EastEnders

*EastEnders*
EastEnders
Genre	Soap opera
Created by	Julia Smith; Tony Holland;
Written by	Various
Directed by	Various
Starring	Present cast; Former cast;
Theme music composer	Simon May; Leslie Osborne;
Opening theme	BBC Studios Continuing Drama Productions
Original release
Network	BBC One (1985–present); BBC iPlayer (2021–present);
Release	19 February 1985 –; present
Related
	Het Oude Noorden (1993); EastEnders Revealed (1998–2012); EastEnders: E20 (2010–2011); Kat & Alfie: Redwater (2017); Various spin-offs;

EastEnders is a British television

British culture, and portraying a social life previously unseen on UK mainstream television.^[2]

Since co-creator Holland was from a large family in the East End, a theme heavily featured in EastEnders is strong families, and each character is supposed to have their own place in the fictional community. The Watts, Beales, Mitchells, Brannings and the Slaters are some of the families that have been central to the soap's notable and dramatic storylines. EastEnders has been filmed at the BBC Elstree Centre since its inception, with a set that is outdoors and open to weather. In 2014, the BBC announced plans to rebuild the set entirely. Filming commenced on the new set in January 2022,^[3] and it was first used on-screen in March 2022.^[4] Demolition on the old set commenced in November 2022.^[5]

EastEnders has received both praise and criticism for many of its storylines, which have dealt with difficult themes including violence, rape, murder and abuse. It has been criticised for various storylines, including the 2010 baby swap storyline, which attracted over 6,000 complaints, as well as complaints of showing too much violence and allegations of national and racial stereotypes. However, EastEnders has also been commended for representing real-life issues and spreading awareness on social topics. The cast and crew of the show have received and been nominated for various awards.

History

Conception and preparations for broadcast

In March 1983, under two years before EastEnders' first episode was broadcast, the show was a vague idea in the mind of a handful of BBC executives, who decided that what

Granada Television gave Smith unrestricted access to the Coronation Street production for a month so that she could get a sense of how a continuing drama was produced.^[8]

There was anxiety at first that the viewing public would not accept a new soap set in the south of England, though research commissioned by lead figures in the BBC revealed that southerners would accept a northern soap, northerners would accept a southern soap and those from the Midlands, as Julia Smith herself pointed out, did not mind where it was set as long as it was somewhere else.^[7] This was the beginning of a close and continuing association between EastEnders and audience research, which, though commonplace today, was something of a revolution in practice.^[7]

The show's creators were both Londoners, but when they researched Victorian squares, they found massive changes in areas they thought they knew well; however, delving further into the East End of London, they found exactly what they had been searching for: a real East End spirit, an inward-looking quality, a distrust of strangers and authority figures, a sense of territory and community that the creators summed up as "Hurt one of us and you hurt us all".^[7]

When developing EastEnders, both Smith and Holland looked at influential models like Coronation Street, but they found that it offered a rather outdated and nostalgic view of working-class life. Only after EastEnders began, and featured the characters of

Albert Square.^[11]

A previous UK soap set in an East End market was ATV's Market in Honey Lane; however, between 1967 and 1969, this show, which graduated from one showing a week to two in three separate series (the latter series being shown in different time slots across the ITV network) was very different in style and approach from EastEnders. The British Film Institute described Market in Honey Lane thus: "It was not an earth-shaking programme, and certainly not pioneering in any revolutionary ideas in technique and production, but simply proposed itself to the casual viewer as a mildly pleasant affair."^[12]

The target launch date was originally January 1985.^[13] Smith and Holland had eleven months in which to write, cast and shoot the whole thing; however, in February 1984, they did not even have a title or a place to film. Both Smith and Holland were unhappy about the January 1985 launch date, favouring November or even September 1984 when seasonal audiences would be higher, but the BBC stayed firm, and Smith and Holland had to concede that, with the massive task of getting the Elstree Studios operational, January was the most realistic date; however, this was later to be changed to February.^[13]

The project had a number of working titles: Square Dance, Round the Square, Round the Houses, London Pride and East 8.^[14] It was the latter that stuck (E8 is the postcode for Hackney) in the early months of creative process; however, the show was renamed after many casting agents mistakenly thought the show was to be called Estate, and the fictional postcode E20 was created, instead of using E8.^[15] Julia Smith came up with the name Eastenders after she and Holland had spent months telephoning theatrical agents and asking "Do you have any real East Enders on your books?" Smith thought "Eastenders" "looked ugly written down" and was "hard to say", so decided to capitalise the second "e".^[15]

Initial character creation and casting

After they decided on the filming location of BBC Elstree Centre in south Hertfordshire, Smith and Holland set about creating the 23 characters needed, in just 14 days.^[16] They took a holiday in Playa de los Pocillos, Lanzarote, and started to create the characters.^[17] Holland created the Beale and Fowler family, drawing on his own background. His mother, Ethel Holland, was one of four sisters raised in Walthamstow. Her eldest sister, Lou, had married a man named Albert Beale and had two children, named Peter and Pauline.^[18] These family members were the basis for Lou Beale, Pete Beale and Pauline Fowler. Holland also created Pauline's unemployed husband Arthur Fowler, their children Mark and Michelle, Pete's wife Kathy and their son Ian.^[19] Smith used her personal memories of East End residents she met when researching Victorian squares.^[20] Ethel Skinner was based on an old woman she met in a pub, with ill-fitting false teeth, and a "face to rival a neon sign", holding a Yorkshire Terrier in one hand and a pint of Guinness in the other.^[21]

Other characters created included Jewish doctor

Hassan), black father and son Tony and Kelvin Carpenter, single mother Mary Smith and Bangladeshi couple Saeed and Naima Jeffery. Jack, Pearl and Tracey Watts were created to bring "flash, trash, and melodrama" to the Square (they were later renamed Den, Angie and Sharon). The characters of Andy O'Brien and Debbie Wilkins were created to show a modern couple with outwardly mobile pretensions, and Lofty Holloway to show an outsider; someone who did not fit in with other residents. It was decided that he would be a former soldier, as Holland's personal experiences of ex-soldiers were that they had trouble fitting into society after being in the army. When they compared the characters they had created, Smith and Holland realised they had created a cross-section of East End residents. The Beale and Fowler family represented the old families of the East End, who had always been there. The Osmans, Jefferys and Carpenters represented the more modern diverse ethnic community of the East End. Debbie, Andy and Mary represented more modern-day individuals.^[10]

Once they had decided on their 23 characters, they returned to London for a meeting with the BBC. Everyone agreed that EastEnders would be tough, violent on occasion, funny and sharp—set in

Reg Cox). They decided that none of their existing characters were wicked enough to have killed Reg, so a 24th character, Nick Cotton was added to the line-up. He was a racist thug, who often tried to lead other young characters astray.^[22] When all the characters had been created, Smith and Holland set about casting the actors, which also involved the input of lead director Matthew Robinson, who supervised auditions with the other directors at the outset, Vivienne Cozens and Peter Edwards.^[23]

Final preparations

Through the next few months, the set was growing rapidly at Elstree, and a composer and designer had been commissioned to create the title sequence. Simon May wrote the theme music^[24] and Alan Jeapes created the visuals.^[25] The visual images were taken from an aircraft flying over the East End of London at 1000 feet. Approximately 800 photographs were taken and pieced together to create one big image.^[26] The credits were later updated when the Millennium Dome was built.^[26]

The launch was delayed until February 1985^[27] due to a delay in the chat show Wogan, that was to be a part of the major revamp in BBC1's schedules. Smith was uneasy about the late start as EastEnders no longer had the winter months to build up a loyal following before the summer ratings lull. The press were invited to Elstree to meet the cast and see the lot, and stories immediately started circulating about the show, about a rivalry with ITV (who were launching their own market-based soap, Albion Market) and about the private lives of the cast.^[28] Anticipation and rumour grew in equal measure until the first transmission at 7 p.m. on 19 February 1985.^[28] Neither Holland nor Smith could watch; they both instead returned to the place where it all began, Albertine's Wine Bar on Wood Lane.^[28] The next day, viewing figures were confirmed at 17 million.^[28] The reviews were largely favourable,^[28] although, after three weeks on air, BBC1's early evening share had returned to the pre-EastEnders figure of seven million, though EastEnders then climbed to highs of up to 23 million later on in the year.^[29] Following the launch, both group discussions and telephone surveys were conducted to test audience reaction to early episodes.

1980s broadcast history

Press coverage of EastEnders, which was already intense, went into overdrive once the show was broadcast. With public interest so high, the media began investigating the private lives of the show's popular stars. Within days, a scandalous headline appeared – "EASTENDERS STAR IS A KILLER". This referred to

Albert Square

and the press for the next 20 years.

The show's first episode attracted some 17 million viewers, and it continued to attract high viewing figures from then on.^[30] By Christmas 1985, the tabloids could not get enough of the soap. "Exclusives" about EastEnders storylines and the actors on the show became a staple of tabloid buyers' daily reading.^[31]

In 1987, the show featured the first same-sex kiss on a British soap, when

Guido Smith (Nicholas Donovan), an episode that was watched by 17 million people.^[32]

Writer Colin Brake suggested that 1989 was a year of big change for EastEnders, both behind the cameras and in front of them. Original production designer Keith Harris left the show, and Holland and Smith both decided that the time had come to move on too, their final contribution coinciding with the exit of one of EastEnders' most successful characters, Den Watts (Leslie Grantham).^[33] Producer Mike Gibbon was given the task of running the show, and he enlisted the most experienced writers to take over the storylining of the programme, including Charlie Humphreys, Jane Hollowood and Tony McHale.^[34]

According to Brake, the departure of two of the soap's most popular characters, Den and Angie Watts (

Nejdet Salih) and their family; Donna Ludlow (Matilda Ziegler); Carmel Jackson (Judith Jacob) and Colin Russell (Michael Cashman). Brake indicated that the production team decided that 1989 was to be a year of change in Walford, commenting, "it was almost as if Walford itself was making a fresh start".^[35]

By the end of 1989, EastEnders had acquired a new executive producer, Michael Ferguson, who had previously been a successful producer on ITV's The Bill. Brake suggested that Ferguson was responsible for bringing in a new sense of vitality and creating a programme that was more in touch with the real world than it had been over the previous year.^[34]

Changes in the 1990s

A new era began in 1990, with the introduction of Phil Mitchell (Steve McFadden) and Grant Mitchell (Ross Kemp)—the Mitchell brothers—successful characters who would go on to dominate the soap thereafter.^[36] As the new production team cleared the way for new characters and a new direction, all of the characters introduced under Gibbon were axed from the show at the start of the year.^[37] Ferguson introduced other characters and was responsible for storylines including HIV, Alzheimer's disease and murder. After a successful revamp of the soap, Ferguson decided to leave EastEnders in July 1991.^[38] Ferguson was succeeded by both Leonard Lewis and Helen Greaves, who initially shared the role as Executive Producer for EastEnders.^[39] Lewis and Greaves formulated a new regime for EastEnders, giving the writers of the serial more authority in storyline progression, with the script department providing "guidance rather than prescriptive episode storylines".^[33] By the end of 1992, Greaves had left, and Lewis became executive and series producer.^[40] He left EastEnders in 1994 after the BBC controllers demanded an extra episode a week, taking its weekly airtime from 60 to 90 minutes.^[41] Lewis felt that producing an hour of "reasonable quality drama" a week was the maximum that any broadcasting system could generate without loss of integrity.^[41] Having set up the transition to the new schedule, the first trio of episodes—dubbed The Vic siege—marked Lewis's departure from the programme.^[42] Barbara Emile then became the Executive Producer of EastEnders,^[43]^[44] remaining with EastEnders until early 1995. She was succeeded by Corinne Hollingworth.

Hollingworth's contributions to the soap were awarded in 1997 when EastEnders won the

Melanie Healy, Jamie Mitchell, Lisa Shaw, Steve Owen and Billy Mitchell

.

2000s

Little Mo Morgan, and Kat Slater's revelation to her daughter Zoe Slater

that she was her mother.

In 2002, Louise Berridge succeeded Yorke as the Executive Producer. During her time at EastEnders, Berridge introduced popular characters such as Alfie Moon, Dennis Rickman,^[48] Chrissie Watts, Jane Beale, Stacey Slater^[49] and the critically panned Indian Ferreira family.^[50]

Berridge was responsible for some ratings success stories, such as Alfie and Kat Slater's relationship, Janine Butcher getting her comeuppance, Trevor Morgan and Jamie Mitchell's death storylines and the return of one of the greatest soap icons, Den Watts, who had been presumed dead for 14 years. His return in late 2003 was watched by over 16 million viewers, putting EastEnders back at number one in the rating war with the Coronation Street; however, other storylines, such as one about a kidney transplant involving the Ferreiras, were not well received,^[50] and although Den Watts's return proved to be a ratings success, the British press branded the plot unrealistic and felt that it questioned the show's credibility.^[51]^[52] A severe press backlash followed after Den's actor, Leslie Grantham, was outed in an internet sex scandal, which coincided with a swift decline in viewer ratings.^[50] The scandal led to Grantham's departure from the soap, but the occasion was used to mark the 20th anniversary of EastEnders, with an episode showing Den's murder at the Queen Vic pub.

On 21 September 2004, Berridge quit as executive producer of EastEnders following continued criticism of the show.

homosexual

characters to make the show 'feel more 21st Century'. Santer also reintroduced past and popular characters to the programme.

On 2 March 2007, BBC signed a deal with Google to put videos on YouTube. A behind the scenes video of EastEnders, hosted by

Tomas, whom she took in under the pretence of being her grandson.^[63] The second and third featured Stacey Slater and Dawn Swann, respectively.^[64]^[65]

There have also been adverts in magazines and on radio.

In 2009, producers introduced a limit on the number of speaking parts in each episode due to budget cuts, with an average of 16 characters per episode. The decision was criticised by Martin McGrath of Equity, who said: "Trying to produce quality TV on the cheap is doomed to fail." The BBC responded by saying they had been working that way for some time and it had not affected the quality of the show.[66]

2010s

From 4 February 2010, CGI was used in the show for the first time, with the addition of computer-generated trains.^[67]

EastEnders celebrated its 25th anniversary on 19 February 2010. Santer came up with several plans to mark the occasion, including the show's first episode to be broadcast live, the second wedding between Ricky Butcher and Bianca Jackson and the return of Bianca's relatives, mother Carol Jackson, and siblings Robbie Jackson, Sonia Fowler and Billie Jackson. He told entertainment website Digital Spy, "It's really important that the feel of the week is active and exciting and not too reflective. There'll be those moments for some of our longer-serving characters that briefly reflect on themselves and how they've changed. The characters don't know that it's the 25th anniversary of anything, so it'd be absurd to contrive too many situations in which they're reflective on the past. The main engine of that week is great stories that'll get people talking."^[68] The live episode featured the death of Bradley Branning (Charlie Clements) at the conclusion of the "Who Killed Archie?" storyline, which saw Bradley's wife Stacey Slater (Lacey Turner) reveal that she was the murderer. Viewing figures peaked at 16.6 million, which was the highest viewed episode in seven years.^[69] Other events to mark the anniversary were a spin-off DVD, EastEnders: Last Tango in Walford, and an Internet spin-off, EastEnders: E20.

Santer officially left EastEnders in March 2010, and was replaced by

Kat Moon (Jessie Wallace),^[70] and his first new character was Vanessa Gold, played by Zöe Lucker.^[71] In April and May 2010, Kirkwood axed eight characters from the show,^[72]^[73] Barbara Windsor left her role of Peggy Mitchell, which left a hole in the show, which Kirkwood decided to fill by bringing back Kat and Alfie, which he said would "herald the new era of EastEnders."^[74]^[75] EastEnders started broadcasting in high definition on 25 December 2010.^[76] Old sets had to be rebuilt, so The Queen Victoria set was burnt down

in a storyline (and in reality) to facilitate this.

In November 2011, a storyline showed character Billy Mitchell, played by Perry Fenwick, selected to be a torch bearer for the 2012 Summer Olympics. In reality, Fenwick carried the torch through the setting of Albert Square, with live footage shown in the episode on 23 July 2012. This was the second live broadcast of EastEnders.^[77] In 2012, Kirkwood chose to leave his role as executive producer and was replaced by Lorraine Newman. The show lost many of its significant characters during this period. Newman stepped down as executive producer after 16 months in the job in 2013 after the soap was criticised for its boring storylines and its lowest-ever figures pointing at around 4.8 million.^[78] Dominic Treadwell-Collins was appointed as the new executive producer on 19 August 2013^[79]^[80] and was credited on 9 December.^[81] He axed multiple characters from the show^[82] and introduced the extended Carter family.^[83] He also introduced a long-running storyline, "Who Killed Lucy Beale?", which peaked during the show's 30th anniversary in 2015 with a week of live episodes.^[84] Treadwell-Collins announced his departure from EastEnders on 18 February 2016.^[85]

Sean O'Connor, former EastEnders series story producer and then-editor on radio soap opera The Archers, was announced to be taking over the role.^[86] Treadwell-Collins left on 6 May^[87] and O'Connor's first credited episode was broadcast on 11 July^[88] Although O'Connor's first credited episode aired in July, his own creative work was not seen onscreen until late September.^[89] Additionally, Oliver Kent was brought in as the Head of Continuing Drama Series for BBC Scripted Studios, meaning that Kent would oversee EastEnders along with O'Connor.^[90] O'Connor's approach to the show was to have a firmer focus on realism, which he said was being "true to EastEnders' DNA and [finding] a way of capturing what it would be like if Julia Smith and Tony Holland were making the show now." He said that "EastEnders has always had a distinctly different tone from the other soaps but over time we've diluted our unique selling point. I think we need to be ourselves and go back to the origins of the show and what made it successful in the first place. It should be entertaining but it should also be informative—that's part of our unique BBC compact with the audience. It shouldn't just be a distraction from your own life, it should be an exploration of the life shared by the audience and the characters."^[91] O'Connor planned to stay with EastEnders until the end of 2017, but announced his departure on 23 June 2017 with immediate effect,^[92] saying he wanted to concentrate on a career in film. John Yorke returned as a temporary executive consultant. Kent said, "John Yorke is a Walford legend and I am thrilled that he will be joining us for a short period to oversee the show and to help us build on Sean's legacy while we recruit a long-term successor."^[93] Yorke initially returned for three months but his contract was later extended.^[94]

In July 2018, a special episode was aired as part of a

Shakil Kazemi (Shaheen Jafargholi

) interspersed with real people talking about their true-life experiences of knife crime. [95] On 8 August 2018, it was announced that Kate Oates, who has previously been a producer on the ITV soap operas Emmerdale and Coronation Street, would become Senior Executive Producer of EastEnders, as well of Holby City and Casualty. Oates began her role in October, and continued to work with Yorke until the end of the year to "ensure a smooth handover".^[96] It was also announced that Oates was looking for an Executive Producer to work under her.^[97] Jon Sen was announced on 10 December 2018 to be taking on the role of executive producer.^[98]

In late 2016, popularity and viewership of EastEnders began to decline, with viewers criticising the storylines during the O'Connor reign, such as the killing of the Mitchell sisters and a storyline centred on the local bin collection.^[99] Since Yorke's and Oates' reigns, however, opinions towards the storylines have become more favourable, with storylines such as Ruby Allen's (Louisa Lytton) sexual consent, which featured a special episode which "broke new ground"^[100] and knife crime, both of which have created "vital" discussions. The soap won the award for Best Continuing Drama at the 2019 British Academy Television Awards; its first high-profile award since 2016; however, in June 2019, EastEnders suffered its lowest ever ratings of 2.4 million due to its airing at 7 pm because of the BBC's coverage of the 2019 FIFA Women's World Cup.^[101] As of 2019, the soap is one of the most watched series on BBC iPlayer and averages around 5 million viewers per episode.^[102]^[103] The soap enjoyed a record-breaking year on the streaming platform in 2019, with viewers requesting to stream or download the show 234 million times, up 10% on 2018.^[104] The Christmas Day episode in 2019 became EastEnders biggest ever episode on BBC iPlayer, with 2.14 million viewer requests.^[104]

2020s

In February 2020, EastEnders celebrated its 35th anniversary with a stunt on the

Dennis Rickman Jr (Bleu Landau).^[105]^[106]

It was announced on 18 March 2020 that production had been suspended on EastEnders and other BBC Studios continuing dramas in light of new government guidelines following the

social distancing measures were utilised and the show's cast were required to do their own hair and make-up, which is normally done by a make-up artist.^[108]

It was announced on 3 June 2020 that EastEnders would go on a transmission break following the broadcast of episode 6124 on 16 June.[109] A behind-the-scenes show, EastEnders: Secrets From The Square, will air in the show's place during the transmission break and is hosted by television personality Stacey Dooley. The first episode of the week features exclusive interviews with the show's cast, while the second episode will be a repeat of "iconic" episodes of the show.^[110] Beginning on 22 June 2020, Dooley interviews two cast members together in the show's restaurant set while observing social distancing measures.^[110] Kate Phillips, the controller of BBC Entertainment, explained that EastEnders: Secrets From The Square would be the "perfect opportunity to celebrate the show" in the absence of the show.^[110] Jon Sen, the show's executive producer, expressed his excitement at the new series, dubbing it "a unique opportunity to see from the cast themselves just what it is like to be part of EastEnders".^[110]

Plans for the show's return to transmission were announced on 12 June 2020. It was confirmed that after the transmission break, the show would temporarily broadcast four 20-minute episodes per week, until it can return to its normal output. Sen explained that the challenges in production and filming of the show has led to the show's reduced output, but also stated that the crew had been "trialing techniques, filming methods and new ways of working" to prepare the show for its return.^[111] Filming recommenced on 29 June,^[112] with episodes airing from 7 September 2020.^[113]

On 9 April 2021, following the death of Prince Philip, Duke of Edinburgh, the episode of EastEnders that was due to be aired that night was postponed along with the final of Masterchef.^[114] In May 2021, it was announced that from 14 June 2021, boxsets of episodes would be uploaded to BBC iPlayer each Monday for three weeks. Executive producer Sen explained that the bi-annual scheduling conflicts that the UEFA European Championship and the FIFA World Cup cause to the soap, premiering four episodes on the streaming service would be beneficial for fans of the show who want to watch at their own chosen pace. Sen also confirmed that the episodes will still air on BBC One throughout the week.^[115] The release of these boxsets was extended for a further five weeks, due to similar impacts caused by the 2020 Summer Olympics.^[116]

On 12 October 2021, it was announced that EastEnders would partake in a special week-long crossover event involving multiple British soaps to promote the topic of

Bailey Baker and Peter Beale) were featured on Doctors and Emmerdale during the week.^[121]

In November 2021, it was announced that Sen would step down from his role as executive producer, and would be succeeded by former story producer

Best British Soap at the 2023 British Soap Awards and the award for Serial Drama at the 28th National Television Awards under his leadership.^[132]^[133]^[134]^[135]^[136]

Setting

The central focus of EastEnders is the fictional

BBC Television Centre which carries the Hammersmith & City line over Wood Lane W12, and the Queen Vic on the former College Park Hotel pub in Willesden at the end of Scrubs Lane at the junction with Harrow Road NW10 just a couple of miles from BBC Television Centre.^[140]

Walford East is a fictional London Underground station for Walford, and a tube map that was first seen on air in 1996 showed Walford East between

Hammersmith & City lines.^[141]

Walford has the postal district of E20. It was named as if Walford were part of the actual E postcode area which covers much of east London,^[142] the E standing for Eastern.^[143] E20 was entirely fictional when it was created, as London East postal districts stopped at E18 at the time. The show's creators opted for E20 instead of E19 as it was thought to sound better.^[139]

In March 2011, Royal Mail allocated the E20 postal district to the 2012 Olympic Park.^[144] In September 2011, the postcode for Albert Square was revealed in an episode as E20 6PQ.

Characters

EastEnders is built around the idea of relationships and strong families, with each character having a place in the community. This theme encompasses the whole Square, making the entire community a family of sorts, prey to upsets and conflict, but pulling together in times of trouble. Co-creator

Fowler family, consisting of Pauline Fowler (Wendy Richard), her husband Arthur (Bill Treacher), and teenage children Mark (David Scarboro/Todd Carty) and Michelle (Susan Tully). Pauline's family, the Beales, consisted of Pauline's twin brother Pete Beale (Peter Dean), his wife Kathy (Gillian Taylforth) and their teenage son Ian (Adam Woodyatt). Pauline and Pete's domineering mother Lou Beale (Anna Wing) lived with Pauline and her family. Holland drew on the names of his own family for the characters.^[19]

The

Fowlers were revived and merged with the Slaters, with Martin Fowler (James Bye) marrying Stacey Slater (Lacey Turner).^[146] The late 2010s saw the newly introduced Taylor family become central to the show's main storylines,^[147] and in 2019, the first Sikh family, the Panesars, were introduced.^[148] The early 2020s was dominated by the Mitchells, Brannings, Panesars, Slaters, as well as the newly introduced Knight family. Key people involved in the production of EastEnders have stressed how important the idea of strong families is to the programme.^[18]

EastEnders has an emphasis on strong family

matriarchs, with examples including Pauline Fowler (Wendy Richard) and Peggy Mitchell (Barbara Windsor), helping to attract a female audience. John Yorke, the former BBC's head of drama production, put this down to Tony Holland's "gay sensibility, which showed a love for strong women".^[149] The matriarchal role is one that has been seen in various reincarnations since the programme's inception, often depicted as the centre of the family unit.^[150] The original matriarch was Lou Beale (Anna Wing), though later examples include Mo Harris (Laila Morse),^[151] Pat Butcher (Pam St Clement),^[152] Zainab Masood (Nina Wadia),^[153] Cora Cross (Ann Mitchell),^[154] Kathy Beale (Gillian Taylforth),^[155] Jean Slater (Gillian Wright),^[156] and Suki Panesar (Balvinder Sopal).^[148]^[157] These characters are often seen as being loud and interfering but most importantly, responsible for the well-being of the family.^[158]

The show often includes strong, brassy, long-suffering women who exhibit

tart with a heart' is another recurring character. Often, their promiscuity masks a hidden vulnerability and a desire to be loved. Such characters have included Pat Butcher (Pam St Clement), Tiffany Mitchell (Martine McCutcheon) and Kat Slater (Jessie Wallace).^[159]

A gender balance in the show is maintained via the inclusion of various "macho" male personalities such as

Howie Danes (Delroy Atkinson

).

Other recurring character types that have appeared throughout the serial are "cheeky-chappies"

Kheerat Panesar (Jaz Deol) and Tom "Rocky" Cotton (Brian Conley

).

Over the years, EastEnders has typically featured a number of elderly residents, who are used to show vulnerability,

Gloria Knight (Elizabeth Counsell). The programme has more recently included a higher number of teenagers and successful young adults in a bid to capture the younger television audience.^[182]^[183] This has spurred criticism, most notably from the actress Anna Wing, who portrayed Lou Beale in the show. She commented, "I don't want to be disloyal, but I think you need a few mature people in a soap because they give it backbone and body... if all the main people are young it gets a bit thin and inexperienced. It gets too lightweight."^[184]

EastEnders has been known to feature a "comedy double-act", originally demonstrated with the characters of Dot and Ethel, whose friendship was one of the serial's most enduring.

Derek Harkinson (Ian Lavender

).

EastEnders has always featured a culturally diverse cast which has included black, Asian, Turkish, Polish and Latvian characters. "The expansion of minority representation signals a move away from the traditional soap opera format, providing more opportunities for audience identification with the characters and hence a wider appeal".^[188]^[189] Despite this, the programme has been criticised by the Commission for Racial Equality, who argued in 2002 that EastEnders was not giving a realistic representation of the East End's "ethnic make-up". They suggested that the average proportion of visible minority faces on EastEnders was substantially lower than the actual ethnic minority population in East London boroughs, and it, therefore, reflected the East End in the 1960s, not the East End of the 2000s. The programme has since attempted to address these issues. A sari shop was opened and various characters of different ethnicities were introduced throughout 2006 and 2007, including the Fox family, the Ahmeds, and various background artists.^[190] This was part of producer Diederick Santer's plan to "diversify", to make EastEnders "feel more 21st century". EastEnders has had varying success with ethnic minority characters. Possibly the least successful were the Indian Ferreira family, who were not well received by critics or viewers and were dismissed as unrealistic by the Asian community in the UK.^[191]

EastEnders has been praised for its portrayal of characters with disabilities, including

Kyle Slater (Riley Carter Millington), a transgender character, was introduced in 2015.^[198]

EastEnders has a high cast turnover and characters are regularly changed to facilitate storylines or refresh the format.

Jane Slaughter) (who has been in the show since the first episode in 1985), have made appearances throughout the show's duration, without being the focus of any major storylines. The character of Nick Cotton (John Altman) gained a reputation for making constant exits and returns since the programme's first year until the character died in 2015.^[201]

As of January 2024 [update],

Tracey is the longest-serving female character in the show, having appeared since 1985, albeit as a minor character.^[203]

Storylines

EastEnders programme makers took the decision that the show was to be about "everyday life" in the inner city "today" and regarded it as a "slice of life".

racial prejudice, etc., in a believable context. Above all, we wanted realism".^[205] In 2011, the head of BBC drama, John Yorke, said that the real East End had changed significantly since EastEnders started, and the show no longer truly reflected real life, but that it had an "emotional truthfulness" and was partly "true to the original vision" and partly "adapt[ing] to a changing world", adding that "If it was a show where every house cost a fortune and everyone drove a Lexus, it wouldn't be EastEnders. You have to show shades of that change, but certain things are immutable, I would argue, like The Vic and the market."^[206]

In the 1980s, EastEnders featured "gritty" storylines involving drugs and crime, representing the issues faced by working-class Britain under

Reg Cox (Johnnie Clayton),^[208] Arthur Fowler's (Bill Treacher) unemployment reflecting the recession of the 1980s, the rape of Kathy Beale (Gillian Taylforth) in 1988 by James Willmott-Brown (William Boyde)^[208] and Michelle Fowler's (Susan Tully) teenage pregnancy. The show also dealt with prostitution, mixed-race relationships, shoplifting, sexism, divorce, domestic violence and mugging. In 1989, the programme came under criticism in the British media for being too depressing, and according to writer Colin Brake, the programme makers were determined to change this.^[34] In 1989, there was a deliberate attempt to increase the lighter, more comic aspects of life in Albert Square. This led to the introduction of some characters who were deliberately conceived as comic or light-hearted.^[34] Brake suggested that humour was an important element in EastEnders' storylines during 1989, with a greater amount of slapstick and light comedy than before. He classed 1989's changes as a brave experiment, and suggested that while some found this period of EastEnders entertaining, many other viewers felt that the comedy stretched the programme's credibility.^[34] Although the programme still covered many issues in 1989, such as domestic violence, drugs, rape and racism, Brake reflected that the new emphasis on a more balanced mix between "light and heavy storylines" gave the illusion that the show had lost a "certain edge".^[34]

As the show progressed into the 1990s, EastEnders still featured hard-hitting issues such as

gay community. Still, heterosexual Mark struggled with various issues connected to his HIV status, including public fears of contamination, a marriage breakdown connected to his inability to have children and the side effects of combination therapies.^[209]

In the early 2000s, EastEnders covered the issue of

child grooming involving the characters Tony King (Chris Coghill) as the perpetrator and Whitney Dean (Shona McGarty) as the victim.^[215]

Aside from this, soap opera staples of youthful romance, jealousy, domestic rivalry, gossip and extramarital affairs are regularly featured, with high-profile storylines occurring several times a year. Whodunits also feature regularly, including the "Who Shot Phil?" story arc in 2001 that attracted over 19 million viewers and was one of the biggest successes in British soap television; the "Who Killed Archie?" storyline, which was revealed in a special live episode of the show that drew a peak of 17 million viewers; and the "Who Killed Lucy Beale?" saga. The most recent whodunit happened at Christmas 2023, where The Six storyline saw Keanu Taylor (Danny Walters) be murdered by Linda Carter (Kellie Bright), and covered up by five other residents present that night.

Production

Set

The exterior set for the fictional Albert Square is located in the permanent

lampposts that were provided by Hertsmere Borough Council and a number of vehicles parked on the square.^[220] On each set all the appliances are fully functional such as gas cookers, the laundry washing machines and The Queen Victoria beer pumps.^[220]

The walls were intentionally built crooked to give them an aged appearance.[219] The drains around the set are real so rainwater can naturally flow from the streets.^[221] The square was built in two phases with only three sides being built, plus Bridge Street, to begin with in 1984, in time to be used for the show's first episode.^[222] Then in 1986, Harris added an extension to the set, building the fourth side of Albert Square, and in 1987, Turpin Road began to be featured more, which included buildings such as The Dagmar.^[223]

In 1993, George Street was added, and soon after

Walford East Underground station

was built, to create further locations when EastEnders went from two to three episodes per week. The set was constructed by the BBC in-house construction department under construction manager Mike Hagan. Most of the buildings on Albert Square have no interior filming space, with a few exceptions, and most do not have rears or gardens. Some interior shots are filmed in the actual buildings.

In February 2008, it was reported that the set would transfer to Pinewood Studios in Buckinghamshire, where a new set would be built^[224] as the set was looking "shabby", with its flaws showing up on high-definition television broadcasts; however, by April 2010 a follow-up report confirmed that Albert Square would remain at Elstree Studios for at least another four years, taking the set through its 25th anniversary.^[225]^[226] The set was consequently rebuilt for high definition on the same site, using mostly real brick with some areas using a new improved plastic brick. Throughout rebuilding filming would still take place, and so scaffolding was often seen on screen during the process, with some storylines written to accommodate the rebuilding, such as the Queen Vic fire.^[227]

In 2014, then executive producer Dominic Treadwell-Collins said that he wanted Albert Square to look like a real-life east London neighbourhood so that the soap would "better reflect the more fashionable areas of east London beloved of young professionals" giving a flavour of the "creeping gentrification" of east London. He added: "It should feel more like London. It's been frozen in aspic for too long."^[228] The BBC announced that they would rebuild the EastEnders set^[229] to secure the long-term future of the show, with completion expected to be in 2018. The set will provide a modern, upgraded exterior filming resource for EastEnders, and will copy the appearance of the existing buildings; however, it will be 20 per cent bigger, in order to enable greater editorial ambition and improve working conditions for staff. A temporary set will be created on-site to enable filming to continue while the permanent structure is rebuilt.^[229]

In May 2016 the rebuild was delayed until 2020 and forecast to cost in excess of £15 million,^[230] although the main part of the set is scheduled to be able to start filming in May 2019.^[231] In December 2018, it was revealed that the new set was now planned to cost £59 million but a National Audit Office (NAO) report stated that it would actually cost £86.7 million and be completed two-and-a-half years later than planned, in 2023; the NAO concluded that the BBC "could not provide value for money on the project".^[232] The NAO's forecast cost is more than the annual combined budget for BBC Radio 1 and Radio 2.^[233] The BBC said the new set would be more suitable for HD filming and better reflect the modern East End of London.^[232] In March 2019 there was criticism from a group of MPs about how the BBC handled the redevelopment of the set.^[234] In March 2020 during the suspension of filming, the interior sets were used for a new adaptation of Talking Heads. This marked the first time that it had been used for anything other than EastEnders.^[235] In January 2022 the new £86.7m exterior set of EastEnders was officially unveiled by the BBC replacing the original set built in 1984. The new scenes from the new set first appeared in episodes airing in spring.^[236]

Filming

The majority of EastEnders episodes are filmed at the

BBC Television Centre in April 2001.^[239] Episodes are produced in "quartets" of four episodes, each of which starts filming on a Tuesday and takes nine days to record.^[237] Each day, between 25 and 30 scenes are recorded.^[240] During the filming week, actors can film for as many as eight to twelve episodes. Exterior scenes are filmed on a specially constructed film lot, and interior scenes take place in six studios.^[241]^[237] The episodes are usually filmed about six^[237] to eight weeks in advance of broadcast. During the winter period, filming can take place up to twelve weeks in advance, due to less daylight for outdoor filming sessions.^[242] This time difference has been known to cause problems when filming outdoor scenes. On 8 February 2007, heavy snow fell on the set and filming had to be cancelled as the scenes due to be filmed on the day were to be transmitted in April.^[243]^[244] EastEnders is normally recorded using four cameras.^[240] When a quartet is completed, it is edited by the director, videotape editor and script supervisor.^[237] The producer then reviews the edits and decides if anything needs to be re-edited, which the director will do. A week later, sound is added to the episodes and they are technically reviewed, and are ready for transmission if they are deemed of acceptable quality.^[237]

Although episodes are predominantly recorded weeks before they are broadcast, occasionally, EastEnders includes current events in their episodes. In 1987, EastEnders covered the

Men's Singles at the 2013 Wimbledon Championships,^[251] the Wedding of Prince William and Catherine Middleton, the birth of Prince George of Wales,^[252]

Scotland voting no against independence in 2014, and the 100th anniversary of the beginning of the Great War.

EastEnders is often filmed on location, away from the studios in Borehamwood. Sometimes an entire quartet is filmed on location, which has a practical function and are the result of EastEnders making a "double bank", when an extra week's worth of episodes are recorded at the same time as the regular schedule, enabling the production of the programme to stop for a two-week break at Christmas. These episodes often air in late June or early July and again in late October or early November.[33] The first time this happened was in December 1985 when Pauline (Wendy Richard) and Arthur Fowler (Bill Treacher) travelled to the Southend-on-Sea to find their son Mark, who had run away from home.^[253]^[254] In 1986, EastEnders filmed overseas for the first time, in Venice, and this was also the first time it was not filmed on videotape, as a union rule at the time prevented producers taking a video crew abroad and a film crew had to be used instead.^[255] In 2011, it was reported that eight per cent of the series is filmed on location.^[256]

If scenes during a normal week are to be filmed on location, this is done during the normal recording week.

Clacton (1989), Devon (September 1990), Hertfordshire (used for scenes set in Gretna Green in July 1991), Portsmouth (November 1991),^[33] Milan (1997), Ireland (1997),^[257] Amsterdam (December 1999),^[258] Brighton (2001) and Portugal (2003).^[259] In 2003, filming took place at Loch Fyne Hotel and Leisure Club in Inveraray, The Arkinglass Estate in Cairndow and Grims Dyke Hotel, Harrow Weald, north London, for a week of episodes set in Scotland.^[259] The episode shown on 9 April 2007 featured scenes filmed at St Giles Church and The Blacksmiths Arms public house in Wormshill, the Ringlestone Inn, two miles away and Court Lodge Farm in Stansted, Kent.^[260] and the Port of Dover, Kent. .^[261]

Other locations have included the court house, a disused office block, Evershed House,[262]^[263] and St Peter's Church,^[264] all in St Albans, an abandoned mental facility in Worthing,^[265] and a wedding dress shop in Muswell Hill, north London.^[266] A week of episodes in 2011 saw filming take place on a beach in Thorpe Bay^[267] and a pier in Southend-on-Sea—during which a stuntman was injured when a gust of wind threw him off balance and he fell onto rocks—^[268]^[269] with other scenes filmed on the Essex coast.^[270]^[271] In 2012, filming took place in Keynsham, Somerset.^[272] In January 2013, on-location filming at Grahame Park in Colindale, north London, was interrupted by at least seven youths who threw a firework at the set and threatened to cut members of the crew.^[273] In October 2013, scenes were filmed on a road near London Southend Airport in Essex.^[274]

EastEnders has featured seven live broadcasts. For its 25th anniversary in February 2010, a live episode was broadcast in which Stacey Slater (Lacey Turner) was revealed as Archie Mitchell's (Larry Lamb) killer. Turner was told only 30 minutes before the live episode and to maintain suspense, she whispers this revelation to former lover and current father-in-law, Max Branning, in the very final moments of the live show. Many other cast members only found out at the same time as the public, when the episode was broadcast.^[275] On 23 July 2012, a segment of that evening's episode was screened live as Billy Mitchell (Perry Fenwick) carried the Olympic flame around Walford in preparation for the 2012 Summer Olympics.^[276] In February 2015, for the soap's 30th anniversary, five episodes in a week featured live inserts throughout them. Episodes airing on Tuesday 17, Wednesday 18 and Thursday 19 (which featured an hour long episode and a second episode) all featured at least one live insert. The show revealed that the killer of Lucy Beale (Hetti Bywater) was her younger brother, Bobby (Eliot Carrington), during the second episode on Thursday, after a ten-month mystery regarding who killed her. In a flashback episode which revisited the night of the murder, Bobby was revealed to have killed his sister. The aftermath episode, which aired on Friday 20, was completely live and explained in detail Lucy's death. Carrington was told he was Lucy's killer on Monday 16,^[277] while Laurie Brett (who plays Bobby's adoptive mother, Jane) was informed in November, due to the character playing a huge role in the cover-up of Lucy's murder.^[278] Bywater only discovered Bobby was responsible for Lucy's death on the morning of Thursday, 19 February, several hours before they filmed the scenes revealing Bobby as Lucy's killer.^[279]

Post-production

Each episode should run for 27 minutes and 15 seconds; however, if any episode runs over or under then it is the job of post-production to cut or add scenes where appropriate. As noted in the 1994 behind-the-scenes book, EastEnders: The First 10 Years, after filming, tapes were sent to the videotape editor, who then edited the scenes together into an episode. The videotape editor used the director's notes so they knew which scenes the director wanted to appear in a particular episode. The producer might have asked for further changes to be made.

D3 video. The final process was to add the audio which included background noise such as a train or a jukebox music and to check it met the BBC's technical standard for broadcasting.^[281]

Since 2010, EastEnders no longer uses tapes in the recording or editing process. After footage is recorded, the material is sent digitally to the post-production team. The editors then assemble all the scenes recorded for the director to view and note any changes that are needed. The sound team also have the capability to access the edited episode, enabling them to dub the sound and create the final version.[282]

Budgets and costs

According to the book How to Study Television, in 1995 EastEnders cost the BBC £40,000 per episode on average.^[283] A 2012 agreement between the BBC, the Writers' Guild of Great Britain and the Personal Managers' Association set out the pay rate for EastEnders scripts as £137.70 per minute of transmission time (£4,131 for 30 minutes), which is 85 per cent of the rate for scripts for other BBC television series. The writers would be paid 75 per cent of that fee for any repeats of the episode.^[284] In 2011, it was reported that actors receive a per-episode fee of between £400 and £1,200, and are guaranteed a certain number of episodes per year, perhaps as few as 30 or as many as 100, therefore annual salaries could range from £12,000 to £200,000 depending on the popularity of a character. Some actors' salaries were leaked in 2006, revealing that Natalie Cassidy (Sonia Fowler) was paid £150,000, Cliff Parisi (Minty Peterson) received £220,000, Barbara Windsor (Peggy Mitchell) and Steve McFadden (Phil Mitchell) each received £360,000 and Wendy Richard (Pauline Fowler) had a salary of £370,000.^[285] In 2017, it was revealed that Danny Dyer (Mick Carter) and Adam Woodyatt (Ian Beale) were the highest-paid actors in EastEnders, earning between £200,000 and £249,999, followed by Laurie Brett (Jane Beale), Letitia Dean (Sharon Watts), Tameka Empson (Kim Fox), Linda Henry (Shirley Carter), Scott Maslen (Jack Branning), Diane Parish (Denise Fox), Gillian Taylforth (Kathy Beale) and Lacey Turner (Stacey Slater), earning between £150,000 and £199,999.^[286]

A 2011 report from the National Audit Office (NAO) showed that EastEnders had an annual budget of £29.9 million. Of that, £2.9 million was spent on scripts and £6.9 million went towards paying actors, extras and chaperones for child actors.^[285] According to the NAO, BBC executives approved £500,000 of additional funding for the 25th anniversary live episode (19 February 2010).^[287]^[288] With a total cost of £696,000, the difference was covered from the 2009–2010 series budget for EastEnders.^[287] When repeats and omnibus editions are shown, the BBC pays additional fees to cast and scriptwriters and incurs additional editing costs, which in the period 2009–2010, amounted to £5.5 million.^[256] According to a Radio Times article for 212 episodes it works out at £141,000 per episode or 3.5p per viewer hour.^[285]

Total annual cost^[289]^[256]
Year	2002–2003	2003–2004	2004–2005	2005–2006	2006–2007	2007–2008	2008–2009	2009–2010
Cost (£millions)	35.8	36.2	34.7	34.1	33.0	33.6	31.5	29.9

Sustainability

In 2014, two new studios were built and they were equipped with low-energy lighting which has saved approximately 90,000 kwh per year.^[290] A carbon literacy course was run with Heads of Departments of EastEnders attending and as a result, representatives from each department agreed to meet quarterly to share new sustainability ideas.^[290] The paper usage was reduced by 50 per cent across script distribution and other weekly documents and 20 per cent across all other paper usage.^[290] The production team now use recycled paper and recycled stationery.^[290]

Also changes to working online has also saved transportation cost of distribution 2,500 DVDs per year.^[290] Sets, costumes, paste pots and paint are all recycled by the design department.^[290] Cars used by the studio are low emission vehicles and the production team take more efficient energy efficient generators out on location.^[290] Caterers no longer use polystyrene cups and recycling on location must be provided.^[290]

As a result of EastEnders' sustainability, it was awarded

albert+, an award that recognises the production's commitment to becoming a more eco-friendly television production.^[290] The albert+ logo was first shown at the end of the EastEnders titles for episode 5281 on 9 May 2016.^[290]

Scheduling

Broadcast

Since 1985, EastEnders has remained at the centre of

Emmerdale Farm, and this remained the same until 7 April 1994. The BBC had originally planned to take advantage of the "summer break" that Emmerdale Farm usually took to capitalise on ratings, but ITV added extra episodes and repeats so that Emmerdale Farm was not taken off the air over the summer. Realising the futility of the situation, Grade decided to move the show to the later 7:30 pm slot.^[291]^[292]

EastEnders output then increased to three times a week on Mondays, Tuesdays and Thursdays from 11 April 1994 until 2 August 2001.[293] From 10 August 2001, EastEnders then added its fourth episode (shown on Fridays).^[293] This caused some controversy as the first Friday episode clashed with Coronation Street, which was moved to 8 pm to make way for an hour-long episode of rural soap Emmerdale. In this first head-to-head battle, EastEnders claimed victory over its rival.^[294]

In early 2003, viewers could watch episodes of EastEnders on digital channel BBC Three before they were broadcast on BBC One. This was to coincide with the relaunch of the channel and helped BBC Three break the one million viewers mark for the first time with 1.03 million who watched to see Mark Fowler's departure.^[295] According to the EastEnders website, there are, on average, 208 episodes outputted each year.^[296]

On 21 February 2022, it was announced that from 7 March 2022, EastEnders would begin airing from Monday to Thursday at 7:30 pm, therefore no longer airing on a Friday. This meant that EastEnders would clash with Emmerdale, but the producers stated that due to the importance of online streaming figures, they were not concerned about the soaps clashing on the live television guides.^[297]

Repeats

The omnibus edition, a compilation of the week's episodes in a continuous sequence, originally aired on BBC One on Sunday afternoons,^[298] until 1 April 2012, when it was changed to a late Friday night or early Saturday morning slot, commencing on 6 April 2012, though the exact time differed.^[299]^[300] It reverted to a weekend daytime slot as from January 2013 on BBC Two. In 2014, the omnibus moved back to around midnight on Friday nights, and in April 2015, the omnibus was axed, following detailed audience research and the introduction of 30-day catch up on BBC iPlayer and the planning of BBC One +1.^[301] The last omnibus on the BBC was shown on 24 April 2015. While W was showing same-day repeats of EastEnders, they also returned the weekend omnibus, starting on 20 February 2016.^[302]^[303]

From 20 February to 26 May 1995, as part of the programme's 10th Anniversary celebrations, episodes from 1985 were repeated each weekday morning at 10 am, starting from episode one.^[304] Four specially selected episodes from 1985, 1986 and 1987 were also repeated on BBC1 on Friday evenings at 8 pm under the banner "The Unforgettable EastEnders". These included the wedding of Michelle Fowler and Lofty Holloway, the revelation of the father of Michelle's baby, a two-hander between Dot Cotton and Ethel Skinner and the 1986 Christmas episode featuring Den Watts presenting Angie Watts with divorce papers.^[305]^[306]^[307]^[308]

EastEnders was regularly repeated at 10 pm on BBC Choice from the channel's launch in 1998, a practice continued by BBC Three for many years until mid-2012 with the repeat moving to 10:30 pm. From 25 December 2010 – 29 April 2011 and 31 July 2012 – 13 August 2012 to the show was repeated on BBC HD in a Simulcast with BBC Three.^[309]^[310] In 2015, the BBC Three repeat moved back to 10 pm. In February 2016, the repeat moved to W, the rebranded Watch, after BBC Three became an online-only channel.^[311]^[302] W stopped showing EastEnders in April 2018.^[312] Following the reinstatement of BBC Three as a linear channel in 2022, the nightly 'narrative repeat' was not reinstated; instead, the channel retransmits that week's four BBC One episodes at the weekend, airing two episodes on each of Saturday and Sunday evenings, unless live sports or music/events coverage takes precedence. Episodes of EastEnders were available on-demand through BBC iPlayer for 30 days after their original screening; however, starting with the episode broadcast on 4 April 2022, episodes were made available indefinitely.^[313]

On 1 December 2012, the BBC uploaded the first 54 episodes of EastEnders to YouTube, and on 23 July 2013 they uploaded a further 14 episodes bringing the total to 68.^[314] These have since been taken down. In April 2018, it was announced that Drama would be showing repeats starting 6 August 2018 during weekdays^[315] and they are also available on-demand on the UKTV Play catch-up service for 30 days after the broadcast.^[316] In December 2019, Christmas episodes were added to Britbox UK.^[317]

International

EastEnders is broadcast around the world in many English-speaking countries. New Zealand became the first to broadcast EastEnders overseas, the first episode being shown on 30 August 1985. This was followed by the Netherlands on 8 December 1986, Australia on 5 January 1987, Norway on 27 April, and Barcelona on 30 June (dubbed into Catalan). On 9 July 1987, it was announced that the show would be aired in the United States on PBS.^[318] BBC Worldwide licensed 200 hours of EastEnders for broadcast in Serbia on RTS (dubbed into Serbian); it began airing the first episode in December 1997.^[319] The series was broadcast in the United States until BBC America ceased broadcasts of the serial in 2003, amidst fan protests.^[320] In June 2004, the satellite television provider Dish Network picked up EastEnders, broadcasting episodes starting at the point where BBC America had ceased broadcasting them, offering the series as a pay-per-view item.^[321] Episodes air two months behind the UK schedule. Episodes from prior years are still shown on various PBS stations in the US.^[322] Since 7 March 2017, EastEnders has been available in the United States on demand, 24 hours after it has aired in the United Kingdom via BritBox, a joint venture between BBC and ITV.^[323]

The series was screened in Australia by

Prime each weekday afternoon. It is shown on BBC UKTV from Mondays to Thursdays at 8 pm. Episodes are roughly two weeks behind the UK.^[326]

EastEnders is shown on BBC Entertainment (formerly BBC Prime) in Europe and in Africa, where it is approximately six episodes behind the UK.^[327] It was also shown on BBC Prime in Asia, but when the channel was replaced by BBC Entertainment, it ceased broadcasting the series.^[328] In Canada, EastEnders was shown on BBC Canada until 2010,^[329] at which point it was picked up by VisionTV.^[330]

In Ireland, EastEnders was shown on

TV3 from September 1998 until March 2001, when it moved over to RTÉ One, after RTÉ lost to TV3 the rights to air rival soap Coronation Street.^[331]^[332] Additionally, episodes of EastEnders are available on-demand through RTÉ Online for seven days after their original screening.^[333]

International versions

In 1991 the BBC sold the programme's format rights to a Dutch production company IDTV, the programme was renamed Het Oude Noorden (Translation: Old North). The Dutch version was re-written from already existing EastEnders scripts.^[334]^[335]^[336] The schedule remained the same as EastEnders with twice weekly episodes; however, some notable changes included the programme now being set in Rotterdam rather than London, characters being given Dutch names (Den and Angie became Ger and Ankie) and The Queen Victoria pub being renamed "Cade Faas".^[334]

According to Barbara Jurgen who re-wrote the scripts for a Dutch audience he said "The power of the show is undeniable. The Scripts are full of hard, sharp drama, plus great one-liners which will translate well to Holland."^[334] The Dutch version began broadcasting on VARA 13 March 1993 but was cancelled after 20 episodes.^[337]

Spin-offs and merchandise

On 26 December 1988, the first EastEnders "bubble" was shown, titled "

Pat and Mo" (2004) have all been broadcast, each episode looking into lives of various characters and revealing part of their backstories or lives since leaving EastEnders.^[338]^[339] In 1993, the two-part story "Dimensions in Time", a charity cross-over with Doctor Who, was shown.^[340]

In 1998,

EastEnders Xtra was introduced in 2005. The show was presented by Angellica Bell and was available to digital viewers at 8:30 pm on Monday nights. It was also shown after the Sunday omnibus. The series went behind the scenes of the show and spoke to some of the cast members.^[342] A new breed of behind-the-scenes programmes have been broadcast on BBC Three since 1 December 2006. These are all documentaries related to current storylines in EastEnders, in a similar format to EastEnders Revealed, though not using the EastEnders Revealed name.^[343]

In October 2009, a 12-part Internet spin-off series entitled EastEnders: E20 was announced. The series was conceived by executive producer Diederick Santer "as a way of nurturing new, young talent, both on- and off-screen, and exploring the stories of the soaps' anonymous bystanders."^[344] E20 features a group of sixth-form characters and targets the "Hollyoaks demographic". It was written by a team of young writers and was shown three times a week on the EastEnders website from 8 January 2010.^[344] A second 10-part series started in September 2010, with twice-weekly episodes available online and an omnibus on BBC Three.^[345] A third series of 15 episodes started in September 2011.^[346]

EastEnders and rival soap opera Coronation Street took part in a

crossover episode for Children in Need on 19 November 2010 called "East Street".^[347]^[348] On 4 April 2015, EastEnders confirmed plans for a BBC One series featuring Kat and Alfie Moon.^[349] The six-part drama, Kat & Alfie: Redwater, was created by executive producer Dominic Treadwell-Collins and his team.^[349] In the spin-off, the Moons visit Ireland where they "search for answers to some very big questions".^[349]

Until its closure, BBC Store released 553 EastEnders episodes from various years, including the special episode "CivvyStreet", available to buy as digital downloads.^[350]^[351]

Popularity and viewership

An example of EastEnders' popularity is that after episodes,

prepare for the surge, asking for additional power from France if necessary.^[352]

Ratings

EastEnders is the BBC's most consistent programme in terms of ratings,

Yorkshire Television in Leeds).^[353]

The launch show in 1985 attracted 17.35 million viewers.[354]^[355]^[356]^[357] 25 July 1985 was the first time the show's viewership rose to first position in the weekly top 10 shows for BBC One.^[358] The highest rated episode of EastEnders is the Christmas Day 1986 episode, which attracted a combined 30.15 million viewers who tuned into either the original transmission or the omnibus to see Den Watts hand over divorce papers to his wife Angie. This remains the highest rated episode of a soap in British television history.^[353]

In 2001, EastEnders clashed with Coronation Street for the first time. EastEnders won the battle with 8.4 million viewers (41% share) whilst Coronation Street lagged behind with 7.3 million viewers (34% share).^[359] On 21 September 2004, Louise Berridge, the then executive producer, quit following criticism of the show.^[360] The following day the show received its lowest ever ratings at that time (6.2 million) when ITV scheduled an hour-long episode of Emmerdale against it. Emmerdale was watched by 8.1 million viewers. The poor ratings motivated the press into reporting viewers were bored with implausible and ill-thought-out storylines.^[361] Under new producers, EastEnders and Emmerdale continued to clash at times, and Emmerdale tended to come out on top, giving EastEnders lower than average ratings.^[362]^[363] In 2006, EastEnders regularly attracted between 8 and 12 million viewers in official ratings.^[364] EastEnders received its second lowest ratings on 17 May 2007, when 4.0 million viewers tuned in. This was also the lowest ever audience share, with just 19.6 per cent. This was attributed to a conflicting one-hour special episode of Emmerdale on ITV1; however, ratings for the 10 pm EastEnders repeat on BBC Three reached an all-time high of 1.4 million; however, there have been times when EastEnders had higher ratings than Emmerdale despite the two going head-to-head.^[365]^[366]^[367]

The ratings increased in 2010, thanks to the "Who Killed Archie?" storyline and second wedding of Ricky Butcher (Sid Owen) and Bianca Jackson (Patsy Palmer), and the show's first live episode on 19 February 2010.^[149] The live-episode averaged 15.6 million viewers, peaking at 16.6 million in the final five minutes of broadcast.^[368] In January 2010, the average audience was higher than that of Coronation Street for the first time in three years.^[149] During the 30th anniversary week in which there were live elements and the climax of the Who Killed Lucy Beale? storyline, 10.84 million viewers tuned in for the 30th anniversary episode itself in an hour long special on 19 February 2015 (peaking with 11.9 million). Later on in the same evening, a special flashback episode averaged 10.3 million viewers, and peaked with 11.2 million.^[369] The following day, the anniversary week was rounded off with another fully live episode (the second after 2010) with 9.97 million viewers watching the aftermath of the reveal, the Beale family finding out the truth of Lucy's killer and deciding to keep it a secret.^[370] In 2013, the average audience share for an episode was around 30 per cent.^[371]

Due to the impact of the COVID-19 pandemic on the soap, EastEnders suffered a ratings drop after 2020. Despite once being the highest-rated soap, it dropped to third in the rankings in 2021, behind Coronation Street and Emmerdale, with 4.09 million viewers. BBC's head of drama,

streaming services.^[373]

Average, highest and lowest ratings for *EastEnders* by year
Year	Number of episodes	Average viewers (millions)^[α]^[374]^[353]	Highest rating (millions)	Lowest rating (millions)
1985	91	14.37	23.55	7.75
1986	105	20.66	30.15	13.90
1987	107	21.14	28.00	13.65
1988	104	18.94	24.95	12.60
1989	104	16.99	24.08	12.83
1990	104	17.17	20.80	12.33
1991	105	17.12	22.44	13.06
1992	106	18.28	24.32	11.85
1993^[β]	105	17.90	23.21	10.47^[γ]
1994^[δ]	142	16.02	25.30	7.96^[ε]
1995^[ζ]	157	14.54	22.02^[η]	7.88^[θ]
1996	161	14.65	17.92	7.73
1997^[ι]	162	14.23	18.06	7.13
1998^[κ]	161	14.75	22.14	8.01
1999	169	15.87	20.89	10.89
2000	163	15.47	20.89	9.64
2001	179	15.92	23.18	11.27
2002	211	11.95	16.97	8.33
2003	210	12.58	16.66	8.58
2004	209	11.32	14.80	6.83
2005	209	10.19	14.34	6.76
2006	207	9.16	12.33	4.11
2007	208	8.87	14.38	4.29
2008	208	8.42	11.73	5.30
2009	209	8.43	11.67	5.02
2010	204	9.35	16.41	4.99
2011	211	9.02	11.42	5.74
2012	206	8.23	11.31	5.53
2013	212	7.72	10.03	5.42
2014	206	7.20	9.09	4.58
2015	209	7.17	11.60	5.43
2016	210	6.94	9.47	4.83
2017	209	6.68	8.41	4.19
2018	206	6.12	7.81	4.56
2019^[λ]	210	5.60	7.36	4.16
2020^[μ]	138	5.49	7.46	4.07
2021^[ν]	209	4.36	5.59	2.54

Criticism

EastEnders has received both praise and criticism for most of its storylines, which have dealt with difficult themes, such as violence, rape, murder and child abuse.

Morality and violence

watershed policy. She regarded EastEnders as a fundamental assault on the family and morality itself. She made reference to representation of family life and emphasis on psychological and emotional violence within the show. She was also critical of language such as "bleeding", "bloody hell", "bastard" and "for Christ's sake"; however, Whitehouse also praised the programme, describing Michelle Fowler's decision not to have an abortion as a "very positive storyline". She also felt that EastEnders had been cleaned up as a result of her protests, though she later commented that EastEnders had returned to its old ways. Her criticisms were widely reported in the tabloid press as ammunition in its existing hostility towards the BBC. The stars of Coronation Street in particular aligned themselves with Mary Whitehouse, gaining headlines such as "STREETS AHEAD! RIVALS LASH SEEDY EASTENDERS" and "CLEAN UP SOAP! Street Star Bill Lashes "Steamy" EastEnders".^[375]

EastEnders has been criticised for being too violent, most notably during a

women's refuges, said that EastEnders had done more to raise the issue of violence against women in one story than she had done in 25 years.^[376] The character of Phil Mitchell (played by Steve McFadden since early 1990) has been criticised on several occasions for glorifying violence and proving a bad role model to children. On one occasion following a scene in an episode broadcast in October 2002, where Phil brutally beat his godson, Jamie Mitchell (Jack Ryder), 31 complaints came from viewers.^[377]

In 2003, cast member Shaun Williamson, who was in the final months of his role of Barry Evans, said that the programme had become much grittier over the past 10 to 15 years, and found it "frightening" that parents let their young children watch.^[378]

In 2005, the BBC was accused of anti-religious bias by a House of Lords committee, who cited EastEnders as an example. Indarjit Singh, editor of the Sikh Messenger and patron of the World Congress of Faiths, said: "EastEnders' Dot Cotton is an example. She quotes endlessly from the Bible and it ridicules religion to some extent."^[379] In July 2010, complaints were received following the storyline of Christian minister Lucas Johnson (Don Gilet) committing a number of murders that he believed was his duty to God, claiming that the storyline was offensive to Christians.^[380]

In 2008, EastEnders, along with Coronation Street, was criticised by Martin McGuinness, then Northern Ireland's deputy first minister, for "the level of concentration around the pub" and the "antics portrayed in The [...] Queen Vic".^[381]

In 2017, viewers complained on Twitter about scenes implying that

Karen Taylor (Lorraine Stanley); however, the baby's father is revealed as one of Bernadette's school friends.^[382]^[383]^[384]

Allegations of national and racial stereotypes

In 1997, several episodes were shot and set in Ireland, resulting in criticisms for portraying the Irish in a negatively stereotypical way. Ted Barrington, the Irish Ambassador to the UK at the time, described the portrayal of Ireland as an "unrepresentative caricature", stating he was worried by the negative stereotypes and the images of drunkenness, backwardness and isolation. Jana Bennett, the BBC's then director of production, later apologised for the episodes, stating on BBC1's news bulletin: "It is clear that a significant number of viewers have been upset by the recent episodes of EastEnders, and we are very sorry, because the production team and programme makers did not mean to cause any offence." A year later BBC chairman Christopher Bland admitted that as result of the Irish-set EastEnders episodes, the station failed in its pledge to represent all groups accurately and avoid reinforcing prejudice.^[385]

In 2008, the show was criticised for stereotyping their Asian and Black characters, by having a black single mother, Denise Fox (Diane Parish), and an Asian shopkeeper, Zainab Masood (Nina Wadia).^[386] There has been criticism that the programme does not authentically portray the ethnic diversity of the population of East London,^[387]^[388] with the programme being "twice as white" as the real East End.^[389]

Controversial storylines

In 1992, writer David Yallop successfully sued the BBC for £68,000 after it was revealed he had been hired by producer Mike Gibbon in 1989 to pen several controversial storylines in an effort to "slim down" the cast; however, after Gibbon left the programme, executive producers chose not to use Yallop's storylines, which put the BBC in breach of the contract Yallop had signed with them.^[390] Unused storylines penned by Yallop, which were revealed in the press during the trial, included the death of Cindy Beale's (Michelle Collins) infant son Steven; Sufia Karim (Rani Singh) being killed during a shotgun raid at the corner shop; Pauline Fowler (Wendy Richard) dying of undiscovered cancer;^[391] and an IRA explosion at the Walford community centre, killing Pete Beale (Peter Dean) and Diane Butcher (Sophie Lawrence), and leaving Simon Wicks (Nick Berry) paralysed below the waist.^[392] A suicide was also planned, but the character this storyline was assigned to was not revealed.^[393]

Some storylines have provoked high levels of viewer complaints. In August 2006, a scene involving

Scarlet nightclub, and another scene involving Owen Turner (Lee Ross) violently attacking Denise Fox (Diane Parish), prompted 129 and 128 complaints, respectively.^[394]

In March 2008, scenes showing Tanya Branning (Jo Joyner) and boyfriend Sean Slater (Robert Kazinsky) burying Tanya's husband Max (Jake Wood) alive attracted many complaints. The UK communications regulator Ofcom later found that the episodes depicting the storyline were in breach of the 2005 Broadcasting Code. They contravened the rules regarding protection of children by appropriate scheduling, appropriate depiction of violence before the 9 p.m. watershed and appropriate depiction of potentially offensive content.^[395] In September 2008, EastEnders began a grooming and paedophilia storyline involving characters Tony King (Chris Coghill), Whitney Dean (Shona McGarty), Bianca Jackson (Patsy Palmer), Lauren Branning (Madeline Duggan) and Peter Beale (Thomas Law). The storyline attracted over 200 complaints.^[396]

In December 2010,

Foundation for the Study of Infant Deaths (FSID) praised the storyline, and its director Joyce Epstein explained, "We are very grateful to EastEnders for their accurate depiction of the devastating effect that the sudden death of an infant can have on a family. We hope that this story will help raise the public's awareness of cot death, which claims 300 babies' lives each year."^[399] By 7 January, that storyline had generated the most complaints in show history: the BBC received about 8,500 complaints, and media regulator Ofcom received 374; however, despite the controversy, EastEnders pulled in rating highs of 9–10 million throughout the duration of the storyline.^[400]^[401]^[402]

In October 2014, the BBC defended a storyline, after receiving 278 complaints about 6 October 2014 episode where pub landlady Linda Carter (Kellie Bright) was raped by Dean Wicks (Matt Di Angelo).^[403] On 17 November 2014 it was announced that Ofcom will investigate over the storyline.^[404] On 5 January 2015, the investigation was cleared by Ofcom. A spokesman of Ofcom said: "After carefully investigating complaints about this scene, Ofcom found the BBC took appropriate steps to limit offence to viewers. This included a warning before the episode and implying the assault, rather than depicting it. Ofcom also took into account the programme's role in presenting sometimes challenging or distressing social issues."^[405]

In 2022, EastEnders aired their first

Lewis Butler (Aidan O'Callaghan) rape Ben Mitchell (Max Bowden). The BBC received complaints from viewers who were unhappy with the content in the episode. Viewers felt that the scenes were too violent and graphic for a pre-watershed time slot. The BBC responded by stating: "EastEnders has been a pre-watershed BBC One staple for over 37 years and has a rich history of dealing with challenging and difficult issues and Ben's story is one of these. We have worked closely with organisations and experts in the field to tell this story which we hope will raise awareness of sexual assaults and the issues surrounding them. We are always mindful of the timeslot in which EastEnders is shown and we took great care to signpost this storyline prior to transmission, through on-air continuity and publicity as well as providing a BBC Action Line at the end of the episode which offers advice and support to those affected by the issue".^[406]

Portrayal of certain professions

In 2010, EastEnders came under criticism from the police for the way that they were portrayed during the "

DC Deanne Cunningham (Zoë Henry) was "irritatingly inaccurate". In response to the criticism, EastEnders apologised for offending real life detectives and confirmed that they use a police consultant for such storylines.^[407]

In October 2012, a storyline involving

Lexi Pearce, was criticised by the charity The Who Cares? Trust, who called the storyline an "unhelpful portrayal" and said it had already received calls from members of the public who were "distressed about the EastEnders scene where a social worker snatches a baby from its mother's arms".^[408] The scenes were also condemned by the British Association of Social Workers (BASW), calling the BBC "too lazy and arrogant" to correctly portray the child protection process, and saying that the baby was taken "without sufficient grounds to do so". Bridget Robb, acting chief of the BASW, said the storyline provoked "real anger among a profession well used to a less than accurate public and media perception of their jobs .. EastEnders' shabby portrayal of an entire profession has made a tough job even tougher."^[409]

Awards and nominations

In popular culture

Since its premiere in 1985, EastEnders has had a large impact on British popular culture. It has frequently been referred to in many different media, including songs and television programmes.

Footnotes

^ Official ratings are over a seven-day period up to 2014 and from 2022 onwards, and over a 28-day period from 2015 to 2021. Up to the end of 2001, but excluding 1996 and 1997, the rating was also combined with that of the omnibus (though for 1993, 1994, 1995 and 1998, some ratings are not combined, as noted).
^ The viewing figures for 16 episodes are not combined with the omnibus.
^ This rating is not combined with the omnibus; the lowest rating for an episode with a combined rating was 12.87 million.
^ The viewing figures for 52 episodes are not combined with the omnibus.
^ This rating is not combined with the omnibus; the lowest rating for an episode with a combined rating was 12.02 million.
^ The viewing figures for 138 episodes are not combined with the omnibus.
^ This rating is combined with the omnibus; the highest rating for an episode without a combined rating was 19.69 million.
^ This rating is not combined with the omnibus; the lowest rating for an episode with a combined rating was 13.89 million.
^ The viewing figures for 10 episodes are unknown.
^ The ratings are not combined with the omnibus before 29 June 1998, but are combined thereafter.
^ The viewing figures for five episodes are unknown.
^ The viewing figures for 25 episodes are unknown.
^ The viewing figures for 95 episodes are unknown.

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External links

Wikimedia Commons has media related to EastEnders.

EastEnders at BBC Online

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Awards and nominations

Crew

In popular culture

Characters

Present characters

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Locations

Walford

The Queen Victoria

Storylines

The Banned

Dickens Hill

"Sharongate"

"Who Shot Phil?"

"Get Johnny Week"

"The Secret Mitchell"

"Who Killed Archie?"

"Who's Been Sleeping with Kat?"

"Who Killed Lucy Beale?"

Episodes

Two-handers

Episodes in Ireland

"Pretty Baby...."

"EastEnders Live"

Queen Vic Fire Week

Episode 4466

EastEnders Live Week

Episode 5276

Episode 5820

Episode 6550

Specials

"CivvyStreet"

"EastEnders in Paris"

Dimensions in Time

"East Street"

Families

Beale

Branning

Ferreira

Karim

Mitchell

Slater

Watts

Spin-offs

Television spin-offs

EastEnders: E20

Kat & Alfie: Redwater
characters

Music

Theme tune

"Anyone Can Fall in Love"

"Every Loser Wins"

"Something Outa Nothing"

v
t
e
EastEnders characters
Present characters

Kathy Beale

Sharon Watts

Ian Beale

Martin Fowler

Cindy Beale

Phil Mitchell

Sonia Fowler

Peter Beale

Billy Mitchell

Kat Slater

Mo Harris

Patrick Trueman

Alfie Moon

Bobby Beale

Yolande Trueman

Stacey Slater

Jean Slater

Honey Mitchell

Dean Wicks

Chelsea Fox

Denise Fox

Lauren Branning

Janet Mitchell

Jay Brown

Jack Branning

Whitney Dean

Kim Fox

Lily Slater

Linda Carter

Callum "Halfway" Highway

Suki Panesar

Zack Hudson

Ravi Gulati

Nish Panesar

Former characters

AJ Ahmed

Iqra Ahmed

Masood Ahmed

Della Alexander

Johnny Allen

Ruby Allen

Chantelle Atkins

Aunt Sal

Tom Banks

Geoff Barnes

Clare Bates

Debbie Bates

Laurie Bates

Nigel Bates

Jane Beale

Laura Beale

Lou Beale

Lucy Beale

Pete Beale

Steven Beale

Polly Becker

Adam Best

Manda Best

Abi Branning

Alice Branning

April Branning

Bradley Branning

Derek Branning

Jim Branning

Joey Branning

Max Branning

Suzy Branning

Tanya Branning

Aidan Brosnan

Diane Butcher

Frank Butcher

Janine Butcher

Liam Butcher

Mo Butcher

Pat Butcher

Ricky Butcher

Tiffany Butcher

Kelvin Carpenter

Tony Carpenter

Mick Carter

Nancy Carter

Shirley Carter

Stan Carter

Tina Carter

Zsa Zsa Carter

Lorna Cartwright

Barry Clark

Christian Clarke

Paul Coker

Richard Cole

Julie Cooper

Ashley Cotton

Charlie Cotton (1986)

Charlie Cotton (2014)

Dot Cotton

Dotty Cotton

Nick Cotton

Tom "Rocky" Cotton

Stella Crawford

Cora Cross

Rainie Cross

Beppe di Marco

Bruno and Luisa di Marco

Gianni di Marco

Rosa di Marco

Ray Dixon

Jase Dyer

Huw Edwards

Steve Elliot

Nellie Ellis

Barry Evans

Natalie Evans

Roy Evans

Fatboy

Ferreira family

Conor Flaherty

Mary Flaherty

Fred Fonseca

Arthur Fowler

Bex Fowler

Lisa Fowler

Mark Fowler

Michelle Fowler

Pauline Fowler

Ruth Fowler

Vicki Fowler

Libby Fox

Joanne Francis

Jodie Gold

Vanessa Gold

Marge Green

Nina Harris

Dexter Hartman

Julie Haye

Alex Healy

Christine Hewitt

Ted Hills

Tony Hills

Garry Hobbs

Lynne Hobbs

Lofty Holloway

Vincent Hubbard

Andy Hunter

Alan Jackson

Bianca Jackson

Billie Jackson

Blossom Jackson

Carmel Jackson

Carol Jackson

Robbie Jackson

Naima Jeffery

Saeed Jeffery

Al Jenkins

Greg Jessop

Lucas Johnson

Danielle Jones

Naomi Julien

Gita Kapoor

Sanjay Kapoor

Karim family

Yusef Khan

Tony King

Harold Legg

Donna Ludlow

Joe Macer

Ryan Malloy

Jill Marsden

Afia Masood

Amira Masood

Shabnam Masood

Syed Masood

Tamwar Masood

Zainab Masood

Lilly Mattock

Josie McFarlane

Poppy Meadow

Darren Miller

Demi Miller

Keith Miller

Mickey Miller

Rosie Miller

Rob Minter

Archie Mitchell

Ben Mitchell

Danny Mitchell

Glenda Mitchell

Grant Mitchell

Jamie Mitchell

Kate Mitchell

Little Mo Mitchell

Louise Mitchell

Peggy Mitchell

Ronnie Mitchell

Roxy Mitchell

Sam Mitchell

Tiffany Mitchell

Vinnie Monks

Dana Monroe

Anthony Moon

Danny Moon

Eddie Moon

Jake Moon

Michael Moon

Nana Moon

Spencer Moon

Tyler Moon

Trevor Morgan

Rod Norman

Andy O'Brien

Mercy Olubunmi

Ali Osman

Mehmet Osman

Sue Osman

Mel Owen

Steve Owen

Annie Palmer

George Palmer

Lola Pearce

Minty Peterson

Frankie Pierre

Paul Priestly

Irene Raymond

Louise Raymond

Simon Raymond

Terry Raymond

Dennis Rickman

Binnie Roberts

Roly

Willy Roper

Matthew Rose

Colin Russell

Mandy Salter

Trevor Short

Lydia Simmonds

Ethel Skinner

Charlie Slater

Sean Slater

Zoe Slater

Leon Small

Babe Smith

Gus Smith

Mary Smith

Dan Sullivan

Gavin Sullivan

Dawn Swann

Celestine and Etta Tavernier

Clyde Tavernier

Hattie Tavernier

Jules Tavernier

Keanu Taylor

Kelly Taylor

Heather Trott

Anthony Trueman

Paul Trueman

Owen Turner

Angie Watts

Chrissie Watts

Den Watts

Wellard

Carl White

Carly Wicks

David Wicks

Joe Wicks

Kevin Wicks

Lorraine Wicks

Simon Wicks

Debbie Wilkins

Cindy Williams

James Willmott-Brown

Willy

May Wright

Lists of characters

By year: 1985

1986

1987

1988

1989

1990

1991

1992

1993

1994

1995

1996

1997

1998

1999

2000

2001

2002

2003

2004

2005

2006

2007

2008

2009

2010

2011

2012

2013

2014

2015

2016

2017

2018

2019

2020

2021

2022

2023

2024

Others: Flaherty family

Dickens Hill inmates

The Banned band members

Characters from spin-offs

v
t
e
Soap operas in the United Kingdom
TV soaps
National

Coronation Street

EastEnders

Emmerdale

Hollyoaks

Scotland

River City

Wales

Pobol y Cwm

Rownd a Rownd

Medical dramas

Casualty

Doctors

Australian-imported co-productions

Home and Away

Neighbours

Radio soaps

The Archers

Defunct
1950s TV

The Appleyards (1952–1957)

Emergency Ward 10 (1957–1967)

The Grove Family (1954–1957)

Sixpenny Corner (1955–1956)

Starr and Company (1958)

1960s TV

199 Park Lane (1965)

Castle Haven (1969–1970)

Compact (1962–1965)

Crossroads (1964–1988, 2001–2003)

High Living (1968–1971)

Market in Honey Lane (1967–1969)

The Newcomers (1965–1969)

United! (1965–1967)

Weavers Green (1966)

1970s TV

Angels (1975–1983)

General Hospital (1972–1979)

Within These Walls (1974–1978)

The Cedar Tree (1976–1979)

Garnock Way (1976–1979)

1980s TV

Albion Market (1985–1986)

The Bill (1983–2010)

Brookside (1982–2003)

Gems (1985–1988)

For Maddie with Love (1980)

Miracles Take Longer (1984)

Park Avenue (1988–1992)

The Practice (1985–1986)

Taff Acre (1981)

Take the High Road (1980–2003)

Together (1980–1981)

Triangle (1981–1983)

1990s TV

Castles (1995)

Eldorado (1992–1993)

Families (1990–1993)

Family Affairs (1997–2005)

Family Pride (1991–1992)

Holby City (1999–2022)

Jupiter Moon (1990, 1996)

London Bridge (1996–1999)

Machair (1993–1999)

Quayside (1997)

Revelations (1994–1996)

Springhill (1996–1997)

2000s TV

Echo Beach (2008)

Night and Day (2001–2003)

The Royal Today (2008)

Radio

Front Line Family (1941–1948)

Mrs Dale's Diary (1948–1969)

Waggoners' Walk (1969–1980)

Citizens (1987–1991)

Westway (1997–2005)

Silver Street (2004–2010)

Ambridge Extra (2011–2013)

Greenborne (2021)

v
t
e
EastEnders: E20
Episodes
Characters

Zsa Zsa Carter

Fatboy

Mercy Olubunmi

Leon Small

Asher Levi

Sol Levi

Naz Mehmet

Stevie Dickinson

Related programmes

EastEnders

v
t
e
BAFTA TV Award for Best Drama Series
1990s

Inspector Morse (1992)

Inspector Morse (1993)

Between the Lines (1994)

Cracker (1995)

Cracker (1996)

EastEnders (1997)

Jonathan Creek (1998)

The Cops (1999)

2000s

The Cops (2000)

Clocking Off (2001)

Cold Feet (2002)

Spooks (2003)

Buried (2004)

Shameless (2005)

Doctor Who (2006)

The Street (2007)

The Street (2008)

Wallander (2009)

2010s

Misfits (2010)

Sherlock (2011)

The Fades (2012)

Last Tango in Halifax (2013)

Broadchurch (2014)

Happy Valley (2015)

Wolf Hall (2016)

Happy Valley (2017)

Peaky Blinders (2018)

Killing Eve (2019)

2020s

The End of the F***ing World (2020)

Save Me Too (2021)

In My Skin (2022)

Bad Sisters (2023)

Authority control databases
International

VIAF

National

Germany

Israel

United States

Retrieved from "https://en.wikipedia.org/w/index.php?title=EastEnders&oldid=1219520001"

[374] Official ratings are over a seven-day period up to 2014 and from 2022 onwards, and over a 28-day period from 2015 to 2021. Up to the end of 2001, but excluding 1996 and 1997, the rating was also combined with that of the omnibus (though for 1993, 1994, 1995 and 1998, some ratings are not combined, as noted).

[376] The viewing figures for 16 episodes are not combined with the omnibus.

[377] This rating is not combined with the omnibus; the lowest rating for an episode with a combined rating was 12.87 million.

[378] The viewing figures for 52 episodes are not combined with the omnibus.

[379] This rating is not combined with the omnibus; the lowest rating for an episode with a combined rating was 12.02 million.

[380] The viewing figures for 138 episodes are not combined with the omnibus.

[381] This rating is combined with the omnibus; the highest rating for an episode without a combined rating was 19.69 million.

[382] This rating is not combined with the omnibus; the lowest rating for an episode with a combined rating was 13.89 million.

[383] The viewing figures for 10 episodes are unknown.

[384] The ratings are not combined with the omnibus before 29 June 1998, but are combined thereafter.

[385] The viewing figures for five episodes are unknown.

[386] The viewing figures for 25 episodes are unknown.

[387] The viewing figures for 95 episodes are unknown.

[1] "'Happy Christmas, Ange!' The nation's most-watched TV episode". Science and Media Museum. Retrieved 31 August 2022.

[2] Demory, Pamela; Pullen, Christopher. Queer Love in Film and Television: Critical Essays. Palgrave Macmillan. p. 35.

[3] "EastEnders starts filming on troubled new £87 million set". BBC. Retrieved 23 November 2022.

[4] "EastEnders' new-look Albert Square to hit screens next week". whattowatch. Retrieved 23 November 2022.

[5] "EastEnders set demolished as fans slam 'wasted opportunity'". Metro. Retrieved 23 November 2022.

[20years_p10-6] Smith 2005, p. 10

[20years_p11-7] Smith 2005, p. 11

[8] Richard Bacon, host (17 November 2010). "Daily Bacon: Coronation Street". BBC Radio 5Live. Archived from the original (podcast) on 3 March 2012. Retrieved 6 January 2010.

[9] "Hole at the heart of the BBC", The Telegraph. Retrieved 25 February 2007

[20years-10] Smith 2005

[Public_secrets_page_15-11] Buckingham 1987, p. 15

[12] "Market on Honey Lane / Honey Lane (1967–69)". British Film Institute. Retrieved 28 May 2014.

[Insidestory_p24-13] Smith & Holland 1987, p. 24

[eehistory-14] "What is the history of EastEnders?". BBC Online. Archived from the original on 19 February 2006. Retrieved 13 April 2017.

[20years_p15-15] Smith 2005, p. 15

[Insidestory_p164-16] Smith & Holland 1987, p. 164

[Insidestory_p48-17] Smith & Holland 1987, p. 48

[Insidestory_p49-18] Smith & Holland 1987, p. 49

[Insidestory_p51-56-19] Smith & Holland 1987, pp. 51–56

[Insidestory_p15-20] Smith & Holland 1987, p. 15

[Insidestory_p52-21] Smith & Holland 1987, p. 52

[20years_p20-22] Smith 2005, p. 20

[23] Gardner, Alison (10 February 2015). "EastEnders' Adam Woodyatt: 'As long as I'm still enjoying it I'll stay for another 30 years'". What's on TV. Retrieved 6 July 2020.

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[Insidestory_p97-25] Smith & Holland 1987, p. 97

[Opening_credits-26] "How did you get the view of London used on the opening credits?". EastEnders. BBC Online. Archived from the original on 31 August 2006. Retrieved 13 April 2017.

[Insidestory_p154-27] Smith & Holland 1987, p. 154

[20years_page_17-28] Smith 2005, p. 17

[Rating_1986-29] Slide 1996, p. 35

[30] Sabbagh, Dan (8 February 2010). "Is EastEnders the lifeblood of the BBC?". The Guardian. London.

[31] Verdier, Hannah; Jeffries, Stuart; Hogan, Michael (15 February 2015). "EastEnders: 30 years of booze, fights and faaaamily". The Guardian.

[32] "Memorable LGBTQ moments in EastEnders history". BBC Bitesize. Retrieved 18 February 2022.

[first10years-33] Brake 1995

[First10Years_p70-34] ^ ^a ^b ^c ^d ^e ^f ^g Brake 1995, p. 70

[First10Years_p75-76-35] Brake 1995, pp. 75–76

[First10Years_p91-36] Brake 1995, p. 91

[First10Years_p90-37] Brake 1995, p. 90

[First10Years_p100-38] Brake 1995, p. 100

[First10Years_p104-39] Brake 1995, p. 104

[40] "EASTENDERS: 11 February 1993". catalogue.bbc.co.uk. Archived from the original on 9 July 2012. Retrieved 27 September 2007.

[guardian-41] Alan Plater (11 January 2006). "Leonard Lewis". The Guardian. London. Retrieved 1 October 2007.

[First10Years_p129-42] Brake 1995, p. 129

[43] "EASTENDERS", BBC. Retrieved 11 November 2007.

[44] "John Yorke – The New EE Boss Archived 3 March 2016 at the Wayback Machine", Walford Gazette. Retrieved 11 November 2007.

[baf-45] "IMDb awards", IMDb. Retrieved 6 May 2007.

[family-46] "It's got murder, a stalker, incest (kind of), and bulimia. What more^{[dead link]}", The Independent. Retrieved 6 May 2007.

[47] "WHAT A LOAD OF PORK PIES; Ireland's full of drunkards, dimwits and donkeys according to EastEnders^{[permanent dead link]}", The Mirror. Retrieved 18 July 2007.

[Berridge_exit-48] "Louise Berridge steps down as Executive Producer of EastEnders". BBC. 21 September 2004. Retrieved 1 May 2017.

[Louise_Berridge_Interview-49] "Ellie caught up with the former Executive Producer to talk EastEnders and find out what Louise has got up to since leaving the show". walfordweb.com. 3 March 2010. Archived from the original on 19 May 2017. Retrieved 28 May 2017.

[guard-50] Plunkett, John (21 September 2004). "EastEnders chief steps down". The Guardian. London. Retrieved 18 March 2008.

[51] "Sixteen million watch Den's return", BBC. Retrieved 26 September 2006.

[52] ""Dirty" Dirty Tactics; EastEnders defied belief by raising Den Watts", Sunday Herald. Retrieved 26 September 2006.

[53] Hutson, Graham; Siret, Mal (30 January 2005). "Stop the Week Shock exchange Last orders at the Vic". The Times. London. Retrieved 4 May 2010.

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[pressofficereturn-55] "Ross Kemp signs to EastEnders", BBC. URL last accessed on 24 February 2007.

[56] "Kemp's EastEnders return extended", BBC. URL last accessed on 24 February 2007.

[57] "Alfie accepts Nana's fate Archived 6 November 2012 at the Wayback Machine" Retrieved 24 September 2006

[58] "British Soap Awards 2005 – The Winners Archived 4 February 2006 at the Wayback Machine" Retrieved 24 September 2006

[59] "Behind The Scenes on EastEnders", YouTube. Retrieved 6 March 2007.

[60] "BBC One – EastEnders – Down Memory Lane with Matt Di Angelo", YouTube. Retrieved 2007-04-23.

[61] "Doctor Who episodes coming to your mobile phone Archived 8 April 2007 at the Wayback Machine", pocket-lint.co.uk. Retrieved 30 March 2007.

[62] ""EastEnders" new TV promo Archived 28 April 2007 at the Wayback Machine", Digital Spy. Retrieved 29 April 2007.

[63] "Eastenders – Dot's baby", YouTube. Retrieved 23 April 2007.

[64] "BBC One – EastEnders – Stacey's Trail", YouTube. Retrieved 29 April 2007.

[65] "Eastenders – Rob and Dawn", YouTube. Retrieved 29 April 2007.

[66] wightman, Catriona (18 October 2009). "'EastEnders' limit episodes to 16 actors". Digital Spy. Archived from the original on 21 October 2009. Retrieved 21 October 2009.

[67] "Get your anoraks on... trains are coming!". BBC Online. 3 February 2010. Retrieved 4 February 2010.

[68] Green, Kris (17 December 2009). "'EastEnders' exec teases 2010 storylines". Digital Spy. Archived from the original on 18 January 2010. Retrieved 17 December 2009.

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[76] Lou (21 October 2010). "EastEnders to go HD on Christmas Day!". BBC Online. Retrieved 21 October 2010.

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[84] Herald Scotland
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