Dungeons & Dragons

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Dungeons & Dragons
TSR (1974–1997), Wizards of the Coast
(since 1997)
Publication
Years activesince 1974
GenresFantasy
SystemsDungeons & Dragons
d20 System (3rd Edition)
Playing timeVaries
ChanceDice rolling
SkillsRole-playing, improvisation, tactics, arithmetic
Websitednd.wizards.com Edit this at Wikidata

Dungeons & Dragons (commonly abbreviated as D&D or DnD)

video games, especially the role-playing video game genre.[8][9][10]

D&D departs from traditional

military formation. These characters embark upon adventures within a fantasy setting. A Dungeon Master (DM) serves as referee and storyteller for the game, while maintaining the setting in which the adventures occur, and playing the role of the inhabitants of the game world, known as non-player characters (NPCs). The characters form a party and they interact with the setting's inhabitants and each other. Together they solve problems, engage in battles, explore, and gather treasure and knowledge. In the process, player characters earn experience points (XP) to level up, and become increasingly powerful over a series of separate gaming sessions.[3][7][11]
Players choose a class when they create their character, which gives them special perks and abilities every few levels.

The early success of D&D led to a proliferation of similar game systems. Despite the competition, D&D has remained the market leader in the role-playing game industry.

d20 System, which is available under the Open Game License (OGL) for use by other publishers. D&D 4th edition was released in June 2008.[17] The 5th edition of D&D, the most recent, was released during the second half of 2014.[13]

In 2004, D&D remained the best-known,

D&D-branded products, references in popular culture, and some of the controversies that have surrounded it, particularly a moral panic in the 1980s, which attempted to associate it with Satanism and suicide.[3][22][23]
The game has won multiple awards and has been translated into many languages.

Play overview

Dice on top of a Character Sheet
Players utilize both dice and character sheets during a game session.
Players gathered around a table for a Dungeons and Dragons game session
A Dungeons & Dragons game session featuring a map, miniatures, dice, and character sheets

Dungeons & Dragons is a structured yet open-ended role-playing game. It is normally played indoors with the participants seated around a tabletop. Typically, one player takes on the role of

campaign".[7][28][29]

The results of the party's choices and the overall story line for the game are determined by the DM according to the rules of the game and the DM's interpretation of those rules.

magic use,[33] combat,[30] and the effect of the environment on PCs[34] – help the DM to make these decisions. The DM may choose to deviate from the published rules[30] or make up new ones if they feel it is necessary.[35]

The most recent versions of the game's rules are detailed in three Fifth Edition

The only items required to play the game are the rulebooks, a

polyhedral dice. Many players also use miniature figures on a grid map as a visual aid if desired, particularly during combat. Some editions of the game presume such usage. Many optional accessories are available to enhance the game, such as expansion rulebooks, pre-designed adventures and various campaign settings.[21][25]

Game mechanics

D&D uses polyhedral dice to resolve in-game events. These are abbreviated by a 'd' followed by the number of sides. Shown from left to right are a d20, d12, d%, d10, d8, d6, and a d4. A d% and d10 can be rolled together to produce a number between 1 and 100.

Before the game begins, each player

ability scores, which consist of Strength, Dexterity, Constitution, Intelligence, Wisdom, and Charisma. Each edition of the game has offered differing methods of determining these scores.[36] The player then chooses a race (species), a character class (such as a fighter, rogue, or wizard), an alignment
(a moral and ethical outlook), and other features to round out the character's abilities and backstory, which have varied in nature through differing editions.

During the game, players describe their PCs' intended actions to the DM, who then describes the result or response.[37] Trivial actions, such as picking up a letter or opening an unlocked door, are usually automatically successful. The outcomes of more complex or risky actions, such as scaling a cliff or picking a lock, are determined by rolling dice.[38] Different polyhedral dice are used for different actions. For example, a twenty-sided die is used to determine whether a hit is made in combat, with other dice such as four, six, eight, ten, or even twelve-sided die used to determine how much damage was dealt.[39] Factors contributing to the outcome include the character's ability scores, skills, and the difficulty of the task.[40] In circumstances where a character is attempting to avoid a negative outcome, such as when dodging a trap or resisting the effect of a spell, a saving throw can be used to determine whether the resulting effect is reduced or avoided.[41][42] In this case the odds of success are influenced by the character's class, levels and ability scores.[41][43] In circumstances where a character is attempting to complete a task such as picking a lock, deactivating a trap, or pushing a boulder, a Difficulty Class must be hit or exceeded. Relevant ability bonuses are added to help players succeed.[44]

As the game is played, each PC changes over time and generally increases in capability. Characters gain (or sometimes lose) experience, skills

level, which grants the character improved class features, abilities and skills.[49] XP can be lost in some circumstances, such as encounters with creatures that drain life energy, or by use of certain magical powers that come with an XP cost.[50]

Hit points (HP) are a measure of a character's vitality and health and are determined by the class, level and Constitution of each character. They can be temporarily lost when a character sustains wounds in combat or otherwise comes to harm, and loss of HP is the most common way for a character to die in the game.[51] Death can also result from the loss of key ability scores[52] or character levels.[53] When a PC dies, it is often possible for the dead character to be resurrected through magic, although some penalties may be imposed as a result. If resurrection is not possible or not desired, the player may instead create a new PC to resume playing the game.[54]

Adventures and campaigns

A Dungeon Master's notebook with a custom design adventure

A typical Dungeons & Dragons game consists of an "adventure", which is roughly equivalent to a single story or quest.

Steading of the Hill Giant Chief
, written by Gygax.

A linked series of adventures is commonly referred to as a "

campaign".[56] The locations where these adventures occur, such as a city, country, planet, or entire fictional universe, are referred to as "campaign settings" or "worlds."[57] D&D settings are based in various fantasy genres and feature different levels and types of magic and technology.[58] Popular commercially published campaign settings for Dungeons & Dragons include Greyhawk, Dragonlance, Forgotten Realms, Mystara, Spelljammer, Ravenloft, Dark Sun, Planescape, Birthright, and Eberron
.

In addition to first-party campaigns and modules, two campaigns based on popular culture have been created. The first, based on Stranger Things, was released in May 2019.[59][60] A campaign based on the Rick and Morty vs. Dungeons and Dragons comic book series was later released in November 2019.[61][62]

Alternatively, DMs may develop their own fictional worlds to use as campaign settings, either planning the adventure ahead or expanding on it as the players progress.

Miniature figures

Dungeons & Dragons miniature figures. The grid mat underneath uses one-inch squares, with the side length of each square usually representing either 5 or 10 feet (1.5 or 3.0 m).

The

wargames from which Dungeons & Dragons evolved used miniature figures to represent combatants. D&D initially continued the use of miniatures in a fashion similar to its direct precursors. The original D&D set of 1974 required the use of the Chainmail miniatures game for combat resolution.[63] By the publication of the 1977 game editions, combat was mostly resolved verbally. Thus, miniatures were no longer required for game play, although some players continued to use them as a visual reference.[64]

In the 1970s, numerous companies began to sell miniature figures specifically for Dungeons & Dragons and similar games. Licensed miniature manufacturers who produced official figures include

Ral Partha,[67] and TSR itself.[68]
Most of these miniatures used the 25 mm scale.

Periodically, Dungeons & Dragons has returned to its wargaming roots with supplementary rules systems for miniatures-based wargaming. Supplements such as Battlesystem (1985 and 1989) and a new edition of Chainmail (2001)[69] provided rule systems to handle battles between armies by using miniatures.

Development history

Sources and influences

An immediate predecessor of Dungeons & Dragons was a set of medieval miniature rules written by

Don't Give Up the Ship!, Arneson introduced Gygax to his Blackmoor game and the two then collaborated on developing "The Fantasy Game", the game that became Dungeons & Dragons, with the final writing and preparation of the text being done by Gygax.[71][72][73] The name was chosen by Gygax's two-year-old daughter Cindy; upon being presented with a number of choices of possible names, she exclaimed, "Oh Daddy, I like Dungeons & Dragons best!", although less prevalent versions of the story gave credit to his then wife Mary Jo.[74]
: 101 

Many Dungeons & Dragons elements appear in hobbies of the mid-to-late 20th century. For example, character-based role playing can be seen in

improvisational theater.[75] Game-world simulations were well developed in wargaming. Fantasy milieux specifically designed for gaming could be seen in Glorantha's board games, among others.[76]
Ultimately, however, Dungeons & Dragons represents a unique blending of these elements.

The world of D&D was influenced by world mythology, history,

balor'. For many years, Gygax played down the influence of Tolkien on the development of the game.[78][79][80] However, in an interview in 2000, he acknowledged that Tolkien's work had a "strong impact" though he also said that the list of other influential authors was long.[81]

The D&D magic system, in which wizards memorize spells that are used up once cast and must be re-memorized the next day, was heavily influenced by the

Dying Earth stories and novels of Jack Vance.[82] The original alignment system (which grouped all characters and creatures into 'Law', 'Neutrality' and 'Chaos') was derived from the novel Three Hearts and Three Lions by Poul Anderson.[83][84] A troll described in this work influenced the D&D definition of that monster.[79]

Other influences include the works of

vorpal sword) and the Book of Genesis (the clerical spell 'Blade Barrier' was inspired by the "flaming sword which turned every way" at the gates of Eden).[83]

Edition history

Dungeons & Dragons has gone through several revisions. Parallel versions and inconsistent naming practices can make it difficult to distinguish between the different editions.

Original game

The original Dungeons & Dragons, now referred to as OD&D,[86] was a small box set of three booklets published in 1974. With a very limited production budget of only $2000—with only $100 budgeted for artwork[87]: 26 —it was amateurish in production and assumed the player was familiar with wargaming. Nevertheless, it grew rapidly in popularity, first among wargamers and then expanding to a more general audience of college and high school students. Roughly 1,000 copies of the game were sold in the first year followed by 3,000 in 1975, and many more in the following years.[88] This first set went through many printings and was supplemented with several official additions, such as the original Greyhawk and Blackmoor supplements (both 1975),[89] as well as magazine articles in TSR's official publications and many fanzines.

Two-pronged strategy

In early 1977, TSR created the first element of a two-pronged strategy that would divide D&D for nearly two decades. A Dungeons & Dragons Basic Set boxed edition was introduced that cleaned up the presentation of the essential rules, made the system understandable to the general public, and was sold in a package that could be stocked in toy stores.[73] Later in 1977, the first part of Advanced Dungeons & Dragons (AD&D) was published,[73] which brought together the various published rules, options and corrections, then expanded them into a definitive, unified game for hobbyist gamers. TSR marketed them as an introductory game for new players and a more complex game for experienced ones; the Basic Set directed players who exhausted the possibilities of that game to switch to the advanced rules.

As a result of this parallel development, the basic game included many rules and concepts which contradicted comparable ones in AD&D. John Eric Holmes, the editor of the basic game, preferred a lighter tone with more room for personal improvisation. AD&D, on the other hand, was designed to create a tighter, more structured game system than the loose framework of the original game.[14] Between 1977 and 1979, three hardcover rulebooks, commonly referred to as the "core rulebooks", were released: the Player's Handbook (PHB), the Dungeon Master's Guide (DMG), and the Monster Manual (MM). Several supplementary books were published throughout the 1980s, notably Unearthed Arcana (1985) that included a large number of new rules.[73] Confusing matters further, the original D&D boxed set remained in publication until 1979, since it remained a healthy seller for TSR.[76]

Revised editions

In the 1980s, the rules for Advanced Dungeons & Dragons and "basic" Dungeons & Dragons remained separate, each developing along different paths.

In 1981, the basic version of Dungeons & Dragons was revised by

introductory boxed set
.

Advanced Dungeons & Dragons 2nd Edition was published in 1989,

Monstrous Manual in 1993. In 1995, the core rulebooks were slightly revised, although still referred to by TSR as the 2nd Edition,[93] and a series of Player's Option manuals were released as optional rulebooks.[73]

The release of AD&D 2nd Edition deliberately excluded some aspects of the game that had attracted negative publicity. References to demons and devils, sexually suggestive artwork, and playable, evil-aligned character types – such as assassins and half-orcs – were removed.[94] The edition moved away from a theme of 1960s and 1970s "sword and sorcery" fantasy fiction to a mixture of medieval history and mythology.[95] The rules underwent minor changes, including the addition of non-weapon proficiencies – skill-like abilities that originally appeared in 1st Edition supplements. The game's magic spells were divided into schools and spheres.[71] A major difference was the promotion of various game settings beyond that of traditional fantasy. This included blending fantasy with other genres, such as horror (Ravenloft), science fiction (Spelljammer), and apocalyptic (Dark Sun), as well as alternative historical and non-European mythological settings.[96]

Wizards of the Coast

In 1997, a near-bankrupt TSR was purchased by Wizards of the Coast.[97] Following three years of development, Dungeons & Dragons 3rd edition was released in 2000.[98] The new release folded the Basic and Advanced lines back into a single unified game. It was the largest revision of the D&D rules to date and served as the basis for a multi-genre role-playing system designed around 20-sided dice, called the d20 System.[99] The 3rd Edition rules were designed to be internally consistent and less restrictive than previous editions of the game, allowing players more flexibility to create the characters they wanted to play.[100] Skills and feats were introduced into the core rules to encourage further customization of characters.[101] The new rules standardized the mechanics of action resolution and combat.[102] In 2003, Dungeons & Dragons v.3.5 was released as a revision of the 3rd Edition rules. This release incorporated hundreds of rule changes, mostly minor, and expanded the core rulebooks.[102]

In early 2005, Wizards of the Coast's R&D team started to develop Dungeons & Dragons 4th Edition, prompted mainly by the feedback obtained from the D&D playing community and a desire to make the game faster, more intuitive, and with a better play experience than under the 3rd Edition. The new game was developed through a number of design phases spanning from May 2005 until its release.

D&D Encounters program; a weekly event held at local stores designed to draw players back to the game by giving "the busy gamer the chance to play D&D once a week as their schedules allow. In the past, D&D games could take months, even years, and players generally had to attend every session so that the story flow wasn't interrupted. With Encounters, players can come and go as they choose and new players can easily be integrated into the story continuity".[106]

5th Edition

On January 9, 2012, Wizards of the Coast announced that it was working on a 5th edition of the game.[107] The company planned to take suggestions from players and let them playtest the rules.[108][109] Public playtesting began on May 24, 2012.[110] At Gen Con 2012 in August, Mike Mearls, lead developer for 5th Edition, said that Wizards of the Coast had received feedback from more than 75,000 playtesters, but that the entire development process would take two years, adding, "I can't emphasize this enough ... we're very serious about taking the time we need to get this right."[111] The release of the 5th Edition, coinciding with D&D's 40th anniversary, occurred in the second half of 2014.[112]

Since the release of 5th edition, dozens of Dungeons & Dragons books have been published including new rulebooks, campaign guides and adventure modules.[113] 2017 had "the most number of players in its history—12 million to 15 million in North America alone".[20] Mary Pilon, for Bloomberg, reported that sales of 5th edition Dungeon & Dragons "were up 41 percent in 2017 from the year before, and soared another 52 percent in 2018, the game's biggest sales year yet. [...] In 2017, 9 million people watched others play D&D on Twitch, immersing themselves in the world of the game without ever having to pick up a die or cast a spell".[114] In 2018, Wizards of the Coast organized a massive live-stream event, the Stream of Many Eyes, where ten live-streamed sessions of Dungeons & Dragons were performed on Twitch over three days.[115][116] This event won the Content Marketing Institute's 2019 award for best "In-Person (Event) Content Marketing Strategy".[117] Dungeons & Dragons continued to have a strong presence on Twitch throughout 2019; this included a growing number of celebrity players and dungeon masters, such as Joe Manganiello, Deborah Ann Woll and Stephen Colbert.[118] Wizards of the Coast has created, produced and sponsored multiple web series featuring Dungeons & Dragons. These shows have typically aired on the official Dungeons & Dragons Twitch and YouTube channels.[119][120][115][121]

In 2020, Wizards of the Coast announced that Dungeons & Dragons had its 6th annual year of growth in 2019 with a "300 percent increase in sales of their introductory box sets, as well as a 65% increase on sales in Europe, a rate which has more than quadrupled since 2014".[122] In terms of player demographics in 2019, 39% of identified as female and 61% identified as male. 40% of players are considered Gen Z (24 years old or younger), 34% of players are in the age range of 25–34 and 26% of players are aged 35+.[122] In January 2021, the Los Angeles Times reported that according to Liz Schuh, head of publishing and licensing for Dungeons & Dragons, "revenue was up 35% in 2020 compared with 2019, the seventh consecutive year of growth," and in 2020, during the COVID-19 pandemic, "virtual play rose 86% [...] aided by online platforms such as Roll20 and Fantasy Grounds".[123] Sarah Parvini, for the Los Angeles Times, wrote, "players and scholars attribute the game's resurgent popularity not only to the longueurs of the pandemic, but also to its reemergence in pop culture—on the Netflix series Stranger Things, whose main characters play D&D in a basement; on the sitcom The Big Bang Theory; or via the host of celebrities who display their love for the game online".[123]

Following an apology issued by Wizards of the Coast for offensive and racist material included in Spelljammer: Adventures in Space and the announced revisions to the product in September 2022, Christopher Perkins – Wizards' game design architect – announced a new inclusion review process for the Dungeons & Dragons studio in November 2022.[124][125][126] This process will now require "every word, illustration, and map" to be reviewed at several steps in development "by multiple outside cultural consultants prior to publication".[127] The previous process only included cultural consultants at the discretion of the product lead for a project. All products being reprinted will also go through this new review process and be updated as needed.[128][125][127]

2024 revision

In September 2021, it was announced that a

One D&D initiative which includes a public playtest of the next version of Dungeons & Dragons and an upcoming virtual tabletop simulator with 3D environments developed using Unreal Engine.[131][132][133] Revised editions of the Player's Handbook, Monster Manual, and Dungeon Master's Guide are scheduled to be released in 2024.[133][134]

In April 2022, Hasbro announced that Wizards would acquire the

Dicebreaker highlighted that Rawson's role is "part of Wizards' plans to apply more resources to the digital side of D&D" following the purchase of D&D Beyond by Hasbro earlier in the year.[141] Wizards of the Coast CEO Cynthia Williams and Hasbro CEO Chris Cocks, at a December 2022 Hasbro investor-focused web seminar, called the Dungeons & Dragons brand "under monetized".[142][143] They highlighted the high engagement of fans with the brand, however, the majority of spending is by Dungeon Masters who are only roughly 20% of the player base. Williams commented that the increased investment in digital will "unlock the type of recurrent spending you see in digital games".[142][143]

Licensing

Early in the game's history, TSR took no action against small publishers' production of D&D compatible material, and even licensed Judges Guild to produce D&D materials for several years, such as City State of the Invincible Overlord.[144] This attitude changed in the mid-1980s when TSR took legal action to try to prevent others from publishing compatible material. This angered many fans and led to resentment by the other gaming companies.[76] Although TSR took legal action against several publishers in an attempt to restrict third-party usage, it never brought any court cases to completion, instead settling out of court in every instance.[145] TSR itself ran afoul of intellectual property law in several cases.[146]

With the launch of Dungeons & Dragons's 3rd Edition, Wizards of the Coast made the d20 System available under the Open Game License (OGL) and d20 System trademark license. Under these licenses, authors were free to use the d20 System when writing games and game supplements.[147] The OGL has allowed a wide range of unofficial commercial derivative work based on the mechanics of Dungeons and Dragons to be produced since 2000;[148] it is credited with increasing the market share of d20 products[149] and leading to a "boom in the RPG industry in the early 2000s".[150]

With the release of the

Paizo Publishing with its Pathfinder Roleplaying Game) who previously produced materials in support of the D&D product line, decided to continue supporting the 3rd Edition rules, thereby competing directly with Wizards of the Coast. Others, such as Kenzer & Company, returned to the practice of publishing unlicensed supplements and arguing that copyright law does not allow Wizards of the Coast to restrict third-party usage.[151]

During the 2000s, there has been a trend towards reviving and recreating older editions of D&D, known as the

Old School Revival. This in turn inspired the creation of "retro-clones"
, games which more closely recreate the original rule sets, using material placed under the OGL along with non-copyrightable mechanical aspects of the older rules to create a new presentation of the games.

Version 5.1 of the System Reference Document, released in 2023

Alongside the publication of the 5th Edition, Wizards of the Coast established a two-pronged licensing approach. The core of the 5th Edition rules have been made available under the OGL, while publishers and independent creators have also been given the opportunity to create licensed materials directly for Dungeons & Dragons and associated properties like the Forgotten Realms under a program called the

DM's Guild.[152] The DM's Guild does not function under the OGL, but uses a community agreement intended to foster liberal cooperation among content creators.[152]

Wizards of the Coast has started to release 5th Edition products that tie into other intellectual properties—such as Magic: The Gathering with the Guildmasters' Guide to Ravnica (2018) and Mythic Odysseys of Theros (2020) source books.[153][154] Two 5th Edition starter box sets based on TV shows, Stranger Things and Rick and Morty, were released in 2019.[155][156] Source books based on Dungeons & Dragons live play series have also been released: Acquisitions Incorporated (2019) and Explorer's Guide to Wildemount (2020).[157]

Between November and December 2022, there was reported speculation that Wizards was planning on discontinuing the OGL for Dungeons & Dragons based on unconfirmed leaks.

CC BY 4.0) effective immediately and Wizards would no longer pursue deauthorizing the OGL1.0a.[169][170][171]

Reception

H.G. Wells." However, Freeman did have significant issues with the game, pointing out, "On the other hand, beginning characters are without exception dull, virtually powerless, and so fragile" which was not encouraging for "newcomers." He also called the magic system "stupid" feeling that many of the spells were "redundant" and "the effects of the majority are hopelessly vague." He found essential elements such as saving throws, hit points, and experience points "undefined or poorly explained; the ratio of substance to "holes" compares unfavorably with the head of a tennis racquet." He also noted the rules were "presented in the most illiterate display of poor grammar, misspellings, and typographical errors in professional wargaming." Despite all these issues, Freeman concluded "As it was given birth, it is fascinating but misshapen; in its best incarnations, it's perhaps the most exciting and attractive specimen alive."[174]

The game had more than three million players around the world by 1981,[175] and copies of the rules were selling at a rate of about 750,000 per year by 1984.[176] Beginning with a French language edition in 1982, Dungeons & Dragons has been translated into many languages beyond the original English.[71][73] By 1992, the game had been translated into 14 languages and sold over 2 million copies in 44 countries worldwide.[177] By 2004, consumers had spent more than $1 billion on Dungeons & Dragons products and the game had been played by more than 20 million people.[178] As many as six million people played the game in 2007.[105] David M. Ewalt, in his book Of Dice and Men (2013), praised that the game allows for a personal fantastical experience and stated that "even though it's make-believe, the catharsis is real."[179]

Acclaim

The various editions of Dungeons & Dragons have won many

Science Fiction and Fantasy Hall of Fame in 2017.[187][188]

Later editions

Later editions would lead to inevitable comparisons between the game series. Scott Taylor for Black Gate in 2013 rated Dungeons & Dragons as #1 in the top ten role-playing games of all time, saying "The grand-daddy of all games, D&D just keeps on going, and although there might always be 'edition wars' between players, that just says that it effectively stays within the consciousness of multiple generations of players as a relevant piece of entertainment."[189]

Griffin McElroy, for Polygon in 2014, wrote: "The game has shifted in the past four decades, bouncing between different rules sets, philosophies and methods of play. Role-playing, character customization and real-life improvisational storytelling has always been at the game's core, but how those ideas are interpreted by the game system has changed drastically edition-to-edition".[190] Dieter Bohn, for The Verge in 2014, wrote: "Every few years there's been a new version of D&D that tries to address the shortcomings of the previous version and also make itself more palatable to its age. [...] The third edition got a reputation (which it didn't necessarily deserve) for being too complex and rules-focused. The fourth edition got a reputation (which it didn't necessarily deserve) for being too focused on miniatures and grids, too mechanical. Meanwhile, the company that owns D&D had released a bunch of its old material for free as a service to fans, and some of that was built up into a competing game called Pathfinder. Pathfinder ultimately became more popular, by some metrics, than D&D itself". Bohn highlighted that the 5th Edition was "designed for one purpose: to bring D&D back to its roots and win back everybody who left during the edition wars".[191] Henry Glasheen, for SLUG Magazine in 2015, highlighted that after jumping ship during the 4th Edition era he was drawn back to Dungeons & Dragons with 5th Edition[192] and he considers it "the new gold standard for D20-based tabletop RPGs".[193] Glasheen wrote "Fifth Edition is a compelling reason to get excited about D&D again" and "while some will welcome the simplicity, I fully expect that plenty of people will stick to whatever system suits them best. However, this edition is easily my favorite, ranking even higher than D&D 3.5, my first love in D&D".[192]

Christian Hoffer, for

FAST channel, and the video game Baldur's Gate 3 with the video game's "blockbuster success" credited "for a 40% increase in Wizards of the Coast's earnings over 2022".[195] However, Whitbrook opined that not even these successes "could save Dungeons & Dragons from the greed of its owners" with the OGL controversy and major layoffs by Hasbro bookending "what should've been one of the greatest years for Dungeons & Dragons the game has ever seen—more popular than ever, more accessible than ever, more culturally relevant than ever—and in doing so transformed it into a golden era sullied with dark marks, overshadowed by grim caveats, a reflection that those with the most power in these spaces never really take the lessons they espoused to learn from their mistakes".[195]

Moral panic

At various times in its history, Dungeons & Dragons has received negative publicity, in particular from some Christian groups, for alleged promotion of such practices as

Streisand Effect by giving the game widespread notoriety that significantly increased sales in the early 1980s in defiance of the moral panic.[199]

Dungeons & Dragons has been the subject of rumors regarding players having difficulty separating fantasy from reality, even leading to

Chris Pritchard, who was convicted in 1990 of murdering his stepfather. Research by various psychologists,[203] starting with Armando Simon, has concluded that no harmful effects are related to the playing of D&D.[204] Dungeons & Dragons has also been cited as encouraging people to socialize weekly or biweekly,[205] teaching problem solving skills, which can be beneficial in adult life, and teaching positive moral decisions.[206]

Later criticism

D&D has been compared unfavorably to other role-playing games of its time. Writing for Slate in 2008, Erik Sofge makes unfavorable comparisons between the violent incentives of D&D and the more versatile role-playing experience of GURPS. He claims that "for decades, gamers have argued that since D&D came first, its lame, morally repulsive experience system can be forgiven. But the damage is still being done: New generations of players are introduced to RPGs as little more than a collective fantasy of massacre."[207] This criticism generated backlash from D&D fans. Writing for Ars Technica, Ben Kuchera responded that Sofge had experienced a "small-minded Dungeon Master who only wanted to kill things", and that better game experiences are possible.[208]

In 2020, Polygon reported that "the D&D team announced that it would be making changes to portions of its 5th edition product line that fans have called out for being insensitive".[209] Sebastian Modak, for The Washington Post, reported that the tabletop community has widely approved these changes. Modak wrote that "in its statement addressing mistakes around portrayals of different peoples in the D&D universe, Wizards of the Coast highlighted its recent efforts in bringing in more diverse voices to craft the new D&D source books coming out in 2021. [...] These conversations—around depictions of race and alleged treatment of employees of marginalized backgrounds and identities—have encouraged players to seek out other tabletop roleplaying experiences".[210] Matthew Gault, for Wired, reported positively on the roundtable discussions Wizards of the Coast has hosted with fans and community leaders on diversity and inclusion. However, Gault also highlighted that other efforts, such as revisions to old material and the release of new material, have been less great and at times minimal. Gault wrote, "WotC appears to be trying to change things, but it keeps stumbling, and it's often the fans who pick up the pieces. [...] WotC is trying to make changes, but it often feels like lip service. [...] The loudest voices criticizing D&D right now are doing it out of love. They don't want to see it destroyed, they want it to change with the times".[211] However, in 2022, academic Christopher Ferguson stated that the game "was not associated with greater ethnocentrism (one facet of racism) attitudes" after he conducted a survey study of 308 adults (38.2% non-White, and 17% Dungeons and Dragons players). Ferguson concluded that Wizards of the Coast may be responding to a moral panic similar to that surrounding Satanism in the 1990s.[212]

Between November and December 2022, there was reported speculation that Wizards was planning to discontinue the Open Game License for Dungeons & Dragons based on unconfirmed leaks.

CC BY 4.0).[c] Edwin Evans-Thirlwell of The Washington Post wrote that "pushback from fans, who criticized WotC's response as far from an apology and a dismissal of their legitimate concerns, led WotC to backpedal further" and that the company "appears to have committed an irreversible act of self-sabotage in trying to replace [the OGL] — squandering the prestige accumulated over 20 years in a matter of weeks".[238] Both Io9 and ComicBook.com called the major concessions – releasing the SRD 5.1 under the creative commons and no longer deauthorizing the OGL1.0a – announced by Wizards a "huge victory" for the Dungeons & Dragons community.[239][171]

Legacy and influence

Dungeons & Dragons was the first modern role-playing game and it established many of the conventions that have dominated the genre.

royalties between original creators Gygax and Arneson.[244][245] Gygax later became embroiled in a political struggle for control of TSR which culminated in a court battle and Gygax's decision to sell his ownership interest in the company in 1985.[246]

The role-playing movement initiated by D&D would lead to release of the science fiction game

Warhammer Fantasy Battles.[249] D&D also had a large impact on modern video games.[250]

Director Jon Favreau credits Dungeons & Dragons with giving him "... a really strong background in imagination, storytelling, understanding how to create tone and a sense of balance."[251] ND Stevenson and the crew of She-Ra and the Princesses of Power were strongly influenced by Dungeons & Dragons, with Stevenson calling it basically a D&D campaign, with Adora, Glimmer, and Bow falling into "specific classes in D&D".[252]

Curtis D. Carbonell, in the 2019 book Dread Trident: Tabletop Role-Playing Games and the Modern Fantastic, wrote: "Negative association with earlier niche 'nerd' culture have reversed. 5e has become inclusive in its reach of players, after years of focusing on a white, male demographic. [...] At its simplest, the game system now encourages different types of persons to form a party not just to combat evil [...] but to engage in any number of adventure scenarios".[253]: 82–83  Academic Emma French, in Real Life in Real Time: Live Streaming Culture (2023), commented on the impact of actual play on the broader Dungeons & Dragons gaming culture – "actual play media circumvents D&D's insulated or exclusionary aspects, skewing away from 'basement dwelling nerds' in favor of a networked, global fandom. Live streaming is now a means of introducing individuals to the game, bringing it into the mainstream at a time when other geek pursuits have also achieved wider visibility and popularity".[254]: 213  French highlighted that in 2020 "no actual play live streams hosted by the official DnD channel featured an all-male cast—showing a massive shift from the brand ambassadors endorsed by Wizards of the Coast" previously.[254]: 209  French argued that not only has the more accessible and inclusive actual play landscape impacted the gaming culture but it has also impacted the Dungeons & Dragons product itself from the promotion campaign of Tasha's Cauldron of Everything featuring "diverse nerd celebrities" to "direct action taken against previous exclusionary behavior" as seen in Wizards of the Coast statements on diversity and Dungeons & Dragons.[254]: 213–214  French wrote, "as actual play live streams broaden the range of customers that D&D can market itself to, it may enact real, seismic change to the mainstream perception of geek identity, and contribute to a push for diverse representation within geek subculture as a whole".[254]: 214 

Related products

D&D's commercial success has led to many other related products, including

computer and video games.[263][264][265] Hobby and toy stores sell dice, miniatures, adventures, and other game aids related to D&D and its game offspring.[266][267]

In November 2023, Hasbro's Entertainment One launched the Dungeons & Dragons Adventures FAST channel, available on platforms such as Amazon Freevee and Plex, which features new actual play web series, reruns of the animated Dungeons & Dragons series, and reruns of other Dungeons & Dragons web series.[268][269]

In popular culture

D&D grew in popularity through the late 1970s and 1980s. Numerous games, films, and cultural references based on D&D or D&D-like fantasies, characters or adventures have been ubiquitous since the end of the 1970s. D&D players are (sometimes pejoratively) portrayed as the epitome of geekdom,[270] and have become the basis of much geek and gamer humor and satire.[271][272] Since the release of 5th edition, the popularity of actual play web series and podcasts such as Critical Role, Dimension 20, and The Adventure Zone, among many others, have experienced a growth in viewership and popularity.[273] According to Hasbro CEO Brian Goldner, viewers on Twitch and YouTube spent over 150 million hours watching D&D gameplay in 2020.[274]

Famous D&D players include Pulitzer Prize-winning author Junot Díaz, professional basketball player Tim Duncan, comedian Stephen Colbert, and actors Vin Diesel and Robin Williams.[275][276][277][278][279] D&D and its fans have been the subject of spoof films, including The Gamers: Dorkness Rising.[280]

See also

Notes

  1. ComicBook.com.[227]
  2. ^ OGL1.2, with an open feedback period, was announced on January 13, 2023.[231][232][233]
  3. ^ System Reference Document 5.1 was announced and became effective immediately on January 27, 2023. Additionally, Wizards announced it would no longer pursue deauthorizing the OGL1.0a.[234][235][236][237]

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