Ernestine Anderson
Ernestine Anderson | |
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Background information | |
Birth name | Ernestine Irene Anderson |
Born | Houston, Texas, U.S. | November 11, 1928
Died | March 10, 2016 Shoreline, Washington, U.S. | (aged 87)
Genres | Jazz, blues |
Occupation(s) | Singer |
Labels | Mercury Concord Jazz |
Ernestine Anderson (November 11, 1928 – March 10, 2016) was an American
Life and career
Ernestine Irene Anderson
Anderson tells of her early life in the 1998 book The Jazz Scene:
- "My parents used to play blues records all the time," Ernestine Anderson told me. "John Lee Hooker, Muddy Waters, all the blues greats. In Houston, where I grew up, you turned on the radio and what you got was country and western and gospel. I don't even remember what my first experience with music was. I sort of grew into it. My father sang in a gospel quartet and I used to follow him around, and both my grandparents sang in the Baptist church choir. And they had big bands coming through Houston like Jimmie Lunceford, Billy Eckstine, Erskine Hawkins, and Count Basie." Ernestine's godmother entered her in a local talent contest when she was twelve years old. "I only knew two songs," she admitted, "'On the Sunny Side of the Street' and 'So Long'. The piano player asked me what key did I do these songs in and I just said 'C' for some reason and it was the wrong key. In order to save face I sang around the melody, improvised among the melody, and when I finished one of the musicians told me I was a jazz singer."[5]
Her family moved to
When she was 18, Anderson left Seattle, to tour for a year with the Johnny Otis band.[6] In 1952, she went on tour with Lionel Hampton's orchestra.[6] After a year with the band, she settled in New York City, determined to make her way as a singer. Her appearance on Gigi Gryce's 1955 album Nica's Tempo (Savoy)[7] led to a partnership with trumpeter Rolf Ericson for a three-month Scandinavian tour.[6] Ernestine's first album in the United States was made after her debut album, recorded in Sweden and released here by Mercury Records under the title Hot Cargo (1958).[6] The dean of America jazz critics, Ralph J. Gleason, began airing it on his hit-making radio show. In addition his nationally distributed San Francisco Chronicle jazz column, saying: "she is the best new jazz singer in a decade. She has good diction, time, an uncanny ability to phrase well, great warmth in her voice, a true tone and, on top of all that, she swings like mad", which created a huge sensation. In 1959 Anderson won the DownBeat "New Star" Award and recorded for Mercury to more acclaim, before dividing her time from the mid-1960s between America and Europe.[6]
- "I don't think jazz ever died. It suffered a setback during the sixties. I had to move to London in order to work because a jazz person couldn't work in the United States when rock 'n' roll became the music. I didn't think it would last this long, and I don't think the rock 'n' roll people thought it would last this long, but Quincy it had."[8]
Her re-emergence in the mid-1970s (at which time Ray Brown was her manager) came as a result of a sensational appearance at the 1976
After leaving Concord Records in 1993, Anderson signed on with her old Seattle jazz scene pal, Quincy Jones, and his happening new label, Qwest, which issued two albums—1993's Now and Then, and 1996's Blues, Dues & Love News—that also both received Grammy nominations. By the late 1990s, she was signed to the Koch International label, which issued her Isn't It Romantic album, in 2003 her High Note label CD, Love Makes the Changes was a breakout hit, and her 2004 JVC CD, Hello Like Before, brought further accolades.[9]
Ernestine Anderson was a follower of Nichiren Buddhism.[10][11][12] She died peacefully, surrounded by her family in Shoreline, Washington, on March 10, 2016, at the age of 87.[13]
Ernestine Anderson's great-grandson, Dwone Anderson-Young, was murdered on June 1, 2014. [14]
Awards and honors
Ernestine Anderson was featured in an article in Time magazine, August 4, 1958: "the voice belongs to Negro Singer Ernestine Anderson, at 29 perhaps the best-kept jazz secret in the land" after her first album release. She is inevitably compared to Ella Fitzgerald, Sarah Vaughan, Billie Holiday. Ernestine invariably rejects the comparisons. "I wish," she says, "they would let me be just me."[15]
Anderson was one of 75 women chosen for the book, I Dream a World: Portraits of Black Women Who Changed America (1999), by Pulitzer Prize winning photographer Brian Lanker. Within this book Ernestine Anderson joins such company as Rosa Parks, Coretta Scott King, Oprah Winfrey, Lena Horne, and Sarah Vaughan.[8]
She won the Golden Umbrella award at the Bumbershoot Seattle arts festival in 2002.[16] The award honors artists from the Northwestern United States "who have significantly contributed to the cultural landscape of our region."
Anderson was chosen by the Pacific Northwest Chapter of the
In 2012, the Low Income Housing Institute named a housing project the "Ernestine Anderson Place" in her honor, noting Anderson's long residence in Seattle's Central District where the units are located.[18]
Discography
As leader
- Hot Cargo (Mercury, 1958)
- The Toast of the Nation's Critics (Mercury, 1959)
- My Kinda Swing (Mercury, 1960)
- Moanin' (Mercury, 1960)
- The Fascinating Ernestine (Mercury, 1960)
- The New Sound of Ernestine Anderson (Sue, 1963)
- Miss Ernestine Anderson (Columbia, 1967)
- Hello Like Before (Concord Jazz, 1977)
- Live from Concord to London (Concord Jazz, 1978)
- Sunshine (Concord Jazz, 1980)
- Never Make Your Move Too Soon (Concord Jazz, 1981)
- Seven Stars with Cal Tjader, Teddy Wilson, Eddie Duran (Concord Jazz, 1983)
- Big City (Concord Jazz, 1983)
- Three Pearls with Chris Connor, Carol Sloane (Eastworld, 1984)
- When the Sun Goes Down (Concord Jazz, 1985)
- Be Mine Tonight (Concord 1987)
- A Perfect Match with George Shearing (Concord Jazz, 1988)
- Boogie Down with the Clayton Hamilton Jazz Orchestra (Concord Jazz, 1990)
- Live at the Concord Jazz Festival Third Set with Ed Bickert, Gene Harris, Marshall Royal (Concord Jazz, 1991)
- Now and Then (Qwest, 1993)
- Three Ladies of Jazz: Live in New York with Diane Schuur, Dianne Reeves (Jazz Door, 1995)
- Blues, Dues & Love News (Qwest, 1996)
- Isn't It Romantic (Koch, 1998)
- Love Makes the Changes (HighNote, 2003)
- A Song for You (HighNote, 2009)
- Nightlife Live at Dizzy's Club Coca-Cola (HighNote, 2011)
- Ernestine Anderson Swings the Penthouse (HighNote, 2015)
As guest
- Ray Brown, Live at the Concord Jazz Festival 1979 (Concord Jazz, 1979)
- Concord All Stars, Ow! (Concord Jazz, 1987)
- George Shearing, Dexterity (Concord Jazz, 1988)
- Frank Capp/Nat Pierce Juggernaut, Live at the Alley Cat (Concord Jazz, 1987)
Grammy history
- Career nominations: Four[19]
Ernestine Anderson Grammy History | |||||
Year | Category | Genre | Title | Label | Result |
---|---|---|---|---|---|
1996 | Best Jazz Vocal Performance | Jazz | Blues, Dues & Love News | Qwest | Nominated |
1993 | Best Jazz Vocal Performance | Jazz | Now and Then | Concord | Nominated |
1983 | Best Jazz Vocal Performance - Female | Jazz | Big City | Concord | Nominated |
1981 | Best Jazz Vocal Performance - Female | Jazz | Never Make Your Move Too Soon | Concord | Nominated |
References
- ISBN 0-141-00646-3.
- ^ "Ernestine Anderson and the Diva Jazz Band". Archived from the original on August 9, 2007.
- ^ a b Vacher, Peter, "Ernestine Anderson obituary", The Guardian, March 20, 2016.
- ^ a b Gaar, Gillian G., "Ernestine Anderson", Seattle Metropolitan, December 2008, p. 62.
- ISBN 0-19-508270-2.
- ^ ISBN 0-85112-732-0.
- ISBN 0-520-24374-9.
- ^ ISBN 1-55670-923-4.
- ISBN 0-312-27870-5
- ^ White, Evelyn C. (15 March 2016). "Remembering jazz singer and Buddhist Ernestine Anderson - Lion's Roar". Retrieved 2021-12-15.
- ^ "Chanting Keeps Ernestine Anderson's Career on Key". Los Angeles Times. 1988-09-14. Retrieved 2021-12-15.
- ^ "Ernestine Anderson obituary". The Guardian. 2016-03-20. Retrieved 2021-12-15.
- ^ De Barros, Paul, "Jazz great Ernestine Anderson dies", Seattle Times, March 11, 2016.
- ^ "Ernestine Anderson Obituary - Seattle, WA". Dignity Memorial. Retrieved 2022-12-05.
- ^ "Emotional Brass", Time, August 4, 1958.
- ^ "International Jazz Collections Special Jazz Festival" (PDF). Archived from the original (PDF) on 2007-04-15. Retrieved 2007-08-18.
- ^ 2004 IMPACT Awards Archived September 29, 2007, at the Wayback Machine, City of Seattle official site
- ^ Ernestine Anderson Place Art Fence & Sign Request for Proposals (PDF), Low Income Housing Institute, February 27, 2012, archived from the original (PDF) on May 23, 2012, retrieved April 1, 2012
- ^ "Awards". Los Angeles Times.