nightclubs. Drag queens vary by type, culture, and dedication, from professionals who star in films and spend a lot of their time in their drag personas, to people who do drag only occasionally. Women who dress as men and entertain by imitating them are called drag kings
.
Those who do occasional drag may be from other backgrounds than the LGBT community. There is a long history of
theatrical
crossdressing that involves people of all orientations. Not everyone who does drag at some point in their lives is a drag queen or a drag king.
Terminology, scope, and etymology
Drag queens from Buenos Aires advertising a nightclub, 1995
Drag
Drag refers to an entertainment style wearing stylized clothing. Most commonly, it is men wearing women's clothing cross-dressing, generally for the purpose of a performance.[1][2]
The origin of the term drag is uncertain.[3] The first recorded use of drag in reference to actors dressed in women's clothing is from 1870.[4] It may have been based on the term "grand rag" which was historically used for a masquerade ball.[5]
Drag queens and kings
In 1971, an article in
transvestite" who is hyperfeminine, flamboyant, and militant.[6][7] Drag queens were further described as having an attitude of superiority, and commonly courted by heterosexual men who would "not ordinarily participate in homosexual relationships".[6][7] While the term drag queen implied "homosexual transvestite", the term drag carried no such connotations.[8]
In the 1970s, drag queen was continually defined as a "homosexual transvestite".[9]Drag was parsed as changing one's clothes to those of a different sex, while queen was said to refer to a homosexual man.[9]
For much of history, drag queens were men, but in more modern times, cisgender and trans women, as well as non-binary people, also perform as drag queens.[10][11][12][13] In a 2018 article, Psychology Today stated that drag queens are "most typically gay cisgender men (though there are many drag queens of varying sexual orientations and gender identities)".[14]
Examples of trans-feminine drag queens, sometimes called trans queens,
female drag queens are sometimes called faux queens or bioqueens, though critics of this practice assert that faux carries the connotation that the drag is fake, and that the use of bioqueen exclusively for cisgender females is a misnomer since trans-feminine queens exhibit gynomorphic features.[16][17]
Drag queens' counterparts are
drag kings: performers, usually women, who dress in exaggeratedly masculine clothing. Examples of drag kings include Landon Cider
. Trans men who dress like drag kings are sometimes termed trans kings.
The term female impersonator was commonly used in the past. In 1972, Esther Newton described a female impersonator as a "professional drag queen".[9] She considered the term female impersonator to be the one that was (then) widely understood by heterosexual audiences.[9]
Female impersonation can be traced back at least as far as ancient Greece. There was little to no gender equity then and women held a lower social status. This meant male actors would play female roles during theatrical performances.[18] This tradition continued for centuries but began to be less prevalent as motion pictures became popular. During the era of vaudeville it was considered immodest for women to appear on stage. Due to that circumstance, some men became famous as "female impersonators", the most notable being Julian Eltinge. At the peak of his career he was one of the most sought after and highest paid actors in the world.[19]Andrew Tribble was another early female impersonator who gained fame on Broadway and in Black Vaudeville. [20]
Female impersonation has been and continues to be illegal in some places, which inspired the drag queen José Sarria to hand out labels to his friends reading, "I am a boy", so they could not be accused of female impersonation.[21] American drag queen RuPaul once said, "I do not impersonate females! How many women do you know who wear seven-inch heels, four-foot wigs, and skintight dresses?" He also said, "I don't dress like a woman; I dress like a drag queen!"[22]
Some drag queens may prefer to be referred to as "
Regis and Kathie Lee; I don't care! Just so long as you call me."[24]
Drag queens are sometimes called transvestites, although that term also has many other connotations than the term drag queen and is not much favored by many drag queens themselves.[25] The term tranny, an abbreviation of the term transvestite, has been adopted by some drag performers, notably RuPaul,[26] and the gay male community[27] in the United States, but it is considered offensive to most transgender and transsexual people.[28]
Many drag performers refer to themselves as drag artists, as opposed to drag queens, as some contemporary forms of drag have become
Among drag queens and their contacts today, there is an ongoing debate about whether transgender drag queens are actually considered "drag queens". Some argue that, because a drag queen is defined as a man portraying a woman, transgender women cannot be drag queens.
female queens, which are people who perform their own biological sex through a heightened or exaggerated gender presentation.[31][32][33]
History of drag
Ancient Greece
The concept of drag can be seen in the earliest forms of entertainment, including Ancient Greek theatre. In ancient western cultures, women often were not allowed to perform onstage or become actors, therefore male actors played the roles of women also.[34] This demonstrates how female impersonation can be traced back to the earliest forms of entertainment and spectacle. Not only this, but men and boys were expected to dress as women, or in drag, for many religious ceremonies and rituals in Ancient Greece.[35]
There is some controversy as to whether this is actually where drag emerged, or if it occurred later in history in the 1800s with forms of entertainment such as minstrel shows and Shakespeare's plays, as he often incorporated male actors as female impersonators.[34]
Canada
In the 1940s John Herbert, who sometimes competed in drag pageants, was the victim of an attempted robbery while he was dressed as a woman.[36][nb 1] His assailants falsely claimed that Herbert had solicited them for sex,[36] and Herbert was accused and convicted of indecency[36] under Canada's same-sex sexual activity law (which was not repealed until 1969).[39] After being convicted, Herbert served time in a youth reformatory in Guelph, Ontario.[37][40][41][nb 2] Herbert later served another sentence for indecency at reformatory in Mimico.[36] Herbert wrote Fortune and Men's Eyes in 1964 based on his time behind bars.[41] He included the character of Queenie as an authorial self-insertion.[36][citation needed]
In 1977 the Canadian film Outrageous!, starring drag queen Craig Russell, became one of the first gay-themed films to break out into mainstream theatrical release.
Section 377 of the Indian Penal Code to consensual homosexual sex between adults was unconstitutional, "irrational, indefensible and manifestly arbitrary".[43] Since then, drag culture in India has been growing and becoming the mainstream art culture. The hotel chain of Lalit Groups spaced a franchise of clubs where drag performances are hosted in major cities of India such as Mumbai, Delhi, and Bangalore
Lebanon is the only country in the Arab world with an increasingly visible drag scene.
Rupaul's Drag Race, Beirut's drag scene has adopted various influences that blend American drag culture with local, unique cultural elements.[57] The drag scene has grown so much that in 2019 Vogue magazine declared it a drag-aissance.[58]
Philippines
Before being colonized by Spain in the mid-1500s, it was a national custom for men to dress in women's clothing.[59] However, when the Spaniards arrived, they not only outlawed homosexuality but executed men that appeared to be homosexual. Spain cast a culture of Machismo onto the Philippines, causing any kind of queerness and queer culture to be heavily suppressed.[59]
Nonetheless, in the early 1900s drag started to reappear in the media. Drag became a key element of national pantomime theatre and as time went on, drag queens appeared in other forms of theatre and in movies.[59]
South Africa
Drag in South Africa emerged in the 1950s in major cities such as Johannesburg and Cape Town.[60] It started in the form of underground pageants which created a safe space for members of the LGBTQ+ community in Apartheid South Africa, where people could be punished by law for being gay.[60] Being gay was not legalized in South Africa until 1998, so pageants, such as the famous Miss Gay Western Cape, did not become official until the late 1990s.[61]
Discrimination against drag is widespread in South Africa, and drag queens face the threat of violence by being openly gay. Furthermore, there is not language to explore queerness in Xhosa, one of the indigenous languages of South Africa.[62]
Thailand
After homosexual acts were decriminalized in Thailand in 1956, gay clubs and other queer spaces began opening which lead to the first cabaret. However, drag in Thailand was actually heavily influenced by drag queens from the Philippines as the first drag show started after the owner of a gay club saw drag queens from the Philippines perform in Bangkok.[63] Therefore, drag shows started in Thailand in the mid-1970s and have become increasingly popular over time, especially in major cities like Bangkok.[63]
United Kingdom
In
grande dame" who was mainly used for improvisation.[66] A notable, and highly successful, pantomime dame from this period was Dan Leno
.
Beyond theatre, in the 1800s, Molly houses became a place for gay men to meet, often dressed in drag.[67] Despite homosexuality being outlawed, men would dress in women's clothing and attend these taverns and coffee houses to congregate and meet other, mostly gay, men.[67]
By the mid-1900s, pantomime, and the use of pantomime dames, had declined,[65] although it remains a popular Christmas tradition.[68] The role of the dame, however, evolved to become more about the individual performer. Many female impersonators built up their own fan bases, and began performing outside of their traditional pantomime roles.[69]
United States
First drag balls
The first person known to describe himself as "the queen of drag" was
Washington, DC attended by other men who were formerly enslaved. The balls were often raided by the police, as documented in the newspapers.[70] In 1896, Swann was convicted and sentenced to 10 months in jail on the false charge of "keeping a disorderly house" (a euphemism for running a brothel). He requested a pardon from President Grover Cleveland, but was denied.[70]
Minstrel shows
The evolution of drag in the United States was influenced by minstrel shows.[71] These shows were an example of how Blackface was used in a racist form of entertainment where the performers would mock African American men, but as time went on they found it amusing to mock African American women as well. They performed in comedic skits, dances, and "wench" songs.[72] Black people themselves were largely excluded from being performers as at this point in history.[73] Blackface in minstrel shows emerged in c. 1820, but became more established with the creation of the character of Jim Crow, which was first performed in 1828.[73] After the Civil War, performance troupes began to be composed of Black performers. The shows maintained popularity in American entertainment into the 1920s.[74]
Vaudeville and female impersonators
Julian Eltinge as a female impersonator in the Fascinating Widow, early 1910s
The broad comedic stylings of the minstrel shows helped develop the
castrati.[72][failed verification] With the United States shifting demographics, including the shift from farms to cities, Great Migration of African Americans, and an influx of immigrants, vaudeville's broad comedy and music expanded the audience from minstrelsy.[71]
With vaudeville becoming more popular, it allowed female impersonators to become popular as well. Many female impersonators started with low comedy in vaudeville and worked their way up to perform as the prima donna.[65] They were known to perform song and dance routines with multiple outfit changes.[71]George W. Munroe, who was known for portraying gossipy old Irish women,[76] started in vaudeville in the late 19th century, and became a Broadway star; portraying the title role in the musical The Doings of Mrs. Dooley at the Grand Opera House in 1902.[77] Other vaudeville female impersonators included Gilbert Sarony as his female character Giddy Gusher, Neil Burgess as the Widow Bedotte, and the Russell Brothers who portrayed Irish maids.[76]
In New York City, famous female impersonator Julian Eltinge found success, and he eventually made his way to the Broadway stage performing as a woman.[65] He published a magazine, Magazine and Beauty Hints (1913), which provided beauty and fashion tips, and he posed for corset and cosmetics advertisements.[71] Meanwhile, in San Francisco, Bothwell Browne was the top female impersonator of the West Coast. He performed at the Grand Opera House and Central Theater, among other venues, went on tour with United Vaudeville, and later appeared in the film Yankee Doodle in Berlin (1919), produced by Mack Sennett.[78]
At this time being a female impersonator was seen as something for the straight white male, and any deviation was punished.[71] However, African-American comedian Andrew Tribble found success as a female impersonator on Broadway and in Black Vaudeville. Connection with sex work and homosexuality eventually led to the decline of vaudeville during the Progressive Era.[71] Both the minstrelsy and vaudeville eras of female impersonation led to an association with music, dance, and comedy that still lasts today.[65]
Night clubs
In the early to mid-1900s, female impersonation had become tied to the
nightclubs to play with the boundaries of gender and sexuality and it became a place for the LGBT community, especially gay men, to feel accepted.[80]
As LGBT culture has slowly become more accepted in American society, drag has also become more, though not totally, acceptable in today's society.[66] In the 1940s and 1950s, Arthur Blake was one of the few female impersonators to be successful in both gay and mainstream entertainment, becoming famous for his impersonations of Bette Davis, Carmen Miranda, and Eleanor Roosevelt in night clubs.[81][82] At the invitation of the Roosevelts, he performed his impersonation of Eleanor at the White House.[83][81] He impersonated Davis and Miranda in the 1952 film Diplomatic Courier.[84]
Cooper Donuts Riot was a May 1959 incident in Los Angeles in which drag queens, lesbians, transgender women, and gay men rioted; it was one of the first LGBT protests in the United States.[85]
The Compton's Cafeteria riot, which involved drag queens and others, occurred in San Francisco in 1966.[86] It marked the beginning of transgender activism in San Francisco.[86]
On 17 March 1968, in Los Angeles, to protest entrapment and harassment by the Los Angeles Police Department, two drag queens known as "The Princess" and "The Duchess" held a St. Patrick's Day party at Griffith Park, a popular cruising spot and a frequent target of police activity. More than 200 gay men socialized through the day.[87]
During the summer of 1976, a restaurant in Fire Island Pines, New York, denied entry to a visitor in drag named Terry Warren. When Warren's friends in Cherry Grove heard what had happened, they dressed up in drag, and, on 4 July 1976, sailed to the Pines by water taxi. This turned into a yearly event where drag queens go to the Pines, called the Invasion of the Pines.[90]
In 2019, Maebe A. Girl became the first drag queen elected to public office in the United States when she was elected to the Silver Lake Neighborhood Council.[93][94][95]
Drag families are a part of ball culture and drag houses.[96] In ball culture, drag queens usually all share the same last name of the drag house or drag family they belong to.[97] Members of a drag house may live together, but are called families because of the values of support and community in drag culture.[98] It is also rooted in the concept of 'chosen family' as queer people have been historically disowned or outcast by their relatives and so find love and camaraderie in the LGBTQ+ community, which is especially true for those in the drag community.[99]
Drag mother
A drag queen may either pick a drag name, or be given it by a friend or a "drag mother".[100] Drag mothers often come to lead their drag house, or start their own, and are more experienced and acclaimed members of the drag community. As such, drag mothers and drag daughters have a mentor-apprentice relationship. This is because drag mothers help hone the skills of their younger queens, or drag daughters, by teaching them things such as how to apply makeup, walk in heels, sew clothing, dance, sing etc. In addition to this, drag mothers also promote their drag children at events and performances.[97]
Art of drag
2014 Eurovision Song Contest
The process of getting into drag or into character can take hours. A drag queen may aim for a certain style, celebrity impression, or message with their look. Hair, make-up, and costumes are the most important essentials for drag queens.[101] Drag queens tend to go for a more exaggerated look with a lot more makeup than a typical woman would wear.
Some people do drag simply as a means of self-expression,[14][102] but often drag queens (once they have completed a look) will go out to clubs and bars and perform in a "drag show".[103] Many drag queens dress up for money by doing different shows, but there are also drag queens that have full-time jobs but still enjoy dressing up in drag as a hobby.[104]
Many parts of the drag show, and of the drag queens' other intellectual properties, cannot be protected by intellectual property law. To substitute the lack of legal protection, drag queens revert to social norms in order to protect their intellectual property.[105]
A drag show is a piece of entertainment consisting of a variety of songs, monologues or skits featuring either single performers or groups of performers in drag meant to entertain an audience.[106] They range from amateur performances at small bars to elaborately staged theatrical presentations.[107] Many drag shows feature performers singing or lip-synching to songs while performing a pre-planned pantomime, or dancing. The performers often don elaborate costumes and makeup, and sometimes dress to imitate various famous female singers or personalities. Some events are centered around drag, such as Southern Decadence where the majority of festivities are led by the Grand Marshals, who are traditionally drag queens.[108]
In 2020 the first West End play to feature an all drag cast, Death Drop, launched at the Garrick Theatre in London. Produced by Tuckshop and Trafalgar Entertainment it was written by drag performer Holly Stars and starred Courtney Act, Monet X Change, Latrice Royale, Willam, Holly Stars, Anna Phylactic, LoUis CYfer, Don One, Kemah Bob, Myra Dubois and Vinegar Strokes and was directed by Jesse Jones. The show ran for a number of weeks in November and December 2020 before being closed due to a COVID lockdown in London. The show reopened on 19 May 2021 and ran until its scheduled end date of 11 July 2021. Death Drop received 5-star reviews from many publications including Gay Times[109] and Attitude magazine[110] and was widely celebrated for breaking new ground in theatrical drag performance.[111][112][113]
While some male music celebrities wear exaggerated feminine clothing as part of their show, they are not necessarily drag queens. An example of a band that utilised drag as part of their stage act was the New York Dolls. Similarly, English new wave singer Boy George wears drag queen style clothes and cosmetics but he once stated he was not a drag queen.[115] However, RuPaul is a professional drag queen performer and singer.[116]
Examples of songs where lyrics refer to drag queens:
"Lola" by The Kinks (or possibly a transgender woman)
Drag queen Don McLean (drag name Lori Shannon)[117] appeared in three episodes of the CBS sitcom All in the Family as drag queen Beverly LaSalle: "Archie the Hero" (1975), in which Archie Bunker gives her mouth-to-mouth resuscitation, not realizing she is male; "Beverly Rides Again" (1976), in which Archie uses her to play a practical joke on a friend; and "Edith's Crisis of Faith, Part 1" (1977), in which her murder leads Edith Bunker to question her faith in God. The role was noteworthy for its uncommonly respectful and sympathetic treatment of Beverly as a "transvestite".[118][71][119]
British entertainer
Lily Savage: an over the top, glamorous diva character for comedic effect.[120]
HIV-positive and Sexton as Clarabelle Otterhead, the president of an anti-gay lobby group called Citizens Outraged by Weird Sex (or COWS).[122]
American Idol featured a drag queen, Adam Sanders (drag name Ada Vox) as one of its contestants.[125] He made it to the top ten.[125]
In 2018,
Celebrity Big Brother featured Queen Shane Jenek (drag name Courtney Act) as one of its contestants, placing first in the season with 49.43% of the public vote.[126][citation needed
]
Also in 2018,
So You Think You Can Dance featured Jay Jackson (drag name Laganja Estranja) as one of its contestants.[127]
The
Dancing Queen, also released in 2018, starred Justin Johnson (drag name Alyssa Edwards) and his dance studio, Beyond Belief Dance Company.[128]
A 2018 episode of The Simpsons, titled "Werking Mom", featured many drag queens, including cameos from RuPaul and Raja (the season three winner of RuPaul's Drag Race).[129]
Dragnificent! is a television series on the American network TLC. The show started as a special branded as Drag Me Down the Aisle which aired on 9 March 2019.[130] It features Alexis Michelle, BeBe Zahara Benet, Jujubee, and Thorgy Thor, four drag queens who are all RuPaul's Drag Race alumnae, helping an engaged woman to plan her upcoming wedding.[131] On 15 January 2020, TLC announced that it had given a full season run to Dragnificent!, a new show to be based on the Drag Me Down the Aisle special.[132] The series premiered on 19 April 2020.
The Netflix show AJ and the Queen, released in 2020, followed "Ruby Red, a bigger-than-life but down-on-her-luck drag queen [played by RuPaul] who travels across America from club to club in a rundown 1990s R/V with her unlikely sidekick AJ, a recently orphaned, tough-talking, scrappy ten-year-old stowaway. As the two misfits travel from city to city, Ruby's message of love and acceptance winds up touching people and changing their lives for the better."[133][134]
In 2020 RuPaul became the first drag queen to host Saturday Night Live, though he was not in drag at the time.[135]
In 2020-21 British drag queen Holly Stars wrote and performed in two seasons of a mockumentary series, Holly Stars: Inspirational, broadcast on OutTV,[136] Froot TV and Amazon Prime.
While drag queens are entertainers, they play a role in educating people on gender roles and stereotyping. Professor Stephen Schacht of Plattsburgh State University of New York began introducing his and his students' experiences of attending a drag show to his gender/sexualities class to challenge his students' ideas of dichotomy. Over time he began inviting students to attend with him. He gathered from his students that after attending the drag show they had a new appreciation for gender and sexuality and often become very vocal about their new experiences in the classroom.[137]
With children
Marti Gould Cummings said something similar when a video of them performing "Baby Shark" at a drag brunch event went viral.[139] "Anyone who thinks drag isn't for children is wrong," said Cummings, "Drag is expression, and children are such judgment-free beings; they don't really care what you're wearing, just what you're performing."[139] As of May 2019, the video has been viewed over 806,000 times.[138]
West responded to critics who question if children are too young to experience drag, saying "Drag is an opportunity for anyone – including and especially children – to reconsider the masks we are all forced to wear daily."[138] West added, "Children are inundated with implicit imagery from media about what is 'boy' and what is 'girl.' And I believe that almost all kids are really less concerned about playing with a toy that's supposedly aligned to their gender, and more concerned with playing with toys that speak to them."[138]
John Casey, an adjunct professor at
The Advocate,
"[Drag queens] are incredibly talented, and they are trying to live their lives, and in the process, brighten the lives of those around them. That's the message parents should be communicating to their kids, at any age. It's all about acceptance and being loved for who you are."[140]
Separately from kids watching drag, the phenomena of drag kids is relatively recent,[vague]The New York Times in September 2019 published a guess that a there are about a hundred children who do drag in the U.S., with Desmond is Amazing being the one with the most followers.[141] The mainstream access to drag queens on television exponentially increased in 2009 when RuPaul's Drag Race started airing.[142][143]
However, as of 2022, exposing kids to drag has become somewhat controversial. Lawmakers in states such as Arizona, Florida, and Texas are attempting to ban minors from attending drag shows and punish parents who expose their kids to drag.
lavender scare of the 1950s.[145][146] Those who disagree with the accusations have argued that drag queens provide a safe and creative environment for young children, especially LGBTQ+ children, and are a source of both education and entertainment.[144]
Story time in libraries
In December 2015, Radar Productions and Michelle Tea developed the concept of Drag Queen Story Hour.[147] Launched at the San Francisco Public Library, Drag Queen Story Hour was adopted by the Brooklyn Public Library in the summer of 2016, and has since traveled to various libraries, museums, bookstores, recreation centers, and parks across the United States, Canada, and the United Kingdom.[148]
Such events sometimes prompt opposition against the libraries and organizers.
which?] and organize counter protests (when private security is not available) to keep protesters out of the building. This usually leads to the presence of police to ensure both groups don't harm each other.[152]
Societal reception
Drag has come to be a celebrated and important aspect of modern gay life,[105] but has also been criticized for degrading women.[153] In the era of second-wave feminism some women "were angry and appalled by what they perceived as the charade of femininity expressed by some drag queens and transsexual women."[154] These critics compared drag to blackface and saw it "as a kind of gender minstrel."[154]
Many gay bars and clubs around the world hold drag shows as regular events or for special parties. Several "International Drag Day" holidays have been started over the years to promote the shows. In the United States, Drag Day is typically celebrated in early March.
A televised drag competition,
Primetime Emmy Award for Outstanding Host for a Reality or Reality-Competition Program in the same year.[156][157][158]
RuPaul received a star on the Hollywood Walk of Fame for his contributions to the television industry on 16 March 2018, making him the first drag queen to be given such an award.[159][160]
Moral panic
A moral panic called drag panic has emerged in the United States in relation to drag queen performers. It alleges that contact between children and drag queens would involve drag queens attempting to molest them or indoctrinate them into the "queer way of life".[161] This moral panic has also been linked to the LGBT grooming conspiracy theory, also from the United States.[162][163]
^One source asserts that the attack occurred in 1947,[36] another is vague on the timing,[37] and The New York Times obituary of Herbert asserts that it occurred during Herbert's teens.[38] The cause of the confusion may be the conflation of this arrest with Herbert's subsequent arrest for gross indecency. He served another sentence for indecency at reformatory in Mimico in 1948.[36]
^One source states that Herbert was imprisoned for six months at Guelph,[37] while another states that he spent four months there.[36]
References
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^Joseph, Channing Gerard (20 May 2021). "William Dorsey Swann". African American National Biography. Oxford African American Studies Center. Archived from the original on 2 September 2021. Retrieved 26 May 2021.
^ abBrewster, Lee G.; Gybbons, Kay; McAllister, Laura, eds. (1971). "Drag Queen vs. Transvestite". Drag Queens: A Magazine About the Transvestite. Vol. 1, no. 1. New York, NY: Queens Publications. pp. 11–12.
^ abBrewster, Lee G.; Gybbons, Kay; McAllister, Laura, eds. (1971). "Drag Queen vs. Transvestite". Drag: A Magazine About the Transvestite. Vol. 1, no. 4. New York, NY: Queens Publications. pp. 29–30.
^Brewster, Lee G.; Gybbons, Kay; McAllister, Laura, eds. (1971). "Editorial: Drag". Drag: A Magazine About the Transvestite. Vol. 2, no. 6. New York, NY: Queens Publications. p. 4.
^Coull, Jamie Lee (2015). Faux Queens: an exploration of gender, sexuality and queerness in cis-female drag queen performance (PhD). Curtin University.
^"Understanding Drag". transequality.org. National Center for Transgender Equality. 28 April 2017. Archived from the original on 10 March 2018. Retrieved 13 March 2018.
^Musto, Michael (12 November 2010). "Is "Tranny" So Bad?". Blogs.villagevoice.com. Archived from the original on 4 October 2013. Retrieved 6 October 2013.
^"Is 'Tranny' Offensive?". The Bilerico Project. 9 September 2008. Archived from the original on 4 October 2013. Retrieved 6 October 2013.
^Heritage, Canadian (23 October 2017). "Rights of LGBTI persons". www.canada.ca. Archived from the original on 5 January 2019. Retrieved 15 March 2022.
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^Tremblay, Michel (1991) [1973]. Hosanna. Translated by Van Burek, John; Glassco, Bill. Vancouver, BC: Leméac Éditeur.
^Rajagopal, Krishnadas (7 September 2018). "SC decriminalises homosexuality". The Hindu. Archived from the original on 30 July 2020. Retrieved 27 March 2020 – via www.thehindu.com.
^Christopher, David (2002). "British Culture: An Introduction", p. 74, Routledge; and "It's Behind You"Archived 15 August 2017 at the Wayback Machine, The Economist, 20 December 2014
^ abBoyd, Nan Alamilla (2004). "San Francisco" in the Encyclopedia of Lesbian, Gay, Bisexual and Transgendered History in America, Ed. Marc Stein. Vol. 3. Charles Scribner's Sons. pp. 71–78.
^"About Drag Queen Story Hour". Drag Queen Story Hour – drag queens reading stories to children in libraries, schools, and bookstores. Drag Queen Story Hour. Archived from the original on 2 June 2017. Retrieved 22 June 2017.
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