Edward Henry Potthast

Source: Wikipedia, the free encyclopedia.
Edward Henry Potthast
Edward Henry Potthast, Self-Portrait, ca. 1920–27
Born
Edward Henry Potthast

(1857-06-10)June 10, 1857
DiedMarch 9, 1927(1927-03-09) (aged 69)
NationalityAmerican
EducationAcadémie Julian
Known forPainting
MovementAmerican Impressionism
Awards
  • Medal, Royal Munich Academy, 1885
  • Inness Prize, 1903, 1906
  • Silver Medal, University of Saint Louis Exhibition, 1904
  • Hudnut Prize, 1914

Edward Henry Potthast (June 10, 1857 – March 9, 1927) was an

American Impressionist painter. He is known for his paintings of people at leisure in Central Park, and on the beaches of New York and New England.[1]

Life and work

Edward Henry Potthast was born on June 10, 1857, in

Carl Marr. After returning to Cincinnati in 1885 he resumed his studies with Noble. In 1886, he departed for Paris, where he studied with Fernand Cormon. In 1895 he relocated to New York City and remained there until his death in 1927.[citation needed
]

Until the age of thirty-nine Potthast earned a living as a

Cincinnati Museum of Art may have encouraged him to abandon lithography for a career as a fine artist.[1] His paintings retained the subdued colors and strong contrasts of the Munich school until he adopted the Impressionist palette late in his career.[citation needed
]

After his arrival in New York Potthast worked as a magazine illustrator, and exhibited regularly at the National Academy of Design, the Society of American Artists and the Salmagundi Club, winning numerous prizes. By 1908 he was installed in a studio in the Gainsborough Building. Thereafter he painted sun-saturated images of Central Park, New England landscapes, and the Long Island beach scenes for which he is best remembered.[1]

His work is included in many major museums in the United States,[5] including the Orlando Museum of Art,[1] the Brooklyn Museum,[6] the Cape Ann Museum,[7] the Delaware Art Museum,[8] the University of Michigan Museum of Art,[9] the Phoenix Art Museum,[10] the Nasher Museum of Art,[11] and the Virginia Museum of Fine Arts.[12]

Gallery

  • Edward Henry Potthast Coney Island, c. 1914
    Edward Henry Potthast Coney Island, c. 1914
  • Edward Henry Potthast Summer day, Brighton Beach
    Edward Henry Potthast Summer day, Brighton Beach
  • Edward Henry Potthast A July Day, oil, 1914
    Edward Henry Potthast A July Day, oil, 1914
  • Edward Henry Potthast Happy Days, oil on panel, c. 1910–1920
    Edward Henry Potthast Happy Days, oil on panel, c. 1910–1920

References

  1. ^ a b c d Orlando Museum
  2. ^ Jacobowitz, Arlene, Edward Henry Potthast: 1857-1927, NYC: The Chapellier Galleries, 1968, 4.
  3. .
  4. ^ Noble was best known for his portraits and genre paintings of the Old South. Pierce, Patricia Jobe, Marco Apollo, and Prescott S. Bush, Edward Henry Potthast: More Than One Man, Hingham: Pierce Galleries, Inc., 6.
  5. ^ "Edward Henry Potthast Museum Collections". Archived from the original on 2013-08-27. Retrieved 2010-03-25.
  6. ^ "Brooklyn Museum". www.brooklynmuseum.org. Retrieved 2021-06-17.
  7. ^ "Portrait of a Fisherman by Edward Potthast - { site_config.sitename }} - Collection". Cape Ann Museum. Retrieved 2021-06-17.
  8. ^ "Edward Henry Potthast". emuseum.delart.org. Retrieved 2021-06-17.
  9. ^ "Exchange: Young Birches". exchange.umma.umich.edu. Retrieved 2021-06-17.
  10. ^ "Looking Across the Grand Canyon (Vista al Gran Cañón)". Phoenix Art Museum. Retrieved 2021-06-17.
  11. ^ "Beach Scene – Words & Pictures". sites.nasher.duke.edu. Retrieved 2021-06-17.
  12. ^ "The July Number, The Century (Primary Title) - (93.40)". Virginia Museum of Fine Arts |. Retrieved 2021-06-17.

Further reading

  • Jacobowitz, Arlene, Edward Henry Potthast: 1857-1927, New York City: The Chapellier Galleries, 1968
  • Pierce, Patricia Jobe, Marco Apollo, and Prescott S. Bush. Edward Henry Potthast: More Than One Man, Hingham: Pierce Galleries, Inc., 2006, 158 pages
  • Stula, Nancy with Nancy Noble. American Artists Abroad and their Inspiration, New London: Lyman Allyn Art Museum, 2004, 64 pages [1]

External links