Diva house
| Diva house | |
|---|---|
| Other names | Handbag house |
| Stylistic origins |
|
Diva house or handbag house is an anthemic subgenre of house music that became most popular in gay clubs during the second half of the 1990s. The Encyclopedia of Contemporary British Culture defines handbag house as having "prominent female vocals, breakdowns, and a proliferation of piano 'stabs'."[1] Modern diva house compositions use synth stabs and four on the floor rhythms.
Background
The term "diva house" was in use as early as July 1992, when
The term "handbag house" appears to be particularly popular on British dancefloors and refers to the notion of a group of female club-goers dancing around a pile of their
In the 1990s, as gay clubs and gay culture became more mainstream so did house music. The accessibility of diva house lead to the mainstreaming of gay club music. In the UK especially, handbag house became emblematic of the clubbing culture. According to music historians Bill Brewster and Frank Broughton, by the mid-1990s handbag house had helped to make clubbing into a "mainstream leisure activity."[4] With the mainstreaming of gay culture in the 1990s, "diva" was the word that bound house music to the gay dance scene, which was previously only defined by Italo disco compositions.
Music critic Simon Reynolds asserts that handbag house was "initially a disparaging term, coined by condescending cognoscenti vis-à-vis the anthemic, chart-penetrating house tunes that allegedly appealed to women, and above all to the folk-mythic construct of Sharon and Tracy."[5] According to electronic music producer Ewan Pearson and academic Jeremy Gilbert, "handbag house" is often derided as "plastic disco" by dance music fans who prefer "the more esoteric sound of musics which eschew the 'mainstream' musical priorities of melody and verbal language."[6] The mainstream appeal of handbag house caused underground dance music purists to flock to the spin-off genres of hardbag, progressive house, deep house, and garage house.[5] Sociologist Dunja Brill argues that criticism of handbag house carries a "misogynist slant in club cultural representations of the denigrated mainstream of 'Handbag House' against which Ravers define their subculture."[7] Brill maintains that bias against handbag house "is expressed most clearly in a femininisation of the denigrated 'mainstream' of pop culture against which subcultures define themselves."[8]
See also
- Camp (style)
- Diva
- Gay anthem
- Gay club
- Gay icons
References
- ISBN 9780415147262. Retrieved 29 December 2014.
- ^ Flick, Larry (Jul 11, 1992). "A Little More Stansfield; Erasure Heads For Covers". Billboard. Billboard. p. 23. Retrieved 28 December 2014.
- ^ "handbag [email protected]". Everything2.com. 2001-12-14. Retrieved 2011-02-10.
- ISBN 9781555846114. Retrieved 28 December 2014.
- ^ ]
- )
- ISBN 9781845207687.
- ISBN 9781134184774.