Edwin Fischer
 | This article includes a improve this article by introducing more precise citations. (October 2022) ) |
Mozarteum
before his concert on 7 August 1946Edwin Fischer (6 October 1886 – 24 January 1960) was a Swiss
Mozart
in the twentieth century.
Biography
_(cropped).jpg)
Fischer was born in
historically accurate by present-day standards,[according to whom?] they were for his time; e.g., he did conduct Bach and Mozart concertos
from the keyboard, an unusual practice at that time.
In 1932, he returned once again to Berlin, succeeding his
Berlin Hochschule für Musik, who had emigrated from Germany because of increasing anti-Semitism. In 1942, he moved back to Switzerland, temporarily putting his career on hold through World War II. After the war he began to perform again, and gave master classes in Lucerne for a number of later prominent pianists such as Alfred Brendel, Helena Sá e Costa, Mario Feninger, Reine Gianoli, Paul Badura-Skoda and Daniel Barenboim
.
As well as solo
recitals, concerto performances and conducting, Fischer performed much chamber music. Particularly highly regarded was the piano trio he formed with the cellist Enrico Mainardi and the violinist Georg Kulenkampff (who was replaced by Wolfgang Schneiderhan
after Kulenkampff's death).
Fischer published a number of books on teaching, and one on the
Well-Tempered Clavier for EMI, recorded on the piano from 1933 to 1936. Fischer's historically important recordings have been reissued on CD by EMI and specialty labels such as APR, Music & Arts, Pearl and Testament. Other classic recordings by Fischer include Bach keyboard concertos, miscellaneous solo Bach works such as the Chromatic Fantasia and Fugue, various sonatas by Mozart and Beethoven, Schubert's Wanderer Fantasy and Impromptus, Beethoven's "Emperor" and Brahms' Second Piano Concerto, both conducted by Wilhelm Furtwängler, and Mozart concertos K. 453, 466, 482, 491 and 503, the last three conducted by John Barbirolli, Lawrance Collingwood and Josef Krips
in 1935, 1937 and 1947 respectively.
Fischer also accompanied Elisabeth Schwarzkopf in a renowned 1950s EMI LP of Schubert Lieder. His last musical collaboration was with the violinist Gioconda de Vito. During their recording sessions for the Brahms first and third violin sonatas, he had to go to London for medical treatment, where he was told he was seriously ill. He died shortly afterwards in Zürich.
Pupils of Edwin Fischer
Bibliography
- Fischer, Edwin, Musikalische Betrachtungen, Im Infel 1949 (Reflections on Music) (French Edition: Considérations sur la musique, Editions du Coudrier, 1951)
- Fischer, Edwin, Ludwig van Beethovens Klaviersonaten: Ein Begleiter für Studierende und Liebhaber, 1954 (Beethoven's Piano Sonatas: A Guide for Students and Amateurs, 1959)
- Fischer, Edwin, Johann Sebastian Bach: Eine Studie
Sources
- Bredow, Moritz von. 2012. "Rebellische Pianistin. Das Leben der Grete Sultan zwischen Berlin und New York." (Biography on Edwin Fischer's student, Grete Sultan. Many details referring to Fischer and another student, Katja Andy. In German.). Schott Music, Mainz, Germany.ISBN 978-3-7957-0800-9
- Gavoty, Bernard, Edwin Fischer (in French)
- (collective) Dank an Edwin Fischer, Brockhaus 1962 (Tribute to Edwin Fischer)
External links
Wikiquote has quotations related to Edwin Fischer.
- Excerpts from two essays by Alfred Brendel on Fischer at the Wayback Machine (archived October 27, 2009)
- Youngrok Lee's Classical Music page
| International | |
|---|---|
| National | |
| Academics | |
| Artists | |
| People | |
| Other | |
