Ed Brubaker

Source: Wikipedia, the free encyclopedia.

Ed Brubaker
Eisner Award
, 2007, 2008, 2010, 2012, 2015, 2016, 2019

Ed Brubaker (

Vertigo series Scene of the Crime and moving to the superhero comics such as Batman, Catwoman, The Authority, Captain America, Daredevil and Uncanny X-Men. Brubaker is best known for his long-standing collaboration with British artist Sean Phillips, starting with their Elseworlds one-shot Batman: Gotham Noir in 2001 and continuing with a number of creator-owned series such as Criminal, Incognito, Fatale, The Fade Out and Kill or Be Killed
.

He is also known for co-creating the Winter Soldier identity of Bucky Barnes with Steve Epting.

Brubaker has won numerous awards for his comics work, including seven

Ignatz Award, and a GLAAD Media Award
.

In addition to his work in comics, Brubaker served as the executive producer and co-writer of the 2019 Amazon series Too Old to Die Young, directed by Nicolas Winding Refn.

Early life

Brubaker, the child of a Navy intelligence officer, spent much of his childhood in Guantánamo Bay, reading comics that included Captain America and his sidekick Bucky Barnes, which were seminal in the storyline he would one day write when creating the Winter Soldier. Describing his affinity for Captain America's sidekick thus, he has stated, "I was a Navy brat, and he was an Army brat." As Bucky had been killed off before Brubaker began reading comics, he assumed that the character had met his demise in an elaborate, dramatic story, only to find that he had been unceremoniously killed in a single page of The Avengers #4, which Brubaker saw as an injustice, commenting, "I was a 9-year-old kid, and I was horrified."[2] His uncle was screenwriter John Paxton.[3]

Career

Early work

Brubaker began his career in comics as a

Aeon Press. For Caliber, Brubaker also co-edited an anthology publication titled Monkey Wrench.[4]

In 1991, Brubaker wrote one of his earliest

Ignatz Awards. His other work for Alternative Comics, the humorous and experimental Detour #1, was to be the first issue of a series, though only one issue was published.[7] Detour was nominated for the "Best New Series" Harvey Award in 1998.[8]

Brubaker's last work for Dark Horse Presents was "The Fall", a five-part story illustrated by

creator-owned project by Brubaker and artist Sean Phillips, a pirate-themed series titled Black Sails.[9][10] The creators eventually decided to shelve the series in favor of Criminal (published under Marvel's Icon imprint),[11] and "The Fall" remained Brubaker's last independent comics work until his move to Image
in 2012.

DC Comics

In 1995, Brubaker was contacted by

Shelly Roeberg asked him to pitch "something [he] didn't think Vertigo would publish", which ended up being Scene of the Crime.[12] The 1999 series marked Brubaker's first collaboration with two artists who would frequently work with him in later years: Michael Lark and Sean Phillips (who joined the project as the inker for issues #2–4). A slacker detective story set in San Francisco, Scene of the Crime was critically acclaimed and brought Brubaker to the attention of Hollywood producers for the first time.[13]

In late 2000, Brubaker signed an exclusive contract with DC Comics.

The Sandman spin-off limited series illustrated by artist Bryan Talbot.[22]

In 2001, Brubaker teamed up with artist

Elektra. DC editors Matt Idelson and Bob Schreck were also enthusiastic, but DC Publisher Paul Levitz objected to the project due to a prior disagreement with Marvel's Editor-in-Chief Joe Quesada.[24]

In 2002, Brubaker did his first work for

Grifter, took existing characters and concepts from the Wildstorm Universe and used them to set up Brubaker's Sleeper series which debuted later that year. A collaboration with artist Sean Phillips, Sleeper starred Holden Carver, a secret agent who goes undercover in a supervillain's powerful organization only to have his only contact in law enforcement fall into a coma. With the authorities believing him a dangerous criminal, Carver is caught between the two warring sides with unclear allegiances. Although Sleeper was a success with critics and fans on the Internet, the series underperformed commercially. In December 2003, in a unique publicity stunt conceived to help promote the first trade paperback collection of Sleeper, Brubaker organized an arm wrestling competition at San Francisco's Isotope Comics. If participants were able to beat Brubaker at arm wrestling, they were awarded free signed comic books. According to Brubaker, he wrestled around 40–50 people and won most of the time, losing only to eight or nine contestants.[25]

During the series' run, Sleeper also took part in the line-wide crossover "

Dustin Nguyen produced the 12-issue The Authority: Revolution series which explored the ramifications of the team's actions,[26] while Sleeper was relaunched with the Season Two subtitle under the first volume's creative team.[27]

Brubaker's last major project at DC was

Gotham City Police Department, with writers either co-scripting storylines or alternating between the arcs.[28][29][30] After Brubaker and Lark left the series due to their newly-signed exclusive contracts with Marvel,[31] Rucka decided to discontinue the title, and Gotham Central was cancelled with issue #40 (Apr. 2006).[32]

Marvel Comics

Brubaker (left) at a Midtown Comics book signing in Manhattan with fellow writers (seated left to right) Christos Gage, Matt Fraction and Brian Michael Bendis

Brubaker's first work for Marvel was volume five of the Captain America series.[33] Paired with artist Steve Epting, Brubaker introduced new villains and resurrected the long-dead supporting character Bucky Barnes as "the Winter Soldier". The relaunch was a commercial and critical success from its first issue, with its most well-known storyline involving the assassination of Steve Rogers and subsequent passing of the Captain America mantle to Bucky Barnes.[34][35][36] Brubaker wrote Captain America for eight full years, from November 2004 to October 2012, alongside several spin-off titles and associated series based around the character, including the 2009 mini-series Captain America: Reborn, which featured the return of Rogers, the eight-issue The Marvels Project limited series, as well as Secret Avengers, an ongoing series that followed the adventures of the eponymous team formed in the aftermath of the company-wide crossover storyline "Siege".[37]

Brubaker's workload at Marvel increased in 2006. He wrote two limited series,

retconning the origins of the All-New, All-Different X-Men team that debuted in 1975. After finishing Deadly Genesis in July 2006, Brubaker became the regular writer of Uncanny X-Men, working with artists Billy Tan and Clayton Henry.[38] In addition to that, he also took over Daredevil, having already planned his run with outgoing writer Brian Michael Bendis.[39] Once again teaming up with his Scene of the Crime and Gotham Central collaborator Michael Lark,[40] Brubaker explored the ramifications of the character's imprisonment which occurred at the close of Bendis' run. Another notable launch of the year was The Immortal Iron Fist, an ongoing series co-written by Brubaker and Matt Fraction which started in November 2006.[41]

Also in 2006, Brubaker and artist Sean Phillips launched their first creator-owned series

Eisner Award for Best New Series.[45] In 2008, after two volumes of Criminal, Brubaker and Phillips took a break from the series to launch another Icon title, Incognito, which Brubaker described as being "about a completely amoral guy with super-powers forced to pretend he's a normal law-abiding citizen, because he's in Witness Protection, and how that shapes what he becomes. It's also a brutal noir twist on the super-hero/super-villain genre that delves more into their roots in the pulps, and it's going to be pretty over-the-top and action-packed."[46]

In February 2010, a controversy arose around Captain America #602, which depicted a group of anti-tax protesters, understood by some readers to be a Tea Party, which was characterized by the Falcon as exclusively white and racist group. Brubaker and Marvel's Editor-in-Chief Joe Quesada apologized for the matter, explaining that, although Brubaker did not intend the protesters to represent any particular real-life group, one of the signs depicted in the scene read, "Tea Bag The Libs Before They Tea Bag YOU!". The slogan was not in Brubaker's script and was instead added by letterer Joe Caramagna, who, under deadline pressures, used messages from signs he found online at the last minute. Quesada further assured that the error would not appear in future reprints of the issue.[47][48][49] In an interview following the controversy Brubaker stated, "I had to shut down my public email because I started getting death threats from, y'know, peaceful protesters."[50]

Image Comics

In January 2012, Brubaker and Phillips launched Fatale at Image. The series was initially announced as a twelve-issue maxi-series but was upgraded to an ongoing title in November 2012.[51] Jesse Schedeen of IGN stated that "You can't go wrong with a Brubaker/Phillips collaboration. Even so, Fatale is making a strong case for being the best of their projects."[52] In October 2013, Brubaker signed a five-year contract to produce comics exclusively for Image. Under the terms of the deal, Image would publish any comic Brubaker brought to them without having to pitch it. Brubaker stated this arrangement was something he has always wanted.[53] The first series released under this contract was The Fade Out, a Hollywood period piece made with frequent collaborator Sean Phillips.[54]

Brubaker's other projects for Image include

Velvet, a spy series illustrated by his Captain America collaborator Steve Epting.[55][56]

Film and television work

In March 2009, Brubaker premiered his web series

Crackle.[57]

Brubaker made a cameo appearance in the 2014 film Captain America: The Winter Soldier, playing the Winter Soldier's handler.[58]

In 2016, Brubaker joined the writing staff for HBO's Westworld.[59] He co-wrote the episode "Dissonance Theory" with Jonathan Nolan.[60]

In 2019, Brubaker partnered with

Amazon.[61][62]

In 2022, it was announced that Brubaker would serve as

Batman: Caped Crusader.[63]

Personal life

Brubaker lives in Seattle, with his wife, Melanie.[64]

Awards and nominations

Awards

Nominations

  • 1993
    Eisner Award nominee – Best Writer-Artist Team ("An Accidental Death")[74]
  • 1997
    Ignatz Award nominee – Outstanding Graphic Novel or Collection (At the Seams)[75]
  • 1998 Harvey Award nominee – Best New Series (Detour)[8]
  • 2000 Eisner Award nominee – Best Writer (Scene of the Crime) and Best Mini-Series (Scene of the Crime)[76]
  • 2007 Eisner Award nominee – Best Continuing Series (Daredevil with Michael Lark and Stefano Gaudiano, Captain America with Steve Epting)[77]
  • 2010 Eisner Award nominee – Best Limited Series or Story Arc (Incognito with Sean Phillips)[78]
  • 2013 Eisner Award nominee – Best Continuing Series (Fatale with Sean Phillips)[79]
  • 2013 Eisner Award nominee – Best New Series (Fatale with Sean Phillips)[79]
  • 2013 Eisner Award nominee – Best Writer (Fatale)[79]

Bibliography

Early work

DC Comics

Vertigo

DC Universe

Wildstorm

Marvel Comics

Image Comics

Other publishers

References

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External links

Preceded by Batman writer
2000–2002 		Succeeded by
Preceded by Catwoman writer
2002–2005 		Succeeded by
Preceded by Detective Comics writer
2003 		Succeeded by
Preceded by The Authority writer
2004–2005 		Succeeded by
Preceded by Captain America writer
2005–2012 		Succeeded by
Preceded by Daredevil writer
2006–2009
(with Greg Rucka in 2008) 		Succeeded by
Preceded by Uncanny X-Men writer
2006–2008 		Succeeded by
Preceded by
Jim Mullaney
(Iron Fist vol. 4)
 The Immortal Iron Fist writer
2007–2008
(with Matt Fraction) 		Succeeded by
Preceded by
n/a
 Secret Avengers writer
2010–2011 		Succeeded by
Retrieved from "https://en.wikipedia.org/w/index.php?title=Ed_Brubaker&oldid=1219444695"