Don McGregor

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Don McGregor
Black Panther
http://www.donmcgregor.com

Donald Francis McGregor

graphic novels
.

Early life

Don McGregor was born in

astronauts wore on their flights to the moon."[2] He additionally served as a supply sergeant in a military police unit of the Rhode Island Army National Guard.[2][3] His first work in print was in the letters-to-the-editor columns of various Marvel Comics titles[4] and for The Providence Journal, where his work included reviews of books by authors including Evan Hunter, "who influenced me greatly as a writer."[2]

Career

McGregor entered the comics industry with stories in

Felix Mas. After a stint with Marvel, McGregor returned to write another 18 stories for those Warren titles as well as The Rook between 1979 and 1983, with artists including Paul Gulacy, Alfredo Alcala, and Val Mayerik.[4]

Marvel Comics

McGregor became a

proofreader for Marvel Comics in late 1972,[7] earning $125 a week,[2] before establishing himself as a Marvel editor and writer. His first stories for the company were co-writing, with Gardner Fox, the six-page supernatural story "The Man with Two Faces" in Journey into Mystery vol. 2, #4 (April 1973; credited as "Donald F. McGregor"); and, solo, the six-page "A Tomb By Any Other Name", with art by Syd Shores, in Chamber of Chills #5 (July 1973).[4]

He recalled in 2010,

I came to Marvel Comics because I loved Marvel Comics. As the line burgeoned, one of my jobs was to read all the reprint titles. One of the titles was

Black Panther ... to write.[8]

With those two features, which became among comics' most acclaimed,[9][10] McGregor soon established himself as one of a 1970s wave of Marvel writers, including Steve Englehart, Steve Gerber and Doug Moench, who took often minor characters and helped create a writerly Renaissance. Former Marvel editor-in-chief Roy Thomas said in 2007,

[T]here was a lot of invention and experimentation going on during that period ... Steve [Gerber] and Don turned out be [writers] who advanced the field. ... I don't think Don's work sold terribly well, but I always thought he was doing some interesting things, and I thought, 'Well, the kind of stuff we put him on was the kind of stuff that we didn't expect to become great sellers anyway ... So let him experiment with it and see what happens'. And he certainly did a lot of interesting things with it.[11]

McGregor wrote "Killraven, Warrior of the Worlds" in Amazing Adventures vol. 2, #21-39 (Nov. 1973 - Nov. 1976, except for fill-in issues #33 and 38);[10] and "Black Panther" in Jungle Action #6-24 (Sept. 1973 - Nov. 1976, except for #23, a reprint).[12] Comics historian Les Daniels noted that, "The scripts by Don McGregor emphasized the character's innate dignity."[13] Unusually for mainstream comics, the Panther stories were set mostly in Africa, in the Panther's fictional homeland Wakanda rather than in Marvel's usual American settings. As with the futuristic stories of “Killraven”, McGregor's settings were enough outside the Marvel mainstream that he was able to explore mature themes and adult relationships in a way rare for comics at the time.[14] In 2010, Comics Bulletin ranked McGregor's run on Jungle Action third on its list of the "Top 10 1970s Marvels".[15]

Artist

African-American writer-editor Dwayne McDuffie
said of the 1970s "Black Panther" series:

This overlooked and underrated classic is arguably the most tightly written multi-part superhero epic ever. ... It's damn-near flawless, every issue, every scene, a functional, necessary part of the whole. Okay, now go back and read any individual issue. You'll find seamlessly integrated words and pictures; clearly introduced characters and situations; a concise (sometimes even transparent) recap; beautifully developed character relationships; at least one cool new villain; a stunning action set piece to test our hero's skills and resolve; and a story that is always moving forward towards a definite and satisfying conclusion. That's what we should all be delivering, every single month. Don [McGregor] and company did it in only 17 story pages per issue".[17]

He and artist

horror-comics magazine, Creepy
#43 (Jan. 1972), in the story "The Men Who Called Him Monster".

More than two decades after the "Killraven" feature ended, comics historian Peter Sanderson wrote that,

It was writer Don McGregor who transformed the Killraven saga ... into a classic. Of all of Marvel's writers, McGregor has the most romantic view of heroism. Killraven and his warrior band were also a community of friends and lovers motivated by a poetic vision of freedom and of humanity's potential greatness. McGregor's finest artistic collaborator on the series was P. Craig Russell, whose sensitive, elaborate artwork, evocative of Art Nouveau illustration, gave the landscape of Killraven's America a nostalgic, pastoral feel, and the Martian architecture the look of futuristic castles.[19]

McGregor's run on Jungle Action ended when the series was canceled due to low sales.

Morbius the Living Vampire, and created the detective feature "Hodiah Twist", seen in the black-and-white magazines Vampire Tales #2 (Oct. 1973) and Marvel Preview #16: "Masters of Terror" (Fall 1978).[21] McGregor adaptation of Edgar Allan Poe's "The Cask of Amontillado" as a backup story in Marvel Classics Comics #28 (1977) was artist Michael Golden's first published comics work.[22] A Marvel "Bullpen Bulletins" page in 1975 announced McGregor's planned radio drama series, Night Figure, that was to have run on WHBI-FM.[23]

Graphic novel pioneer

Sabre (1978). Cover art by Paul Gulacy. One of the first modern graphic novels, and the first sold through the then-emerging "direct market
" of comic-book stores.

With artist

Sabre: Slow Fade of an Endangered Species, a near-future, dystopian science fiction swashbuckler that introduced the title character. McGregor's work premiered in August 1978, two months before Will Eisner's better-known pioneering graphic novel A Contract with God. Sabre was additionally the first graphic novel sold through the new "direct market" of comic-book stores.[24] It later spun off a 14-issue Eclipse comic-book series.[25]

Also for Eclipse, McGregor wrote Detectives Inc., a pair of graphic novels set in contemporary New York City and starring the interracial private eye team Ted Denning and Bob Rainier. Detectives Inc.: A Remembrance of Threatening Green (1980), with DC Comics artist Marshall Rogers, and Detectives, Inc.: A Terror Of Dying Dreams, with veteran Marvel artist Gene Colan, who would become a frequent collaborator, comprised the series. The first of these two books included the first lesbian characters in mass-market comics.[26]

During this period, McGregor also wrote the two prose works Dragonflame and Other Bedtime Nightmares[27] and The Variable Syndrome.[28]

Later comics

Other work includes the

New Media Publishing's Fantasy Illustrated (1982), "The Hounds of Hell Theory", starring the husband-and-wife detective team Alexander and Penelope Risk, with artist Tom Sutton.[29]

McGregor revisited the Black Panther with Colan in "Panther's Quest", published as 25 eight-page installments within the biweekly omnibus series

Blade #1–3 (Nov. 1998–Jan. 1999), starring the Marvel Comics vampire-slayer; the 14-page Morbius, the Living Vampire story "Desiring Martine", with artist Mike Dringenberg, in the Marvel one-shot Strange Tales: Dark Corners #1 (May 1998); and various issues of such Topps Comics licensed properties as Mars Attacks!, James Bond, the Lone Ranger, and The X-Files.[4] McGregor wrote "Thin Edge of a Dime", a Batman Black and White backup story, in Batman: Gotham Knights #28 (June 2002) which was illustrated by Dick Giordano.[31]

As well, McGregor is one of the primary writers of the

Black Panther Annual #1, released in February 2018.[32]

Bibliography

Dark Horse Comics

DC Comics

Dynamite Entertainment

Eclipse Comics

HM Communications, Inc.

Image Comics

  • Zorro: The Dailies, First Year (2001)

Marvel Comics

NBM Publishing

New Media/Irjax

  • Fantasy Illustrated #1 (1982)

Topps Comics

Vanguard Productions

  • The Spider: Scavengers of the Slaughtered Sacrifices
    (2002)

Warren Publishing

  • Creepy #41, 43, 54, 57–58, 72, 130, 141, 143, 145 (1971–1983)
  • Eerie #37–38, 40, 45, 49, 103–105, 120–123, 138 (1972–1983)
  • The Rook Magazine #12 (1981)
  • Vampirella #15, 18, 21, 27, 37, 106, 108 (1972–1982)

See also

  • List of African-American firsts

References

  1. ^ a b c "Home of The Silver Screen Cowboys: Zorro Creators Page: Biography Information: Don McGregor". CowboyPal.com. n.d. Archived from the original on July 16, 2011. Retrieved October 9, 2011.
  2. ^ .
  3. ^ McGregor, Don. "Roy Thomas Hired Me to Work on Staff at Marvel", DonMcGregor.com, 13 March 2013. Accessed 25 March 2018.
  4. ^
    cover-dated Dec. 1964), #48 (March 1966), #74 (May 1968), #80 (Nov. 1968), #86 (May 1969), and #91 (Oct. 1969); and The Amazing Spider-Man
    #77 (Oct. 1969)
  5. ^ Donald F. McGregor at the Grand Comics Database
  6. ^ "Don McGregor". The Warren Magazines: Interviews (requires scrolling down). February 3, 2010. Archived from the original on September 11, 2009. Retrieved September 22, 2010..
  7. ^ Bullpen Bulletins: "Four or Five Phenomenal Flashes, Fitfully Fashioned to Fight Lethargy (Or: Those Wedding Bells are Waking Up that Old Gang of Mine)", in Marvel Comics cover-dated March 1973, including Sgt. Fury and his Howling Commandos #108.
  8. ^ McGregor, Masterworks, p. vii
  9. ^ In addition to contemporaneous reviews in the 1970s, latter-day reviews include:
    • Gage, Chris: "Don McGregor took over the 'Killraven' writing chores, and was joined soon after by P. Craig Russell. With their combined talents, and the freedom that comes with working on a low-selling book that could be cancelled at any moment, the two of them produced a groundbreaking series that explored philosophy, madness, love, violence, and the nature of freedom". — "Killraven 1 (of 6)". (review), FeoAmante.com. 2002. Archived from the original on February 23, 2011.
    • Sangiacomo, Michael: "Though quite a few folks had their hand in the original run back in Amazing Adventures, it was the words-and-pictures team of Don McGregor and P. Craig Russell that made my tentacles twitch. ... a classic". — "JiC: Looking Over the January Rack". Newsarama. January 25, 2003. Archived from the original on September 29, 2007.
    • Vance, Michael: "As his work progressed, readers saw P. Craig Russell take artistic ownership of 'Killraven'. ... Much like Jim Steranko's work on Marvel's Nick Fury, Agent of S.H.I.E.L.D, events flowed through some pages in a style that was as reminiscent of fine art as it was of comic art. Also impressive was his sense of design. Russell arguably produced some of the most imaginative, and visually horrific, monsters and villains in Marvel's history. Don McGregor handled the writing for this issue-run, and credit must be given to his involved plots, as well as his ability to pack a lot of story into a 32-page pamphlet". — "Amazing Adventures". "Suspended Animation" (column), SciFiDimensions.com. August 17, 2001. Archived from the original on July 18, 2007.
  10. ^
    ISBN 978-0-7566-4123-8. Marvel's 'War of the Worlds' series in Amazing Adventures became a true classic when Don McGregor took over as writer. {{cite book}}: |first2= has generic name (help)CS1 maint: multiple names: authors list (link
    )
  11. ^ Alter Ego vol. 3, #70 (July 2007), p. 54
  12. ^ Sanderson "1970s" in Gilbert (2008), p. 160: "Marvel assigned Don McGregor, a uniquely talented writer, to write this series. McGregor's initial idea for this Black Panther series was an ambitious thirteen-part storyline."
  13. .
  14. ^ Sacks, Jason; Elkin, Daniel (2013). "Don McGregor on 'Killraven,' Part Two: The Surreal Life of a Comics Writer". Comics Bulletin. Archived from the original on June 29, 2013. Retrieved July 22, 2013. CB Jason: So it's weird because you were off in your own corner of the universe, but at the same time they were still paying attention to you.
    McGregor: Well yeah, they were, yeah. I was called into the editorial office I don't know how many times.
  15. ^ Sacks, Jason (September 6, 2010). "Top 10 1970s Marvels". Comics Bulletin. Archived from the original on August 1, 2013. Retrieved August 3, 2013.
  16. ^ "Rich Buckler interview". Adelaide Comics and Books. 2004. Archived from the original on January 11, 2008. .
  17. ^ McDuffie, Dwayne. "To Be Continued". (circa October 1999). Column #3. Dwayne McDuffie official site. Archived from the original on March 17, 2002. Retrieved June 14, 2019.
  18. .
  19. , p. 175
  20. . [Gerry] Conway insisted that the decision was purely financial, that poor sales had combined with blown deadlines (and subsequent late fees charged by the printer) to create a money-losing endeavor.
  21. ^ Nevins, Jess. "Hodiah Twist" at A Guide to Marvel's Pre-FF #1 Heroes. Archived October 26, 2009, at the Wayback Machine
  22. .
  23. ^ Bullpen Bulletins: "A Gargantuan Gallery of Garulous [sic] Goings-On Guaranteed to Garner Your Gratitude!", in Marvel Comics cover-dated November 1975, including Fantastic Four #164.
  24. ^ Gough, Bob (2001). "Interview with Don McGregor". MileHighComics.com. Archived from the original on July 16, 2011. Retrieved September 13, 2011.{{cite web}}: CS1 maint: bot: original URL status unknown (link) Gough: "In 1978, Sabre was the first graphic novel to be sold in comic stores."
  25. ^ Sabre (Eclipse, 1982 series) at the Grand Comics Database
  26. ^ "The 1980s". Gay League. Archived from the original on June 28, 2015. Retrieved August 28, 2015.
  27. .
  28. .
  29. ^ Smith, Kevin Burton. "Alexander and Penelope Risk". ThrillingDetective.com. Archived from the original on September 17, 2007. Retrieved August 28, 2015.
  30. ISBN 978-0-7566-9236-0. Writer Don McGregor and artist Marshall Rogers created one of the most original Spidey stories of the year with this two-part tale. The story told of events that happened after bullied 12-year-old Elmo Oliver found a gun dropped by a bad guy during a shootout ... Once again, a Spider-Man story provided a platform for real-life issues. {{cite book}}: |first2= has generic name (help)CS1 maint: multiple names: authors list (link
    )
  31. . In 'Thin Edge of a Dime,' written by Don McGregor, the Dark Knight persuades a desperate older gentleman from taking his own life.
  32. ^ Sava, Oliver (February 15, 2018). "Iconic creators return to Wakanda in this Black Panther Annual exclusive". The A.V. Club. Archived from the original on June 13, 2018.

External links

Preceded by "Morbius" feature in
Vampire Tales writer

1973–1974
Succeeded by
n/a
Preceded by Amazing Adventures vol. 2 writer
1973–1976
Succeeded by
n/a
Preceded by Power Man writer
1975–1976
Succeeded by
Marv Wolfman