Eugen Barbu

Source: Wikipedia, the free encyclopedia.
Eugen Barbu
historical novel, fiction
Literary movementRealism, neorealism
SpouseMarga Barbu

Eugen Barbu (Romanian pronunciation:

nationalist Greater Romania Party (PRM).[4]

His most famous writings are the novels Groapa (1957) and Principele (1969).[5] Barbu's prose, in which the influence of neorealism has been noted, drew comparison to the works of Mateiu Caragiale, Tudor Arghezi, and Curzio Malaparte.[6] It was however, considered unequal by several critics, who took into measure Barbu's preference for archaisms, as well as his fluctuating narrative style.[7]

Barbu also wrote several film scripts,[8] some of which were for films starring his wife, the actress Marga Barbu (Florin Piersic's Mărgelatu series).

Biography

Early life and literature

The son of writer and journalist

left-wing press.[5] Attending meetings of the Sburătorul society, he made his debut in 1955 (with the novella Munca de jos).[5] The following year, he published his first novel, Balonul e rotund.[5]

One of the few persons trusted with official criticism on both political and literary issues during the communist regime — under Gheorghe Gheorghiu-Dej, and especially under Nicolae Ceaușescu[11] — he was noted for his early writings in praise of Soviet achievements such as the Sputnik program,[12] and his progressive move to a more nationalist tone as this became condoned (and later encouraged).[13] He was also involved in the censorship apparatus, a position which, some have argued, he used indiscriminately against his literary rivals.[14]

Official appointments

His Principele novel, set during the

Phanariote era, was interpreted to be an ironic reference to Gheorghiu-Dej's rule and the labor camps of the Danube–Black Sea Canal, and was condoned by the regime during a period of relative liberalization — cut short by the July Theses of 1971.[15] At the time, he was also an editor of Luceafărul, before being dismissed following his prolonged and notorious conflicts with younger writers (while the regime was interested in ensuring the latter's confidence).[12] Barbu was an informal envoy to the United States during the late 1960s, visiting the influential exiled scholar Mircea Eliade at his home in Chicago, unsuccessfully calling for his return, and vouching for a "magnificent reception" to his home country (in order to mark the potential image coup).[16]

He was several times elected to the

Great National Assembly,[17] until the plagiarism scandal prevented him from being again proposed for the office.[18] In 1977, Barbu won the Herder Prize, which permitted him to offer his protégé Tudor a scholarship year in Vienna
.

Plagiarism scandal and Săptămâna

In 1979, România Literară published a special section in which it placed side by side a text from Incognito and one taken from a translated work by the Soviet writer Konstantin Paustovsky; the two sections were considered virtually identical.[19] The ensuing scandal animated the literary world, and has often been cited as a reference for similar and more recent controversies.[19] Speaking at the time, Barbu dismissed the accusations as character assassination.[18]

During the 1970s and '80s, he notably launched verbal attacks against Romanian intellectuals who had defected the country, as well as against writers who were critical of the regime[20] (the latter included Paul Goma, whom, in 1977, he called "a non-entity").[21]

Barbu's polemic articles were often obscene in tone,

Most favored nation status, which Romania had just received, was actually harming the country (while arguing that data to prove this had been kept hidden by a Jewish plot).[23]

Many attacks focused on

Săptămâna to belittle the work of Eugen Lovinescu, a major literary critic who was Monica Lovinescu's father; this drew criticism from the Romanian Communist Party (of which Barbu was a member) and alarm from the Securitate, as it went against more restrained official guidelines regarding the works of Eugen Lovinescu.[24]

Post-Revolution

After the

for Bucharest.

In early 2005, eleven years after his death, the satirical magazine Academia Cațavencu uncovered and publicized a Securitate file which seems to indicate that Barbu had sexual encounters with underage girls, provided by Tudor and paid for their services.[26] Tudor initially called on the National Council for the Study of the Securitate Archives to explain if the find was real, and received a positive answer.[26] He later vehemently dismissed the allegations, indicating that virtually all of the girls' personal data was not found in census records, and that Anita Barton, the only one of them to have actually been found, was aged 19 at the time of her alleged meeting with Barbu.[26]

He died in Bucharest in 1993 and was buried at Bellu Cemetery, on Writer's Alley, close to Mihai Eminescu's resting place. His wife, Marga Barbu, was buried next to him when she died in 2009.[27]

Notes

  1. ^ Grigurcu; Martin; Tismăneanu, p.183, 225
  2. .
  3. .
  4. ^ Martin
  5. ^ a b c d Călin
  6. ^ Iliescu
  7. ^ Grigurcu; Iliescu
  8. ^ Călin; Iliescu
  9. ^ "Curierul National - 17 Ianuarie 2003 » "Eugen Barbu e fiul lui Nicolae Crevedia"". Archived from the original on 2011-09-28. Retrieved 2011-05-04.
  10. ^ Dorin Tudaran, Eu, fiul lor- Dosar de Securitate, Bucharest, Polirom 2010, p.76
  11. ^ Martin; Tismăneanu, p.183, 225
  12. ^ a b Grigurcu
  13. ^ Grigurcu; Martin
  14. ^ Grigurcu; Ioanid
  15. ^ Deletant, p.182
  16. ^ Șimonca
  17. ^ Grigurcu; Teodorescu & Mihai
  18. ^ a b Teodorescu & Mihai
  19. ^ a b Groşan; Teodorescu & Mihai
  20. ^ "File dintr-un..."; Tismăneanu, p.225
  21. ^ Ioanid
  22. ^ a b Tismăneanu, p.225
  23. ^ a b c Savaliuc
  24. ^ "File dintr-un..."
  25. ^ Tismăneanu, p.249
  26. ^ a b c Popescu
  27. Pro 2
    . 2009. Retrieved February 11, 2021.

References

External links