Everybody (Backstreet's Back)

Source: Wikipedia, the free encyclopedia.
This article is about the song. For the album, see Backstreet's Back.

"Everybody (Backstreet's Back)"
The band standing in front of a purple background.
Single by Backstreet Boys
from the album Backstreet's Back and Backstreet Boys (US)
B-side
ReleasedJuly 14, 1997 (1997-07-14)
Studio
GenreDance-pop
Length
  • 4:45 (extended version)
  • 3:45 (radio edit)
LabelJive
Songwriter(s)
Producer(s)
  • Denniz Pop
  • Max Martin
Backstreet Boys singles chronology
"Anywhere for You"
(1997) 		"Everybody (Backstreet's Back)"
(1997) 		"As Long as You Love Me"
(1997)
Backstreet Boys US singles chronology
"As Long as You Love Me"
(1997) 		"Everybody (Backstreet's Back)"
(1998) 		"I'll Never Break Your Heart"
(1998)
Alternate cover
Music video
"Everybody (Backstreet's Back)" on
YouTube

"Everybody (Backstreet's Back)" is a song by American boy band Backstreet Boys, written and produced by Denniz Pop and Max Martin. It was released as the first single from the band's second international studio album Backstreet's Back in July 1997, and the third single from their self-titled debut US studio album in 1998, although the song was already being played by many American radio stations unofficially by importing the Canadian single.[1] The accompanying music video was directed by American director Joseph Kahn.

Background and release

Zomba chairman Clive Calder suggested that "Everybody (Backstreet's Back)" should be released as a single, which was met with resistance from Jive Records president Barry Weiss, as he believed that it would be weird to have a song called "Backstreet's Back" on the Backstreet Boys' first US album. The band suggested it could just mean that they were back home. After Canadian markets began playing the song, US markets near the border began picking the song up. They met with Weiss and asked that the song be added to the US album after the first million units had already been produced.[2]
There are two versions of the song. The international album features the album or 7-inch version, which is the standard recording. The US album features the extended version of the song which includes an extended breakdown section, but cuts the bridge. The music video for the song was cut to both versions of the song, with the extended video released to the US market, and the standard video released everywhere else.[citation needed]

Critical reception

Larry Flick from Billboard stated that "Everybody (Backstreet's Back)" contained a "contagious dance/pop beat and catchy hook that perfectly showcases this talented group's voices".[3] British magazine Music Week rated the song four out of five, adding that "the boys turn up the power on a strutting, soulful anthem, which will be one of the summer's bigger successes."[4] Editor Alan Jones noted that Backstreet Boys "state the obvious" in the song, "but they do it with a certain amount of style. The mid-tempo piece is instantly assimilated and well-sung, primarily as a group effort. Another major hit is guaranteed."[5]

Commercial performance

Written and produced by

UK Singles Chart. It is certified platinum
in the US.

Music video

Background

The accompanying music video for "Everybody" was directed by Joseph Kahn, and filmed in Los Angeles, California from June 16–18, 1997. Kahn was contacted by Jive to direct a project with a "white Jodeci". Initially unaware who the Backstreet Boys were, he was shocked by the group's European sales figures after being given a cassette tape and publicity release about them. Initially a grunge and hip-hop director, he wanted to explore the pop genre, since he grew up listening to music from the 1980s.[6]

The haunted house aesthetic was based on a treatment Kahn envisioned for rapper Ice Cube a few months prior, and was inspired by the music video for Michael Jackson's "Thriller". Kahn and the group wanted Antonio Fargas to portray the bus driver, as they were fans of Starsky & Hutch. The video shoot lasted for 36 hours, with Nick Carter's mummy shot being filmed last. Jive did not get behind the concept of the band in costumes or the $1 million requirements, and did not believe MTV would respect the video. The band ultimately had to put up their own money to shoot the video and had to fight with the label to get reimbursed once it was successful.[6] The video premiered outside the United States in July 1997, although viewers with MuchMusic USA were able to see it as at the time it was still mostly a simulcast of the Canadian channel.[citation needed] In a 2017 interview with Billboard, Kahn stated that the video's impact broadened his view of pop culture, while creating a new scene in the US.[6]

Synopsis

The aesthetic of the haunted house was inspired by Michael Jackson's "Thriller" music video.[6]

The video is

Dr. Jekyll and Mr. Hyde in a half-transformed Two-Face-like state. Throughout the beginning and middle of the song, the band, as monsters, mainly appear in their own individual vignettes related to their character; during the final chorus, they collectively appear in the foyer of the mansion, performing a dance routine with a group of additional dancers. Supermodel Josie Maran appears as Dorough's companion in his vignette, presumably portraying Mina Harker. At the end of the video, Littrell wakes up realizing that all was a nightmare. He talks with the members about his dream, all of them stating they had similar dreams, while trying to leave the house. However, the driver shows up, now a Frankenstein-esque monster
, making the boys scream in horror.

There are two cuts of the video; one for the US market, and one for the international market, each of which features the edit of the song released on the album for that market. The international video cuts from the opening bookend to the first verse. The bridge of the song is intact and the first half of the dance routine, a ballroom dance portion, is intercut with the vignettes under it. This leads into the second half of the dance portion during the final choruses of the song which are not intercut with the vignettes. In the US cut, the ballroom half of the dance routine and the beginning of the second half are used at the start of the song during the first rhythm-only breakdown, and is not intercut with the vignettes. The second breakdown, which replaces the bridge, is accompanied only by shots from the vignettes, along with some shots of Littrell tumbling in the foyer and in the various vignettes. When the final chorus begins, the second half of the dance routine is shown again from the start, but is intercut with vignette scenes. Most of the remainder of the video is cut identically, other than several minor instances of alternate scenes or takes being used. The dance floor in the video was painted.

Awards and nominations

Name of the award ceremony, year presented, category, and the result of the nomination
Award ceremony Year Category Result Ref.
MTV Video Music Awards 1998
Best Group Video
 Won [7]
Best Dance Video
 Nominated [8]
MuchMusic Video Awards
1998
 Peoples Choice Favorite International Group Won
Nickelodeon Kids' Choice Awards 1999 Favorite Song Won [7]

Track listing

Charts

Certifications

Region Certification Certified units/sales
Australia (ARIA)[66] 4× Platinum 280,000‡
Belgium (BEA)[67] Gold 25,000*
Brazil (Pro-Música Brasil)[68] Platinum 60,000‡
Denmark (IFPI Danmark)[69] Platinum 90,000‡
France (
SNEP)[70]
 Silver 125,000*
Germany (BVMI)[71] Platinum 500,000‡
Italy (FIMI)[72] Gold 50,000‡
New Zealand (RMNZ)[73] Platinum 10,000*
Spain (PROMUSICAE)[74] Platinum 60,000‡
Sweden (GLF)[75] Gold 15,000^
United Kingdom (BPI)[76] 2× Platinum 1,200,000‡
United States (RIAA)[78] Platinum 1,200,000[77]

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

Release history

Region Date Format(s) Label(s) Ref.
Europe July 14, 1997 CD Jive [27]
Japan August 1, 1997
[79]

References

  1. ^ "Backstreet Boys Everybody (Backstreet's Back)" (PDF). R&R. March 6, 1998. p. 43. Retrieved May 10, 2023.
  2. ^ Interview with Backstreet Boys, management, and others from Entertainment Weekly 10th Anniversary Issue.
  3. ^ Flick, Larry (April 4, 1998). "Single Reviews" (PDF). Billboard. p. 65. Retrieved February 9, 2020.
  4. ^ "Reviews: Singles" (PDF). Music Week. July 5, 1997. p. 30. Retrieved August 15, 2022.
  5. ^ Jones, Alan (June 28, 1997). "Talking Music" (PDF). Music Week. p. 20. Retrieved May 27, 2022.
  6. ^ a b c d Tailor, Leena (July 14, 2017). "How 'Everybody (Backstreet's Back)' Director Joseph Kahn Pushed Racial Boundaries & Brought a Backstreet Boy to Tears". Billboard. Retrieved February 25, 2020.
  7. ^ a b Singh, Olivia. "The top boy band song from the year you were born". Insider. Archived from the original on May 11, 2023. Retrieved July 27, 2020.
  8. ^ "1998 Video Music Awards". MTV.com. Archived from the original on September 19, 2007. Retrieved May 11, 2023. Note: Scroll down to Best Dance Video and tap/click on "View all nominees" to see nomination.
  9. ^ Everybody (Backstreet's Back) (US enhanced CD single liner notes). Backstreet Boys. Jive Records. 1998. 01241-42510-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. ^ Everybody (Backstreet's Back) (US enhanced maxi-single liner notes). Backstreet Boys. Jive Records. 1998. 01241-42515-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  11. ^ Everybody (Backstreet's Back) (US 12-inch single sleeve). Backstreet Boys. Jive Records. 1998. 01241-42515-1.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  12. ^ Everybody (Backstreet's Back) (Canadian CD single liner notes). Backstreet Boys. Jive Records, BMG Music Canada. 1997. 74321-50997-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  13. Trans Continental Records. 1997. JIVE CD 426, 0516922.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link
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