Eclogue
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An eclogue is a
are sometimes also called bucolics. The term is also used for a musical genre thought of as evoking a pastoral scene.Classical beginnings
The form of the word eclogue in contemporary English developed from Middle English eclog, which came from Latin ecloga, which came from Greek eklogē (ἐκλογή) in the sense 'selection, literary product' (which was only one of the meanings it had in Greek).[1] The term was applied metaphorically to short writings in any genre, including parts of a poetic sequence or poetry book.
As a genre of poetry, Eclogues began with the Latin poet Virgil, whose collection of ten Eclogae was ultimately modelled on the Idylls of Theocritus.[2] and was alternatively termed Bucolica.[3] Found there was a sophisticated mixture of pastoral dialogues, song contests and contemporary references. Virgil's term was used by later Latin poets such as Calpurnius Siculus and Nemesianus to refer to their own pastoral poetry, often in imitation of Virgil, while the first of these also employed rustic vocabulary and archaic expressions to add to their distancing effect.[4]
In Britain
The practice of writing eclogues was extended by the 15th century Italian humanists Baptista Mantuanus and Jacopo Sannazaro whose Latin poetry was imitated in a variety of European vernaculars during the Renaissance, including in English. However, "the first Renaissance bucolic poem written in England" was a 1497 eclogue in Latin by Johannes Opicius in praise of Henry VII. Written in the form of a dialogue between the shepherds Mopsus and Melibœus, praising the ruler of the country from bringing back a Golden Age of prosperity and safety, the poem was modelled on the first of Virgil's Eclogues in praise of Octavian and the first eclogue by Calpurnius Siculus in praise of Nero.[5] So far as is known, the poem remained in manuscript and even the first eclogues written in the English language by Alexander Barclay remained unpublished until about 1514. These were written earlier and adapted from 15th century Latin originals by Mantuanus and Aeneas Silvius.[6]
In between had come
Variations on the theme
By the early 18th century, the
In Scotland
In 1811 the fortunes of the
Musical genre
The term eclogue or its equivalents was eventually applied to
Two further pieces for solo piano followed in the new century: Egon Wellesz's "4 eclogues", Op. 11, 1912,[33] and Jean Sibelius's Ekloge, the first of his "4 lyric pieces for piano", Op. 74, 1914.[34] Similar titles were given the second and third movements of Igor Stravinsky's Duo Concertant ("Eclogue I" and "Eclogue II", 1932), while the middle movement of his three-movement Ode (1943) is also titled "Eclogue". Gerald Finzi's "Eclogue" for piano and string orchestra, Op. 10, was revised in the 1940s and given that title then.[35] An "Eclogue" for horn and strings by Maurice Blower dates from about the 1950s.[36] In the 21st century, American composer Henry Justin Rubin's Egloga for violin and piano dates from 2006.[37]
References
- ^ "The American Heritage Dictionary entry: eclogue". www.ahdictionary.com. Houghton Mifflin Harcourt.
- ^ James R. G. Wright, "Virgil’s Pastoral Programme", Proceedings of the Cambridge Philological Society, NS 29 (209) (1983), pp. 107-160
- ISBN 1-85399-676-9.
- ^ Encyclopaedia Britannica
- ^ Lena Wahlgren-Smith, "Heraldry in Arcadia: the court eclogue of Johannes Opicius", Renaissance Studies 14.2 (2000)
- ^ "Barclay's Eclogues", Bartleby
- ^ The Concise Companion to English Literature
- ^ R. S. Bear, "Introduction to The Shepheardes Calender", Renascence Editions
- ^ 18th century editions online
- ^ University of Wuppertal
- ^ "Rev. Phineas Fletcher: Eclogue I. Amyntas". spenserians.cath.vt.edu.
- ^ "Eighteenth-Century Poetry Archive / Authors / William Diaper". www.eighteenthcenturypoetry.org.
- ^ "John Gay: The Shepherd's Week I. Monday; or, the Squabble". spenserians.cath.vt.edu.
- ^ The works of Jonathan Swift, vol. 1, p. 613
- ^ The Poems of John Gay, pp. 144-158
- ^ "Eighteenth-Century Poetry Archive / Works / Six Town Eclogues. (Lady Mary Wortley Montagu (née Pierrepont))". www.eighteenthcenturypoetry.org.
- ^ a b "Allan Ramsay: Patie and Roger: a Pastoral". spenserians.cath.vt.edu.
- ^ "Eighteenth-Century Poetry Archive / Works / Oriental Eclogues. (William Collins)". www.eighteenthcenturypoetry.org.
- ^ "Thomas Chatterton: Heccar and Gaira. An African Eclogue". spenserians.cath.vt.edu.
- ^ The Cabinet of Poetry: Containing the Best Entire Pieces to be Found in the Works of the British Poets, London 1808, Volume VI, pp. 74–86
- ^ Hispanicus (Pseud) (September 14, 1811). "Spanish eclogues, including an elegy on the death of the marquis de la Romana" – via Google Books.
- ^ The British Critic and Quarterly Theological Review, Volume 37, p.629
- ^ The Dublin Mail, London 1824, pp. 127–34
- ^ Newmarch, Rosa (May 1925). "Modern Czech Composers". The Chesterian. VI (46): 187. Retrieved 16 November 2023.
The form of the "Eclogue," or pastoral poem, has a certain traditional significance for Czech musicians. The name as applied to a musical piece seems to have originated with the famous ultra-conservative Bohemian pedagogue, Václav Tomašek, 1774-1850, who, departing from the conventional classic path of the sonata, allowed his fancy free play in a series of lyrical pieces for pianoforte called Eclogues (1807), Rhapsodies (1810) and Dithyrambs (1818). Dvořák adopted the title of Eclogue for one of his pianoforte works and Šín has carried it down to contemporary music in the pleasant idyll published in the Album.
- ^ Eclogue for Piano in C major, 1820/2
- ^ Performance on You Tube
- ^ Performance on You Tube
- ^ Google Books
- ^ Performance on You Tube
- ^ Dvorak site
- ^ Score online
- ^ Rachel Harlene Rosenman, A Rosary Among the Roses: Tracing Pastoral Allusions and Spiritual Resonances in Chamber Music by Mel Bonis, p.41, Wesleyan University, 2017
- ^ Oxford Reference
- ^ Music Web International
- ^ Boosey and Hawkes
- ^ Gramophone
- ^ Score at the University of Minnesota
Further reading
- Hornblower, Simon; Antony Spawforth (1999). The Oxford Classical Dictionary: Third Edition. Oxford University Press. 019866172X.
- Theocritus (1999). Theocritus: A Selection. Cambridge University Press. 052157420X.
- ISBN 0-19-815035-0.
- Van Sickle; John B. (2011). Virgil's Book of Bucolics, the Ten Eclogues in English Verse. Framed by Cues for Reading Out-Loud & Clues for Threading Texts & Themes. ISBN 978-0-8018-9799-3.|