Dodo

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Dodo
Temporal range:
Skeleton and model of a dodo
Dodo skeleton cast (left) and model based on modern research (right), at Oxford University Museum of Natural History

Extinct (1662)  (IUCN 3.1)[2]
Scientific classification Edit this classification
Domain: Eukaryota
Kingdom: Animalia
Phylum: Chordata
Class: Aves
Order: Columbiformes
Family: Columbidae
Subfamily: Raphinae
Genus: Raphus
Brisson, 1760
Species:
R. cucullatus
Binomial name
Raphus cucullatus
(Linnaeus, 1758)
Location of Mauritius (in blue)
Synonyms
  • Struthio cucullatus Linnaeus, 1758
  • Didus ineptus Linnaeus, 1766

The dodo (Raphus cucullatus) is an

living relative of the dodo is the Nicobar pigeon. A white dodo was once thought to have existed on the nearby island of Réunion, but it is now believed that this assumption was merely confusion based on the also-extinct Réunion ibis
and paintings of white dodos.

gizzard stones to help digest its food, which is thought to have included fruits, and its main habitat is believed to have been the woods in the drier coastal areas of Mauritius. One account states its clutch
consisted of a single egg. It is presumed that the dodo became flightless because of the ready availability of abundant food sources and a relative absence of predators on Mauritius. Though the dodo has historically been portrayed as being fat and clumsy, it is now thought to have been well-adapted for its ecosystem.

The first recorded mention of the dodo was by Dutch sailors in 1598. In the following years, the bird was hunted by sailors and invasive species, while its habitat was being destroyed. The last widely accepted sighting of a dodo was in 1662. Its extinction was not immediately noticed, and some considered the bird to be a myth. In the 19th century, research was conducted on a small quantity of remains of four specimens that had been brought to Europe in the early 17th century. Among these is a dried head, the only soft tissue of the dodo that remains today. Since then, a large amount of subfossil material has been collected on Mauritius, mostly from the Mare aux Songes swamp. The extinction of the dodo within less than a century of its discovery called attention to the previously unrecognised problem of human involvement in the disappearance of entire species. The dodo achieved widespread recognition from its role in the story of Alice's Adventures in Wonderland, and it has since become a fixture in popular culture, often as a symbol of extinction and obsolescence.

Taxonomy

pigeon
in the 1840s

The dodo was variously declared a small

Oxford University Museum and comparing it with the few remains then available of the extinct Rodrigues solitaire (Pezophaps solitaria) they concluded that the two were closely related. Strickland stated that although not identical, these birds shared many distinguishing features of the leg bones, otherwise known only in pigeons.[6]

Strickland and Melville established that the dodo was

Throughout the 19th century, several species were classified as

Réunion solitaire, as Didus solitarius and Raphus solitarius, respectively (Didus and Raphus being names for the dodo genus used by different authors of the time). An atypical 17th-century description of a dodo and bones found on Rodrigues, now known to have belonged to the Rodrigues solitaire, led Abraham Dee Bartlett to name a new species, Didus nazarenus, in 1852.[7] Based on solitaire remains, it is now a synonym of that species.[8] Crude drawings of the red rail of Mauritius were also misinterpreted as dodo species; Didus broeckii and Didus herberti.[9]

For many years the dodo and the Rodrigues solitaire were placed in a

DNA analysis has since led to the dissolution of the family Raphidae, and the dodo and solitaire are now placed in their own subfamily, Raphinae, within the family Columbidae.[11]

Evolution

The Nicobar pigeon is the closest living relative of the dodo

In 2002, American geneticist

sequences isolated from a tarsal of the Oxford specimen and a femur of a Rodrigues solitaire confirmed their close relationship and their placement within the Columbidae. The genetic evidence was interpreted as showing the Southeast Asian Nicobar pigeon (Caloenas nicobarica) to be their closest living relative, followed by the crowned pigeons (Goura) of New Guinea, and the superficially dodo-like tooth-billed pigeon (Didunculus strigirostris) from Samoa (its scientific name refers to its dodo-like beak). This clade consists of generally ground-dwelling island endemic pigeons. The following cladogram shows the dodo's closest relationships within the Columbidae, based on Shapiro and colleagues, 2002:[12][13]

Goura victoria
(Victoria crowned pigeon)

Caloenas nicobarica
(Nicobar pigeon)

Pezophaps solitaria
(Rodrigues solitaire)

Raphus cucullatus (dodo)

Didunculus strigirostris
(tooth-billed pigeon)

genetic analyses

A similar cladogram was published in 2007, inverting the placement of Goura and Didunculus and including the

Gourinae along with the Goura pigeons and others, in agreement with the genetic evidence.[16] In 2014, DNA of the only known specimen of the recently extinct spotted green pigeon (Caloenas maculata) was analysed, and it was found to be a close relative of the Nicobar pigeon, and thus also the dodo and Rodrigues solitaire.[17]

The 2002 study indicated that the ancestors of the dodo and the solitaire diverged around the

subfossil material from Fiji. It was only slightly smaller than the dodo and the solitaire, and it too is thought to have been related to the crowned pigeons.[22]

Etymology

Engraving showing Dutch sailors working on Mauritius, as well as several local animals, including a dodo
1601 engraving showing Dutch activities on the shore of Mauritius and the first published depiction of a dodo on the left (2, called "Walchvoghel")

One of the original names for the dodo was the Dutch "Walghvoghel", first used in the journal of Dutch

Vice Admiral Wybrand van Warwijck, who visited Mauritius during the Second Dutch Expedition to Indonesia in 1598.[23] Walghe means "tasteless", "insipid", or "sickly", and voghel means "bird". The name was translated by Jakob Friedlib into German as Walchstök or Walchvögel. The original Dutch report titled Waarachtige Beschryving was lost, but the English translation survived:[24][16]

On their left hand was a little island which they named Heemskirk Island, and the bay it selve they called Warwick Bay... Here they taried 12. daies to refresh themselues, finding in this place great quantity of foules twice as bigge as swans, which they call Walghstocks or Wallowbirdes being very good meat. But finding an abundance of pigeons & popinnayes [parrots], they disdained any more to eat those great foules calling them Wallowbirds, that is to say lothsome or fulsome birdes.[25][26]

Another account from that voyage, perhaps the first to mention the dodo, states that the Portuguese referred to them as penguins. The meaning may not have been derived from

Kermesse festival in Amsterdam, which was held the day after they anchored on Mauritius.[28]

, and a dodo

The

travelogue claiming it was referred to as such by the Portuguese, who had visited Mauritius in 1507.[28] Another Englishman, Emmanuel Altham, had used the word in a 1628 letter in which he also claimed its origin was Portuguese. The name "dodar" was introduced into English at the same time as dodo, but was only used until the 18th century.[31] As far as is known, the Portuguese never mentioned the bird. Nevertheless, some sources still state that the word dodo derives from the Portuguese word doudo (currently doido), meaning "fool" or "crazy". It has also been suggested that dodo was an onomatopoeic approximation of the bird's call, a two-note pigeon-like sound resembling "doo-doo".[32]

The Latin name cucullatus ("hooded") was first used by

Description

A diagram comparing the size of a dodo compared to a human. The dodo reaches about to the height of the human knee
Size compared to a human

As no complete dodo specimens exist, its external appearance, such as plumage and colouration, is hard to determine.

plumaceous (downy) and most similar to those of other pigeons.[36]

Subfossil remains and remnants of the birds that were brought to Europe in the 17th century show that dodos were very large birds, measuring around 62.6–75 cm (2.05–2.46 ft) in height.

CT scans of composite skeletons.[44] It has also been suggested that the weight depended on the season, and that individuals were fat during cool seasons, but less so during hot.[38]

Skeleton

Lithographs of the dodo skull at the Oxford Museum
1848 lithographs of the Oxford dodo's skull in multiple views

The skull of the dodo differed much from those of other pigeons, especially in being more robust, the bill having a hooked tip, and in having a short cranium compared to the jaws. The upper bill was nearly twice as long as the cranium, which was short compared to those of its closest pigeon relatives. The openings of the bony nostrils were elongated along the length of the beak, and they contained no bony septum. The cranium (excluding the beak) was wider than it was long, and the

fenestra (opening), as in other pigeons.[21]

A comparison between the morphologies of the dodo and its closest relative, the Rodrigues solitaire, notable differences include the smaller skull and longer neck of the Rodrigues solitaire
Skeleton of the dodo (left) and its closest relative, the Rodrigues solitaire, not to scale

The dodo had about nineteen presynsacral vertebrae (those of the neck and

pectoral girdle, shoulder blades, and wing bones were reduced in size compared to those of flighted pigeon, and were more gracile compared to those of the Rodrigues solitaire, but none of the individual skeletal components had disappeared. The carpometacarpus of the dodo was more robust than that of the solitaire, however. The pelvis was wider than that of the solitaire and other relatives, yet was comparable to the proportions in some smaller, flighted pigeons. Most of the leg bones were more robust than those of extant pigeons and the solitaire, but the length proportions were little different.[21]

Many of the skeletal features that distinguish the dodo and the Rodrigues solitaire, its closest relative, from other pigeons have been attributed to their flightlessness. The pelvic elements were thicker than those of flighted pigeons to support the higher weight, and the

orbits. The dodo's neck and legs were proportionally shorter, and it did not possess an equivalent to the knob present on the solitaire's wrists.[39]

Contemporary descriptions

Painting of a dodo among native Indian birds
Painting of a dodo head from the chest up
Dodo among Indian birds (left), by Ustad Mansur, c. 1625; perhaps the most accurate depiction of a live dodo, and dodo head (right) by Cornelis Saftleven from 1638, probably the last original depiction of the species

Most contemporary descriptions of the dodo are found in

Dutch Empire ruled the island. These records were used as guides for future voyages.[15] Few contemporary accounts are reliable, as many seem to be based on earlier accounts, and none were written by scientists.[23]
One of the earliest accounts, from van Warwijck's 1598 journal, describes the bird as follows:

Blue parrots are very numerous there, as well as other birds; among which are a kind, conspicuous for their size, larger than our swans, with huge heads only half covered with skin as if clothed with a hood. These birds lack wings, in the place of which 3 or 4 blackish feathers protrude. The tail consists of a few soft incurved feathers, which are ash coloured. These we used to call 'Walghvogel', for the reason that the longer and oftener they were cooked, the less soft and more insipid eating they became. Nevertheless their belly and breast were of a pleasant flavour and easily masticated.[45]

One of the most detailed descriptions is by Herbert in A Relation of Some Yeares Travaille into Afrique and the Greater Asia from 1634:

First here only and in Dygarrois [Rodrigues] is generated the Dodo, which for shape and rareness may antagonize the Phoenix of Arabia: her body is round and fat, few weigh less than fifty pound. It is reputed more for wonder than for food, greasie stomackes may seeke after them, but to the delicate they are offensive and of no nourishment. Her visage darts forth melancholy, as sensible of Nature's injurie in framing so great a body to be guided with complementall wings, so small and impotent, that they serve only to prove her bird. The halfe of her head is naked seeming couered with a fine vaile, her bill is crooked downwards, in midst is the thrill [nostril], from which part to the end tis a light green, mixed with pale yellow tincture; her eyes are small and like to Diamonds, round and rowling; her clothing downy feathers, her train three small plumes, short and inproportionable, her legs suiting her body, her pounces sharpe, her appetite strong and greedy. Stones and iron are digested, which description will better be conceived in her representation.[46]

Contemporary depictions

Several pages of a journal containing sketches of live and dead dodos
Compilation of the Gelderland ship's journal sketches from 1601 of live and recently killed dodos, attributed to Joris Laerle

The travel journal of the Dutch ship Gelderland (1601–1603), rediscovered in the 1860s, contains the only known sketches of living or recently killed specimens drawn on Mauritius. They have been attributed to the professional artist Joris Joostensz Laerle, who also drew other now-extinct Mauritian birds, and to a second, less refined artist.[47] Apart from these sketches, it is unknown how many of the twenty or so 17th-century illustrations of the dodos were drawn from life or from stuffed specimens, which affects their reliability.[23] Since dodos are otherwise only known from limited physical remains and descriptions, contemporary artworks are important to reconstruct their appearance in life. While there has been an effort since the mid-19th century to list all historical illustrations of dodos, previously unknown depictions continue to be discovered occasionally.[48]

The traditional image of the dodo is of a very fat and clumsy bird, but this view may be exaggerated. The general opinion of scientists today is that many old European depictions were based on overfed captive birds or crudely stuffed specimens.[49] It has also been suggested that the images might show dodos with puffed feathers, as part of display behaviour.[41] The Dutch painter Roelant Savery was the most prolific and influential illustrator of the dodo, having made at least twelve depictions, often showing it in the lower corners. A famous painting of his from 1626, now called Edwards's Dodo as it was once owned by the ornithologist George Edwards, has since become the standard image of a dodo. It is housed in the Natural History Museum, London. The image shows a particularly fat bird and is the source for many other dodo illustrations.[50][51]

Painting of a dodo, with a red parrot on its left side, and a blue one at its right
The famous Edwards's Dodo, painted by Roelant Savery in 1626

An Indian

Mughal Emperor Jahangir, located in Surat, where the English traveller Peter Mundy also claimed to have seen two dodos sometime between 1628 and 1633.[54][23] In 2014, another Indian illustration of a dodo was reported, but it was found to be derivative of an 1836 German illustration.[55]

All post-1638 depictions appear to be based on earlier images, around the time reports mentioning dodos became rarer. Differences in the depictions led ornithologists such as

ratites such as the ostrich and kiwi.[21]

Behaviour and ecology

life restoration of a slim dodo, by Julian P. Hume

Little is known of the behaviour of the dodo, as most contemporary descriptions are very brief. Based on weight estimates, it has been suggested the male could reach the age of 21, and the female 17.

brain-to-body-size ratio was similar to that of modern pigeons, indicating that dodos were probably equal in intelligence.[58]

Old map showing a Mauritian bay, with a D indicating where dodos were found
1601 map of a bay on Mauritius; the small D on the far right side marks where dodos were found

The preferred habitat of the dodo is unknown, but old descriptions suggest that it inhabited the woods on the drier coastal areas of south and west Mauritius. This view is supported by the fact that the

tambalacoque and Pandanus trees and endemic palms.[38] The near-coastal placement and wetness of the Mare aux Songes led to a high diversity of plant species, whereas the surrounding areas were drier.[62]

Many endemic species of Mauritius became extinct after the arrival of humans, so the

palm orchid, have also become extinct.[65]

Diet and feeding

Crocker Art Gallery

A 1631 Dutch letter (long thought lost, but rediscovered in 2017) is the only account of the dodo's diet, and also mentions that it used its beak for defence. The document uses

word-play to refer to the animals described, with dodos presumably being an allegory for wealthy mayors:[66]

The mayors are superb and proud. They presented themselves with an unyielding, stern face and wide open mouth, very jaunty and audacious of gait. They did not want to budge before us; their war weapon was the mouth, with which they could bite fiercely. Their food was raw fruit; they were not dressed very well, but were rich and fat, therefore we brought many of them on board, to the contentment of us all.[66]

In addition to fallen fruits, the dodo probably subsisted on nuts, seeds, bulbs, and roots.

palm fruits, and he attempted to correlate the fat-cycle of the dodo with the fruiting regime of the palms.[30]

Jacob van Neck

Skeletal elements of the upper jaw appear to have been

premaxillae help with consuming large food items. The beak also appears to have been able to withstand high force loads, which indicates a diet of hard food.[21] Examination of the brain endocast found that though the brain was similar to that of other pigeons in most respects, the dodo had a comparatively large olfactory bulb. This gave the dodo a good sense of smell, which may have aided in locating fruit and small prey.[58]

Several contemporary sources state that the dodo used Gastroliths (gizzard stones) to aid digestion. The English writer Sir Hamon L'Estrange witnessed a live bird in London and described it as follows:

About 1638, as I walked London streets, I saw the picture of a strange looking fowle hung out upon a clothe and myselfe with one or two more in company went in to see it. It was kept in a chamber, and was a great fowle somewhat bigger than the largest Turkey cock, and so legged and footed, but stouter and thicker and of more erect shape, coloured before like the breast of a young cock fesan, and on the back of a dunn or dearc colour. The keeper called it a Dodo, and in the ende of a chymney in the chamber there lay a heape of large pebble stones, whereof hee gave it many in our sight, some as big as nutmegs, and the keeper told us that she eats them (conducing to digestion), and though I remember not how far the keeper was questioned therein, yet I am confident that afterwards she cast them all again.[69]

It is not known how the young were fed, but related pigeons provide crop milk. Contemporary depictions show a large crop, which was probably used to add space for food storage and to produce crop milk. It has been suggested that the maximum size attained by the dodo and the solitaire was limited by the amount of crop milk they could produce for their young during early growth.[70]

In 1973, the

fruit bats, or the broad-billed parrot.[73] According to Wendy Strahm and Anthony Cheke, two experts in the ecology of the Mascarene Islands, the tree, while rare, has germinated since the demise of the dodo and numbers several hundred, not 13 as claimed by Temple, hence, discrediting Temple's view as to the dodo and the tree's sole survival relationship.[74]

The Brazilian ornithologist Carlos Yamashita suggested in 1997 that the broad-billed parrot may have depended on dodos and Cylindraspis tortoises to eat palm fruits and excrete their seeds, which became food for the parrots. Anodorhynchus macaws depended on now-extinct South American megafauna in the same way, but now rely on domesticated cattle for this service.[75]

Reproduction and development

Replica dodo egg and nest
Replica of an alleged dodo egg in a reconstructed nest, East London Museum

As it was flightless and terrestrial and there were no

call
:

I have seen in Mauritius birds bigger than a Swan, without feathers on the body, which is covered with a black down; the hinder part is round, the rump adorned with curled feathers as many in number as the bird is years old. In place of wings they have feathers like these last, black and curved, without webs. They have no tongues, the beak is large, curving a little downwards; their legs are long, scaly, with only three toes on each foot. It has a cry like a gosling, and is by no means so savoury to eat as the Flamingos and Ducks of which we have just spoken. They only lay one egg which is white, the size of a halfpenny roll, by the side of which they place a white stone the size of a hen's egg. They lay on grass which they collect, and make their nests in the forests; if one kills the young one, a grey stone is found in the gizzard. We call them Oiseaux de Nazaret. The fat is excellent to give ease to the muscles and nerves.[6]

growth series
Diagram showing life history events of a dodo based on histology
and accounts

Cauche's account is problematic, since it also mentions that the bird he was describing had three toes and no tongue, unlike dodos. This led some to believe that Cauche was describing a new species of dodo ("Didus nazarenus"). The description was most probably mingled with that of a cassowary, and Cauche's writings have other inconsistencies.[77] A mention of a "young ostrich" taken on board a ship in 1617 is the only other reference to a possible juvenile dodo.[78] An egg claimed to be that of a dodo is stored in the East London Museum in South Africa. It was donated by the South African museum official Marjorie Courtenay-Latimer, whose great aunt had received it from a captain who claimed to have found it in a swamp on Mauritius. In 2010, the curator of the museum proposed using genetic studies to determine its authenticity.[79] It may instead be an aberrant ostrich egg.[32]

Because of the possible single-egg clutch and the bird's large size, it has been proposed that the dodo was

altricial offspring, which required parental care until they matured. Some evidence, including the large size and the fact that tropical and frugivorous birds have slower growth rates, indicates that the bird may have had a protracted development period.[39] The fact that no juvenile dodos have been found in the Mare aux Songes swamp may indicate that they produced little offspring, that they matured rapidly, that the breeding grounds were far away from the swamp, or that the risk of miring was seasonal.[80]

A 2017 study examined the

moulted after Austral summer, around March. The feathers of the wings and tail were replaced first, and the moulting would have completed at the end of July, in time for the next breeding season. Different stages of moulting may also account for inconsistencies in contemporary descriptions of dodo plumage.[81]

Relationship with humans

Engraving showing scenes of Dutch killing animals on Mauritius, including dodos
1648 engraving showing the killing of dodos (centre left, erroneously depicted as penguin-like) and other animals now extinct from Mauritius

Mauritius had previously been visited by

Jacob van Neck in 1598. They appear in reports published in 1601, which also contain the first published illustration of the bird.[84] Since the first sailors to visit Mauritius had been at sea for a long time, their interest in these large birds was mainly culinary. The 1602 journal by Willem Van West-Zanen of the ship Bruin-Vis mentions that 24–25 dodos were hunted for food, which were so large that two could scarcely be consumed at mealtime, their remains being preserved by salting.[85] An illustration made for the 1648 published version of this journal, showing the killing of dodos, a dugong, and possibly Mascarene grey parakeets, was captioned with a Dutch poem,[86]
here in Hugh Strickland's 1848 translation:

Some early travellers found dodo meat unsavoury, and preferred to eat parrots and pigeons; others described it as tough, but good. Some hunted dodos only for their gizzards, as this was considered the most delicious part of the bird. Dodos were easy to catch, but hunters had to be careful not to be bitten by their powerful beaks.[88]

The appearance of the dodo and the red rail led Peter Mundy to speculate, 230 years before Charles Darwin's theory of evolution:

Of these 2 sorts off fowl afforementionede, For oughtt wee yett know, Not any to bee Found out of this Iland, which lyeth aboutt 100 leagues From St. Lawrence. A question may bee demaunded how they should bee here and Not elcewhere, beeing soe Farer From other land and can Neither fly or swymme; whither by Mixture off kindes producing straunge and Monstrous formes, or the Nature of the Climate, ayer and earth in alltring the First shapes in long tyme, or how.[27]

Dodos transported abroad

The dodo was found interesting enough that living specimens were sent to Europe and the East. The number of transported dodos that reached their destinations alive is uncertain, and it is unknown how they relate to contemporary depictions and the few non-fossil remains in European museums. Based on a combination of contemporary accounts, paintings, and specimens, Julian Hume has inferred that at least eleven transported dodos reached their destinations alive.[89]

Hamon L'Estrange's description of a dodo that he saw in London in 1638 is the only account that specifically mentions a live specimen in Europe. In 1626 Adriaen van de Venne drew a dodo that he claimed to have seen in Amsterdam, but he did not mention if it was alive, and his depiction is reminiscent of Savery's Edwards's Dodo. Two live specimens were seen by Peter Mundy in Surat, India, between 1628 and 1634, one of which may have been the individual painted by Mansur around 1625.[23] In 1628, Emmanuel Altham visited Mauritius and sent a letter to his brother in England:

Right wo and lovinge brother, we were ordered by ye said councell to go to an island called Mauritius, lying in 20d. of south latt., where we arrived ye 28th of May; this island having many goates, hogs and cowes upon it, and very strange fowles, called by ye portingalls Dodo, which for the rareness of the same, the like being not in ye world but here, I have sent you one by Mr. Perce, who did arrive with the ship William at this island ye 10th of June. [In the margin of the letter] Of Mr. Perce you shall receive a jarr of ginger for my sister, some beades for my cousins your daughters, and a bird called a Dodo, if it live.[90]

Painting of a forest filled with birds, including a dodo
Painting of a dodo preening its foot
Savery paintings featuring dodos in various corners (one with a lobster's body, lower right), painted in Europe approximately between 1625 and 1629

Whether the dodo survived the journey is unknown, and the letter was destroyed by fire in the 19th century.[91] The earliest known picture of a dodo specimen in Europe is from a c. 1610 collection of paintings depicting animals in the royal menagerie of

tropical specimens were preserved as dried heads and feet.[89]

One dodo was reportedly sent as far as Nagasaki, Japan, in 1647, but it was long unknown whether it arrived.[75] Contemporary documents first published in 2014 proved the story, and showed that it had arrived alive. It was meant as a gift, and, despite its rarity, was considered of equal value to a white deer and a bezoar stone. It is the last recorded live dodo in captivity.[92]

Extinction

Colour illustration of men pursuing dodos
Illustration of Dutch sailors pursuing dodos, by Walter Paget, 1914. Hunting by humans is not believed to have been the main cause of the bird's extinction.

Like many animals that evolved in isolation from significant predators, the dodo was entirely

land crabs.[95]

It has been suggested that the dodo may already have been rare or localised before the arrival of humans on Mauritius, since it would have been unlikely to become extinct so rapidly if it had occupied all the remote areas of the island.[60] A 2005 expedition found subfossil remains of dodos and other animals killed by a flash flood. Such mass mortalities would have further jeopardised a species already in danger of becoming extinct.[96] Yet the fact that the dodo survived hundreds of years of volcanic activity and climatic changes shows the bird was resilient within its ecosystem.[62]

Some controversy surrounds the date of its extinction. The last widely accepted record of a dodo sighting is the 1662 report by shipwrecked mariner Volkert Evertsz of the Dutch ship Arnhem, who described birds caught on a small islet off Mauritius, now suggested to be Amber Island:

These animals on our coming up to them stared at us and remained quiet where they stand, not knowing whether they had wings to fly away or legs to run off, and suffering us to approach them as close as we pleased. Amongst these birds were those which in India they call Dod-aersen (being a kind of very big goose); these birds are unable to fly, and instead of wings, they merely have a few small pins, yet they can run very swiftly. We drove them together into one place in such a manner that we could catch them with our hands, and when we held one of them by its leg, and that upon this it made a great noise, the others all on a sudden came running as fast as they could to its assistance, and by which they were caught and made prisoners also.[97]

The dodos on this islet may not necessarily have been the last members of the species.

statistical analysis of these records by the biologists David L. Roberts and Andrew R. Solow gave a new estimated extinction date of 1693, with a 95% confidence interval of 1688–1715. These authors also pointed out that because the last sighting before 1662 was in 1638, the dodo was probably already quite rare by the 1660s, and thus a disputed report from 1674 by an escaped slave could not be dismissed out of hand.[99]

Drawing of a dodo, a one horned sheep and a red rail
Pieter van den Broecke's 1617 drawing of a dodo, a one-horned sheep, and a red rail; after the dodo became extinct, visitors may have confused it with the red rail (1907 restoration of that bird at right by Frederick William Frohawk)

The British ornithologist Alfred Newton suggested in 1868 that the name of the dodo was transferred to the red rail after the former had gone extinct.[100] Cheke also pointed out that some descriptions after 1662 use the names "Dodo" and "Dodaers" when referring to the red rail, indicating that they had been transferred to it.[101] He therefore pointed to the 1662 description as the last credible observation. A 1668 account by English traveller John Marshall, who used the names "Dodo" and "Red Hen" interchangeably for the red rail, mentioned that the meat was "hard", which echoes the description of the meat in the 1681 account.[102] Even the 1662 account has been questioned by the writer Errol Fuller, as the reaction to distress cries matches what was described for the red rail.[103] Until this explanation was proposed, a description of "dodos" from 1681 was thought to be the last account, and that date still has proponents.[104]

Cheke stated in 2014 that then recently accessible Dutch manuscripts indicate that no dodos were seen by settlers in 1664–1674.

feral pigs during a hiatus in settlement of Mauritius (1658–1664). The dodo's extinction therefore was not realised at the time, since new settlers had not seen real dodos, but as they expected to see flightless birds, they referred to the red rail by that name instead. Since red rails probably had larger clutches than dodos and their eggs could be incubated faster, and their nests were perhaps concealed, they probably bred more efficiently, and were less vulnerable to pigs.[106]

It is unlikely the issue will ever be resolved, unless late reports mentioning the name alongside a physical description are rediscovered.[95] The IUCN Red List accepts Cheke's rationale for choosing the 1662 date, taking all subsequent reports to refer to red rails. In any case, the dodo was probably extinct by 1700, about a century after its discovery in 1598.[2][102] The Dutch left Mauritius in 1710, but by then the dodo and most of the large terrestrial vertebrates there had become extinct.[38]

Even though the rareness of the dodo was reported already in the 17th century, its extinction was not recognised until the 19th century. This was partly because, for religious reasons, extinction was not believed possible until later proved so by Georges Cuvier, and partly because many scientists doubted that the dodo had ever existed. It seemed altogether too strange a creature, and many believed it a myth. The bird was first used as an example of human-induced extinction in Penny Magazine in 1833,[107] and has since been referred to as an "icon" of extinction.[108]

Physical remains

17th-century specimens

Booth Museum
, and illustration of same head

The only extant remains of dodos taken to Europe in the 17th century are a dried head and foot in the

National Museum, Prague. The last two were rediscovered and identified as dodo remains in the mid-19th century.[109] Several stuffed dodos were also mentioned in old museum inventories, but none are known to have survived.[110] Apart from these remains, a dried foot, which belonged to the Dutch professor Pieter Pauw, was mentioned by Carolus Clusius in 1605. Its provenance is unknown, and it is now lost, but it may have been collected during the Van Neck voyage.[23] Supposed stuffed dodos seen in museums around the world today have in fact been made from feathers of other birds, many of the older ones by the British taxidermist Rowland Ward's company.[109]

Lithograph of a dried foot
Coloured engraving of the now lost London foot from 1793 (left), and 1848 lithograph of same in multiple views

The only known soft tissue remains, the Oxford head (specimen OUM 11605) and foot, belonged to the last known stuffed dodo, which was first mentioned as part of the

lead shot, pellets which were used to hunt birds in the 17th century. This indicates that the Oxford dodo was shot either before being transported to Britain, or some time after arriving. The circumstances of its killing are unknown, and the pellets are to be examined to identify where the lead was mined from.[112][113]

Many sources state that the Ashmolean Museum burned the stuffed dodo around 1755 because of severe decay, saving only the head and leg. Statute 8 of the museum states "That as any particular grows old and perishing the keeper may remove it into one of the closets or other repository; and some other to be substituted."[114] The deliberate destruction of the specimen is now believed to be a myth; it was removed from exhibition to preserve what remained of it. This remaining soft tissue has since degraded further; the head was dissected by Strickland and Melville, separating the skin from the skull in two-halves. The foot is in a skeletal state, with only scraps of skin and tendons. Very few feathers remain on the head. It is probably a female, as the foot is 11% smaller and more gracile than the London foot, yet appears to be fully grown.[115] The specimen was exhibited at the Oxford museum from at least the 1860s and until 1998, where-after it was mainly kept in storage to prevent damage.[116] Casts of the head can today be found in many museums worldwide.[111]

National Museum of Prague
(left) and 1855 lithograph of the specimen

The dried London foot, first mentioned in 1665, and transferred to the British Museum in the 18th century, was displayed next to Savery's Edwards's Dodo painting until the 1840s, and it too was dissected by Strickland and Melville. It was not posed in a standing posture, which suggests that it was severed from a fresh specimen, not a mounted one. By 1896 it was mentioned as being without its integuments, and only the bones are believed to remain today, though its present whereabouts are unknown.[23]

The Copenhagen skull (specimen ZMUC 90-806) is known to have been part of the collection of Bernardus Paludanus in

mummified, but the skin has perished.[38]

The front part of a skull (specimen NMP P6V-004389) in the National Museum of Prague was found in 1850 among the remains of the Böhmisches Museum. Other elements supposedly belonging to this specimen have been listed in the literature, but it appears only the partial skull was ever present (a partial right limb in the museum appears to be from a Rodrigues solitaire).[23][118][119] It may be what remains of one of the stuffed dodos known to have been at the menagerie of Emperor Rudolph II, possibly the specimen painted by Hoefnagel or Savery there.[120]

Subfossil specimens

Brown, mounted dodo skeleton
Richard Owen's 1866 reconstruction of the dodo's skeleton (left), based on bones found in the Mare aux Songes (it is too squat, following Savery's Edwards's Dodo painting), and his more upright mount at Natural History Museum, London

Until 1860, the only known dodo remains were the four incomplete 17th-century specimens.

coolies to wade through the centre of the swamp, feeling for bones with their feet. At first they found few bones, until they cut away herbage that covered the deepest part of the swamp, where they found many fossils.[121] Harry Pasley Higginson, a railway engineer from Yorkshire, reports discovering the Mare aux Songes bones at the same time as Clark and there is some dispute over who found them first. Higginson sent boxes of these bones to Liverpool, Leeds and York museums.[122][123] The swamp yielded the remains of over 300 dodos, but very few skull and wing bones, possibly because the upper bodies were washed away or scavenged while the lower body was trapped. The situation is similar to many finds of moa remains in New Zealand marshes.[124] Most dodo remains from the Mare aux Songes have a medium to dark brown colouration.[80]

Clark's reports about the finds rekindled interest in the bird. Sir Richard Owen and Alfred Newton both wanted to be first to describe the

post-cranial anatomy of the dodo, and Owen bought a shipment of dodo bones originally meant for Newton, which led to rivalry between the two. Owen described the bones in Memoir on the Dodo in October 1866, but erroneously based his reconstruction on the Edwards's Dodo painting by Savery, making it too squat and obese. In 1869 he received more bones and corrected its stance, making it more upright. Newton moved his focus to the Réunion solitaire instead. The remaining bones not sold to Owen or Newton were auctioned off or donated to museums.[3][125] In 1889, Théodor Sauzier was commissioned to explore the "historical souvenirs" of Mauritius and find more dodo remains in the Mare aux Songes. He was successful, and also found remains of other extinct species.[126]

Grant Museum
in 2011

In 2005, after a hundred years of neglect, a part of the Mare aux Songes swamp was excavated by an international team of researchers (International Dodo Research Project). To prevent

Naturalis museum in Leiden. 63% of the fossils found in the swamp belonged to turtles of the extinct genus Cylindraspis, and 7.1% belonged to dodos, which had been deposited within several centuries, 4,000 years ago.[127] Subsequent excavations suggested that dodos and other animals became mired in the Mare aux Songes while trying to reach water during a long period of severe drought about 4,200 years ago.[1] Furthermore, cyanobacteria thrived in the conditions created by the excrements of animals gathered around the swamp, which died of intoxication, dehydration, trampling, and miring.[128] Though many small skeletal elements were found during the recent excavations of the swamp, few were found during the 19th century, probably owing to the employment of less refined methods when collecting.[80]

Louis Etienne Thirioux, an amateur naturalist at Port Louis, also found many dodo remains around 1900 from several locations. They included the first articulated specimen, which is the first subfossil dodo skeleton found outside the Mare aux Songes, and the only remains of a juvenile specimen, a now lost

3-D models were reconstructed, which became the basis of a 2016 monograph about the osteology of the dodo.[131][132] In 2006, explorers discovered a complete skeleton of a dodo in a lava cave in Mauritius. This was only the second associated skeleton of an individual specimen ever found, and the only one in recent times.[133]

Worldwide, 26 museums have significant holdings of dodo material, almost all found in the Mare aux Songes. The Natural History Museum,

Grant Museum at University College London during preparations for a move. They had been stored with crocodile bones until then.[135]

White dodo

Painting of various animals and people in a forest, including a whitish dodo
Savery's Landscape with Orpheus and the animals showing a whitish dodo in the lower right, 1611 or later
One of Pieter Holsteyn II's mid-17th-century paintings of a white dodo, possibly based on Savery's image

The supposed "white dodo" (or "solitaire") of Réunion is now considered an erroneous conjecture based on contemporary reports of the

Willem Ysbrandtszoon Bontekoe, who visited Réunion around 1619, mentioned fat, flightless birds that he referred to as "Dod-eersen" in his journal, though without mentioning their colouration. When the journal was published in 1646, it was accompanied by an engraving of a dodo from Savery's "Crocker Art Gallery sketch".[136] A white, stocky, and flightless bird was first mentioned as part of the Réunion fauna by Chief Officer J. Tatton in 1625. Sporadic mentions were subsequently made by Sieur Dubois and other contemporary writers.[137]

Baron Edmond de Sélys Longchamps coined the name Raphus solitarius for these birds in 1848, as he believed the accounts referred to a species of dodo. When 17th-century paintings of white dodos were discovered by 19th-century naturalists, it was assumed they depicted these birds. Oudemans suggested that the discrepancy between the paintings and the old descriptions was that the paintings showed females, and that the species was therefore sexually dimorphic.[138] Some authors also believed the birds described were of a species similar to the Rodrigues solitaire, as it was referred to by the same name, or even that there were white species of both dodo and solitaire on the island.[139]

The Pieter Withoos painting, which was discovered first, appears to be based on an earlier painting by Pieter Holsteyn, three versions of which are known to have existed. According to Hume, Cheke, and Valledor de Lozoya, it appears that all depictions of white dodos were based on Roelant Savery's painting Landscape with Orpheus and the animals, or on copies of it. The painting has generally been dated to 1611, though a post-1614, or even post-1626, date has also been proposed. The painting shows a whitish specimen and was apparently based on a stuffed specimen then in Prague; a walghvogel described as having a "dirty off-white colouring" was mentioned in an inventory of specimens in the Prague collection of the Holy Roman Emperor Rudolf II, to whom Savery was contracted at the time (1607–1611). Savery's several later images all show greyish birds, possibly because he had by then seen another specimen. Cheke and Hume believe the painted specimen was white, owing to albinism.[120][51] Valledor de Lozoya has instead suggested that the light plumage was a juvenile trait, a result of bleaching of old taxidermy specimens, or simply artistic license.[140]

In 1987, scientists described fossils of a recently extinct species of ibis from Réunion with a relatively short beak, Borbonibis latipes, before a connection to the solitaire reports had been made.[141] Cheke suggested to one of the authors, Francois Moutou, that the fossils may have been of the Réunion solitaire, and this suggestion was published in 1995. The ibis was reassigned to the genus Threskiornis, now combined with the specific epithet solitarius from the binomial R. solitarius.[142] Birds of this genus are also white and black with slender beaks, fitting the old descriptions of the Réunion solitaire. No fossil remains of dodo-like birds have ever been found on the island.[120]

Cultural significance

Drawing of a little girl talking to a dodo with a cane
Illustrations of Alice and the Dodo from Alice's Adventures in Wonderland, by John Tenniel (left, 1865) and Arthur Rackham (1907)

The dodo's significance as one of the best-known extinct animals and its singular appearance led to its use in literature and popular culture as a symbol of an outdated concept or object, as in the expression "dead as a dodo," which has come to mean unquestionably dead or obsolete. Similarly, the phrase "to go the way of the dodo" means to become extinct or obsolete, to fall out of common usage or practice, or to become a thing of the past.[143] "Dodo" is also a slang term for a stupid, dull-witted person, as it was said to be stupid and easily caught.[144][145]

The dodo appears frequently in works of popular fiction, and even before its extinction, it was featured in European literature, as a symbol for exotic lands, and of gluttony, due to its apparent fatness.[146] In 1865, the same year that George Clark started to publish reports about excavated dodo fossils, the newly vindicated bird was featured as a character in Lewis Carroll's Alice's Adventures in Wonderland. It is thought that he included the dodo because he identified with it and had adopted the name as a nickname for himself because of his stammer, which made him accidentally introduce himself as "Do-do-dodgson", his legal surname.[108] Carroll and the girl who served as inspiration for Alice, Alice Liddell, had enjoyed visiting the Oxford museum to see the dodo remains there.[147] The book's popularity made the dodo a well-known icon of extinction.[148] Popular depictions of the dodo often became more exaggerated and cartoonish following its Alice in Wonderland fame, which was in line with the inaccurate belief that it was clumsy, tragic, and destined for extinction.[149]

Dodo on a 1971 Mauritius 10 Rupee

The dodo is used as a mascot for many kinds of products, especially in Mauritius.[150] It appears as a supporter on the coat of arms of Mauritius, on Mauritius coins, is used as a watermark on all Mauritian rupee banknotes, and features as the background of the Mauritian immigration form.[94][151][152] A smiling dodo is the symbol of the Brasseries de Bourbon, a popular brewer on Réunion, whose emblem displays the white species once thought to have lived there.[153]

The dodo is used to promote the protection of

isopod from a coral reef off Réunion was named Hansenium dodo in 1991.[159]

The name dodo has been used by scientists naming genetic elements, honouring the dodo's flightless nature. A fruitfly gene within a region of a chromosome required for flying ability was named "dodo".[160] In addition, a defective transposable element family from Phytophthora infestans was named DodoPi as it contained mutations that eliminated the element's ability to jump to new locations in a chromosome.[161]

rogue taxidermy dodos by Rowland Ward
in NHM (right)

In 2009, a previously unpublished 17th-century Dutch illustration of a dodo went for sale at Christie's and was expected to sell for £6,000.[162] It is unknown whether the illustration was based on a specimen or on a previous image, and the artist is unidentified. It sold for £44,450.[163][48] Parrish suggested it depicts a stuffed specimen, as the legs look dried.[164]

The poet Hilaire Belloc included the following poem about the dodo in his Bad Child's Book of Beasts from 1896:

The Dodo used to walk around,
And take the sun and air.
The sun yet warms his native ground –
The Dodo is not there!

The voice which used to squawk and squeak
Is now for ever dumb –
Yet may you see his bones and beak
All in the Mu-se-um.[165][147]

See also

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Bibliography

External links

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