Epyllion

Source: Wikipedia, the free encyclopedia.
ecphrasis in Catullus 64, the most famous extant epyllion. (Roman copy of a 2nd-century BCE Greek original; Villa Corsini
.)

In classical studies the term epyllion (Ancient Greek: ἐπύλλιον, plural: ἐπύλλια, epyllia) refers to a comparatively short narrative poem (or discrete episode within a longer work) that shows formal affinities with epic, but betrays a preoccupation with themes and poetic techniques that are not generally or, at least, primarily characteristic of epic proper.

Etymology and modern usage

Ancient Greek ἐπύλλιον (epyllion) is the diminutive of ἔπος (epos) in that word's senses of "verse" or "epic poem"; Liddell and Scott's Greek–English Lexicon thus defines ἐπύλλιον as a "versicle, scrap of poetry" or "short epic poem", citing for the latter definition Athenaeus, Deipnosophistae 2.68 (65a–b):[1]

ὅτι τὸ εἰς Ὅμηρον ἀναφερόμενον ἐπύλλιον, ἐπιγραφόμενον δὲ Ἐπικιχλίδες, ἔτυχε ταύτης τῆς προσηγορίας διὰ τὸ τὸν Ὅμηρον ᾄδοντα αὐτὸ τοῖς παισὶ κίχλας δῶρον λαμβάνειν, ἱστορεῖ Μέναιχμος ἐν τῷ περὶ τεχνιτῶν.

A short epic (epyllion) attributed to Homer, entitled The One for the Thrushes, acquired this name because Homer was rewarded with thrushes when he sang it to his children—Menaechmus tells the story in his On Artisans.

This is in fact the only ancient instance of the word that shows anything approaching the connotations with which it is most often employed by modern scholars,

Moritz Haupt's 1855 study of Catullus 64,[4] but it is likely that Haupt was using a term that had in the preceding decades become common to discussions of the shorter narrative poems of the Alexandrians.[5]

In the early 20th century the first studies specifically devoted to the concept of the epyllion were undertaken, with Leumann's work on Hellenistic epyllia, Jackson's study of the possible Roman examples, and Crump's attempt at a diachronic study of the epyllion as a single genre whose history could be traced from the Greek poems of the Hellenistic period through the Augustan period's Latin texts.[6] The exact meaning and applicability of the term epyllion has remained a matter of dispute, and Richard Hunter's recent appraisal summarizes well the current opinion regarding epyllia:

Even if the term "epyllion" has no ancient authority, there has seemed to be a phenomenon which cannot be ignored. Modern discussion has, however, been bedevilled by the grouping together of poems so diverse as to render that grouping almost meaningless, however many points of individual contact they may share.[7]

Characteristics

An epyllion is, in its most basic definition, a narrative poem written in

elegiac couplets.[8] The exact meaning of "comparatively short" varies among modern scholars, with some considering Theocritus, Idyll 13 (75 lines) an epyllion, while Eratosthenes' Hermes is commonly classed as an example, even though at some 1,600 lines it would probably have taken up two papyrus rolls. A similar variation in lengths is found in epyllia that form episodes within larger works. Virgil's Nisus and Euryalus digression in the Aeneid totals 73 verses and is sometimes considered an epyllion, while the so-called Aristaeus-epyllion (Georgics
4.315–558) is considerably more substantial and reminiscent of independent epyllia from the Hellenistic period.

Subject matter and tone

Poetic techniques

Callimachus, Hecale fr. 1 Hollis = 230 Pf.:

Ἀκταίη τις ἔναιεν Ἐρεχθέος ἔν ποτε γουνῷ. A certain Attic woman once resided in Erechtheus' highlands

Catullus 64.50–54:

haec vestis priscis hominum variata figuris
heroum mira virtutes indicat arte.
namque fluentisono prospectans litore Diae,
Thesea cedentem celeri cum classe tuetur
indomitos in corde gerens Ariadna furores
This cloth, embellished with the figures of earlier men,
showed with remarkable art the virtues of the heroes.
For gazing from the wave-resounding shore of Dia,
she saw Theseus departing with his swift ship,
Ariadna, nursing indomitable furor in her heart.

List of epyllia

Hellenistic

Latin

Late antiquity

Notes

  1. .
  2. ^ Fordyce (1961) 272 n. 1.
  3. ^ Most (1982).
  4. ^ Reprinted in Haupt (1876), with the key discussion occurring at 76–79; cf. Fordyce (1961) 272 n. 1.
  5. ^ Reilly (1953) 111.
  6. ^ Leumann (1904); Jackson (1913); and Crump (1931).
  7. ^ Fantuzzi & Hunter (2004) 191.
  8. ^ Hollis (1990, p. 23 n. 2) notes with incredulity that "some scholars even apply the term 'epyllion' to elegiac poems!" Fantuzzi (2004) believes the common modern usage includes elegiacs and counts the Acontius and Cydippe episode of Callimachus' Aetia as an epyllion.

Bibliography

  • Allen, W. (1940), "The Epyllion: A Chapter in the History of Literary Criticism", TAPA, 71: 1–26.
  • Allen, W. (1958), "The Non-Existent Classical Epyllion", Studies in Philology, 55: 515–18.
  • Courtney, E. (1996), "Epyllion", in S. Hornblower; A. Spawforth (eds.),
    ISBN 9780198661726{{citation}}: CS1 maint: location missing publisher (link
    ).
  • Crump, M.M. (1931), The Epyllion from Theocritus to Ovid, Oxford{{citation}}: CS1 maint: location missing publisher (link).
  • Fantuzzi, M. (2004), "Epyllion", in H. Cancik; H. Schneider (eds.), .
  • Fantuzzi, M.;
    ISBN 978-0521835114{{citation}}: CS1 maint: location missing publisher (link
    ).
  • Fordyce, C. J. (1961), Catullus: A Commentary, Oxford,
    ISBN 978-0198721475{{citation}}: CS1 maint: location missing publisher (link
    ).
  • Haupt, M (1876), Opuscula: volumen secundum, Leipzig{{citation}}: CS1 maint: location missing publisher (link). (Reprinted in 1967 by Georg Olms Verlag (Hildesheim))
  • Hollis, A.S. (1990), Callimachus: Hecale, Oxford,
    ISBN 0-19-814044-4{{citation}}: CS1 maint: location missing publisher (link
    ).
  • Jackson, C.N. (1913), "The Latin Epyllion", Harvard Studies in Classical Philology, 24: 37–50, .
  • Leumann, J. (1904), De epyllio Alexandino, Königsee{{citation}}: CS1 maint: location missing publisher (link).
  • S2CID 164757050
    .
  • Reilly, J.F. (1953), "Origins of the Word 'Epyllion'", The Classical Journal, 49: 111–14.
  • Vessey, D.W.T.C. (1970), "Thoughts on the Epyllion", The Classical Journal, 66: 38–43.