Edward Kynaston (actor)

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Edward Kynaston
1889 mezzotint engraving of Edward Kynaston.
Bornc. 1640
DiedJanuary 1712

Edward Kynaston (c. 1640 – January 1706) was an

Restoration "boy players
", young male actors who played women's roles.

Career

Kynaston was good looking and made a convincing woman:

Epicoene. Pepys had dinner with Kynaston after this production on 18 August 1660.[1]

Simultaneously, Kynaston played male roles as well. He filled the role of Otto in

Epicoene, one female and two male.[2]

Part of Kynaston's appeal may have been his ambiguous sexuality. The actor Colley Cibber recalled: "the Ladies of Quality prided themselves in taking him with them in their Coaches to Hyde-Park in his Theatrical Habit, after the Play."[3] Cibber also reported that a performance of a tragedy attended by Charles II was once delayed because, as someone explained, Kynaston, who was playing the Queen, "was not shav'd".[4]

In the 1660s women were permitted to appear on stage and male actors playing female roles in serious drama was strongly discouraged. Kynaston's last female role was as Evadne in Beaumont and Fletcher's The Maid's Tragedy with Thomas Killigrew's King's Company in 1661.

Described by Samuel Pepys as "the prettiest woman in the whole house" and "the handsomest man", the rumour of the time had him playing female roles off stage as well. When already in his thirties, lampoons circulated that made him out to be the lover of George Villiers, 2nd Duke of Buckingham.[5]

Kynaston went on to make a successful career in male roles and was noted for his portrayal of Shakespeare's Henry IV. He retired in 1699.

Fictional portrayals

Kynaston is played by

bisexual, who slowly reveals more complexity in his personality and sexuality. The film is an adaptation of the play Compleat Female Stage Beauty by Jeffrey Hatcher. In 2012, the Houston Grand Opera announced a new opera by Carlisle Floyd with Kynaston as the protagonist: it premiered in March 2016.[6] He also appeared as a character in Nell Gwynn, played by Greg Haiste
in the premiere production in 2015.

See also

  • Restoration theatre

References

  1. ^ The Diary of Samuel Pepys, Saturday 18 August 1660.
  2. ^ Howe, Elizabeth. The First English Actresses: Women and Drama, 1660–1700. Cambridge, Cambridge University Press, 1992; p. 25.
  3. ^ Colley Cibber, An Apology for the Life of Colley Cibber, With an Historical View of the Stage During His own Time: Written by Himself, Byrne R. S. Fone, ed., Mineola, NY, Courier Dover, 2000; p. 71.
  4. ^ Cibber, p. 71.
  5. ^ Matt Cook, A gay history of Britain: love and sex between men since the Middle Ages - P. 67.
  6. ^ Houston Press, 18 Feb 2016| http://www.houstonpress.com/arts/hgo-premieres-prince-of-players-when-men-could-no-longer-play-women-on-stage-8171377