Duke (album)

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Duke
Studio album by
Genesis
Released28 March 1980
RecordedOctober–December 1979
StudioPolar, Stockholm, Sweden
Genre
Length55:06
Label
Producer
Genesis chronology
...And Then There Were Three...
(1978) 		Duke
(1980) 		Abacab
(1981)
Singles from Duke
  1. "Turn It On Again"
    Released: 3 March 1980 (UK)[1]
  2. "Duchess"
    Released: 9 May 1980 (UK)
  3. "Misunderstanding"
    Released: May 1980 (US)

Duke is the tenth studio album by English rock band Genesis, released on 28 March 1980 on Charisma Records. The album followed a period of inactivity for the band in early 1979. Phil Collins moved to Vancouver, Canada, in an effort to salvage his failing first marriage, while Tony Banks and Mike Rutherford recorded solo albums. Collins returned to the UK after his marriage ended and wrote a significant amount of material, some of which was used for Duke and some was later reworked for his first solo album, Face Value. Duke contained a mix of individually written songs and tracks that evolved from jam sessions in mid-1979, while recording took place at the end of the year. The break in activity rejuvenated the band, and they found the album an easy one to work on.

Duke was positively received by music critics, who praised the album for bridging the band's progressive rock-oriented past, such as the closing ten-minute "Duke's Travels"/"Duke's End" suite, with their more pop rock-oriented, commercially accessible direction, as displayed on the hit singles "Turn It On Again", "Duchess", and "Misunderstanding". It reached No. 11 in the US, and became their first album to reach No. 1 in the UK. It has since been certified Platinum in both countries.

Background

By 1978, Genesis were a trio of lead singer and drummer Phil Collins, keyboardist Tony Banks and guitarist/bassist Mike Rutherford. They had survived the departure of original frontman Peter Gabriel and guitarist Steve Hackett and released the album ...And Then There Were Three..., which included the top ten single "Follow You Follow Me".[2] The group were still touring successfully, and enjoyed the songwriting collaborations between the three of them. They decided to take a break before writing and recording a new album, which would be largely group-written in a rehearsal room, without many pre-conceived ideas.[3]

The group's touring schedule had put particular pressure on Collins, whose marriage was at risk of collapse due to him being away from home frequently. His wife, Andrea, had warned him that if he committed himself to the full

Tony Smith. He said he was moving to Vancouver to try and rebuild his family, and that the group would have to accommodate this.[6] In an interview for Sounds, Collins said, "I went off for two months to try and sort things out ... I was never going to leave the band. It was just that if I was going to be living in Vancouver then we'd have had to organise ourselves differently."[7] He also noted that the individual members of his side project Brand X were geographically dispersed.[7]

Banks and Rutherford suggested the band take an extended hiatus, hoping Collins would save his marriage and that the band could work with him in Vancouver.[6] Banks recorded his solo album A Curious Feeling at Polar Studios in Stockholm with Genesis touring drummer Chester Thompson and singer Kim Beacon,[8] while Rutherford also recorded his first solo album, Smallcreep's Day, at the same studio.[7] In April 1979, Collins returned to the UK after the attempt to salvage his marriage failed. With time to spare before working on the next Genesis album, he gigged with Brand X, and began work on demo tracks for what became his first solo album Face Value at his home in Shalford, Surrey. As well as playing piano and synthesizers, he had recently picked up a Roland CR-78 drum machine and become interested in the possibilities of electronic drums.[7][9][a]

Writing and recording

Duke was the last Genesis album to be co-produced by David Hentschel.

In autumn 1979, Banks and Rutherford moved in with Collins in Shalford to start rehearsals on Duke. Collins had written a large number of songs, but he felt many of them would not suit Genesis, while Banks and Rutherford were short of material having just recorded their solo albums.

Beach Boys feel.[14]

The group found the writing process easier and more enjoyable than ...And Then There Were Three..., which was primarily songs written in advance individually by the members. Rutherford summarised his time writing songs for Duke as "getting back to the basic stage of ideas being worked on jointly".[7] Banks reasoned much of the band's refreshed attitude was down to not having worked together in a while, which resulted in good ideas being put forward, something that he said had not happened for some time.[7] Collins felt the band interacted "as a group much better ... there's definitely a side to us coming out which wasn't on the last album; the playing side".[7] Rutherford would later describe the writing process for the album, alongside the one for Abacab, as a "rethink" of Genesis' approach, refocusing their output to group writing and improvisation.[15] In contrast to earlier Genesis albums, most tracks were short with the exception of the ten-minute "Duke's Travels"/"Duke's End" suite that closed the album.[16] The group went to Polar Studios to record the album, starting on 12 November 1979, and recording up to the end of the year.[17][7] As with several earlier albums, production duties were shared by the band and regular co-producer David Hentschel.[18] Collins used the Roland CR-78 drum machine for "Duchess"; the first time he used one on a Genesis song.[16][19]

The cover art was drawn by French illustrator

Lionel Koechlin [fr] and taken from his book L'Alphabet d'Albert, published in 1979.[20][21] The band liked his work and decided to use it as the cover, but Collins maintained the character depicted is neither the album's titular character nor related to any song on it.[22]

The "Duke Suite"

"Behind the Lines" was the first song arranged for the album and "Duchess" came about from rhythms that Collins had played on his set of drum pads.[23] In its original form, "Behind the Lines", "Duchess", "Guide Vocal", "Turn It On Again", "Duke's Travels", and "Duke's End" were one 30-minute track that told a story of a fictional character named Albert which had a working title of "Duke". The group chose this name because the fanfare melodies on "Behind the Lines" and "Duke's End" conjured an image of royalty.[22] The band decided against sequencing the tracks this way on the album, partly to avoid comparisons to their 23-minute track "Supper's Ready" from Foxtrot, but also to have certain segments of the suite, such as "Duchess" and "Turn It On Again", released as singles. The six tracks were performed live on the album's supporting tour with Collins introducing it as "The Story of Albert".[24] "Turn It On Again" was originally a short connecting piece in the middle of this medley, but the band enjoyed playing it so much, they decided to double its length and make it more of a standout track.[12] It came from a piece that Rutherford discarded from Smallcreep's Day and a separate piece from Banks that they joined together.[25] The group considered placing the band-written songs on side one and the individually written tracks on the other, but this was rejected. Rutherford described the final running order as "a very balanced album".[18]

Release

Duke was released in the US on 24 March 1980[26] and in the UK on 28 March.[27] It was the band's greatest commercial success at the time of its release; it spent two weeks at No. 1 on the UK Albums Chart[28] and peaked at No. 11 on the US Billboard 200.[29] The album spawned three singles; "Turn It On Again" reached No. 8 in the UK and No. 58 in the US; "Duchess" reached No. 46 in the UK; "Misunderstanding" reached No. 42 in the UK and No. 14 in the US.[30] Duke was certified Platinum by the British Phonographic Industry on 3 July 1980[27] and by the Recording Industry Association of America on 11 March 1988.[26]

Critical reception

Professional ratings
Review scores
SourceRating
The Great Rock Discography
6/10[33]
Pitchfork8.0/10[34]
Q[35]
Record Mirror[36]
The Rolling Stone Album Guide[37]
Smash Hits6/10[38]
Sounds[39]

Duke received a mostly positive reception from music critics. In his review for Rolling Stone, David Fricke noted that "Turn It On Again" is "vibrant rock & roll" and thought that "Man of Our Times", "Duchess", "Duke's Travels", and "Duke's End" "possess a refreshing urgency". Fricke points out the band's losses without Gabriel and Hackett in the line-up, yet summarised Duke as "comforting: a reassurance that Genesis aren't for an exodus yet."[40] Sounds' Hugh Fielder gave the album four stars out of five, enjoying the opening of "Behind the Lines" and considering Collins's vocals to be "more convincing than ... before". He felt the first side was better than the second, and criticised some lyrics, but concluded "no Genesis fan could be disappointed".[39] The Los Angeles Times's Steve Pond described the album's music as "identifiably Genesis, but it is toned-down" and "a more confident and successful album than ...And Then There Were Three...". He criticised the album as inconsistent with a lack of "melodic invention" on side one, but thought "Duke's Travels" and "Duke's End" were "one of the best and most consistent pieces of music that band has made in some time".[41]

In a retrospective review, AllMusic's Stephen Thomas Erlewine felt Duke was the Genesis album that "leaped into the fray" of pop music but retained "a heavy dose" of progressive rock with the "Duke" suite. Erlewine thought the album comes off "a little bombastic" at times, with "Misunderstanding" and "Turn It On Again" being the two tracks that "showcase the new version of Genesis at its absolute best".[31]

Tour

Collins and Rutherford on the Duke tour, 1980

Genesis supported the album with a 78-date tour across Europe and North America, between 17 March to 30 June 1980.

Lyceum Ballroom in London was broadcast on The Old Grey Whistle Test and released as a bonus feature on the 2007 reissue of Duke. Recordings from the tour were released on Three Sides Live (1982), Genesis Archive 2: 1976–1992 (2000), and BBC Broadcasts
(2023).

Reissues

A digitally remastered version of Duke was released on CD in 1994 on Virgin in Europe and Atlantic in the US and Canada. The CD included the album's original booklet, artwork and lyrics.[45] It was reissued again in 2007 as part of the Genesis 1976–1982 box set, which included a new stereo and 5.1 surround sound mix and a DVD of bonus features including band interviews, music videos, live performances and tour programs.[46]

Track listing

All songs written by Tony Banks, Phil Collins and Mike Rutherford except where noted.

Side one
No.TitleWriter(s)Length
1."Behind the Lines" 5:31
2."Duchess" 6:40
3."Guide Vocal"Banks1:18
4."Man of Our Times"Rutherford5:35
5."Misunderstanding"Collins3:11
6."Heathaze"Banks5:00
Total length:27:15
Side two
No.TitleWriter(s)Length
1."Turn It On Again" 3:50
2."Alone Tonight"Rutherford3:54
3."Cul-de-sac"Banks5:02
4."Please Don't Ask"Collins4:00
5."Duke's Travels" 8:41
6."Duke's End" (instrumental) 2:04
Total length:27:31

Additional tracks

Additional songs recorded during the Duke sessions:

Title Source
"Evidence of Autumn" "
Turn it on Again" (US)
Three Sides Live
"Open Door" "Duchess"
Three Sides Live

Personnel

Genesis

Production

  • David Hentschel – backing vocals, production, audio engineering
  • Genesis – production
  • Dave Bascombe – assistant engineering
  • Ray Staff – mastering
  • Lionel Koechlin – cover
  • Bill Smith – art direction
  • Recorded at Polar Studios, Sweden
  • Mixed at Maison Rouge, London
  • Mastered at Trident Studios, London[20]

Charts

Certifications

Certifications for Duke
Region Certification Certified units/sales
France (
SNEP)[64]
 Gold 100,000*
United Kingdom (BPI)[65] Platinum 300,000^
United States (RIAA)[66] Platinum 1,000,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

References

Notes

  1. ^ Collins later said he had approached Pete Townshend, asking if he could replace Keith Moon, who had died a few months earlier, in the Who, but the group had already recruited Kenney Jones.[9]
  2. ^ According to later interviews, the "duck" was a duck call used to trigger a sound on a Yamaha CS-80 synthesizer.[47]

Citations

  1. ISSN 0144-0691. Archived from the original on 9 March 2021. Retrieved 15 October 2023. Release date: Monday March 3rd{{cite journal}}: CS1 maint: bot: original URL status unknown (link
    )
  2. ^ Bowler & Dray 1992, p. 148.
  3. ^ Bowler & Dray 1992, pp. 152–153.
  4. ^ Bowler & Dray 1992, p. 151.
  5. ^ Bowler & Dray 1992, p. 154.
  6. ^ a b Bowler & Dray 1992, p. 155.
  7. ^ a b c d e f g h Fielder, Hugh (27 October 1979). "The return of... Getting it together in the Country". Sounds. Retrieved 12 April 2015.
  8. ^ Bowler & Dray 1992, pp. 156–157.
  9. ^ a b Bowler & Dray 1992, p. 160.
  10. ^ Bowler & Dray 1992, p. 162.
  11. ^ Bowler & Dray 1992, pp. 162–163.
  12. ^ a b Welch 2011, p. 94.
  13. ^ "Phil on Genesis". Genesis Information – Issue 19. April 1981. p. 2. Retrieved 26 October 2018.
  14. ^ Coleman 1997, pp. 15–16.
  15. ^ Fischer, Mark (host); Rutherford, Mike; Collins, Phil (September 2006) [3 September 2001]. ""Duke/Abacab" 25th Anniversary". In the Studio with Redbeard. Episode 689. Beardedfisch. Archived from the original on 22 December 2021 – via YouTube.
  16. ^ a b Bowler & Dray 1992, p. 164.
  17. ^ Welch 2011, p. 93.
  18. ^ a b Bowler & Dray 1992, p. 165.
  19. ISBN 978-0-810-88171-6
    .
  20. ^ a b Duke (Media notes). Charisma Records. 1980. CBR 101.
  21. ISBN 978-2-902-46204-9
    .
  22. ^ a b Van Matre, Lynn (27 June 1980). "Genesis: No concept behind Genesis' 'Duke' album". Fort Lauderdale News. p. 89. Retrieved 23 February 2019 – via Newspapers.com.
  23. ^ Young, Jon (March 1982). "The Genesis Autodiscography". Trouser Press. Vol. 71. pp. 16–21. Retrieved 11 June 2018.
  24. ^ Gett, Steve. "Genesis : Civil Hall, Guildford". The Genesis Archive. Archived from the original on 31 August 2015. Retrieved 17 April 2015.
  25. ^ Dann, Jonathan; Hewitt, Alan; Morton, Peter (1995). ""The A to Z of Genesis" - Tony Banks talks about his career with the band". The Waiting Room Online. Retrieved 4 July 2019.
  26. ^ a b "RIAA Gold and Platinum Search for albums by Genesis". Recording Industry Association of America. Page 3. Retrieved 17 April 2015.
  27. ^ a b "Certified Awards". BPI. Select keyword "Genesis", By award : Gold, By Format : Album, navigate to page 2. Archived from the original on 25 June 2014. Retrieved 17 April 2015.
  28. The Official Charts Company. Archived from the original
    on 9 February 2008. Retrieved 27 June 2011.
  29. ^ Welch 2011, p. 95.
  30. ^ Welch 2011, pp. 95–97.
  31. ^ a b Erlewine, Stephen Thomas. "Duke – Genesis | AllMusic". AllMusic. Retrieved 12 April 2015.
  32. ISBN 1-85227 745 9
    .
  33. ISBN 0862413850
    .
  34. ^ Sodomsky, Sam (28 February 2021). "Genesis: Duke Album Review". Pitchfork. Retrieved 28 February 2021.
  35. ^ Fyfe, Andy (May 2007). "Genesis : Duke". Q (250).
  36. ^ Smith, Robin (5 April 1980). "Duke No Hazard". Record Mirror: 12.
  37. ISBN 978-0-7432-0169-8
    .
  38. ^ Starr, Red. "Genesis: Duke". Smash Hits (17–30 April 1980): 30.
  39. ^ a b Fielder, Hugh (5 April 1980). "Power pomp supremos". Sounds: 34.
  40. ^ Fricke, David (9 April 1980). "Duke". Rolling Stone.
  41. ^ Pond, Steve (25 May 1980). "Genesis puts up its 'Duke'". Los Angeles Times.
  42. ^ "The Duke tour". 17 February 1980.
  43. ^ "Duke Tour". genesisfan.net. Marcel Albers. Archived from the original on 26 March 2020. Retrieved 26 March 2020.{{cite web}}: CS1 maint: unfit URL (link)
  44. ^ "Genesis: Another London Concert". NME. 8 February 1980.
  45. ^ "Duke – Genesis : Releases". AllMusic. Retrieved 12 April 2015.
  46. ^ "Duke [UK Bonus DVD]". AllMusic. Retrieved 12 April 2015.
  47. ^ Stuart Barnes and Frank Rogers (27 June 2015). "So this is what it does!" (Interview). Retrieved 21 August 2016.
  48. ISBN 0-646-11917-6
    .
  49. ^ "Austriancharts.at – Genesis – Duke" (in German). Hung Medien. Retrieved 22 April 2018.
  50. ^ "Top RPM Albums: Issue 0188a". RPM. Library and Archives Canada. Retrieved 27 April 2018.
  51. ISBN 978-951-1-21053-5
    .
  52. ^ "Le Détail des Albums de chaque Artiste – G". Infodisc.fr (in French). Archived from the original on 22 October 2014. Retrieved 9 June 2012. Select Genesis from the menu, then press OK.
  53. ^ "Dutchcharts.nl – Genesis – Duke" (in Dutch). Hung Medien. Retrieved 22 April 2018.
  54. GfK Entertainment Charts
    . Retrieved 26 April 2018.
  55. ^ "Classifiche". Musica e dischi (in Italian). Retrieved 3 June 2022. Set "Tipo" on "Album". Then, in the "Titolo" field, search "Duke".
  56. ^ "Charts.nz – Genesis – Duke". Hung Medien. Retrieved 22 April 2018.
  57. ^ "Norwegiancharts.com – Genesis – Duke". Hung Medien. Retrieved 22 April 2018.
  58. ^ "Swedishcharts.com – Genesis – Duke". Hung Medien. Retrieved 22 April 2018.
  59. ^ "Swisscharts.com – Genesis – Duke". Hung Medien. Retrieved 22 April 2018.
  60. ^ "Genesis | Artist | Official Charts". UK Albums Chart. Retrieved 22 April 2018.
  61. ^ "Genesis Chart History (Billboard 200)". Billboard. Retrieved 22 April 2018.
  62. GfK Entertainment Charts. 1980. Archived from the original
    on 21 October 2021. Retrieved 2 April 2022.
  63. ^ "Billboard". 20 December 1980.
  64. ^ "French album certifications – Genesis – Duke" (in French). InfoDisc. Retrieved 9 September 2021. Select GENESIS and click OK. 
  65. ^ "British album certifications – Genesis – Duke". British Phonographic Industry.
  66. ^ "American album certifications – Genesis – Duke". Recording Industry Association of America.

Bibliography

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