Faltonia Betitia Proba

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De mulieribus claris by Giovanni Boccaccio

Faltonia Betitia Proba (c. AD 306/315 – c. 353/366) was a Latin Roman Christian poet, perhaps the earliest female Christian poet whose work survives. A member of one of the most influential aristocratic families, she composed the Cento Vergilianus de laudibus Christi, a cento composed with verses by Virgil re-ordered to form an epic poem centred on the life of Jesus.

Life

Proba belonged to an influential family of the 4th century, the

Anicia. They had at least two sons, Quintus Clodius Hermogenianus Olybrius and Faltonius Probus Alypius, who became high imperial officers. She also had a granddaughter Anicia Faltonia Proba, daughter of Olybrius and Turrania Anicia Juliana
.

Her family was

Saint Anastasia, who probably belonged to the gens Anicia: Proba and Celsinus could have received the honour of being buried ad sanctos (next to the tomb of a saint), because of the particular veneration of the Anicii for this saint.[6]

With her husband she owned the Horti Aciliorum at Rome, on the Pincian Hill.[7]

Works

Two poems are attributed to "Proba", and only one is

extant. Most modern scholars identify Faltonia Betitia Proba as the author of these works, with the other possible identification being her niece Anicia Faltonia Proba.[8]

Constantini bellum adversus Magnentium

The first poem, now lost, is called Constantini bellum adversus Magnentium (The War of Constantine against Magnentius) by the Codex Mutinensis. It dealt with the war between Roman Emperor

Clodius Celsinus Adelphus, who had been praefectus urbi of Rome in 351, that the same year Italy passed from the sphere of influence of Magnentius to Constantius after the Battle of Mursa Major.[6]

The existence of this first poem is based on the first verses of the second poem. Here Proba rejects her first Pagan composition, and scholars think that the Pagan poem was destroyed according to her will.[9]

Cento Vergilianus de laudibus Christi

Proba's most famous work is a Virgilian cento—a patchwork of verses extracted from several works of Virgil, with minimal modifications—entitled Cento Vergilianus de laudibus Christi (A Virgilian Cento Concerning the Glory of Christ). The 694 lines are divided into a proemium with invocation (lines 1–55), episodes from the Old Testament (lines 56-345), episodes from the New Testament (lines 346–688), and an epilogue (lines 689–694).[10]

References

Citations

  1. ^ Fassina.
  2. ^ Anthony Wagner, "Pedigree and Progress – Essays in the genealogical interpretation of history, Phillimore, London, (1975) Pedigree 22, page 180
  3. ^ Herbermann, Charles, ed. (1913). "Faltonia Proba" . Catholic Encyclopedia. New York: Robert Appleton Company.
  4. , p. 229.
  5. ^ CIL VI, 1712.
  6. ^ a b Lizzi Testa.
  7. ^ Samuel Ball Platner, "Horti Aciliorum", A Topographical Dictionary of Ancient Rome, Oxford University Press, 1929.
  8. ^ Green 1995, p. 551.
  9. , p. 65.
  10. ^ Arbea, Antonio. "El Carmen Sacrum de Faltonia Betitia Proba, la Primera Poetisa Cristiana". Pontifical Catholic University of Chile. Retrieved November 25, 2015.

Bibliography

External links