Fadl al-Sha'irah

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Fadl al-Shaʻirah
فضل الشاعرة
BornAl-Yamama, Abbasid Caliphate
Diedc. 870/871
Samarra, Abbasid Caliphate
Resting placeSamarra
Pen nameFadl
OccupationPoet
LanguageArabic
NationalityCaliphate
PeriodIslamic Golden Age
(Early Abbasid era)
Spouseal-Mutawakkil

Fadl al-Qaysi or Faḍl al-Shāʻirah (

Arabic: فضل الشاعرة "Faḍl the Poet"; d. 871) was one of "three early ʻAbbasid singing girls ... particularly famous for their poetry" and is one of the pre-eminent medieval Arabic female poets whose work survives.[1]

Life

Born in al-Yamama (now in Bahrain), Fadl was brought up in ʻAbbasid Basra, (now in Iraq). Her brothers sold her to a leading officer of the Caliphate, and he gave her to Caliph Al-Mutawakkil (r. 847–861). Fadl became a prominent figure in the court. According to ibn Annadim, a bibliographer (died 1047), Fadl's diwan extended to twenty pages.[2] Her pupils included the singer Faridah.[3] When Fadl was brought to before al-Mutawakkil the very day she had been given to him, Al-Mutawakkil asked her, "Are you really a poet"? She replied: Those who buy and sell me all say so. He laughed and said "Recite some of your poetry to us" and she recited following verses:

The rightly guided Ruler acceded in the year three and thirty.

A Caliphate entrusted to al-Mutawakkil, when he was seven and twenty Let's us hope, Rightly guided Ruler that your rule goes on for eighty.

God bless you! On all who do not say Amen" — The curse of Almighty

Abu al-Ayna said that the Caliph liked the poem and gave her fifty thousand dirhams.

Fadl was the

concubine of Al-Mutawakkil. She was a poet, born in Al-Yamamah. She was from the Abd al-Qays tribe. She was purchased by Muhammad ibn al-Faraj al-Rukhkhaji, who gave her to Al-Mutawakkil.[4]

She died in 870/71.[5]

Poetry

An example of Fadl's work, in the translation of Abdullah al-Udhari, is:

The following poem was written in response to the poet Abu Dulaf (d. 840) who hinted in a poem that she was not a virgin and he preferred virgins, whom he compared to unpierced pearls.
Riding beasts are no joy to ride until they're bridled and mounted.
So pearls are useless unless they're pierced and threaded.[2]

References

Citations

  1. ^ Qutbuddin 2006, p. 886.
  2. ^ a b Udhari 1999, p. 132.
  3. ^ Farmer 1929, p. 162-3.
  4. ^ Ibn al-Sāʿī 2017, p. 38.
  5. ^ Ibn al-Sāʿī 2017, p. 43.

Sources

  • Farmer, Henry George (1929). A history of Arabian music to the XIIIth century.
  • Qutbuddin, Tahera (2006). "Women Poets". In Meri, Josef W. (ed.). Medieval Islamic Civilisation: An Encyclopedia (PDF). Vol. II. New York: Routledge. p. 866. Archived from the original (PDF) on 2014-02-07. Retrieved 2015-03-29.
  • Udhari, Abdullah (1999). Classical Poems by Arab Women. Saqi Books. .
  • Ibn al-Sāʿī (2017). Consorts of the Caliphs: Women and the Court of Baghdad. Translated by Shawkat M. Toorawa. Introduction by Julia Bray, Foreword by Marina Warner. New York: New York University Press. .