Ditone

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Pythagorean ditone on C Play
Pythagorean ditone as four just perfect fifths

In

Ancient Greek: δίτονος, "of two tones") is the interval of a major third. The size of a ditone varies according to the sizes of the two tones of which it is compounded. The largest is the Pythagorean ditone, with a ratio of 81:64, also called a comma-redundant major third; the smallest is the interval with a ratio of 100:81, also called a comma-deficient major third.[1]

Pythagorean tuning

The Pythagorean ditone is the major third in

major tones (9/8 or 203.91 cents) and is wider than a just major third (5/4, 386.31 cents) by a syntonic comma (81/80, 21.51 cents). Because it is a comma wider than a "perfect" major third of 5:4, it is called a "comma-redundant" interval.[3] Play

"The major third that appears commonly in the [Pythagorean] system (C–E, D–F, etc.) is more properly known as the Pythagorean ditone and consists of two major and two minor semitones (2M+2m). This is the interval that is extremely sharp, at 408c (the pure major third is only 386c)."[4]

It may also be thought of as four justly tuned fifths minus two octaves.

The

prime factorization
of the 81:64 ditone is 3^4/2^6 (or 3/1 * 3/1 * 3/1 * 3/1 * 1/2 * 1/2 * 1/2 * 1/2 * 1/2 * 1/2).

Just intonation

In Didymus's diatonic and Ptolemy's syntonic tunings, the ditone is a just major third with a ratio of 5:4, made up of two unequal tones—a major and a minor tone of 9:8 and 10:9, respectively. The difference between the two systems is that Didymus places the minor tone below the major, whereas Ptolemy does the opposite.[5]

Meantone temperament

In meantone temperaments, the major tone and minor tone are replaced by a "mean tone" which is somewhere in between the two. Two of these tones make a ditone or major third. This major third is exactly the just (5:4) major third in quarter-comma meantone. This is the source of the name: the note exactly halfway between the bounding tones of the major third is called the "mean tone".[6]

Equal temperament

Modern writers occasionally use the word "ditone" to describe the interval of a major third in equal temperament.[7] For example, "In modern acoustics, the equal-tempered semitone has 100 cents, the tone 200 cents, the ditone or major third 400 cents, the perfect fourth 500 cents, and so on. …”[8]

See also

References

  1. ^ Abraham Rees, "Ditone, Ditonum", in The Cyclopædia, or Universal Dictionary of Arts, Sciences, and Literature. In Thirty-Nine Volumes, vol. 12 (London: Longman, Hurst, Rees, Orme, & Brown, 1819) [not paginated].
  2. .
  3. ^ Abraham Rees, "Inconcinnous", in The Cyclopædia, or Universal Dictionary of Arts, Sciences, and Literature. In Thirty-Nine Volumes, vol. 13 (London: Longman, Hurst, Rees, Orme, & Brown, 1819) [not paginated].
  4. .
  5. .
  6. ^ Mimi Waitzman, "Meantone Temperament in Theory and Practice", In Theory Only 5, no. 4 (May 1981): 3–15. Citation on 4.
  7. John Tyrrell
    (London: Macmillan Publishers, 2001).
  8. .
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