Fairytale fantasy

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Fairytale fantasy is distinguished from other

subgenres of fantasy by the works' heavy use of motifs, and often plots, from folklore
.

History

Perrault's "La Belle au bois dormant" (Sleeping Beauty), illustration by Gustave Doré

Grimm brothers
, despite their intentions being to restore the tales they collected, also transformed the Märchen they collected into Kunstmärchen.

These stories are not regarded as fantasies but as literary fairy tales, even retrospectively, but from this start, the fairy tale remained a literary form, and fairytale fantasies were an offshoot. Fairytale fantasies, like other fantasies, make use of

The Wise Woman
" are commonly called fairy tales.

Genre overview

This genre may include modern fairy tales, which use fairy tale motifs in original plots, such as

Fables
. It can also include fairy tales with the plot fleshed out with characterization, setting, and fuller plots, to form a child's or young adult novel.

Many fairytale fantasies are

revisionist, often reversing the moral values of the characters involved. This may be done for the intrinsic aesthetic interest, or for a thematic exploration. Writers may also make the magic of the fairy tale self-consistent in a fantasy re-telling, based on technological extrapolation in a science fiction
, or explain it away in a contemporary or historical work of fiction.

Other forms of fantasy, especially

comic fantasy, may include fairy tale motifs as partial elements, as when Terry Pratchett's Discworld contains a witch who lives in a gingerbread house, or when Patricia Wrede's Enchanted Forest
is rife with princesses and princes trying to fit in their appointed fairy tale roles.

The settings of fairytale fantasies, like the fairy tales they derive from, may owe less to

world-building than to the logic of folk tales. Princes can go wandering in the woods and return with a bride without consideration for all the political effects of royal marriages. A common, comic, motif is a world where all the fairy tales take place, and the characters are aware of their role in the story,[2] occasionally even breaking the fourth wall
.

Other writers may develop the world as fully as in other subgenres, generating a work that is also, based on setting, a high fantasy, historical fantasy, or contemporary fantasy.

Authors who have worked with the genre include such various figures as Oscar Wilde, Kathryn Davis, A. S. Byatt, Italo Calvino, Angela Carter, Donald Barthelme, Robert Coover, Margaret Atwood, Kate Bernheimer, James Thurber, Isaac Bashevis Singer, Rikki Ducornet, Robert Bly, Katie Farris and Annette Marie Hyder.

See also

References

  1. ^ Diana Waggoner, The Hills of Faraway: A Guide to Fantasy, p 22-3, 0-689-10846-X
  2. ^ K. M. Briggs, The Fairies in English Tradition and Literature, p 195, University of Chicago Press, London, 1967

External links

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