Fender Contempo Organ
| Fender Contempo Organ | |
|---|---|
Fender | |
| Dates | 1967–1969 |
| Technical specifications | |
| Polyphony | Full |
| Synthesis type | Electronic |
| Effects | Vibrato, tremolo |
| Input/output | |
| Keyboard | 61 keys |
The Fender Contempo Organ is a
History
In the early to mid-1960s, there was an influx of inexpensive portable
By the time the instrument was introduced on the market, combo organs were on the wane and the Hammond organ and electric pianos were becoming more popular. There was a limited amount of trade interest, and consequently production ended in 1969.[2] Bill Carson, who designed the Fender Stratocaster, was particularly scathing about the instrument, calling it "the Contemptuous" and "a pile of junk". He attributed the problems to CBS' acquisition of Fender in 1965, which reduced the quality of the company's product range.[3]
Features
The Contempo featured a keyboard built by Pratt-Read, who also helped construction with the Rhodes,[2] and was enclosed in a similarly styled black vinyl cabinet. It was single-manual instrument with 61 keys. The bottom octave's keys were reverse-colored as on a Harpsichord which could be used as a separate bass section or act as an additional octave to the main tones. A series of rocker switches allowed selection of 16', 8', 5⅓' and 4' tones, and vibrato and tremolo options.[1] The 5⅓' stop was designed to allow the Contempo to sound closer to a Hammond than similar combo organs.[4] The vibrato and tremolo options are driven off the same circuitry, and consequently are in sync with each other.[5] Each voice had an additional "boost" switch that changed its volume.[1]
Sonically, the instrument lay somewhere between the thick weedy "buzz" of a
Two different cases were available for the Contempo. The more common version had handles on both the case lid and bottom, while the other had tapered edges and both handles on the lid.[5]
Controls
The Contempo has a number of different voices. Each one has different switches to select volume (f/ff/fff)) by activating certain resistors. This is conceptually similar to the drawbars on a Hammond organ.[4][5]
- Bass Voices: Diaphone 16', Boost 16' f/ff/fff, String Bass 8', Boost 8' f/ff/fff, Horn 4', Boost 4' f/ff/fff
- Normal/Solo Switch: Switches the bass section between Bass and Solo voices
- Treble Voices: Cello 16, Diaphone 16, Boost 16 f/ff/fff, Diaphone 8, String 8, Clarinet 8', Boost 8' f/ff/fff, Quint 5-1⅓', Boost 5-1⅓' f/ff/fff, String 4', Principal 4', Boost 4' f/ff/fff,
- Effects: Solo Timbre, Vibrato Slow/Fast, Vibrato On, Solo Tremolo
Users
The Contempo was commercially unsuccessful and few models were manufactured, and was not used by many professional musicians.[6] Keith Jarrett played a Contempo in Miles Davis' group, after Fender had given Davis the instrument.[3][7] It can be heard together with the Rhodes piano on the album Live-Evil and by itself on some live recordings with Davis, when Chick Corea took over the Rhodes and Jarrett only played the Contempo.[3]
References
Citations
- ^ a b c Lenhoff & Robertson 2019, pp. 206–207.
- ^ a b c Vail & Carson 2000, pp. 260–261.
- ^ a b c d e Lenhoff & Robertson 2019, p. 207.
- ^ a b Vail & Carson 2000, p. 260.
- ^ a b c d "Fender". Combo Organ Heaven. Retrieved 25 March 2022.
- ^ Vail & Carson 2000, p. 261.
- ^ Warner 2017, p. 75.
Sources
- Lenhoff, Alan; Robertson, David (2019). Classic Keys: Keyboard sounds that launched rock music. ISBN 978-1-57441-776-0.
- Vail, Mark; Carson, Barry (2000). Vintage Synthesizers. Backbeat Books. ISBN 978-0-879-30603-8.
- Warner, Dan (2017). Live Wires - A History of Electronic Music. Reaktion Books. ISBN 978-1-78023-871-5.
External links
- The Fender Contempo Organ - Chicago Electric Piano Company
- Fender Contempo Organ demo