Eddy Barrows

Birds of Prey, Countdown to Adventure, Action Comics, Superman, Teen Titans, and 52

Maurício de Sousa – and works from the Disney company. She read them to him, and Barrows immediately fell in love with comics, eventually starting to draw. While never having gone to school specifically for art, Barrows studied animation for two to three years before becoming a working artist.^[1]

Chaos Comics where he did six issues of that series, in 2001, Eddy Barrows believed that he needed to practice and improve his work, he had contact with Romulo Soares, from Lynx Studio, who was one of the contacts in Brazil for Glass House Graphics, an American studio that represented Art & Comics in the USA (at that time the contract between these companies had ended), and from that contact Eddy Barrows began tests and samples for a long period already working with Lynx Studio (Glass House Graphics did not believe in the work of Eddy Barrows, but Lynx Studio believed and started the partnership against Glass House Graphics), after this test period, Eddy Barrows started doing independent projects with Lynx Studio, until in 2003 the great opportunity arose in a story arc in GI Joe: Frontline (Image) and Cobra Reborn (Image), there were 6 magazines made with Lynx Studio, in addition to of other independent works, at the end of that arc, and because he did not have an exclusive contract with Lynx Studio, Joe Prado took advantage and called Eddy Barrows directly, convincing him to go back to work with Art & Comics in 2004...^[1]

The All-New Atom. After leaving Atom, editor Eddie Berganza offered Countdown To Adventure.^[1]