Didone abbandonata (Sarro)
Didone abbandonata (Dido Abandoned) is an opera in three acts composed by
Background and performance history
Didone abbandonata was Metastasio's first original libretto, and Sarro's opera was the first of what were to be more than fifty musical settings of the work. The opera premiered at the Teatro San Bartolomeo in Naples on 1 February 1724 along with a two-part comic intermezzo also composed by Sarro to a libretto by Metastasio, L'impresario delle Isole Canarie.[1] Didone abbandonata was Sarro's sixteenth opera composed for the theatres in Naples and is considered an important example of his mature style.[2]
The title role was sung in the premiere by
The premiere of Sarro's Didone was very successful, with contemporary accounts reporting the audience deeply moved.
Eventually Sarro's opera fell into obscurity and there are no recordings of the complete work. However, on 23 September 2005, a shortened concert version was performed at the
Roles
Role | Voice type | Premiere cast[8] 1 February 1724 |
---|---|---|
Didone, Dido, queen of Carthage, in love with Enea | soprano | Marianna Bulgarelli |
Enea, Aeneas, a Trojan hero | alto castrato | Nicolò Grimaldi |
Iarba, Iarbas king of the Moors, who appears as "Arbace" | en travesti ) |
Antonia Margherita Merighi |
Selene, sister of Dido and secretly in love with Aeneas | soprano | Benedetta Sorosina |
Araspe, confidant of Iarba and lover of Selene | tenor | Annibale Pio Fabri |
Osmida, confidant of Dido | contralto (en travesti) | Caterina Levi |
Synopsis
- Setting: Ancient Carthage
Dido (Didone), Queen of Carthage, had been promised in marriage to King Iarbas (Iarba), but fell in love with the Trojan warrior Aeneas (Enea), who had been shipwrecked on the shores of her city. Iarbas appears disguised as "Arbace" to warn Dido that Aeneas cannot become King of Carthage. Nevertheless, Dido refuses to marry Iarbas. Although Aeneas is now in love with Dido, he asks her sister Selene to tell her of his plans to leave Carthage for Italy. War then breaks out between Aeneas and Iarbas in which the Trojan is triumphant. After his victory, Dido convinces Aeneas to remain in Carthage and become her husband. But when the ghost of Aeneas' father reminds him of his duty to his people, Aeneas realises that he must abandon Dido. Heartbroken, she commits suicide as Aeneas and his men set sail for Italy.
References
Notes
- ^ Casaglia 2005. L'impresario delle Canarie is also known by several other names: Dorina e Nibbio, L'impresario, L'impresario e la cantante, and The Master of the Opera.
- ^ Robinson 2001.
- ^ a b Markstrom 2007, p. 146
- ^ "La Marianna sotto l' aspetto dell' infelice Didone, e Niccolò Grimaldi sotto quello d' Enea vi fecero tali prodigi, e commossero si fattamente ogni cuore, che in Napoli i più vecchi parlano ancora al presente delle lagrime espresse in quella occasione." Metastasio & et al. 1791, pp. xx–xxi
- ^ Selfridge-Field 2007, p. 420.
- ^ Freeman 1992, p. 185.
- ^ Heslin 2005, p. 39.
- ^ Premiere cast from Casaglia 2005
Sources
- Casaglia, Gherardo (2005). "Didone abbandonata, 1 February 1724". L'Almanacco di Gherardo Casaglia (in Italian).
- ISBN 0-945193-17-3.
- Heslin, P. J. (2005). The Transvestite Achilles: Gender and Genre in Statius' Achilleid. Cambridge University Press. ISBN 0-521-85145-9.
- Markstrom, Kurt Sven (2007). The Operas of Leonardo Vinci, Napoletano. Pendragon Press. ISBN 978-1-57647-094-7.
- Metastasio, Pietro; et al. Opere del Signor abate Pietro Metastasio: Con dissertazioni, osservazioni e citazione, volume=1. Giovanni Franchelli, 1791
- ISBN 978-1-56159-239-5.
- Selfridge-Field, Eleanor (2007). A New Chronology of Venetian Opera and Related Genres, 1660–1760. Stanford University Press. ISBN 978-0-8047-4437-9.
Further reading
- Daolmi, Davide (2007). "Didone abbandonata". In Gelli, Piero; Poletti, Filippo (eds.). Dizionario dell'Opera 2008. Milan: Baldini Castoldi Dalai. pp. 318–319. ISBN 978-88-6073-184-5.