Everything Is Love
Everything Is Love | ||||
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Studio album by | ||||
Released | June 16, 2018 | |||
Recorded | 2017–2018 | |||
Studio |
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Genre | ||||
Length | 41:50 | |||
Label | ||||
Producer |
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Beyoncé chronology | ||||
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Jay-Z chronology | ||||
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Singles from Everything Is Love | ||||
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Everything Is Love (stylized in
The album was not made public until its release was announced by Beyoncé and Jay-Z while onstage at a
Recording
Plans about a joint album by the couple were announced by Jay-Z during an interview with
The majority of the album was recorded at
Music and lyrics
"Like the fifth act of a hip-hop and R&B Shakespearean comedy, Everything Is Love finds our lovers reunited, their misunderstandings resolved, their vows renewed (Beyoncé: 'you fucked up the first stone/ we had to get remarried'), and their family looking ahead to decades of more peaceful prosperity. Outrageous, multiple-mansioned, diamonds-and-watches-and-Lambos prosperity, symbolically tied to an agenda of black capitalism as racial uplift and reparations."
According to
The album contains lyrics about the couple's romantic love, lavish lifestyle, media worship, wealth,
Artwork
The artwork for the album is a still frame from the music video for "Apeshit". It features two of Beyoncé's background dancers, Jasmine Harper and Nicholas "Slick" Stewart, at the Louvre—Harper is seen picking the hair of Stewart while standing in front of Leonardo da Vinci's Mona Lisa.[18]
Release and promotion
On June 6, 2018, Beyoncé and Jay-Z embarked on the joint On the Run II Tour, a sequel to their 2014 On the Run Tour. At the end of their second show at London Stadium in London on June 16, 2018, Beyoncé announced to the crowd that the duo had a surprise before leaving the stage. Then, the music video for "Apeshit" played on the LED video screen onstage. Following the conclusion of the video, the words "ALBUM OUT NOW" came across the screen. Everything Is Love was subsequently released exclusively via Jay-Z's streaming service Tidal and all audience members received a free six-month trial subscription in order to be able to stream the album.[19] The album was also made available for purchase on Tidal's online music store. The release was announced worldwide on Beyoncé and Jay-Z's respective social media accounts with the artist of the album being monikered as the Carters.[1] On the same day, the music video for the album's second track and lead single, "Apeshit", was released on Beyoncé's official YouTube channel. It was directed by Ricky Saiz and filmed at the Louvre in Paris.[20][21]
On June 18, the album was made available across numerous other platforms, including
Critical reception
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.4/10[23] |
Metacritic | 80/100[24] |
Review scores | |
Source | Rating |
AllMusic | [25] |
The A.V. Club | B+[26] |
The Daily Telegraph | [27] |
The Guardian | [12] |
The Independent | [28] |
NME | [29] |
The Observer | [30] |
Pitchfork | 8.2/10[31] |
Rolling Stone | [32] |
The Times | [33] |
Everything is Love was met with general acclaim. At
Reviewing the album for The New York Times, Joe Coscarelli said it "completes the Knowles-Carter conceptual trilogy"—referring to the previous releases of Lemonade and 4:44—"in an expert, tactical showing of family brand management".
Will Hodgkinson of The Times reviewed track-by-track, stated: "Jay-Z is as dynamic as ever and the new, though Beyoncé demands attention on this surprise album, [...] despite the ups and downs detailed on Beyoncé's Lemonade and Jay-Z's subsequent mea culpa 4:44. Instead they are coming out fighting, with all that fame and money making them defensive, even paranoid, while a mix of classic soul, hard-hitting hip-hop and slinky R&B."[33] Pitchfork contributor Briana Younger wrote that the album "is a compromise between the spoils of Lemonade's war and the fruits of 4:44's labor", and that "within this complex, messy and beautifully black display, the Carters find absolution."[31] Giving the album one and a half stars, Adam Rothbarth of Tiny Mix Tapes stated that everything about the album "feels superficial, from the artists' constant pronouncement of their love for each other to their engagement with topics like fashion". He also added that the "most boring aspect of the album is its centerpiece: the couple's obsession with their wealth".[36]
Accolades
Organization | Country | Accolade | Ranked | Year | Source |
---|---|---|---|---|---|
AllMusic | United States | Favorite Rap and Hip Hop Albums | — | 2018 | |
Associated Press | United States | AP's Top 2018 Albums | 6 | 2018 | |
Austin Chronicle
|
United States | The Best Albums of 2018 by Genre | 8 | 2018 | |
Billboard | United States | 50 Best Albums of 2018 | 10 | 2018 | |
Complex
|
United States | The Best Albums of 2018 | 7 | 2018 | |
Esquire | United States | 20 Best Albums of 2018 | 18 | 2018 | |
Exclaim! | Canada | Exclaim!'s Top 10 Hip-Hop Albums Best of 2018 | 5 | 2018 | |
Fopp | United Kingdom | Best Albums of 2018 | 94 | 2018 | |
Gaffa | Denmark | Årets Album 2018 | 17 | 2018 | |
GQ Russia | Russia | The 20 Best Albums of 2018 | 17 | 2018 | |
HipHopDX | United States | The Best Rap Albums Of 2018 | 2 | 2018 | |
NME | United Kingdom | NME's Albums Of The Year 2018 | 91 | 2018 | |
NPR | United States | The 50 Best Albums Of 2018 | 50 | 2018 | |
People | United States | The Top 10 Albums of the Year | — | 2018 | |
Rolling Stone | Argentina | Los mejores discos de 2018 | 12 | 2018 | |
United States | 50 Best Albums of 2018 | 48 | 2018 | ||
Uproxx | United States | The 50 Best Albums of 2018 | 36 | 2018 | |
Uproxx Music Critics Poll 2018: Albums | 35 | 2018 | |||
Vibe | United States | 30 Best Albums of 2018 | — | 2018 | |
XXL | United States | The 50 Best Hip-Hop Albums of 2018 | — | 2018 |
Organization | Country | Accolade | Ranked | Year | Source |
---|---|---|---|---|---|
Cleveland.com
|
United States | 100 greatest albums of the 2010s | 86 | 2019 |
Year | Organization | Award | Result | Ref. |
---|---|---|---|---|
2018 | BET Hip Hop Awards | Album of the Year | Won | [58] |
2019 | BET Awards | Album of the Year | Nominated | [59] |
Danish GAFFA-Prisen Awards | Best International Album | Nominated | [60] | |
Grammy Awards | Best Urban Contemporary Album
|
Won | [61] | |
NAACP Image Awards | Outstanding Album | Nominated | ||
2018 Brit Awards
|
Best International Group | Won |
Commercial performance
Everything is Love debuted at number two on the US
Track listing
| 3:13 | |||
6. | "Friends" |
|
| 5:44 |
---|---|---|---|---|
7. | "Heard About Us" | 3:10 | ||
8. | "Black Effect" |
|
| 5:15 |
9. | "LoveHappy" |
|
| 3:49 |
Total length: | 38:18 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "LoveHappy" | 3:49 | ||
2. | "Apeshit" | 4:24 | ||
3. | "Boss" | 4:04 | ||
4. | "Nice" | 3:53 | ||
5. | "713" | 3:13 | ||
6. | "Friends" | 5:44 | ||
7. | "Heard About Us" | 3:10 | ||
8. | "The Black Effect" | 5:13 | ||
9. | "Salud!" |
|
| 3:33 |
Total length: | 37:04 |
No. | Title | Length |
---|---|---|
1. | "Summer" | 7:29 |
2. | "Boss" | 6:59 |
3. | "Black Effect" | 5:43 |
4. | "Friends" | 8:23 |
5. | "LoveHappy" | 5:15 |
6. | "Apeshit" | 6:05 |
7. | "713" | 5:50 |
8. | "Salud!" | 5:27 |
9. | "Nice" | 5:58 |
10. | "Heard About Us" | 5:53 |
Total length: | 63:02 |
- All tracks noted as "ChopNotSlop Remix" and credited to, The Carters, OG Ron C, Slim K and DJ Candlestick
Notes
- ^[a] Simon Mavin is incorrectly credited as Simon Marvin
- ^[b] Jun Kozuki is incorrectly credited as Jan Kozuki
Sample credits
- "Apeshit" contains
- elements of an A$AP Rocky broadcast on Instagram Live.
- an interpolation of "Faneto", performed by Chief Keef, written by Keith Farrelle Cozart.
- "713" contains
- an interpolation of ".
- samples from "Sphinx Gate", performed by Hiatus Kaiyote, written by Paul Bender, Simon Mavin, Perrin Moss and Naomi Saalfield.
- samples from "The World It Softly Lulls", performed by Hiatus Kaiyote, written by Paul Bender, Simon Mavin, Perrin Moss and Naomi Saalfield.
- an interpolation of "The Light", performed by Common, written by Robert Caldwell, Norman Harris, Lonnie Lynn, Bruce Malament and James Yancey.
- "Heard About Us" contains
- an interpolation of "Juicy", performed by The Notorious B.I.G., written by Sean Puffy Combs, James Mtume, Jean-Claude Olivier and Christopher Wallace.
- "Black Effect" contains
- a sample of "Broken Strings", performed by Flower Travellin' Band, written by Jun Kozuki.
- "LoveHappy" contains
- a sample of "You Make My Life a Sunny Day", performed by Eddie & Ernie, written by Eddie Campbell, Ernie Johnson and Pete James.
- elements of "Victory Is Certain" from APC Tracks Vol. 1, written by Bill Laswell, Jean Touitou and Thierry Planell.
- an interpolation of "Love of My Life (An Ode to Hip-Hop)" performed by Erykah Badu and Common, written by Lonnie Lynn, Robert Ozuna, James Poyser, Raphael Saadiq, Glenn Standridge and Erica Wright.
- samples from the Graham Central Station recording "The Jam", written by Larry Graham.
Personnel
Credits adapted from Beyoncé's official website,[74] Tidal[75] and the album's liner notes.[71] "Salud!" is track 10.
Musicians
- Beyoncé – vocals (all tracks)
- Jay-Z – vocals (all tracks)
- Rory Stonelove – additional vocals (track 1)
- Anthony Wilmot – additional vocals (track 1)
- Offset – additional vocals (track 2)
- Quavo – additional vocals (track 2)
- Blue Ivy Carter – additional vocals (track 3)
- Ty Dolla Sign – additional vocals (track 3)
- Pharrell – additional vocals (track 4)
- Nija Charles – background vocals (track 7)
- Dr. Lenora Antoinette Stines – additional vocals (track 8)
- Andre Christopher Lyon – additional vocals (track 10)
- Derek Dixie – string arrangement & additional keyboards (track 1); horn arrangement (tracks 1, 3)
- Chala Yancy – co-arrangement & strings (track 1)
- Nathalie Barrett-Mas – co-arrangement & strings (track 1)
- Crystal Alforque – co-arrangement & strings (track 1)
- Jessica McJunkins – co-arrangement & strings (track 1)
- Corbin Jones – co-arrangement (track 1); horns (tracks 1, 3)
- Christopher Gray – co-arrangement (track 1); horns (tracks 1, 3)
- Christopher Johnson – co-arrangement (track 1); horns (tracks 1, 3)
- Crystal Torres – co-arrangement (track 1); horns (tracks 1, 3)
- Arnetta Johnson – co-arrangement (track 1); horns (tracks 1, 3)
- Lessie Vonner – co-arrangement (track 1); horns (tracks 1, 3)
- Michael Jones – co-arrangement & horns (track 1)
- Damien Farmer – bass guitar (track 1)
- Peter Ortega – horns (track 3)
- Randy Ellis – horns (track 3)
- Richard Lucchese – horns (track 3)
- 808-Ray – additional programming (track 10)
Technical
- Tyler Scott – string engineering (track 1), recording (tracks 1, 4), assistant mix engineering (tracks 1, 3, 10)
- Stuart White – recording (all tracks); mixing (tracks 1–7, 9)
- Gimel Keaton – recording (tracks 1–3, 5–10); mixing (track 1)
- Mike Larson – recording (tracks 2, 4)
- DJ Durel – recording (track 2)
- Zeph Sowers – recording (track 9)
- Tony Maserati – mixing (tracks 1, 3, 8, 9)
- Leslie Brathwaite – mixing (tracks 4, 6)
- Chris Godbey – mixing (tracks 5, 10)
- Dan Ewins – assistant mix engineering (tracks 2, 5, 7); assistant engineering (track 7)
- Henri Davies – assistant mix engineering (track 8)
- Andy Maxell – assistant mix engineering (track 10)
- Adrien Crapanzano – assistant engineering (all tracks)
- Marcus Locock – assistant engineering (track 1)
- Lester Mendoza – assistant horn recording (tracks 1, 3); assistant string recording (track 1)
- Colin Leonard – mastering (all tracks)
- Teresa LaBarbera Whites – A&R
Production
- Beyoncé – production (tracks 1, 3, 5-10); co-production (track 2); vocal production (track 4)
- Jay-Z – production (tracks 1, 3, 5-10); co-production (track 2); vocal production (track 4)
- Cool & Dre – production (tracks 1, 5, 8, 10)
- Pharrell – production (tracks 2, 4)
- Boi-1da – production (tracks 6, 7)
- Jahaan Sweet – production (tracks 6, 7)
- D'Mile – production (track 3)
- Vinylz – production (track 7)
- !llmind – production (track 7)
- David Andrew Sitek – production (track 9)
- El Michels – co-production (track 1)
- Nav – co-production (track 6)
- Sevn Thomas – co-production (track 6)
- Beat Butcha – co-production (track 10)
- Fred Ball – additional production (tracks 5-7)
- Stuart White – additional production (tracks 2, 3)
- Derek Dixie – additional production (track 3)
- Mike Dean – additional production (track 3)
- MeLo-X – additional production (track 3)
- 808-Ray – additional production (track 5)
- Nova Wav – additional production (track 9)
Charts
Weekly charts
|
Year-end charts
|
Certifications
Region | Certification | Certified units/sales |
---|---|---|
Brazil (Pro-Música Brasil)[106] | Gold | 20,000‡ |
Canada (Music Canada)[107] | Gold | 40,000‡ |
United Kingdom (BPI)[108] | Silver | 60,000‡ |
United States (RIAA)[69] | Gold | 500,000‡ |
‡ Sales+streaming figures based on certification alone. |
Release history
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
Various | June 16, 2018 |
|
[109] | |
June 18, 2018 |
|
[110][111] | ||
July 6, 2018 | CD | [112] | ||
Japan | August 22, 2018 | CD | Sony Music | [113] |
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{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ "Everything Is Love". Beyonce.com. Archived from the original on 2020-09-21. Retrieved 2020-08-01.
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- ^ "EVERYTHING IS LOVE / Beyoncé TIDAL". Tidal. Archived from the original on June 17, 2018. Retrieved June 16, 2018.
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External links
- Everything Is Love at Discogs (list of releases)