House, 2020 ISBN 9780451494504
As photographer
- Reservations, New York: ISBN 0394508424
- Saved, New York: ISBN 0847871282
As editor
- Still Life (with Marvin Heiferman), New York: Callaway, 1983, ISBN 0935112162
- Mr. Salesman, Santa Fe: Twin Palms Publishers, 1993, ISBN 0944092268
- Local News (with Marvin Heiferman), New York: D.A.P./Distributed Art Publishers, Inc., 1999, ISBN 1891024132
- Clown Paintings, New York: ISBN 1576871487
- California Romantica, New York: ISBN 0847829758
- House, New York: Rizzoli, 2012, ISBN 9780847835638
References
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- ^ "UPI Almanac for Saturday, Jan. 5, 2019". United Press International. January 5, 2019. Archived from the original on January 5, 2019. Retrieved September 6, 2019.
actor Diane Keaton in 1946 (age 73)
- ^ Dorothy Hall Dies OC Register 2008
- ^ a b c Fong-Torres, Ben (June 30, 1977). "Diane Keaton: The Next Hepburn". Rolling Stone. No. 242.
- ^ Brockes, Emma (May 3, 2014). "Diane Keaton: 'I love Woody. And I believe my friend'". The Guardian. Retrieved October 7, 2015.
- ^ Kaufman, Joanne (May 15, 2015). "Diane Keaton and Morgan Freeman's Real Estate Adventure". The New York Times. Retrieved July 23, 2016.
- ^ "Diane Keaton on the Irish people in her life". Irish Examiner. June 19, 2017. Retrieved October 8, 2023.
- ^ Stated in Then Again, by Diane Keaton, 2011
- ^ "'Then Again': Actress Diane Keaton looks back - today > books". TODAY.com. Archived from the original on October 17, 2015. Retrieved October 7, 2015.
- ^ "Then Again with Diane Keaton | Fisher Center for Alzheimer's Research Foundation". September 14, 2012. Archived from the original on September 22, 2018.
- ^ a b c d e "Diane Keaton interview". Fresh Air. WHYY Philadelphia. January 1, 1997. Retrieved February 27, 2006.
- ^ a b Nancy Griffin. "American Original" More Magazine. March 2004.
- ^ Santa Ana High School Yearbook, The Ariel 1964
- ^ a b "Diane Keaton: A Nervous Wreck on the Verge of a Breakthrough". Movie Crazed. 1974. Archived from the original on July 29, 2020. Retrieved February 22, 2006.
- ^ Dunne, Dominic (February 1985). "Hide-and-Seek with Diane Keaton". Vanity Fair. Retrieved August 23, 2022.
- ^ a b c Keefe, Terry (January 2004). "Falling in love again with Diane Keaton". Venice Magazine. Archived from the original on November 2, 2004. Retrieved November 4, 2004.
- About.com. December 2003. Archived from the originalon June 7, 2011. Retrieved March 24, 2006.
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- Denby, David (January 25, 1982). "Going for broke". New York Magazine. Vol. 15, no. 4. New York: New York Media, LLC. p. 66. ISSN 0028-7369.
External links
- Diane Keaton at AllMovie
- Diane Keaton at IMDb
- Diane Keaton at the Internet Broadway Database
- Diane Keaton at the Internet Off-Broadway Database
- Diane Keaton at Rotten Tomatoes
- Diane Keaton at the TCM Movie Database