Ellie Mannette
Ellie Mannette | |
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Steel pan musician and musical instrument maker | |
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Children | 10 |
Elliott Anthony "Ellie" Mannette
Life
Born in Sans Souci,
In 1951,
In 1948, Mannette was formally offered a scholarship to study music in London which he turned down in order to be able to build more steel pans.[5]
After having visited the United States in the beginning of the 1960s to build up the US Navy Steel Band,
Since 1967, Mannette had been building up several hundred steel bands all over the United States mainly in colleges and universities, but also for private institutions. In 1991, he was invited by West Virginia University to show interested students how to build and play steel pans. What was meant to be a guest-semester eventually turned into a longtime relationship called the University Tuning Project and later on the company Mannette Steel Drums.[8]
“I always knew in my heart one day
that my work would find its way,
I could not tell you how,
there was no one there for me to show the way
but I figured it out.
I figured it all through for all of you to see today.”
~Ellie Manette
Mannette died on 29 August 2018, in Morgantown, West Virginia, United States, of kidney failure.[1][9] He is survived by his second wife, Jacqueline Edwards, six children, four stepchildren, and many grand- and great-grandchildren.[1]
Merits
Mannette was credited with several innovations which have proven to be essential for the evolution of steel pan. He was the first to use a 55-gallon oil barrel instead of biscuit tins or soap boxes.
Mannette developed his own unique skills and style over many years. Within the University Tuning Project at West Virginia University in Morgantown, West Virginia, US, he passed on his knowledge of pan building and tuning to many students, thereby ensuring that his experience is passed on to future generations of pan makers.[2] His creations can be admired in many museums and galleries including the Smithsonian Institution, the Metropolitan Museum of Art, and the Contemporary Art Gallery in New York.
Awards
In 1969, Mannette was awarded the
In 2003, Mannette was admitted to the Hall of Fame of the Percussive Arts Society of the United States, when he was quoted as saying: "Looking back more than half a century during my humble beginnings in this unique art form, no one during that period could have envisioned the rapid growth of this instrument. Through the years as I developed my skills, my entire mindset was sharing my knowledge with others for the betterment of this instrument."[4]
See also
References
Notes
a. ^ Spelled in some sources as "Elliot" instead of "Elliott"
Citations
- ^ a b c Zraick, Karen (31 August 2018). "Ellie Mannette, Father of the Modern Steel Drum, Dies at 90". The New York Times. Retrieved 9 February 2022.
- ^ a b c d "Elliott "Ellie" Mannette: Steel Pan Builder/Tuner/Player". www.arts.gov. National Endowment for the Arts. n.d. Retrieved 30 December 2020.
- OCLC 85692750.
- ^ a b c d Rogers, Lisa (n.d.). "Hall of Fame: Elliott 'Ellie' Mannette". Percussive Arts Society. Archived from the original on 10 January 2015. Retrieved 9 February 2022.
- YouTube
- ^ "Unitpages Landing Page". Military.com. Retrieved 2 September 2018.
- ^ "Concert pitch". Rhythmicalsteel.com. Archived from the original on 12 October 2013. Retrieved 2 September 2018.
- ^ "WVU concert to honor steel drum pioneer Ellie Mannette", WVU Today, West Virginia University, 1 April 2008.
- ^ a b Rampersad, Joan (29 August 2018). "Ellie Mannette dies at 91". Trinidad and Tobago Newsday. Retrieved 9 February 2022.
- ^ Norman Darway, "We cannot forget Ellie Mannette", TrinbagoPan, 23 February 2005.
- ^ "NEA National Heritage Fellowships 1999". www.arts.gov. National Endowment for the Arts. Retrieved 30 December 2020.
Further reading
- Felix I. R. Blake: The Trinidad and Tobago Steel Pan. History and Evolution. ISBN 0-9525528-0-9
- Nurse, A. Myrna: Unheard Voices: The Rise of Steelband and Calypso in the Caribbean and North America. iUniverse, Inc. ISBN 978-0-595-40153-6(pbk)
- Tiffe, Janine. "The Arrival of Steel Pan in the United States" in Percussive Notes, the journal of the Percussive Arts Society (45, no. 3, June 2007, pp. 10–16)