Early modern literature
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The
In Europe, the Early Modern period lasts roughly from 1550 to 1750, spanning the
Chinese literature of the Qing dynasty remains mostly unaffected by European influence, and effects of modernization that would lead up to the New Culture Movement became apparent only from the Late Qing period in the 1890s.
Europe
A new spirit of science and investigation in Europe was part of a general upheaval in human understanding, which began with the discovery of the New World in 1492 and continues through the subsequent centuries, even up to the present day.
The form of writing now commonplace across the world—the
Plays for entertainment (as opposed to religious enlightenment) returned to Europe's stages in the early modern period.
The earliest work considered an opera in the sense the work is usually understood dates from around 1597. It is Dafne, (now lost) written by Jacopo Peri for an elite circle of literate Florentine humanists who gathered as the "Camerata".
The 16th century saw outstanding
Ottoman Empire
The two primary streams of Ottoman written literature are poetry and
Ottoman Divan poetry was a highly ritualized and symbolic art form. From the Persian poetry that largely inspired it, it inherited a wealth of symbols whose meanings and interrelationships—both of similitude (مراعات نظير mura'ât-i nazîr / تناسب tenâsüb) and opposition (تضاد tezâd)—were more or less prescribed.
Until the 19th century, Ottoman prose never managed to develop to the extent that contemporary Divan poetry did. A large part of the reason for this was that much prose was expected to adhere to the rules of sec' (سجع, also transliterated as seci), or rhymed prose,[1] a type of writing descended from the Arabic saj' and which prescribed that between each adjective and noun in a sentence, there must be a rhyme.
Nevertheless, there was a tradition of prose in the literature of the time. This tradition was exclusively nonfictional in nature—the fiction tradition was limited to narrative poetry.[2]
Persia
Regarding the tradition of Persian love poetry during the Safavid era, Persian historian Ehsan Yarshater notes, "As a rule, the beloved is not a woman, but a young man. In the early centuries of Islam, the raids into Central Asia produced many young slaves. Slaves were also bought or received as gifts. They were made to serve as pages at court or in the households of the affluent, or as soldiers and bodyguards. Young men, slaves or not, also, served wine at banquets and receptions, and the more gifted among them could play music and maintain a cultivated conversation. It was love toward young pages, soldiers, or novices in trades and professions which was the subject of lyrical introductions to panegyrics from the beginning of Persian poetry, and of the ghazal."[3]
After the 15th century, the Indian style of Persian poetry (sometimes also called Isfahani or Safavi styles) took over. This style has its roots in the
India
China
- Ming dynasty
- Gui Youguang 歸有光 (1506–1571)
- Yuan Hongdao 袁宏道( 1568–1610)
- Xu Xiake 徐霞客 (1586–1641)
- Gao Qi 高啟
- Zhang Dai 張岱
- Tu Long 屠隆
- Wen Zhenheng 文震亨
- Qing dynasty
Japan
Literature during the largely peaceful Edo Period, in large part to the rise of the working and middle classes in the new capital of Edo (modern Tokyo), developed forms of popular drama which would later evolve into kabuki. The
Many genres of literature made their début during the Edo Period, helped by a rising literacy rate among the growing population of townspeople, as well as the development of lending libraries. Although there was a
See also
References
- ^ Belge, 389
- ^ One apparent exception was the Muhayyelât (مخيّلات "Fancies") of Ali Aziz Efendi of Crete, a collection of stories of the fantastic that was written in 1796, though not published until 1867.
- ^ Yar-Shater, Ehsan. 1986. Persian Poetry in the Timurid and Safavid Periods, Cambridge History of Iran. Cambridge: Cambridge University Press, pp.973-974. 1986